english 18th century lect 9 reduced size wbg
DESCRIPTION
TRANSCRIPT
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Queen Anne, 1702-1714 – Rococo style in England
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Queen Anne interior
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Queen Anne chair
Rococo style with Chinese elements
Cabriole LegShape SplatDouble-Hoop Back
Drop-in SeatOften no stretchersUsually Pad FootUsually Walnut
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Chinese Chair Forms, “Hat Shaped” Crest Rail on the Side Chair, and Hoop Back on the Armchair
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Folding Armchair, China
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Wing chair, Queen Anne style
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Queen AnneTallboy & Lowboy
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Secretary-bookcases, Queen Anne style – double-Hooded tops, shaped door panels
Bracket Foot Bun Foot
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New furniture formsForms Developed for Drinking Tea
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George I, 1714-27 George II, 1727-1760
Early Georgian Period
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George I Armchair & Side Chair
retain Queen Anne form, carved crest rail, splat & knee, ball and claw foot
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Fully Upholstered Armchair or Wingchair
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Secretary-bookcase, Ogee Foot
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Drop-leaf table
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George II chairs: High-relief Carving Yoke crest rail Straightened side rails decorated splats and rails Legs more elaborate Ball and claw foot
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Card tables
George II Gaming Tables
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George II Bookcase
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Secretary-bookcase, Broken Pediment, Ogee Feet
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Chiswick House, by Lord Burlington, with William Kent, Early Georgian Period, Neo-Palladian
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Chiswick House, Blue Velvet Room
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William Kent
Holkham Hall, 1734-64, Early Georgian, Neo-Palladian
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Holkham Hall, the Marble Hall
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Holkham Hall the Saloon
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Ditchley Park, James Gibbs, 1722, For Earl of Litchfield
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Ditchley Park, William Kent interior
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Houghton Hall, Early Georgian, Neo-Palladian, begun 1722
Colin Campbell and James Gibbs, with interiors by William Kent
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Saloon with furniture attributed to William Kent
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Houghton Hall, State Bed Chamber
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Neo-Palladian Sofas William Kent
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Matthias (Matthew) Locke, Neo-Palladian Console Tables
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Breakfront, William VileNeo-Palladian
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George III, 1760-1820, Late Georgian Period, Neoclassical style
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Robert AdamLate Georgian period, Neoclassical Style
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Kedleston Hall, 1759, Paine and Brettingham, inspired by a Palladian Villa
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South front, by Robert Adam, inspired by the Arch of Constantine, Ancient Rome
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Kedleston Hall, Marble HallRobert Adam
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Kedleston Hall, Saloon
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Dolphin Sofa, Robert Adam’s design, made by John Linnell
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Osterley Park – 16th Century Elizabethan, remodeled by Robert Adam, 1761
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Osterley Park, Great Hall
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Osterley Park, Library
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Osterley Park, Tapestry Room Tapestry with Cartoons by Boucher
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Osterley Park, Etruscan Room
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Made for Osterley Park by Thomas Chippendale
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Osterley Park, State bed, by Robert Adam
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Syon House, Robert Adam remodeled interiors in 1762, for Duke of Northumberland
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Syon House, Robert AdamGreat Hall
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Syon House, Anteroom
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Syon House, State Dining Room
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Kenwood House, originally 17th century, remodeled by Robert Adam, 1764-79
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Kenwood House Library
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Saltram House – original Tudor, remodeled interiors by Robert Adam 1784
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Saltram, Salon, two views
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Saltram, Dining room
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Adam-style mantels
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Demilune Commode, by Robert Adam
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Adam-style mirrors
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Wedgwood Basalt Ware (stoneware)
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Armchair designed by Adam, Made by Chippendale
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The Three Important Furniture MakersLate Georgian Period
Thomas ChippendaleGeorge Hepplewhite
Thomas Sheraton
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Thomas Chippendale
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“The Gentleman and Cabinetmaker’s Director,” 1754, 55, 62
Chippendale Chairs: Yoke-shape crest rail, straight sides, pierced splat
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“Ribbon-back” – Rococo influence
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Ribbon Back Settee
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Chinese Chippendale
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“Chinese Chippendale”
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Gothic Chippendale
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Neoclassical Influence
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George III giltwood sofa – designed by Adam, made by Chippendale, 1765
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George III Breakfront
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George Hepplewhite
“Cabinet-Maker & Upholsterer’s Guide,”1788, 1791 & 1794
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Hepplewhite, Rectangular and Shield Back Chairs
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Hepplewhite, Oval and Shield Back Chairs
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Hepplewhite Style Settee
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Hepplewhite, Fretwork
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Hepplewhite Sideboard
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Thomas Sheraton, “Cabinetmaker and Upholsterer’s Drawing Book”, 1791 & 1794
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Sheraton, Rectangular and Shield Back Chairs
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Sheraton Style Sofa
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Sheraton Sideboard
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