emc 3130/2130 lecture eight - editing and post

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EMC 3130 Editing Lecture

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EMC 3130/2130 Lecture Eight - Editing and Post

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Page 1: EMC 3130/2130 Lecture Eight - Editing and Post

EMC 3130Editing Lecture

Page 2: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

Page 3: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

Page 4: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

Page 5: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

EDITING is putting these pieces back together in a way that …

Page 6: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

EDITING is putting these pieces back together in a way that …

…makes sense (CONTINUITY),

Page 7: EMC 3130/2130 Lecture Eight - Editing and Post

PRODUCTION is breaking time and space apart into various, often representative pieces.

EDITING is putting these pieces back together in a way that …

…makes sense (CONTINUITY),

AND/OR

adds meaning and impact (MONTAGE).

Page 8: EMC 3130/2130 Lecture Eight - Editing and Post

http://youtu.be/g8lyL8B_vBo

Page 9: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

http://www.youtube.com/watch?v=5GdYMEvbje8

Page 10: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities.

Page 11: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities.Harmony - Compatibility; items that work together.

Page 12: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities.Harmony - Compatibility; items that work together.Dissonance – Harsh, discordant combination of elements.

Page 13: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

http://youtu.be/JzqumbhfxRo

Page 14: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and Dissonance

http://www.youtube.com/watch?v=8lyBGp-O038

Page 16: EMC 3130/2130 Lecture Eight - Editing and Post

Cutting to Music

http://youtu.be/UDjisQCWA1g

Page 17: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

Page 18: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

Page 19: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

https://vimeo.com/19793031

Page 20: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

http://vimeo.com/5410762

Page 21: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

http://mtmedia.mtsu.edu:8888/ebowen/Solitude%20Short.mov

Page 22: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

http://vimeo.com/6189986

Page 23: EMC 3130/2130 Lecture Eight - Editing and Post

Counterpoint, Harmony and DissonanceRHYTHM AND PACE

https://vimeo.com/67910992

Page 24: EMC 3130/2130 Lecture Eight - Editing and Post

Editing is the process that sometimes transforms a miscellaneous collection of badly focused, poorly exposed, and horribly framed shots containing reverse screen directions, unmatched action, disappearing props and hair in the aperture, but not containing any close-ups, cut-ins or cut-aways, into a smooth, coherent, and effective visual statement of the original script...for which the director takes the credit.

Page 25: EMC 3130/2130 Lecture Eight - Editing and Post

Modern Romance

http://www.youtube.com/watch?v=dlY-AyVW_CI

Page 26: EMC 3130/2130 Lecture Eight - Editing and Post

All That Jazz

http://mtmedia.mtsu.edu:8888/ebowen/All%20That%20Jazz%20Edit%20Bay.mov

Page 27: EMC 3130/2130 Lecture Eight - Editing and Post

Kuleshov

http://mtmedia.mtsu.edu:8888/ebowen/Hitchcock%20explains%20about%20CUTTING.mp4

http://mtmedia.mtsu.edu:8888/ebowen/Hitchcocks%20Pure%20Cinema-%20The%20Kuleshov%20Effect.mp4

Page 28: EMC 3130/2130 Lecture Eight - Editing and Post

Transitions

http://www.youtube.com/watch?v=KQIWywngiLI

Page 29: EMC 3130/2130 Lecture Eight - Editing and Post

Transitions

Page 30: EMC 3130/2130 Lecture Eight - Editing and Post

Transitions

http://youtu.be/z0Kg2msYDY0

Page 31: EMC 3130/2130 Lecture Eight - Editing and Post

Techniques

http://vimeo.com/14579570

Page 32: EMC 3130/2130 Lecture Eight - Editing and Post

Techniques

http://vimeo.com/23045258

“What is drama, after all, but life with the dull bits cut out…”Alfred Hitchcock

Page 33: EMC 3130/2130 Lecture Eight - Editing and Post

Techniques

http://vimeo.com/23045787

“What is drama, after all, but life with the dull bits cut out…”Alfred Hitchcock

Page 34: EMC 3130/2130 Lecture Eight - Editing and Post

TechniquesCutaways and Inserts

http://youtu.be/IsQmJbnFUEg

Page 35: EMC 3130/2130 Lecture Eight - Editing and Post

TechniquesCutaways and Inserts

http://youtu.be/pMY5Om5Ek2g

Page 36: EMC 3130/2130 Lecture Eight - Editing and Post

TechniquesCutaways and Inserts

http://youtu.be/P2XVS6-q7Xc

Page 37: EMC 3130/2130 Lecture Eight - Editing and Post

TechniquesCutaways and Inserts

Page 38: EMC 3130/2130 Lecture Eight - Editing and Post

Walter Murch’s Six Criteria for What Makes a Good Cut

• 1. Emotion - Does the cut reflect what the editor believes the audience should be feeling at that moment? 51%

• 2. Story - Does the cut advance the story? 23%• 3. Rhythm - Does the cut occur at a moment that is rhythmically

interesting and right? 10%• 4. Eye-trace - Does the cut pay respect to the location and

movement of the audience’s focus of interest within the frame? 7%

• 5. Two-dimensional plane of screen - Does the cut respect the 180-degree rule? 5%

• 6. Three-dimensional space of action - Is the cut true to the physical/spatial relationships within the environment? 4%

Page 39: EMC 3130/2130 Lecture Eight - Editing and Post

Walter Murch’s Six Criteria for What Makes a Good Cut

• Make Sense - 16%• Create Meaning and Impact – 84%

Page 40: EMC 3130/2130 Lecture Eight - Editing and Post

Edward Dmytryk

• 1) Never make a cut without a positive reason • 2) When undecided about the exact frame to

cut on, cut long rather than short • 3) Whenever possible cut on movement • 4) The fresh is preferable to the stale • 5) All scenes should begin and end with

continuing action • 6) Cut for proper values rather than proper

matches • 7) Substance first - then Form

Page 41: EMC 3130/2130 Lecture Eight - Editing and Post

Editing - The Basics, Man

http://www.youtube.com/watch?v=aQKiqUJ6Apc

Page 42: EMC 3130/2130 Lecture Eight - Editing and Post

My Cardinal Rule

• Unless you are trying to make a VERY specific point, never let your subject exit one shot and then enter in the next. Your subject should still be in picture on the last frame of the first shot and in picture in the first frame of the following shot.

Page 43: EMC 3130/2130 Lecture Eight - Editing and Post

Continuity

http://youtu.be/rSnCu43QzeY

Page 44: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule

http://www.youtube.com/watch?v=eaSQEpT4DHU

Page 45: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule

http://www.youtube.com/watch?v=eaSQEpT4DHU

Page 46: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule

http://youtu.be/ya02fT1q18k

Page 47: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule

http://youtu.be/G4KFM_CLoQ0

Page 48: EMC 3130/2130 Lecture Eight - Editing and Post

Continuity Editing

http://www.youtube.com/watch?v=8xauSCz1mEk

Page 49: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule?

http://mtmedia.mtsu.edu:8888/ebowen/Insider.mp4

Page 50: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule?

http://youtu.be/EXwnNxN9Y-k

Page 51: EMC 3130/2130 Lecture Eight - Editing and Post

180 Degree Rule?

http://mtmedia.mtsu.edu:8888/ebowen/preview%20clip%20Episode%201%20-%20Luther%20-%20Series%202%20-%20BBC%20One.mp4

Page 52: EMC 3130/2130 Lecture Eight - Editing and Post

24 - 180 Degree Rule?

• http://www.hulu.com/watch/1837/24-tony-interrupted

Page 57: EMC 3130/2130 Lecture Eight - Editing and Post

Focal Points

http://youtu.be/VT-dif7PQbI

Page 58: EMC 3130/2130 Lecture Eight - Editing and Post

Split Edits

http://www.youtube.com/watch?v=iPs45yC3oXE

Page 59: EMC 3130/2130 Lecture Eight - Editing and Post

A Frame Matters

http://mtmedia.mtsu.edu:8888/ebowen/Cutting%20Edge%20002%20A%20Frame%20Matters.mov

Page 60: EMC 3130/2130 Lecture Eight - Editing and Post

Creative Workflow

http://youtu.be/PIJ2ugXfgYs

Page 61: EMC 3130/2130 Lecture Eight - Editing and Post

Reality TV Editing

http://www.youtube.com/watch?v=BBwepkVurCI

Page 62: EMC 3130/2130 Lecture Eight - Editing and Post

Reality TV Editing Tricks

http://www.videojug.com/film/how-to-spot-reality-tv-editing-tricks-creating-conflict

Page 63: EMC 3130/2130 Lecture Eight - Editing and Post

Reality TV Editing Tricks

http://www.videojug.com/film/how-to-spot-reality-tv-editing-tricks-reaction-shots

Page 65: EMC 3130/2130 Lecture Eight - Editing and Post

Editing Tricks

Every time you laughed, it was because you were editing the video in your mind. If you weren't there would be no joke.

Page 66: EMC 3130/2130 Lecture Eight - Editing and Post

Celebrity Ghost Stories

http://www.youtube.com/watch?v=qddJDZBxIvk

Page 67: EMC 3130/2130 Lecture Eight - Editing and Post

Celebrity Ghost Stories

http://www.youtube.com/watch?v=c_HrTgzXK_U

Page 71: EMC 3130/2130 Lecture Eight - Editing and Post

Top Gear - Free Runners

http://www.youtube.com/watch?v=uNBPQe4dFxk

Page 72: EMC 3130/2130 Lecture Eight - Editing and Post

Top Gear – Car Chase

http://vimeo.com/36798353

Page 74: EMC 3130/2130 Lecture Eight - Editing and Post

Cutting Action Scenes

http://youtu.be/8agiaT3SZQo

Page 75: EMC 3130/2130 Lecture Eight - Editing and Post

Non-Linear Editing Primer

http://www.youtube.com/watch?v=gaYJueNNPZQ

Page 76: EMC 3130/2130 Lecture Eight - Editing and Post

Non-Linear Editing Primer

http://youtu.be/ovfm-fL6x8I

Page 77: EMC 3130/2130 Lecture Eight - Editing and Post

Non-Linear Editing Primer

http://youtu.be/CZFNk717f3A

Page 78: EMC 3130/2130 Lecture Eight - Editing and Post

Non-Linear Editing Primer

http://youtu.be/7M4-aDHnLuk

Page 79: EMC 3130/2130 Lecture Eight - Editing and Post

Work Flow

http://vimeo.com/17853140

Page 80: EMC 3130/2130 Lecture Eight - Editing and Post

Work Flow

http://vimeo.com/14840608

Page 81: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Brightening

http://youtu.be/TaMhz9cMILc

Page 82: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Speed

http://youtu.be/WY7kf8yqlac

Page 83: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Speed

http://youtu.be/_3AFX_V09x4

Page 84: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Speed

http://vimeo.com/26250213

Shot some quick video on an HPX170 at 1080/60i and played with the slow motion settings built in to FCPX.

Page 85: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Tilt Shift

http://youtu.be/LkrtYRxGyuo

Bathtub IV

Page 86: EMC 3130/2130 Lecture Eight - Editing and Post

Effects – Tilt Shift

http://vimeo.com/7691197

Page 87: EMC 3130/2130 Lecture Eight - Editing and Post

Sin City Effect

http://vimeo.com/3251975

Page 88: EMC 3130/2130 Lecture Eight - Editing and Post

http://youtu.be/LXoK8OSJ9Wc

Page 89: EMC 3130/2130 Lecture Eight - Editing and Post

“The Kid Stays in the Picture” Effect

http://youtu.be/_Mfya43j_DU

Page 90: EMC 3130/2130 Lecture Eight - Editing and Post

“The Kid Stays in the Picture” Effect

http://youtu.be/ZVrYyX3bHI8http://vimeo.com/79329423