england in the golden age - core knowledge foundation · introduction (chapter 1), card 2 art...

Engl

and

in th

e G

olde

n Ag

e

Timeli

ne Ca

rds

Subj

ect M

atte

r Exp

ert

John J

osep

h Butt

, PhD

, Dep

artme

nt of

Histor

y, Jam

es Ma

dison

Unive

rsity

Illus

trat

ion

and

Phot

o Cre

dits

Title

Qu

een E

lizab

eth I ,

c.160

0 (oil

on pa

nel),

Engli

sh Sc

hool,

(16th

centu

ry) /

Natio

nal P

ortrai

t Gall

ery, L

ondo

n, UK

/ Brid

gema

n Ima

ges

Introd

uctio

n (Ch

apter

1), C

ard 1

akg-

imag

es/Su

perSt

ock

Introd

uctio

n (Ch

apter

1), C

ard 2

Art A

rchive

, The/

Supe

rStoc

k

Chap

ter 1,

Card

3 Qu

een E

lizab

eth I ,

c.160

0 (oil

on pa

nel),

Engli

sh Sc

hool,

(16th

centu

ry) /

Natio

nal P

ortrai

t Gall

ery, L

ondo

n, UK

/ Brid

gema

n Ima

ges

Chap

ter 1,

Card

4 Po

rtrait

of W

illiam

Shak

espea

re (1

564–

1616

) c.16

10 (o

il on c

anva

s), Ta

ylor,

John (

d.165

1) (a

ttr. to

) / Na

tiona

l Port

rait G

allery

, Lon

don,

UK / B

ridge

man

Imag

es

Chap

ter 2,

Card

5 Da

niel H

ughe

s

Chap

ter 2,

Card

6 Th

e Arm

ada b

eing d

estroy

ed by

Engli

sh fir

e ship

s, McC

onne

ll, Jam

es Ed

win

(190

3–95

) / Pr

ivate

Colle

ction

/ © Lo

ok an

d Lea

rn / B

ridge

man I

mage

s

Chap

ter 3,

Card

7 Po

rtrait

of Ja

mes V

I, 159

5 (oil

on ca

nvas)

, Van

son,

Adria

n (fl.1

580–

1601

) (att

r. to)

/ Priv

ate Co

llecti

on / P

hoto

© Ph

ilip M

ould

Ltd, L

ondo

n / Br

idgem

an Im

ages

Chap

ter 3,

Card

8 Br

yan B

eus

Chap

ter 3,

Card

9 Ch

arles

I of E

nglan

d (16

00–4

9) an

d Que

en He

nriett

a Mari

a (16

09–6

9) (o

il on

canv

as), D

yck, A

nthon

y van

(159

9–16

41) /

Palaz

zo Pi

tti, Fl

orenc

e, Ita

ly /

Bridg

eman

Imag

es

Chap

ter 3,

Card

10

A Cav

alier

with

a Grey

Horse

(oil o

n pan

el), C

alrae

t, Abra

ham

van (

1642

–172

2) /

Apsle

y Hou

se, Th

e Well

ington

Mus

eum,

Lond

on, U

K / Br

idgem

an Im

ages

Chap

ter 3,

Card

10

Purita

n, Ro

undh

ead (

oil on

canv

as), P

ettie,

John

(183

9–93

) / Sh

effiel

d Gall

eries

an

d Mus

eums

Trust,

UK / P

hoto

© M

useu

ms Sh

effiel

d / Br

idgem

an Im

ages

Chap

ter 4,

Card

11

Cromw

ell an

d his I

ronsid

es, ill

ustra

tion f

rom ‘A

Histo

ry of

Engla

nd’ b

y C.R.

L. Fle

tcher

and R

udya

rd Kip

ling,

1911

(colo

ur lith

o), F

ord, H

enry

Justi

ce

(186

0–19

41) /

Priva

te Co

llecti

on / T

he St

aplet

on Co

llecti

on / B

ridge

man

Imag

es

Chap

ter 4,

Card

12

Trial

of Ch

arles

I, Eng

lish Sc

hool,

(19th

centu

ry) / P

rivate

Colle

ction

/ © Lo

ok

and L

earn

/ Brid

gema

n Ima

ges

Chap

ter 4,

Card

13

Portr

ait of

Olive

r Crom

well (

1599

–165

8) 16

49 (o

il on c

anva

s), W

alker,

Robe

rt (1

607–

60) /

Leed

s Mus

eums

and G

alleri

es (Le

eds A

rt Ga

llery)

U.K.

/ Brid

gema

n Im

ages

Chap

ter 5,

Card

14

Charl

es II d

ancin

g at a

ball a

t cou

rt, 16

60 (o

il on c

anva

s), Ja

nssen

s, Hier

onym

us

(162

4–93

) / Ro

yal C

ollec

tion T

rust ©

Her M

ajesty

Quee

n Eliz

abeth

II, 20

16 /

Bridg

eman

Imag

es

Chap

ter 5,

Card

15

The G

reat F

ire of

Lond

on, 1

666 (

print)

(see

also

5364

1), V

ersch

uier, L

ieve

(163

0–86

) (aft

er) / P

rivate

Colle

ction

/ Brid

gema

n Ima

ges

Chap

ter 6,

Card

16

Willi

am III

of Gr

eat B

ritain

and I

relan

d (oil

on ca

nvas)

, Kne

ller, G

odfre

y (1

646–

1723

) (att

r. to)

/ Sco

ttish N

ation

al Po

rtrait

Galle

ry, Ed

inburg

h, Sc

otlan

d /

Bridg

eman

Imag

es

Chap

ter 6,

Card

16

Mary

II (oil

on ca

nvas)

, Wiss

ing, W

illem

(165

6–87

) (aft

er) / S

cottis

h Nati

onal

Portr

ait Ga

llery,

Edinb

urgh,

Scotl

and /

Bridg

eman

Imag

es

Chap

ter 6,

Card

17

Presen

tation

of th

e Bill

of Rig

hts to

Willi

am III

(165

0–17

02) o

f Oran

ge an

d Ma

ry II (

1662

–94)

(eng

raving

), Eng

lish Sc

hool

/ Briti

sh M

useu

m, Lo

ndon

, UK /

Bri

dgem

an Im

ages

ISBN: 978-1-68380-093-4

Cre

ativ

e C

om

mo

ns L

icen

sing

This

wor

k is

lice

nsed

und

er a

C

reat

ive

Com

mon

s A

ttrib

utio

n-N

onC

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hare

Alik

e 4.

0 In

tern

atio

nal L

icen

se.

You

are

free

:to

Sha

re—

to c

opy,

dis

trib

ute,

and

tran

smit

the

wor

k to

Rem

ix—

to a

dapt

the

wor

k

Und

er t

he f

ollo

win

g c

ond

itio

ns:

Att

rib

utio

n—Yo

u m

ust a

ttrib

ute

the

wor

k in

the

fo

llow

ing

man

ner:

This

wor

k is

bas

ed o

n an

orig

inal

wor

k of

the

Cor

e K

now

ledg

e® F

ound

atio

n (w

ww

.cor

ekno

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org)

mad

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aila

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thro

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licen

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und

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Cre

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Att

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Non

Com

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like

4.0

Inte

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his

does

not

in a

ny w

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ply

that

the

Cor

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now

ledg

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unda

tion

endo

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this

wor

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No

nco

mm

erci

al—

You

may

not

use

this

wor

k fo

r co

mm

erci

al p

urpo

ses.

Sha

re A

like—

If yo

u al

ter,

tran

sfor

m, o

r bu

ild u

pon

this

wor

k,

you

may

dis

trib

ute

the

resu

lting

wor

k on

ly u

nder

the

sam

e or

si

mila

r lic

ense

to th

is o

ne.

Wit

h th

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der

stan

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g t

hat:

Fo

r an

y re

use

or d

istr

ibut

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you

mus

t mak

e cl

ear

to

othe

rs th

e lic

ense

term

s of

this

wor

k. T

he b

est w

ay to

do

this

is w

ith a

link

to th

is w

eb p

age:

http

s://

crea

tivec

omm

ons.

org/

licen

ses/

by-n

c-sa

/4.0

/

Cop

yrig

ht ©

201

7 C

ore

Kno

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Foun

datio

n w

ww

.co

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All

Rig

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Res

erve

d.

Cor

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now

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ore

Kno

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ricul

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s™,

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now

ledg

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isto

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™ a

nd C

KH

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adem

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datio

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Trad

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ade

nam

es a

re s

how

n in

this

boo

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for

illust

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e th

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f the

ir re

spec

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rein

sh

ould

not

be

rega

rded

as

affe

ctin

g th

e va

lidity

of s

aid

trad

emar

ks a

nd tr

ade

nam

es.

ENGLAND IN THE GOLDEN AGE

Introduction (Chapter 1)

Big Question: How did Queen Elizabeth I manage the conflicts between the Catholics and the Protestants?

In 1517, Martin Luther attached his Ninety-five Theses to the door of the church in Wittenberg, Germany.


Introduction (Chapter 1)


In 1534, Henry VIII of England broke from the Catholic Church and established the Church of England.


CHAPTER 1: Elizabeth IQueen Elizabeth I (1533–1603) ruled England for almost half a century, raising her kingdom to a peak of glory.



CHAPTER 1: Elizabeth IWilliam Shakespeare (c. 1564–1616), one of the greatest English playwrights, wrote plays to entertain Elizabeth I and her successor.



CHAPTER 2: Britannia Rules the Waves

Big Question: Why might the Catholics in England have chosen to be loyal to their Protestant queen, rather than support King Philip of Spain?

Between 1577 and 1580, Sir Francis Drake robbed other ships’ treasures to give to Queen Elizabeth I of England.


In 1588, English ships defeated the Spanish Armada.

CHAPTER 2: Britannia Rules the Waves

Big Question: Why might the Catholics in England have chosen to be loyal to their Protestant queen, rather than support King Philip of Spain?


CHAPTER 3: The Civil WarAt Elizabeth’s death, James VI of Scotland became King James I of England in 1603.

Big Question: Why did Parliament distrust Charles I and his wife Henrietta?


CHAPTER 3: The Civil War


In 1607, a group of English colonists settled in Virginia and named their colony Jamestown, after King James I.


CHAPTER 3: The Civil WarKing Charles I married Henrietta Maria, the Catholic daughter of the king of France, in 1625.



CHAPTER 3: The Civil WarDuring the English Civil War (1642–1651), the nobles who supported King Charles were called Cavaliers (left). Those who supported the Parliament were called Roundheads (right).



CHAPTER 4: The Puritan RulerCromwell led Parliament’s army to victory in the English Civil War, which ended in 1651. His troops, nicknamed Ironsides, never lost a battle.

Big Question: Why might Oliver Cromwell have once earned the reputation of being a dictator?


CHAPTER 4: The Puritan RulerCharles I was tried and executed in 1649.



CHAPTER 4: The Puritan RulerIn 1653, Oliver Cromwell became Lord Protector of Great Britain.



CHAPTER 5: Merry Monarch and BrotherIn 1660, the English Parliament invited Charles II back to England to be king. This period was known as the Restoration.

Big Question: Why did many people not want James II to be king?


CHAPTER 5: Merry Monarch and BrotherThe bubonic plague and the 1666 Great Fire of London created hardship and difficult times for many English people.

Big Question: Why did many people not want James II to be king?


CHAPTER 6: The Glorious RevolutionThe transfer of power in the late 1680s from James II to William of Orange and his wife, Mary, became known as the Glorious Revolution.

Big Question: Why was a foreign ruler invited to invade England?


CHAPTER 6: The Glorious RevolutionIn the late 1680s, the English Bill of Rights was an important step in limiting the power of kings and queens, and in creating a more democratic government in England.

Big Question: Why was a foreign ruler invited to invade England?

england in the golden age - core knowledge foundation · introduction (chapter 1), card 2 art...

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