elizabeth a duffy _ portfolio

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A Collection of Creative Works. E.A.D. Elizabeth Anne Duffy

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A compilation of creative work after five years of studying architecture at the University of Miami, Coral Gables.

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Page 1: Elizabeth A Duffy _ Portfolio

A Collection of Creative Works.

E.A.D.Elizabeth Anne Duffy

Page 2: Elizabeth A Duffy _ Portfolio

HAND DRAFTED

FREEHAND SKETCH

GRAPHIC DESIGN

DIGITAL WORK

Page 3: Elizabeth A Duffy _ Portfolio

MISSION STATEMENT

Throughoutmyfiveyearsofarchitecturaleducation,I’veworked rigorously to hone my skills in preparation for a successful future as a professional.Allofmylifeexperienceshaveattributedtomypassionforthisprofession,fromgrowingupinNewYorkCity,toattendingArchitectureSchoolattheUniversityofMiami(CoralGables),tostudyingabroadinRome&St.Petersburg,andeveryexperienceinbetween.Theseopportunitieshaveallowedmetodevelopauniqueskillset,possessingadeptcomputerskillsinAutoCAD,Revit,GoogleSketchUp,AdobePhotoshop,InDesign,&Illustrator,inadditiontoindepthhanddrafting,sketching&watercolorabilities.Theseskillssetmeapartasayoungprofessional;myabilitytoquicklysketchmyideasonpaperenablesmetocommunicatemydesignmoreeffectively.Throughcombiningmedia,Iamabletopresentmydesignsinadynamicway.AsaPrintJournalismMinor,Iwasabletogainexperienceinlayoutdesign&journalisticwriting,havingtheopportunitytowritearticlesformyschoolnewspaper,TheHurricane.WithaCertificateinHistoricPreservation,whichservedasanadditionalminor,Ihaveextensiveknowledgeinthefieldofpreservation,restoration&rehabilitation.IamalsoacertifiedLEEDGreenAssociate,eagertobecomemoreinvolvedinGreenDesign,withthehopetobecomeaLEEDA.P.inthenearfuture.

Page 4: Elizabeth A Duffy _ Portfolio

COTTONWOODAPARTMENTCOMPLEX,COTTONWOOD,UTARC203-Fall2009-Prof.OscarMachadoInk on Mylar

Thisproject,locatedinCottonwood,UT,proposesanapartmentbuildingwithretailonthegroundfloorforthenewdowntowncommunity.Theprojectaimedtocomprehensivelyevaluateapartmentlayoutsduringaweeklongcharrettewithfellowstudios,wherestudentsthoroughlyanalyzedapartmenttypologies.Theprojectincor-porateslocalarchitecturalaesthetictolendthebuildingasenceofplace.ToenhancethefuturedowntowncommunityinCottonwood,retail,parkingandstoragespaceswerelocatedonsite.Theapartmentsareefficientintheirlayouts,allowingspaceforammenitiessuchasbalconiesandlaundryroomsineachapartment.

^ GROUND FLOOR PLAN

^ SECOND FLOOR PLAN

GROUNDFLOOR:

1. RetailSpace

2. FrontLobby

3. SecondaryLobby

4. Garage

5. Storage

SECONDFLOOR(tyPiCAL):

1. Unit Type A

2. Unit Type B

3. Unit Type C

COttONwOOD, Ut

^ SHORt SECtON A-A

Page 5: Elizabeth A Duffy _ Portfolio

HANDDRAFTED

UNIT A1. Kitchen

2. Living/Dining

3. Bathroom

4. LaundryRoom

5. Bedroom

6. Master Suite

7. Master Bath

8. Balcony

UNIT B

1. Kitchen

2. Living/Dining

3. LaundryRoom

4. Bathroom

5. Bedroom

6. Balcony

UNIT C

1. Kitchen

2. Living/Dining

3. LaundryRoom

4. Bathroom

5. Bedroom

6. Master Suite

7. Master Bath

8. Balcony

^ LONG ELEVAtiON ALONG MAiN StREEt

Page 6: Elizabeth A Duffy _ Portfolio

SCHOONERBAYBALLROOM,GREATABACOISLAND,BAHAMASARC203-Fall2009-Prof.JakeBrillhartInk on Mylar

AproposedballroomdesignforthenewtownplanofSchoonerBayintheBahamasisanintegralpartofthetowncenterforthefutureplannedcommunity.Thebuildingwillserveasaculturalhubforlocals,hostingeventsyearround.TheprojectincorporatestraditionlBahamiandesignaesthetic,utilizingcoveredporches,cascadinggardenspace,andwoodconstruction.Throughconductingdaylightingandventilationstudeies,theprojectwasabletoenforceGreenArchitecturalidealsthroughoutthebuilding.TheintegratedlocalaestheticinthedesignprovidesasenceofplacetotheproposedBallroom,anchoringtheprojecttotheBahamianCommunity.

Atlantic Ocean

Great Abaco Island

Schooner BayFIRSTFLOORPLAN

MAINENTRYOFBALLROOMWITHOFFICES,RETAIL&GALLERYSPACE,COVEREDPORCHESINFRONTANDREAR,&LARGEGARDENSPACEINREAR.

^ LONG SECtiON tHROUGH BALLROOM & GARDEN

< Theproposed2nd story ballroomcreatesaflexibleopenfloorplan,which facilitates versitile room layouts for events.The coveredporches,runningthewidthofthebuilding,enableairto circulate throughout the space,takingadvantage of natural ventilation.

Page 7: Elizabeth A Duffy _ Portfolio

^ 3D ViEw OF BALLROOM iN tOwN CENtER

^ AXONOMEtRiC ViEw OF GARDEN ^ AZiMUtH StUDy: wiNtER SOLStiCE ^ AZiMUtH StUDy: SUMMER SOLStiCE ^ LiGHtiNG ANALySiS

HANDDRAFTED

Page 8: Elizabeth A Duffy _ Portfolio

DIGITALWORK

Page 9: Elizabeth A Duffy _ Portfolio

“VIEWFROMTHENEVA”,STPETERSBURG,RUSSIAARC407,OpenCityStudio,St.PetersburgProf.TeofiloVictoria,AdibCure,JorgeTrelles,&RafaelFornesAutoCAD&PhotoShop

ThisdrawingdepictsaniconicvedutaofSt.Petersburg,lookingacrosstheNevaRivertotheHermitagePlazawiththeWinterPalace,AdmiraltyBuilding&AlexanderColumnanchoringtheview.ThisdrawingwasconstructedonAutoCadthroughcombininghistoricdocumentationofeachdepictedbuildingwithonsitemeasurementstocreateonecohesiveimageofthecity.TheboarderofthevedutaisanexcerptfromAleksanderPushkin’sinfamouspoem,The Bronze Horseman,apoemwhichhashadalastingimprintonRussianLiterature.TheselectedexcerptpaintsapictureofthesplendorofSt.Petersburg.Thedrawingandpoemcombinedreflecttheelaborate&ornatearchitecturalaestheticwhichcomposesthecityknownasthe“WindowtotheWest.”

Page 10: Elizabeth A Duffy _ Portfolio

MATERIALSPALLETTE:

1. TRAVERTINEPLAZA

2. SALVAGEDSTONEWALLS

3. COPPERCLADDING

4. HARDWOODSIDING,TEAK

5. GLASSCURTAINWALLPANELS

6. BRUSHEDALUMINUM

7. COPPERPAINTEDMOULDINGS

1. 2. 3. 4. 5.6.7.

MIAMIMARITIMEMUSEUM-MUSEUMPARK,MIAMI,FLARC306(COMPREHENSIVESTUDIO)-PROF.ADAMKRANTZREVIT-CAD-PHOTOSHOP-INDESIGN

TheMiamiMaritimeMuseumisasignificantculturalcenterfortheDowntownCommunity.Here,visitorscanappreciateMiami’sinfluentialroleinmaritimehistory.Throughincorporatingcascadinglawns&plazasandintegratedgardenspaces,visitorsareabletoappreciatethesignificantlandmarkssurroundingMuseumPark.Visitorsenterthemuseum12’abovegrade,offeringauniquevan-tagepointofthecity.Thesmallerexteriorgalleries,withoutdoorviewingdecks,allowvisitorstoeasilycirculatearoundthetripplestorymainexhibitionspace.Uponreturningtothemainhall,patronsgainamoreindepthunderstandingofMiami’smaritimehistory,andamoreuniquepersspectiveontheexhibit. ^ AERiAL ViEw FROM DOwNtOwN

SITEPLANWITHROOFPLAN

UPPERLEVELPLAN

^ CROSS SECtiON tHROUGH MAiN GALLERy AND SiDE GALLERiES

DIGITALWORK

Page 11: Elizabeth A Duffy _ Portfolio

^ ViEw OF MAiN EXHiBitiON HALL ^ ViEw FROM MUSEUM PARK ^ ViEw FROM BOARDwALK ON BOAt SLiP

< TheprojectsuccessfullyincorporatesauniqueHVACsystemwhichwasevaluatedandcalculatedtofitthenecessaryrequirementsforthevolumeofthebuilding.The system utilizes both functionalandaestheti-callyintriguing&uniqueairducts,inspiredbypar-ascopes seen in nautical construction.

^ DEtAiL wALL SECtiON

Page 12: Elizabeth A Duffy _ Portfolio

< A brick screen employs modernuseofthisdynamicbuildingmaterialwhichwasan essential part of the ellaborateandcomplex construction of Ancient Rome.Showcasingtheevolutionofbrick,the modernfacadesrisefromtherusticatedbaseofthebuidings,emmulatinghowthearchitectureofmodernRomewasconstructedatopthe Ancient ruins of the city.

CENTROPERBELLEARTI,FOROITALICO,ROME,ITALYARC509-Fall2012-Prof.EdgarSarliRevit-CAD-Photoshop-InDesign

TheCentroperBelleArtiislocatedatthesouthernendofMussolini’sForoItalicoinnorthernRome,anareawheremodernismhasfoundahome.Here,artistsattendsixmonthfellowships,immersingthemselvesinRomancultureasinspirationfortheirart.TheCenteriscomposedofthreebuildings,separatingwork,study,&livingspacesthroughtheplacementofgardens&plazasasspatialtransitions.Thejuxtapositionofthethreebuildingscreatesacolonadedinteriorstreet,flankedbyretail&publicgalleries,funnelingpatronstothetranquilreargarden.Thistran-sitionfromtighttoopenspacesimmulatestheexperienceofwalkingthroughthemedievalstreetsofHistoricRome,followedbythereliefofarrivingatanopenplaza.Afootbridgeconnectsbuild-ingsA&Bonthesecondlevel,aprivateaccesspointbetweenthedormitories&studiospaces.

LOCAtiON MAP, ROME >

^ SECtiON/ELEVAtiON tHROUGH SUNKEN PLAZA LOOKiNG wESt

SECTIONDIAGRAMINDICATINGUSE

GALLERy

REtAiL

GyM & BiKE StORAGE

COMMON ROOMS

DORMitORiES

BACK OF HOUSE

AUDitORiUM

LiBRARy

CLASS/OFFiCE SPACE

StUDiOS

VIEWFROMPLAZA

VIEWOFTYPICALSTUDIOSPACE

DIGITALWORK

Page 13: Elizabeth A Duffy _ Portfolio

^ ViEw OF MAiN GALLERy^ GROUND FLOOR PLAN iN CONtEXt

^ SOUtH ELEVAtiON/SECtiON CUt tHROUGH BiKE PAtH

LIVE (A)BASEMENT: BIKE STORAGE; GYMLEVEL 1: RETAIL; LOBBY; CAFELEVEL 2: CLASSROOMS; OFFICESLEVEL 3 & 4: APARTMENTS

WORK (B)LEVEL 1: GALLERIES; RECEPTION HALL & MAIN LOBBYLEVEL 2-3: STUDIOS

STUDY (C)LEVEL 1: AUDITORIUMLEVEL 2 & 4: READING ROOMLEVEL 3 & 5: MEZZANINE STACKS

PLAY (G)GARDEN 1: SUNKEN PLAZAGARDEN 2: RUSTIC GARDENGARDEN 3: FOUNTAIN GARDENGARDEN 4: BIKE PATH

^ ViEw OF PLAZA tHROUGH tUNNEL

n

Page 14: Elizabeth A Duffy _ Portfolio

ROPERSTFRANCISHOSPITAL,BERKELEY,SOUTHCAROLINAARC510,HealthcareStudio-Spring2013-Prof.JoannaLombardCAD-Photoshop-InDesign-Sketches,Ink&PrismaColor-Watercolor

ConvenientlylocatedoffmainHighways176and17A,CarnesCrossingisanewplannedcommunitynesseledinthewoodedwetlandsoftheLowCountry.RoperSt.FrancisHospital,BerkeleyCounty,isatthecenterofthiscommunity,servingasasourceofstabilityandcultureforlocals.Flankingthemainboulevard,hospitalresourc-esarebroughtdierctlytothecommunity;themorepublicfunctionsaresituatedalongthemainboulevard,whilethemoreprivatefunctionsflankthewetlands.Thispedestrianfriendlyareaincorporatesplazasandsmallgardenstodrawthecommunitytothebuilding,athemethatisrepeatedtrhoughoutthetownplan;aseriesofgardensandsmallparksdrawlocalsthroughthetown.Anaturetrailsurroundingthecommunityoffersatran-sitionfromtherusticwetlandstotheurbancommunity.Carefulconsiderationforlocalarchitecturaltypologiesguidedthedevelopmentoftheelevation;thebolduseofbrick,stairtowers,coveredcolonadedwalkways&themonumentalcentraltowerallowthehospitaltobecomeasignificantsymbolforthecommunity.

5

43

2

1

< MAP OF ROPER St. FRANCiS HOSPitAL LOCAtiONS

1. ROPER HOSPitAL

2. BON SECOURS St. FRANCiS HOSPitAL

3. ROPER HOSPitAL, NORtHwOODS

4. Mt. PLEASANt HOSPitAL

5. ROPER HOSPitAL, BERKELEy

^ tOwN PLAN OF CARNES CROSSiNG, BERKELy, SOUtH CAROLiNA

RESiDENtiAL LOtS

CiViC AND HOSPitAL BUiLDiNGS

wEtLANDS

<HIGHWAY 176 >

<HIGHWAY17-A

>

ELEVAtiON OF MAiN DROP OFF >

< The elevation of the hospital implements traditionaldesignaesthetictypicalof“LowCountry”architecture,incorporatingrobustredbrickfacadeswitha

rusticatedbase.

DIGITALWORK

Page 15: Elizabeth A Duffy _ Portfolio

EMERGENCy DEPARtMENt

DIAGNOSTICS

CENtRAL LOBBy &PUBLiC CiRCULAtiON

ADMiNiStRAtiVE OFFiCES

REHAB & wELLNESS

PUBLiC AMENitiES

GROUNDFLOORKEY >

SURGiCAL DEPARtMENt

BACK OF HOUSE CiRC.

LOADiNG/SERViCE

PARKiNG

< tyPiCAL HOSPitAL ROOM BAy

PATIENTROOM:

ThePatientRoomsarein-tendedtoprovideacom-fortablesettingwherepatients can feel at ease. Withfamiliarandwarmmaterials,suchaswoodbookshelvesandfloors,patients feel at home. The room incorporates inboardedbathroomswhichcreateasittingareafor family members.

^ ELEVAtiON ALONG HiGHwAy 176

GROUND FLOOR PLAN iN CONtEXt ^

Page 16: Elizabeth A Duffy _ Portfolio

^ ROOM PLAN, MEZZANiNE

^ ROOM PLAN

^ SECOND & tHiRD FLOOR PLAN

HOTELPACKARD,HAVANA,CUBAARC408-FALL2011-Prof.SoniaChaoCAD-Photoshop-InDesign

Theproposedre-designofthePackardHotelinHistoricOldHavanafocusesonincorporatingtraditionalCubandesignaestheticintoaninnovativeandrationaldesign,anchoringthemostprominentcornerofthecity.Thehotel’saestch-eticisinspiredbythesignificanthistoricarchitetureseenthroughoutHavana,whichnowstandsinnearruin.Theclas-sicalinspiredplansandelevationsrespectthesurroundinghistoricbuildingswhileshowcasingthecomplexdetailsofCuban architectural typologies.

DIGITALWORK

Page 17: Elizabeth A Duffy _ Portfolio

MainLobbyPlanwithInteriorElevations.The main lobby space serves as a transition fromthebusystreetsofHavanatotheinteriorcourtyardsofthebuilding.ThistransitionistypicalintraditionalCubandesign,transition-ing visitors from public space to private space. WiththeuseofCubantiledfloors,doubleheightcolumnsandsmallintimateseatingareas,thelobbywelcomesvisitorstothePack-ardHotel.

<

< AsanadditiontothestandingremainsoftheformerHotelPackard’sfacade,thedesignrecallstheaestheticoftraditionalCubanarchetypes.Thehotel’sdesignemulatesthetypicaltransitionthroughtheCubanhouse, bringing guests from the public realm to privatespacethroughaseriesofcourtyards.

Page 18: Elizabeth A Duffy _ Portfolio

^ VenetianGothicArchesPalazzoDucale,PiazzaSanMarco,VenziaRomeProgram-Fall2012

^ MuseoNazionaleRomano,Rome,ItalyRomeProgram-Fall2012PastelonPaper

^ FontanalaTortugaRomeProgram-Fall2012PencilonPaper

Page 19: Elizabeth A Duffy _ Portfolio

^ Sant’IvoallaSapienza,RomeRomeProgram-Fall2012PencilonPaper

FREEHANDSKETCH

Page 20: Elizabeth A Duffy _ Portfolio

^ CattedraledeCefalù,Cefalù,SicilyRomeProgram-Fall2012-Prof.CarmenGuerrera Water Color in Sketch Book

^ FigureDrawingStudyRomeProgram-Fall2012-Prof.E.SarliPastelonNewsprint

^ (Above)HarmonicProportionsStudy,PantheonRomeProgram-Fall2012-Prof.S.ChaoWaterColor&InkonPaper

Page 21: Elizabeth A Duffy _ Portfolio

^ RuinsatPaestum,Paestum,SicilyRomeProgram-Fall2012-Prof.CGuerrera Water Color in Sketch Book

Lilac-BreastedWarbler,TarangireNationalPark,Tanzania ^RecreationalDrawing-Summer2013

Water Color in Sketch Book

FREEHANDSKETCH

Page 22: Elizabeth A Duffy _ Portfolio

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e V

JUNE 2013 NO. 648

www.vmagazine.com

FEATURED STORIES

ET CETERA

THE INSIDE SCOOP

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118

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92

SUMMER HAIR GUIDEBy JOHN DOERevitalize your hair style with these helpful tips. Follow our style guide to amp up that old hair-do this summer, getting your hair in shape for the season.

7 DEADLY SINS OF SUMMER

EDITOR’S LETTER

BEHIND THE SCENE’S ROLL THE CAMERA

CONTRIBUTORS

QUESTIONAIRRE WORK LOOKS FOR SUMMER

SUMMER VACATION, LIVE ON THE EDGEBy JOHN DOEV MAGAZINE takes a look at some of the hottest vacation destinations for the season. Wish you were here? ake a peak!

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20 | V Magazine | www. vmagazine.com June 2013 June 2013 www.vmagasine.com | v magazine |

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62SUMMER 2013

high voltageFaShioNphotographed byMario teStiNo

THE ELECTRIC SUMMER

GET THE SUMMER

SQUEEZESPLASH INTO SUMMER

NEW HAIR-DOHOW-TO

AND THE SEVENDEADLY SINSOF SUMMER

PRINTJOURNALISM&GRAPHICDESIGN

ThroughstudyingPrintJournalismasmyminor,IwasabletogainaextensivecomprehensiveknowledgeinlayoutdesignandfurtherenhancemyskillsinPhotoshop&InDesign.

MagazineDesign:CoverPage^

CNJ321:NewspaperEditing&LayoutSpring2013-Prof.RandyStano

MagazineDesign:TableofContents^

CNJ321:NewspaperEditing&LayoutSpring2013-Prof.RandyStano

^ MediterraneanTileDesignARC110-Spring2009ColoredPencilonPaper

Page 23: Elizabeth A Duffy _ Portfolio

June 2013 www.vmagasine.com | v magazine |

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Style Guide

RETHINK youR looKS UMMER HAIR

MAKE OLD HAIR STYLES FEEL NEW WITH THESE QUICK GUIDELINES TO AMPUP YOUR OLD ‘DO. QUICK STEPS TO MAKE YOUR HAIR FEEL LIKE NEW AGAIN.

57

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GO BRIGHTBY JANE DOE

BSe dereoris hicaece rniquam nostora cristam cons patant, se int, nihil com-

nius, firma, utesi issimus, Aciorte mnihilicaesi publi, Castem tabunih iliure pere cut inemus, num iacchum host? Ravocchil hocaest erionsus

convem num te, etem ina, dii in viri senius la quam ures coente tent Catum ad si scibunu lvivesc rescer-urem sum publint.Curor larissi mumederi-

stes host facta nonscrem ius, non serius popostia-mpra primmo ment. Ti. Il hostero, Catum aci patiost firmante, C. Ossi erit, clemnequo te,

nic me tatin tum detis nosserei se nostravo, uteri-tus aut ad cultoratis esside-pone con Etra int? Ebemn-eque adentea vis.

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INTO SUMMER

Fashion

133

| V Magazine | www. vmagazine.com June 2013 June 2013 www.VMagasine.coM | V Magazine |

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MAKE A VIBRANT SPLASHSUMMER HAIR GUIDEBy JOHN DOE

UEped quibus acimet qui conserc hillaut latur mag-nis ulpa volum estotam arum facerum dolor aut pa essequatur modios volute liat harum, odiatiae atum eosam autemqu aepudis nonsedis alicill iquiatiis excest

volorumque minim experci omnihitatia cus et ute vent aspero beriore pedignia pero inis acilibusdae laccum iNequam qua-meni stotas alit ra cuptam quis si qui que magnam aspitiorro et as ant accaepu damendia si verum esto odia quid eum estenda niminus eles doluptaquias non coreper spiciet que voluptatist untus conse molupta pedis apis mi, ipit recabo. Xim aut ali-taquis sequam inullectenda dit dunt facest lant occus asperibus sit lat.Cearunte vollora eruptin ventus et facia cusapis aut harione

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134

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UEped quibus acimet qui conserc hillaut latur magnis ulpa volum estotam arum facerum dolor aut pa essequatur modios volute liat harum, odiatiae atum eosam autemqu aepudis nonsedis alicill iquiatiis excest volorumque minim experci omnihitatia

cus et ute vent aspero beriore pedignia pero inis acilibusdae laccum iNequam quameni stotas alit ra cuptam quis si qui que magnam aspitiorro et as ant accaepu damendia si verum esto odia quid eum estenda niminus eles doluptaquias non coreper spiciet que voluptatist untus conse molupta pedis apis mi, ipit recabo. Xim aut alitaquis sequam inullectenda dit dunt facest lant occus asperibus sit lat.Cearunte vollora eruptin ventus et facia cusapis aut harione

ctoreicae nis nosapis alit estendusapis apereiundam, sit aute nate nam dersped quo tem facepudis eatis assitatus volorep elibusdae. Ut a natemolendae adipsandit quis as explante re volore, nullaborio volo omni alit quo consendae vidunt.Eque dolorep ernate veressit utet di odipsumqui que a que

vellam quaecul landunt.Gent auda nus nis velenet demodit pratem

ellant ut volorepudi ommo quis nulloreium ium quam event dolorio illiquid modionse-cate officatus et as magnisquas eaque non parcillest res duntempori imenihil idebitione nates milicia erunt.Tas int, tem il inverum imagnat ectiate

mporrunt ut omnimo et ipis quis rernatin perum quaessitis cus corernatur aceaquo ditions ecullecto voluptatqui ratectium ania dolenis ut ipientur? Et aut facestibus eaquis antionsequae cusamet quatus, sed moditatur a adisita tusdam lati natures assunt porum aliqui quasper rovidus veni corem liquuntem et et rempe pe odicit fugitiatur simus re solorpo reptaque

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1. 5.

2. 6.

3. 7.

4. 8.

DESIGNERConsultius pecondam ununtrae nitra.

DESIGNERConsultius pecondam ununtrae nitra.

DESIGNEROpim deri patursu ltorio C. Serce.

DESIGNEROpim deri patursu ltorio C. Serce.

DESIGNERIberspelitio. Nam se omnia con.

DESIGNERIberspelitio. Nam se omnia con.

DESIGNERNam. Fere at. Abut ipio vic iachum.

DESIGNERNam. Fere at. Abut ipio vic iachum.

DESIGNER $80Consultius pecondam ununtrae nitra.

135

ISSASUMMER 2013

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^ magazine design: two page spread, opener

^ magazine design: two page spread

MagazineDesign:OnePageOpener^

CNJ321:NewspaperEditing&LayoutSpring2013-Prof.RandyStano

Note:Creditforworkattributedtolayoutdesign&

PhotoShopeditingof content; original photosnotcredited

to author.

GRAPHICDESIGN