english & continental furniture & decorative arts

English & Continental Furniture & Decorative Arts May 17, 2016

English & Continental Furniture & Decorative Arts5/17/16

Silver & Objets de Vertu5/18/16

Auction

Catalogue

Exhibitions

Sale 1544Tuesday, May 17, 2016 at 10:00am

Sale 1545 Wednesday, May 18, 2016 at 10:00am1808 Chestnut Street, Philadelphia PA 19103

By appointment only on the morning of the sales

$35 in the gallery$41 domestic mail$47 international mail

Catalogues are always available on our website and now through the app. Download it for free at the iPad App Store.

10:00am-5:00pm 10:00am-5:00pm 12:00pm-5:00pm By appointment only 10:00am-5:00pm

10:00am-5:00pm (Silver only)

Thursday, May 12 Friday, May 13 Saturday, May 14 Sunday, May 15 Monday, May 16 Tuesday, May 17

Cover Image: Lots 288 & 299 (E&C Sale), Lot 49 (Silver sale)

Inside Front Cover: Lot 70 (E&C sale)

Inside Back Cover: Lot 27 (Silver sale)

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v3.2016

Stephanie ParkerPost Sale [email protected] 267.414.1206

Mary Maguire Director | Client [email protected] 267.414.1236

Client Services

Melissa ArundelBids [email protected] 267.414.1208

Important Information for Buyers

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. PaymentPayment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of PurchasesDeliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Endangered SpeciesLots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

RegistrationAll potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s PremiumA Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

Sales TaxAll items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue DescriptionsAll item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

BiddingAt the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

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English & Continental Furniture & Decorative Arts and Silver & Objets de Vertu Departments

Sincerely,

Nicholas B. A. Nicholson, Senior Vice President | Head of Department

Tessa LaneyAssociate Specialist | English & Continental Furniture & Decorative [email protected] 215.940.9826

Sarah Blattner Associate Specialist | Silver & Objets de Vertu [email protected] 267.414.1225

Nicholas B. A. NicholsonSenior Vice President | Furniture, Silver & Decorative [email protected] 267.414.1212

European furniture and decorative arts is defined by its collectors.

For centuries, they have gathered objects as diverse as early

tapestries, export porcelains, neoclassical furniture, silver, and

objets de vertu creating personal environments that reflect their

times and taste. In this sale, we are fortunate to have core objects

that are excellent examples of this tradition. Early works of art

from the collection of the Philadelphia Museum of Art open the

sale, leading us to fine examples with important provenances

both in Europe and in the United States.

Highlights of the sale include The Hamilton Palace Table,

commissioned by the 10th Duke of Hamilton for a now-lost

Renaissance pietra dura top. The table was sold in the famed

1882 sale of the collections of Hamilton Palace, and found its

way to the Gilded Age splendor of Belcourt Castle in Newport,

Rhode Island. This dramatic baroque style giltwood table is a

bold example of bravura carving and gilding. In contrast, French

taste is represented by the restrained elegance of a suite of

Restauration bois clair furniture from the Chateau de Monteul

that joined the legendary collection of James McIlhenny on

Rittenhouse Square. Other examples from this suite are in the

collection of the Philadelphia Museum of Art. Always a favorite

of collectors, Grand Tour objects are represented in this sale by

an important set of cameo casts after the antique by Paoletti —

the largest group ever to come to auction.

Silver forms a stand-alone sale, presenting a range of important

pieces. The sale features a unique gold-inlaid silver tea and coffee

service by Tiffany & Co. The service, executed in an unusual

fusion of Arts & Crafts and Art Deco, was a special commission

presented to philanthropist W. Alton Jones that has descended in

the family to the present owner. As a Depression-era investor in

Tiffany & Co., it is likely that this service was given to Jones as a

gift for his contribution to the company. Another exotic piece is

a silver gilt kovsh by Faberge in a Slavic moderne style, with a

handle in the form of a Firebird holding a pendant jewel in its beak.

We trust that a new generation of collectors will be drawn to the

exuberant diversity of European decorative arts.


English & Continental Furniture & Decorative Arts lots 1-392

Lot 59 (detail)

Order of Sale

European Works of Art, including Textiles & Carpets: Lots 1-60

English Furniture & Decorative Arts, including Objects from the Grand Tour: Lots 61-161

Important Miniatures from a New York Collection: Lots 162-186

French Furniture & Decorative Arts: Lots 187-271

Continental Furniture & Decorative Arts: Lots 272-293

Continental Porcelain: Lots 294-337

Continental Sculpture, including Pre-Columbian Metalworks: Lots 338-392


2 160029/4Italian Renaissance style stone bust of a young woman19th centuryRoughly finished, after a 15th century original.H: 18 1/2, W: 17, D: 8 1/2 in.provenance:Sold on behalf of the Philadelphia Museum of Art tobenefit future acquisitions.From the Collection of Harry Payne Bingham.$600-800

4 160029/6Italian walnut hall chair17th centuryThe plank toprail supported by three baluster and turnedspindles above plank seat, rasied on two turned and twosquare supports united by carved stretchers.H: 32 1/4, W: 16 1/2, D: 16 in.provenance:Sold on behalf of the Philadelphia Museum of Art to benefitfuture acquisitions.$600-800

1 160029/9Italian Baroque silk embroidered and cord work casket17th centuryWith front and domed lid covered in finely worked polychrome silkembroidered panels centered by peacocks encased in roundels issuing asymmetrical pattern of semi-naturalistic flowers, leaves, and scrolls; thesides similarly decorated; the lid opening to an interior lined in vivid greensilk.H: 17 1/2, W: 31, D: 14 in.provenance:Sold on behalf of the Philadelphia Museum of Art to benefit futureacquisitions.$2,000-4,000

3 152193/2Italian walnut sgabello hall chair17th centuryH: 41, W: 19, D: 19 in.$800-1,200

European Works of Artincluding Textiles & Carpetslots 1-60

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European Works of Art 7

7 160029/5French walnut caquetoire armchairsecond half 16th centuryWith scrolled crest and open back above U-shaped armsand splayed seat with later velvet upholstered cushion,raised on turned and joined legs and bun feet.H: 44, W: 25, D: 17 in.provenance:Sold on behalf of the Philadelphia Museum of Art tobenefit future acquisitions.From the Collection of Henry P. McIlhenny.$1,000-1,500

8 160029/7French oak armchairsecond quarter 16th centuryWith open back and rectangular foliate-carved splat issuingscrolled arms on turned supports above rectangular plank seat,raised on two turned and two square legs united by stretchers.H: 44, W: 23, D: 16 1/2 in.provenance:Sold on behalf of the Philadelphia Museum of Art to benefitfuture acquisitions.From the Collection of Henry P. McIlhenny.Acquired Daniel H. Farr, Philadelphia.$1,500-2,000

9 160029/1Scandinavian carved pine boxlikely 19th centurySpuriously dated “anno 1571”.H: 6, W: 13 1/2, D: 7 1/2 in.provenance:Sold on behalf of the Philadelphia Museum ofArt to benefit future acquisitions.$400-600

10 145500/1German oak table chestcirca 1649Rectangular form, the overhanging top with chipcarved edge opening to reveal an engraved lockplate and hinges, the front dated 1649 in carvednumerals and mounted with three chip carvedframes, each centered by a monogram abovefoliate decoration; all above a single drawer.H: 13, W: 20 1/4, D: 13 1/2 in.$800-1,200

6 160029/10French walnut joined stool16th/17th centuryWith later tooled leather-covered seatworked with Baroque style foliate motifs,raised on four turned legs joined bystretchers.H: 21, W: 22 1/4, D: 16 3/4 in.provenance:Sold on behalf of the PhiladelphiaMuseum of Art to benefit futureacquisitions.$600-800

5 160029/8Italian Savonarola form walnut armchair19th centuryWith scrolled arms above X-formstretcher, with carpet upholstered seatand backrest.H: 34, W: 28, D: 19 in.provenance:Sold on behalf of the PhiladelphiaMuseum of Art to benefit futureacquisitions.$1,000-1,500


14 152498/15Pair of Louis XIII walnut fauteuilslargely comprised of 17th century elementsEach with rectangular back issuing downswept scrolledarms above rectangular seat, raised on two turned and twosquare legs joined by turned stretchers, with fragments ofcrimson silk upholstery. (2).H: 48, W: 25, D: 28 in.provenance:From the Estate of Alfred I. duPont, Florida.$2,000-3,000

8 www.freemansauction.com

11 160419/1Flemish Gothic style oak cabineton stand19th century, with earlier elementsThe cabinet fitted to front and sideswith 16th century carved panelsbacked with red velvet, the twodoors mounted with imposingmedieval style iron hinges andescutcheons, above a similarlycarved frieze with two smalldrawers; the whole raised on openshelf stand.H: 50, W: 43, D: 22 in.note:For a sale of similar form, seeSotheby’s Amsterdam, September17, 2007, Lot 452.$2,000-3,000

12 152193/3Continental carved walnut joinedstoolfirst quarter 17th centurySquare top with carved S-scrollhandle above apron carved with afrieze of acanthus leaves in arches,raised on turned legs joined byturned stretchers.H: 12 1/4, W: 13 1/4, D: 12 3/4 in.$800-1,200

13 152193/1Louis XIII walnut and fruitwood center table17th centuryOval top above a frieze with turned bosses, raised on fourcolumnar supports and a molded platform on bun feet.H: 28 3/4, W: 54, D: 39 3/4 in.$6,000-8,000


16 142414/18Pair of Continental Baroque style bronzepricket candlesticks19th centuryEach surmounted by tapering conical pricketwithin shaped hexagonal dishpan, raised onbaluster stem and tripartite base. (2).H: 33 1/2 in.provenance:Property of a private collector, New Jersey.$400-600

17 142414/9Pair of wrought iron table lampsearly 20th centuryEach surmounted by flaring conical shadewith scalloped edge, the twisted standardissuing from a flowerhead raised on threescroll feet. (2).H: 22 1/2, W: 17 in.provenance:Property of a private collector, New Jersey.Sotheby’s New York, The Estate of KatharineHepburn, June 11, 2004, Lot 573.$400-600

18 160205/3Spanish polychrome and giltwoodtabernacle door17th centuryCarved in high relief, depicting theresurrection of Christ amongst the guards atthe tomb from the Book of Matthew.H: 15 1/4, W: 9 3/4 in.$2,000-3,000

15 152498/16Anglo-Dutch walnut and crewel workupholstered setteelate 17th century, with later elementsRaised on four turned and four square legs unitedby turned stretchers.H:49, W: 80, D: 22 in.provenance:From the Estate of Alfred I. duPont, Florida.$3,000-5,000


19 160048/6Spanish colonial painted and carved woodNegrito Christ figure17th/18th centuryBlack painted to body and modeled in thecrucifixion pose, with arms no longer present.H: 36 in, W: 7, D: 8 in.$600-900

20 158162/12Continental gilt and polychrome paintedcarved wood and gesso altarpiece17th centuryDepicting Madonna and Child flanked bySaints Peter and Paul, surmounted by threeogival arches supported by a pair of barleytwist columns, titled in Latin to base “AveMaria Gratia Plena”.H: 24, W: 25 1/4 in.$600-800



21 142414/5Continental oak figure of Christpossibly northern french, late 17th centuryDepicting Christ as the Man of Sorrows.H: 50, W: 16 1/2, D: 20 in.provenance:Property of a private collector, New Jersey.Sotheby’s, April 15, 2004.$1,500-2,500

22 160029/3Continental carved eagle form lectern17th centuryWith associated acanthus form base.H: 29, W: 39, D: 21 in.provenance:Sold on behalf of the Philadelphia Museum of Art tobenefit future acquisitions.From the Collection of Dr. Paul Ecker.note:Dr. Paul Ecker was a well known Philadelphia collector ofmedieval art. In addition to the Philadelphia Museum ofArt, works from his collection may be found in thecollections of the Metropolitan Museum of Art, theCleveland Museum of Art, the La Salle University ArtMuseum, and others.$1,500-2,000

23 158078/98French carved walnut corpus christicirca 1680Framed in modern shadow box.H: 8 in. (figure)$200-300

24 160048/24Italian gilt and painted carvedwood trumpeting puttolate 17th/early 18th centuryWith painted body in a seated poseholding aloft a trumpet, with spreadgilt wings.H: 30, W: 22, D: 14 in.$600-900

25 160252/1Italian carrara marble figure of anangel19th centuryDepicting a robed standing angelwith outstretched arms, raised oncanted square base.H: 42 in.$1,000-2,000

26 152616/8Group of Continental carved woodsculptures18th/19th centuriesComprising a seated hen, an eaglelectern, a polychrome infant Christ,and a gilt-painted supplicant angel.(4).H: 23 in. (largest)$800-1,200


27 158078/7Three Russian devotional articleslate 19th/early 20th centuryComprising two icons, St Nicholasand Ezekiel, and a silver pectoralcross.H: 4 1/2, W: 2 3/8 in. (cross); H: 4,W: 3 1/4 in. (largest icon)provenance:Property of a gentleman, VA.$500-700

28 158078/13Two Russian silvered oklads19th/early 20th centuryThe first framing a printed icondepicting the Iveron Mother of God,bearing false maker’s mark probablyfor victor savinkov, moscow, 1863,assaymaster A. Svyechin, 84zolotnik; the second with cloisonnéoklad framing a printed icon of theMother of God of unexpected joy,the oklad with false maker’s markB.C., 1896-1908, 84 zolotnik. (2).H: 12 1/4, W: 10 1/2 in.provenance:Property of a gentleman, VA.$500-700

29 158078/15Two Russian gilt metal icons withoklads19th centuryComprising an icon of ChristPantocrator and one of the theTikhvin Mother of God; togetherwith a small Russian enameledcopper pendant in shadow box. (3).H: 8 3/4, W: 6 3/4 in. (largest icon)provenance:Property of a gentleman, VA.$400-600

30 158078/48Small Greek icon, Saint Nicholas19th centuryH: 6 3/4, W: 7 in.$200-300

31 158078/53Large Russian icon with metaloklad, Resurrection of Christ withFeasts19th centuryH: 17, W: 13 1/2 in.$600-800

32 152213/1Large Greek Virgin and Child giltmetal icon with cover19th centuryThe cover mounted with pastestones, painted in thick wood board;together with a Russian icon withgilt metal oklad. (2).H: 13, W: 9 1/2, D: 2 in.$600-800

33 160143/9Assembled collection of Russianiconscirca 1890-1910Comprising four icons with oklads,three depicting Christ Pantocratorand one depicting Saints Peter andPaul; one printed icon depicting aKazan Mother of God; one temperatraveling icon depicting theApotheosis of Christ; and onetempera icon depicting varioussaints. (7).H: 12 1/2, W: 10 1/2 in. (largest)provenance:Property from the Estate of KennethL. Hallam, Washington, D.C.$1,000-1,500

34 152284/2A Russian icon of scenes from thelife of Christ and the Resurrectionmoscow school, late 18th centuryThe back bearing Soviet sale labelstating “MosGostOrg Antique andArt Department No. C5751, sold for30 rubles, 2 kopeks.”H: 12 1/2, W: 11 1/4 in.$1,000-1,500


35 152213/3Three Greek icons of male saints18th/19th centuryComprising an icon of Saint Isaiah,painted in tempera on gessoedwood panel, and two others, eachpainted in tempera on wood panel;together with a trimmed icon panel.(4).H: 11 3/4, W: 9 1/2 in. (largest)$1,000-1,500

36 152213/2Two Greek icons of the Virgin18th/19th centuryComprising a panel from a triptychpainted to show the Virgin, an iconof the Virgin of Sorrows of the sevenswords; together with a later icon ofthe Tikhvin Mother of God, paintedon wood panel carved to simulatean oklad and mounted with giltmetal paste stone mounted halo.(3).H: 11 3/4, W: 8 3/4 in.$1,000-1,500

37 152284/4A Greek icon of the Theotokos withsaintspossibly 19th centuryH: 12 1/2, W: 11 in.$1,000-1,500

38 160143/14Russian Icon, The Unsleeping Eyesecond quarter 19th centuryPainted in various colors and gilt on gessoed wood panel.H: 8 3/4, W: 7 1/4 in.provenance:Property from the Estate of Kenneth L. Hallam, Washington, D.C.$1,500-2,500



42 160047/7Konakend kuba rugnortheast caucasus, late 19th century5 ft. 6 in. x 4 ft. 5 in.$1,500-2,000

41 152413/9A Caucasian commemorative carpetdepicting the Russian imperial familyfirst quarter 20th centuryDepicting the Emperor Nicholas II,Empress Alexandra Feodorovna, andthe Tsesarevich and Grand DukeAlexei, with the woven inscription inRussian: “Their Imperial Majesties, theLord Emperor Nikolai Aleksandrovichand the Lady Empress AlexandraFeodorovna, and His Imperial Highnessthe Heir-Tsesarevich and Grand DukeAleksei Nikolaevich”; framed.H: 27, W: 24 1/4 in.note:This carpet may have been createdaround the time of the RomanovTercentenary Celebrations of 1913.$2,000-3,000

39 168027/3A Greek icon, possibly Saints Cyriland Methodius19th centuryH: 17, W: 12 1/4 in.$2,000-3,000

40 168027/4A provincial Russian icon of theMother of God ‘of Humility’early 19th centuryDepicted together with God theFather and local saints.H: 15 3/4, W: 13 3/4 in. (frame)$2,000-3,000


44 160047/6Pair of Tekke Turkoman engsiwest turkestan, late 19th century4 ft. 8 in. x 3 ft. 4 in. (largest)$1,000-1,500

45 158130/1A Coptic polychrome textilefragmentpossibly syrian or egyptianH: 11 1/2, W: 13 1/2 in.$2,000-3,000


43 160047/5Pair of Yomut Turkoman engsiwest turkestan, late 19th century6 ft. x 4 ft. 3 in. (largest)$1,500-2,500


50 152565/2Qajar pierced and glazed bowl18th/19th centuryThe well painted with a spiral ofwater weeds, the interior andexterior walls painted with reservesof blue glazed floral vines alternatingwith pierced and turquoise glazedpanels.H: 3 1/2, Dia: 8 in.$600-800

51 160368/16French Mamluk style gilt and enameled glass mosque lamplate 19th centuryThe compressed conical body with exaggerated flaring rim, the neck paintedwith blue Thuluth script calligraphy between polychrome roundels on giltground, the shoulder with polychrome floral pastilles on gilt ground, thebody with six loop handles and an elaborate gilt Thuluth script calligraphyon blue enamel ground, the underside of basin similarly decorated, withoriginal fittings.H: 12, Dia: 9 in.$8,000-10,000

52 152616/51Group of three French luster glaze faience candlestandsémile balon, blois, early 20th centuryEach with cream ground and decorated with naturalistic forms in dark roseoverglaze, signed to underside “E. Balon/Blois” and painted to the well with acrest of a kicking leg, probably that of the Gilman family of Glynilson, Wales;offered together with a gouache and gilt drawing of a similar coat of arms,inscribed below, “He Beareth Argent a Mans leg/Sable couped Gules Bythe/Name of Gilman”; and with a copy of Keat’s Poetical Works also stampedto front and back covers with the coat of arms. (5).H: 2 1/2, Dia: 5 1/4 in. (candlestands)$600-800

49 152444/11A plum glazed globularearthenware waterpot with raisedwhite floretspossibly persian, 17th/18thcenturyH: 3 in.$600-800

46 160369/10Isphahan pictorial rugcentral persia, circa mid 20thcentury7 ft. 2 in. x 4 ft. 6 in.$3,000-5,000

47 160369/11Fine pair of Isphahan rugsseirafian workshop, centralpersia, circa mid 20th century7 ft. 11 in. x 4 ft. 10 in.$4,000-6,000

48 160369/12Isphahan rugcentral persia, circa mid 20thcentury7 ft. 4 in. x 5 ft. 2 in.$2,000-4,000




53 152616/9Flemish pictorial verdure tapestry fragment17th/18th centuryDepicting a rolling landscape with two courtlygentleman in the foreground protecting two ladiesin the distance; reworked with with laterAubusson upper section centered by an heraldiccrest of a kicking leg, probably for the Gilmanfamily of Glynilson, Wales; the whole bordered bya cream band and blue selvage; together with apair of Renaissance style frieze tapestriesdepicting allegories of abundance. (3).H: 59, W: 51 in. $1,500-2,500

54 168031/4Verdure tapestry fragment, probably Flemish17th centuryDepicting a woodland scene with oak and cyprus treessurrounding a pond, banded to top and bottom with a rust andcream colored border with floral pastilles.H: 89 1/2, W: 51 in.$2,000-3,000

(part lot)



55 152633/3Flemish mythological tapestrylate 17th/early 18th centuryDepicting Juno seated in a classicalarchitectural setting attended byworshippers and her peacock; the wholesurrounded by a border of flower filledcorbeilles and putti, with four portraits inlaurel wreathed reserves to corners,partially edged by blue selvage.H: 120, W: 108 in.provenance:Private family collection, Indiana.The Collection of Vincent Bendix.Acquired 1928, Spooner Gallery.$2,000-4,000

56 152633/2Flemish tapestry altar frontallate 16th/early 17th centuryWith a lower panel depicting Christ with children in an earthly paradise flankedby the Virgin Mary and an angel, surmounted by a frieze centered by the HolySpirit in the form of a dove surrounded by putti hanging festoons of fruit,bordered to all four sides with a narrow cream band and blue selvage.H: 41 3/4, W: 95 1/2 in.provenance:Private family collection, Indiana.The Collection of Vincent Bendix.Acquired 1928, Spooner Gallery.$3,000-5,000



57 152498/22Collection of Continental and Oriental tapestry panels andtextile fragments17th-19th centuryComprising a pair of tapestry panels depicting allegoricalfigures of humility and fertility, a pair of long grotesquetapestry panels centered by medallions depicting a pastoralscene, a pair of Louis XVI red brocade runners, a largeembroidered panel, an early Italian red velvet embroideredpanel, two early Italian red velvet embroidered papal banners,an Italian ecclesiastical panel and collar, a silk Judaica panelembroidered in gold thread, two Chinese silk embroideredpanels, an uzbek suzani panel, a small pair of silk panels, andanother small panel. (18).H: 81, W: 31 in. (largest)provenance:From the Estate of Alfred I. duPont, Florida.$2,000-3,000

58 168031/3Aubusson style verdure tapestry panel18th centuryDepicting a landscape with a flowering plantand tree to foreground and castle in thedistance, surrounded on four sides by blackand gold banding, with floral border and darkblue selvage.H: 111 1/2, W: 44 1/4 in.$2,000-3,000

(part lot illustrated)



60 152358/2Bijar carpetnorth persia, first quarter 20th century21 ft. x 13 ft. 10 in.provenance:Private Collection, Pennsylvania.$10,000-15,000

59 152633/1Fine and large Aubusson verdure tapestry17th centuryDepicting a rabbit hunt amidst a verdant landscape,the foreground with a hunter, his dog and two houndsgiving chase to a rabbit, with a second hunter in thedistance; surrounded by an elaborate border ofribboned floral bouquets and blue selvage.H: 108, W: 133 1/2 in.provenance:Private family collection, Indiana.The Collection of Vincent Bendix.Acquired 1928, Spooner Gallery.$8,000-10,000


English Furniture & Decorative Arts

including Objects from the Grand Tour

lots 61-161

Lot 113 (detail)


63 160211/5Pair of Queen Anne mahoganytassel carved armchairs18th centuryEach with shaped crestrail carvedwith five tassels above a piercedsplat, raised on cabriole legs withacanthus carved knees terminatingin pad feet. (2).H: 38, W: 24, D: 22 in.$800-1,200

64 151758/26Queen Anne mahogany wingbackchair18th centuryWith shaped crest and scrolledarms raised on foliate carvedcabriole legs terminating in pad feet;upholstered in later crimson linen.H: 47, W: 27, D: 27 in.$1,200-1,500

62 160211/1Queen Anne inlaid mahogany dressing tableearly 18th centuryThe rectangular molded top above frieze drawer over twoshort drawers, with shaped skirt; raised on cabriole legsterminating in pad feet.H: 28, W: 30, D: 20 in.$1,000-1,500

61 160143/5Fine William and Mary walnut, burlwood, and seaweedmarquetry inlaid secretary bookcasein the manner of gerrit jensen, early 18th centuryThe molded cornice above a pair of mirrored cupboard doorsenclosing shelves, the lower section with a ssecretary panelhiding a series of pigeonholes and drawers centered by alocked compartment, above two short and three longdrawers, raised on bracket feet; the whole decorated withreserves of very fine seaweed marquetry.H: 81 1/2, W: 43, D: 19 in.provenance:Property from the Estate of Kenneth L. Hallam, Washington,D.C.$6,000-8,000



English Furniture & Decorative Arts 21

66 152498/20Queen Anne giltwood and beveled glass piermirrorfirst half 18th centuryH: 74, W: 31 1/2 in.provenance:From the Estate of Alfred I. duPont, Florida.$1,000-1,500

65 160211/4Fine Queen Anne satinwood inlaidmahogany drop leaf tableearly 18th centuryWith banded edge and inlaid tocenter with conch shell, raised oncabriole legs terminating in pad feet.H: 27, W: 41 in.$2,000-3,000

68 160143/3George II feather-banded walnut and burlwalnut chest on chestcirca 1740In two parts, the molded cornice over threeshort and three long feather-banded drawersflanked by fluted angles above conformingcase enclosing three long graduated drawers,raised on bracket feet.H: 72 3/4, W: 42 1/2, D: 21 in.provenance:Property from the Estate of Kenneth L.Hallam, Washington, D.C.$1,000-1,500

69 160106/2George II style mahogany card table20th centuryThe hinged top above a single frieze drawer,raised on cabriole legs with foliate carvedknees terminating in ball-and-claw feet.H: 27, W: 39, D: 19$800-1,200

67 160211/2Fine Queen Anne inlaid burlwalnut concertina games table18th centuryThe hinged top opening to asurface of brown tooled leatherwith wells and porringer cornersabove a single frieze drawer; thefour cabriole legs will shell carvedknees terminating in squared padfeet.H: 28 1/2, W: 33, D: 34 in. (open)$3,000-5,000


70 160289/1Important George III ormolu and gold mounted agate necessaire in the form of a cabinet on standcirca 1765In the manner of James Cox, the agate veneered and ormolu mounted cabinet opening to reveal a removable drawer mounted with gold floral festooned colonnade above a smaller removable drawer mounted with gold C-scrolls and floral sashes; the upper drawer fitted with three gold and glass scent bottles, a pair of gold and steel scissors, a gold mounted ivory nail brush, a carved and gold mounted ivory name plate with personal inscription dated 1860, a gold canister and spoon, a gold-handled straight razor, agold-handled tweezer, a gold-handled pick, and various manicure items; the lower drawer lined in pink satin; the whole surmounted by four gold flame finials and central watch in architectural setting signed “Tho. Best/London” terminating in a fifth gold flame finial; the whole raised on four rocaille legs and feet.H: 7, W: 3 7/8, D: 2 1/4 in.

provenance:Jointly owned by Ann Blyth Barnes Steere, Elizabeth Barnes Halsted, and Judith Barnes Luke.Nancy Rintoul Barnes.By descent in the family.Acquired by Angus Jacob Rintoul purportedly from the Chinese Imperial family, circa 1810.note:The history of this necessaire begins in China, where it was purportedly acquired by Angus Jacob “Jake” Rintoul (1783-1840) from the Chinese Imperial family in the first quarter of the 19th century. Born in Glasgow,

Rintoul moved to Edinburgh at the age of 15 to apprentice as a ship chandler.At 17, he is recorded as third officer on a merchant ship engaged in tradewith the Orient, and by his early 20s he had risen to first officer, havingdeveloped a swashbuckling reputation battling pirates in the Far East.Family records indicate that he traveled to Canton (now Guangzhou) andbecame acquainted with the Imperial family, who were residing in the areaduring a heavy monsoon season and for whom he reportedly negotiatedtrade and protection agreements against pirates in the South China Sea.Nevertheless, the palace was marauded and family record goes on to statethat “it is uncertain whether the ladies companion was obtained by Jake as aresult of pursuing the looting pirates or whether it was given as a token ofgratitude by the Imperial family for services rendered.”How the necessaire arrived in China is equally unclear-whether part ofcommercial trade or looted from a British settlement-but it has beensuggested that it was given to an Imperial princess, probably Gurun PrincessHexiao (1775-1823), for her twelfth birthday.Having survived the looting of the palace, Rintoul returned to Europe,pursuing less adventurous mercantile business for the family’s whiskey trade.He disappeared in 1840 on a trip to Antwerp, and the necessaire hasremained in the family by descent from his two children.The form of this necessaire bears notable similarities to examples by JamesCox (1723-1800), particularly the upper portion of an exceptional musicaland automaton table clock with necessaire, sold Christie’s London, June 7,2007, Lot 125. Another similar example was sold Christie’s New York, April19, 2002, Lot 51.$8,000-12,000See also illustration on inside front cover.



72 160237/4Pair of George III mahogany knifeboxeslate 18th/early 19th centuryEach steeply canted box hinged witha conforming lid opening to a fittedinterior and closing to form aserpentine front with protrudingreeded pilasters, the edges inlaidwith darkwood stringing. (2).H: 15 3/4, W: 9, D: 13 1/4 in.provenance:Private collection, Pennsylvania.$800-1,200

73 151909/28George III mahogany Cumberland-action dining tableearly 19th centuryH: 28 1/2, W: 69, D: 52 in. (open)provenance:The Estate of Theodore and AristeaS. Halkedis, New York, NY.Hyde Park Antiques, 1987.$1,000-1,500

74 168030/1Assembled George III style brassmounted burl walnut andmahogany tantalus set19th centuryThe rectangular box opening toreveal fittings with four large andtwo small gilt-decorated stopperedbottles, two gilt and chased sterlingsilver shot glasses, two elaboratelyetched crystal tumblers, threecordial glasses, and a gilt spoonmonogrammed “SD” and stamped“J. Wilkins” to reverse.H: 10, W: 15 1/4, D: 11 in.$800-1,000

75 151909/20George III neoclassical style brass,steel, and cast iron fire grate19th centuryH: 40 1/2, W: 30 1/4, D: 16 in.provenance:The Estate of Theodore and AristeaS. Halkedis, New York, NY.Stair & Company, 1990$800-1,200

76 158069/3George III marquetry inlaidmahogany wheel barometerearly 19th centuryThe silvered barometer dial signed“Peter Bordolli/ 31 Brook St.Holborn”.H: 38, W: 10 in.$800-1,200


71 168040/1Pair of George III inlaid mahogany serpentineform knife boxeslate 18th centuryEach steeply canted box hinged with aconforming deep lid opening to a fitted and inlaidinterior, with fruitwood inlaid edges and chasedsilver eschutcheon and shield. (2).H: 14 1/2, W: 9, D: 10 1/2 in.$1,000-1,500

77 158106/2George III mahogany breakfront bookcaselate 18th CenturyH: 96, W: 144 in.$8,000-12,000

78 160264/1Group of English enameled patch boxes18th/19th centuryThe first of rectangular form, the remainingfive of oval form, each hand painted withphrases of companionship and love; of variousages and makers. (6).H: 1 1/8, W: 2 1/8, D: 1 3/4 in. (largest)$400-600


81 152425/14George III style mahoganyminiature chest20th centuryThe serpentine top above bombécase enclosing three long drawers,raised on ball-and-claw feet.H: 19, W: 19 3/4, D: 11 1/2 in.$600-800

82 142414/31George III carved giltwoodgirandole mirrorearly 19th centuryThe oval mirror plate within a foliateand scroll carved frame having twoprotruding candle arms.H: 41, W: 25, D: 10 in.provenance:Property of a private collector, NewJersey.$600-800

79 152179/16Two pairs of polychrome molded papier-mâché commemorative plaques ofGeorge III and Queen Charlotte18th centuryOne pair with matte finish; the other with gloss paint and pine backs. (4).H: 13 1/2, W: 11 1/2 in.provenance:Property of a Philadelphia area collector.One pair bears handwritten note on verso: “Princess Charlotte Sophia, daughterof the Prince of Mechlenburg-Strelitz Cast of Geo the Third of England Painted &cast at time of his marriage Sept. 8, 1761. Owned by Stephen Burroughs, theAstronomer, Stratford Conn. (afterwards Bridgeport).“Christie’s New York, Collection of Kay and Richard Barrett, June 17, 1997, lot 191.$1,000-2,000


80 160368/10George III style walnut, burl walnut, and mahoganyminiature slant-front desk19th centuryThe feather-banded burl veneered slant-front opening toreveal an interior with four pigeonholes over four drawersand secret cubby, above lopers and three similarlydecorated graduated drawers, raised on bun feet.H: 10 1/2, W: 9, D: 5 1/4 in.$800-1,200

83 152498/18George III carved and giltwood Chinoiserie mirrorlate 18th/early 19th centuryH: 51, W: 31 in.provenance:From the Estate of Alfred I. duPont, Florida.$1,000-1,500


84 160094/3Pair of George III style ormolu mounted mahogany andsatinwood pedestalslate 19th century, in the style of benjamin vulliamyWith square africano marble cornice above a friezemounted with urn and swag ormolu appliquéssupported by two tapering square columns terminatingin scroll and acanthus captials; the dado centered by anormolu medallion depicting Orion and Sirius above anormolu banded mahogany panel; the whole raised onormolu banded stepped plinth. (2).H: 46 1/2, W: 14, D: 14 in.provenance:Sotheby’s New York, The Collection of Alberto Pinto,March 29, 1999, Lot 597.$3,000-5,000

85 152449/7George III style gilt composition mirror andwall brackets20th centuryH: 48, W: 29, D: 5 1/2 in. (mirror)provenance:Collection of Christopher Norman, proprietor ofChristopher Norman Inc., and Kevin McNamara,Interior Designer.$1,000-1,500

86 160211/3George III inlaid satinwood pier tablelate 18th centuryWith demilune top over inlaid frieze raised ontapering legs.H: 34, W: 46, D: 22 1/2 in.$1,000-1,500



87 160048/4Irish George III carved pinepedimental wall mirrorin the manner of francis & johnbooker, late 18th/early 19th centuryWith divided triangular pedimentcentered by an acanthus-wrapped urnabove a fluted inverted breakfrontfrieze; the banded plates flanked byfluted tapering columns surmounted byCorinthian capitals, supported byimbricated corbels flanking a lowerplate centered by a mounted foliateappliqué; bearing partial label stating“Kearney/Carver, Gilder & LookingGlass Maker. to His Majesty, & HisExc...” to verso.H: 77, W: 45 in.note:This Palladian form most closely relatesto several examples by Francis andJohn Booker, prominent Dublin“Looking Glass Merchants” whoinherited their father’s successfulbusiness in 1750. These examples, alldated 1760-75, include one soldChristie’s London, November 14, 2013,Lot 5; Christie’s London, November 13,2014, Lot 60; and Sotheby’s London,July 6, 2010, Lot 48. A fourth andnearly identical example was soldMealy’s, Kilkenny, Ireland, May 12,2009, Lot 428.The present mirror bears a label forJoshua Kearney, listed as a carver andgilder in Dublin from 1797-1829. It waslikely finished or retailed by Kearneyaround the turn of the 19th century, ormay have been executed by Kearneydirectly from an earlier design by theBookers.$8,000-12,000




88 160337/12Pair of Bow soft paste porcelain triform sweetmeat dishescirca 1754-56Each in the form of three up-turned shell dishes centered by a cluster ofshells and seaweed, raised on an openwork base applied with naturalisticshells and seaweed. (2).H: 4 1/2, W: 9 1/4 in.provenance:Collection of John Irwin, former United States Ambassador to France.Purchased from the Antique Porcelain Company, New York, 1977.$2,000-3,000

89 160337/11Bow soft paste porcelain triform enameled sweetmeat dishcirca 1750In the form of three up-turned shell dishes centered by a cluster of shellsand seaweed, raised on a conforming naturalistic base of coral and shells.H: 5 1/2, W: 8 1/2 in.provenance:Collection of John Irwin, former United States Ambassador to France.Purchased from the Antique Porcelain Company, New York, 1977.note:For a sale of nearly identical form, see Sotheby’s New York, Property fromthe Estate of Brooke Astor, September 24 and 25, 2012, Lot 588.$800-1,200

90 152150/4Fine collection of Worcester porcelain dessert dishescirca 1770-80Comprising a pair of lozenge form dishes with fluted rimsand four circular dishes, each with a gilt decorated wetblue border encircling a cartouche painted with floralsprays against the white reserve, and a pair of oval dishessimilarly decorated with a scale blue ground, each withfretted blue square mark to underside. (8).W: 9 1/2, D: 6 1/2 in. (largest)provenance:Feniton Court, Devon.$2,000-3,000

(part lot)


92 160067/3Two Worcester blue and whitereticulated porcelain basketscirca 1780-85The first of oval form and mountedwith twisted rope handles, thesecond of shallow circular form,each exterior applied with whiteflorets and the wells painted withblue ‘Pine & Cone’ pattern; markedto underside with blue crescentmark. (2).H: 2 1/2, Dia: 9 in. (largest)$600-800

91 160067/2Pair of Worcester blue and whitereticulated porcelain basketscirca 1770-75Each of oval form mounted withtwisted rope handles, the exteriorapplied with white florets and thewell painted in blue with ‘KangxiLotus’ pattern; each with pseudo-Chinese mark to underside. (2).W: 11 1/2, D: 8 1/2 in.$800-1,200


note:This lot is accompanied by the original receipt fromNewman & Newman (Antiques) Ltd., located inKensington, London, dated July 18, 1956.For recent sale of identical form, see Lyon &Turnbull, Edinburgh, June 25, 2014, lot 560.Other pieces of this particular service,featuring a highly unusal design ofstylized polychrome pheasants, areillustrated in R. L. Hobson, FrankLloyd Collection of Early WorcesterPorcelain (1923), pl. 40, no. 198; andin H. Rissik Marhsall, Coloured WorcesterPorcelain of the First Period (1751-1783) (1954), pl. 16,no. 273.$800-1,200

94 160067/5Collection of Worcester blue and white porcelain teawares1770-1790Comprising a butter dish, two teapots, and a sugar all withmatching molded covers; a creamer, four saucers, two teabowls, seven cups and saucers, a pair of tea cups, a pair ofminiature blue and white bowls, and a tea bowl and saucer,each with blue crescent mark to underside; together with a

bowl and saucer with early “W”mark, circa 1760. (35).H: 5 1/2 in. (largest)$2,000-3,000

93 160067/1Rare Worcester pheasant-decorated coveredtureen and standcirca 1775The oval tureen mounted with shell form handlesand surmounted by a lobed cover with artichokeknop, each parcel-gilt over wet blue borders anddecorated with a polychorme pheasant motif;the oval stand with scalloped edges and similarlydecorated; tureen and stand marked tounderside with blue crescent mark.H: 6, W: 9 3/4, D: 7 in.provenance:Acquired Newman & Newman (Antiques) Ltd.,London, 1956.


95 160067/4Collection of Caughley blue and white porcelainteawarescirca 1770-1785Comprising a scalloped tea bowl and saucer,three leaf form pickle dishes, two saucers, a teabowl and saucer with embossed ground, aSalopian covered sugar, a parcel-gilt Salopian teapot stand, two creamers, and a coffee pot andcover. (14).H: 9 1/2 in. (largest)$1,000-2,000

96 160067/6Group of English porcelain tea wareslate 18th centuryComprising a Worcester ‘Imari’ pattern lobedand scalloped dish, a Worcester parcel-giltscalloped saucer, a Loughton Hall creamer withfloral sprays, three Chinese export style teabowls, and a blue and white scalloped tea bowl.(7).W: 11 3/4, D: 8 3/4 in. (largest)$800-1,200

97 151936/8English porcelain teapotsecond half 18th centuryFinely painted with floral sprays.H: 5 3/4, W: 4 1/2, D: 7 1/2 in.provenance:Sold on behalf of the Philadelphia Museum ofArt to benefit future acquisitions.$600-800

98 152150/6Spode porcelain footed pot-pourri vase andcovercirca 1820Circular form, finely painted with flowers againsta gold ground, the pierced cover surmounted bya gilt flame form finial, marked in red script tothe underside “Spode 2049”.H: 5 1/4, Dia: 6 1/4 in.provenance:Feniton Court, Devon.note:A pair of similar pot pourri vases sold bySotheby’s, New York, September 24, 2012.$600-800

99 152339/2Staffordshire pearlware figural grouptee total, circa 1830Modeled as an interior domestic scene ofhusband and wife around a table, the wifeholding a baby and the table spread with teawares; placed before a pair of rising castletowers, raised on a table base with plaque titled“Tee Total”.H: 7 1/2, W: 7, D: 4 1/2 in.$1,000-1,500

100 160367/8Royal Doulton parcel-gilt and hand paintedporcelain covered jarearly 20th centurySigned “Reginald Johnson” and titled tounderside “The Pancake Maker”, with RoyalDoulton mark and incised “1437”.H: 12 3/4, Dia: 8 in.$800-1,200


101 160436/1Doulton Burslem figure of Shylockcharles noke (english, 1858-1941), circa 1893Realistically modeled gilt and polychromepainted porcelain figure, raised on paintedparquetry square base; signed to base “Chrs. J.Noke.” and stamped to underside with DoultonBurslem crown mark.H: 16 1/4 in.$1,500-2,500

103 152616/16Roman terra cotta amphora on stand1st/2nd century a.d.With tall neck surmounted by pronouned rimand mounted with twin handles, the bodytapering to peg foot, raised on later iron tripodstand.H: 50 1/2, Dia: 14 1/2 in.$800-1,200

104 158078/49Collection of specimen marble table articlesComprising two obelisks raised on separatebases, two small pyramids, and an elongatedweight. (5).H: 10, W: 6, D: 6 in. (largest)$300-400

102 160367/9Royal Doulton parcel-gilt and hand paintedporcelain covered jarearly 20th centurySigned “R. Moldcroft” and titled to underside“Evening, On the Bridge”, with Royal Doultonmark and impressed “3-4-28”.H: 12 3/4, Dia: 8 in.$800-1,200



109 160350/15Fine and large Grand Tour micromosaic desk weightearly 19th centuryThe cartouche form mosaic depicting St. Peter’s Square,Rome, surrounded by a malachite banded border onblack hard stone substrate.H: 6 3/8, W: 12 3/8 in.$9,000-12,000

108 160230/5Pair of enameled bronze cobraform candlesticks19th centuryEnameled to whole with scrollingbud and foliage design.H: 8 1/2, W: 6 3/4, D: 8 1/2 in.$800-1,200

105 151909/72Egyptian sandstone relief fragmentmodernRaised on custom stand.H: 10 1/2, W: 17 in. (fragment)provenance:The Estate of Theodore and Aristea S. Halkedis,New York, NY.$600-800

106 151909/71Egyptian sandstone relief fragmentmodernRaised on custom stand.H: 10 1/4, W: 8, D: 3 in. (with stand)provenance:The Estate of Theodore and Aristea S. Halkedis,New York, NY.$600-800

107 158078/59Pair of French Egyptian revival marble and slateobeliskslate 19th centuryEach carved and gilt with hieroglyphics. (2).H: 17 1/2, W: 5 3/8, D: 4 in.$400-600


112 158078/50Two framed wax portrait miniatureslate 19th centuryComprising a French profile portrait ofNapoleon, and another portrait, probablyEnglish, of a gentleman; together with aframed portrait miniature painted on vellumdepicting Charles I. (3).H: 6, W: 6 in. (largest frame)$300-400


110 160368/2Pair of parian recumbent lions after Antonio Canova (Italian, 1757-1822)19th centuryAfter the model for the Vatican tomb of Pope ClementXIII, each impressed to underside with cameo seal byEdward William Wyon (British, 1811-1855) stamped “Artsand Commerce Promoted”. (2).H: 5 3/4, W: 13, D: 4 in.$2,000-3,000

111 160354/9Large Grand Tour giallo antico marble model of thetemple of Castor and Polluxsecond half 19th centuryRaised on polished black slate base.H: 22 1/4, W: 11 1/4, D: 4 1/4 in.note:The temple of Castor and Pollux was erected in theRoman forum circa 484 B.C.E. to honor the twin sons ofZeus and Leda, whom the Romans believed aided them inthe Battle of Lake Regillus (499 or 496 B.C.E.). It wasrestored in 117 B.C.E. and later rebuilt and rededicated byTiberius in 6 C.E. It served as the office of weights andmeasures as well as a meeting place for the RomanSenate.$5,000-7,000



note:This extraordinary collection oftwenty-four of Paoletti’s intagliosrepresents the largest singlecollection ever brought to market atauction. For a recent sale of twelvevolumes, see Bonham’s New York,March 4, 2015, Lot 1283.Before the advent of photography,Grand Tour souvenirs were amongthe most widely collected of travelmementos. A number of artists andsculptors capitalized on this craze, inparticular the Italian BartolomeoPaoletti (1757-1834) and his son,

Pietro. A trained frescoist, Pietrowas extremely capable with plasterand, in addition to the manyexquisite frescoes he installed inchurches across Italy, he is bestknown today for his work makingintaglios, plaster casts of engravedcameos, sculptures, architecturalmonuments, and antiquities.The evident skill and intricacy of hiswork won Paoletti patronage byEurope’s royalty and, especially, theBritish elite. Referenced in CountHawks Le Grice’s travelogue, Walksthrough the Studii of the Sculptors at

Rome (1841), the Count describesthe intaglios as such: “Although theImpronte are but miniature copies,they exhibit all the fidelity andbeauty of the originals, and conveyto the eye a better idea ofsculptured works of art than themost finished engravings. TheStudio of Paoletti is in Piazza diSpagna No. 49, where collections inimpronte may be had of all theworks existing in the differentMuseums in Europe.”$20,000-30,000

113 158084/4Pietro Paoletti (Italian, 1801-1847)collection of grand tour plaster intaglios, rome, early 19th centuryComprising twenty-four volumes offaux-book boxes, each with marbledcovers and gilt-tooled leatherbindings, fitted with an assortmentof plaster casts of engraved cameos,sculptures, and monuments withhand inscribed catalogue ofcontents to front and back insidecovers, with twenty-two marked tospine “Paoletti Impronte” andbearing the followingtitles: Munumenti Invariluoghi, MuseoCapitolino (2), Museo di Firenze e diParigi, Museo di Napoli Albani eSommariva, Museo Sommariva,Museo Vaticano (2), Opere Antiche(5), Opere di Canova, Opere di Gibson,Opere di Thorwaldsen (2), Opere diThorwaldsen e Gibson, Opere di VariAutori (2), Volumini Illustri (2); andwith two marked to spine “CadesImpronte” and bearing the titlesGemme Antiche and MonumentiInvariluoghi. (24).H: 10, W: 6 1/2 in. (boxes)provenance:Private collection, Virginia.

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116 160295/3Fine and large George III blue john urnlate 19th centurySurmounted by an integral cover terminatingin spherical finial, with a finely carved spiralgadrooned lip and gadrooned lower body,raised on an Ashford and white marblepedestal and base.H: 17, D: 6 in.$3,000-5,000


114 160368/4Pair of Regency ormolu-mounted blue john urnscirca 1810Each inverted ovoid-form body mounted withupright-handled gadrooned necks and above aleaf-tip cast socle on a square base. (2).H: 7 1/2 in.$5,000-7,000

115 160295/2George III blue john urn on pedestallate 18th centurySurmounted by an integral cover terminating ingilt bronze pinecone finial, raised on Ashfordand white marble base.H: 15 3/4, D: 5 in.$4,000-6,000

117 160295/4Unusual pair of George III blue john candlestickslate 18th centuryEach with blue john stems and Ashford marblenozzles and bases. (2).H: 9 3/4, W: 4 in.$800-1,200

119 152431/1Indo-European bronze traveling vanity chest19th centuryThe bronze chest cast with figural and scrollingfoliate motifs, the lid opening to reveal a brassinterior with two locked compartments andfittings for various vanity and personal effects;mounted to sides with handles and raised onfour paw feet.H: 10 1/2, W: 24 1/4, D: 16 in.$1,500-2,500

118 152476/6Pair of large cast iron garden urns on pedestals19th centuryEach of campana form, the body decorated withcrossed C-scrolls centered by flower-filledcornucopia, mounted to sides with scrolling foxform handles, each raised on foliate socle abovesquare pedestal. (2).H: 40, Dia: 19 in.$400-600



120 152498/25Chinese gilt and ebonized lacquerexport style games box19th centuryWith canted corners, the rectangularbox fitted with an assortment oftrays and covered boxes raised onpaw feet, overall decorated with afloral design with butterflies flankingfigural vignettes.H: 5, W: 14 3/4, D: 12 in.provenance:From the Estate of Alfred I. duPont,Florida.$600-800

121 152087/1Pair of large Chinese export carvedand reticulated wood frames19th centuryH: 37 3/4, W: 45 3/4, D: 3 in.$1,000-2,000

122 152087/6Chinese export carved woodphotograph frame19th centuryH: 12 1/2, W: 9 in.$400-600

123 152087/5Pair of small Chinese export carvedand reticulated wood frames19th centuryH: 19 1/4, W: 15 1/4 in.$600-800

124 152087/4Pair of Chinese export carved andreticulated wood frames19th centuryH: 25, W: 25 in.$800-1,200

125 152087/3Pair of Chinese export carved andreticulated wood frames19th centuryH: 38 1/4, W: 27 1/2 in.$800-1,200

126 152087/2Large Chinese export carved andreticulated wood mirror19th centuryH: 37 3/4, W: 45 3/4, D: 3 in.$1,000-2,000

127 160007/3Two Chinese export porcelain platters19th centuryThe first a rose medallion platter of moldedwell-and-tree design; the second a Cantonblue and white platter. (2).L: 18 1/2 in. (largest)$1,000-1,500


129 151597/9Group of Chinoiserie patterned ironstone serving piecesearly 19th centuryComprising a covered soup tureen and underplate, avegetable bowl, a serving tray, a meat platter, and twelvesoup bowls, each marked to underside “Warrented RealIronstone China”. (17).H: 12, W: 13 in. (tureen)$1,000-1,500

130 158078/66Large Chinese export porcelainrose medallion baluster vasesecond half 19th centuryH: 24, D: 10 in.$500-800


128 152147/5Two Chinese export porcelain grisailledecorated dishesthird quarter 18th centuryThe first an octagonal platter centered by agilt monogram, the second a smaller platterof similar form, finely painted and gilt to thecenter with arms possibly of Murray ofElibank, surmounted by the motto “VirtuteFideque”. (2).W: 18, D: 15 in.provenance:Raymond B. Knight, Locust Valley, NewYork.$1,500-2,000


133 160237/3Late Qing Dynasty Chinese export porcelain rose medallion punch bowlsecond half 19th centuryLoosely painted in a gold-enriched palette, with reserves of Chinese figuresalternating with birds and flowers upon a ground of gilt-ground greenscrollwork, centered with a small roundel medallion of bird and rose.H: 6 3/4, Dia: 16 in.provenance:Private collection, Pennsylvania.Herbert Schiffer Antiques, West Chester, Pennsylvania.$800-1,200

131 152479/2Large Chinese export porcelain famille rose basinmid 19th centuryFinely painted to the well with a spray of flowers and fruitbeneath a monogram in shaped medallion, the cavetto andrim painted with prunus flowers, butterflies and birdsagainst the white reserve.H: 6, Dia: 19 1/2 in.$1,000-1,500


132 160237/2Collection of late Qing Dynasty Chinese export rose medallion porcelainsecond half 19th centuryComprising a twin handled oval covered soup tureen and stand, an ovalquatrefoil platter, a teapot and cover, a twin handled sugar and cover, acream pitcher, a globular jar, a pair of small baluster vases, seven circularplates together with a similar lobed round plate and a similar circular plate,three stem cups, four different tea cups, and three saucers, all looselypainted in the typical palette. (28).H: 9 1/2 in. (tureen)provenance:Private collection, Pennsylvania.Herbert Schiffer Antiques, West Chester, Pennsylvania.$2,000-3,000

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136 160345/1Regency mahogany drop-leaf table19th centuryOn pedestal base with four flutedsplayed supports terminating in pawfeet, raised on casters.H: 28, W: 49, D: 42 in.$800-1,200

137 160084/4Pair of Regency style cut glasscovered urns19th centuryWith fluted rim and diamondpatterned body surmounted by abell form top terminating inoctagonal finial, raised onoutspreading circular foot. (2).H: 17, Dia: 6 1/2 in.$800-1,200


138 151922/15Regency inlaid mahoganyserpentine sideboard19th centuryH: 36 1/4, W: 90 1/2, D: 35 in.$2,000-3,000

135 160305/1Rare Regency patinated bronze hanging alcove lampattributed to messenger & sons, early 19th centuryThe lobed dish with twin projecting arms terminating inclassical faces and suspension chains issuing from satyrfaces, decorated to rim with hanging tassles andcentered by a foliate medallion terminating in hangingpinecone finial.H: 24 1/4, W: 22 1/2, D: 8 1/4 in.$2,500-3,500

134 160366/8Pair of gilt bronze horse and oak tree candelabraprobably english, second quarter 19th centuryEach in the form of a large oak tree with twooutspreading branches as candlearms, surroundinga horse confronting a raised serpent, mounted onblack hard stone plinth. (2).H: 12, W: 11 1/4, D: 4 1/2 in.note:For a sale of similar form, see Sotheby’s New York,May 24, 2007, Lot 100.$800-1,200


140 152077/13Regency mahogany pedestal diningtableearly 19th centuryThe rectangular top with reedededge raised on gadrooned vasiformpedestal and four acanthus carvedoutswept legs on casters.H: 30, Dia: 50 in.$2,000-3,000

141 152450/1Regency carved oak triple shieldback setteeearly 19th centuryH: 36, W: 53, D: 19 in.$2,000-3,000

139 151922/16Regency style mahogany doublepedestal dining tableearly 20th centuryWith banded edge, having fourleaves above two turned pedestals,each with three fluted outswept legsraised on casters.H: 28 1/2, W: 112, D: 45 in.$1,500-2,000


142 152498/19Regency carved gesso and giltwoodovermantel mirrorearly 19th centuryH: 86, W: 52 in.provenance:From the Estate of Alfred I. duPont, Florida.$1,000-1,500

143 152637/2Regency rosewood breakfast tablefirst quarter 19th centuryCircular top inlaid with a border of bell flowers,raised on carved baluster stem and shapedbase on paw feet.H: 29 1/2, Dia: 47 in.$4,000-6,000



146 152077/12Large William IV mahoganypedestal sideboardcirca 1835With shaped scrolling backboardabove inverted breakfront top overthree frieze drawers, raised on twoarched pedestals enclosing shelves.H: 38, W: 88, D: 30 in.$2,000-3,000

147 158106/7Near pair of Victorian mahoganyand leather library steps19th centuryThe treads inset with brown gilt-tooled leather, the second step withhinged lid opening to internalcompartment, raised on four turnedfeet. (2).H: 26, W:18 1/2, D: 28 in.$400-800

148 158106/128Victorian feather-banded burlwalnut and mahogany five-drawerWellington chestmid 19th centuryWith rectangular cornice above fivedrawers flanked by pilasters, onewith locking mechanism, andmounted to sides with handles; thewhole raised on rectangular plinth.H: 22, W: 15, D: 10 1/2 in.$500-700

144 152637/3Regency brass inlaid rosewood sofa tableearly 19th centuryThe drop-leaf banded top above two friezedrawers and opposing blind frieze drawers,raised on four scrolled supports above ashaped quadripartite gallery issuing fouroutswept legs on shell and claw cast casters.H: 28 1/2, W: 58 1/4, D: 26 in.$2,500-3,000

145 152077/11William IV carved mahoganylibrary tablecirca 1835The rectangular top above two friezedrawers, raised on two scrolledsupports united by turned stretcher.H: 29 1/2, W: 48 1/2, D: 24 in.$1,000-1,500


149 152344/1Fine pair of English 18-inch terrestrial and celestial globesj. & w. cary, circa 1826The terrestrial globe with cartouche printed “Cary’s NewTerrestrial Globe exhibiting the Tracks and Discoveries made byCaptain Cook; Also those of Captain Vancouver on the NorthWest Coast of America & M. De La Perouse, on the coast ofTartary, Together with every other Improvement collected fromVarious Navigators & Travellers to the present time. London.Made and sold by J & W Cary, Strand, March 1st, 1816, withCorrection & Editions to 1826”; the celestial globe withcartouche printed “Cary’s New Celestial Globe on which arelaid down the whole of the stars nebulae &c, contained in theAstronomical works of the Revd. F. Wollaston F.R.S. De laCaille, Herschel, Hevelius Mayer, Flamsteed, Bradley &c.London: Made & Sold by J. W. Cary Strand March 1816”; eachsphere in brass meridian and horizon rings supported by fourarms and a central mahogany column terminating in tripod feetjoined by a stretcher centered by a compass, raised on casters.(2).H: 45, Dia: 23 in.provenance:Private collection, New York.


note:Brothers John (1754-1835) and William Cary (1759-1825)established themselves in London as globe manufacturers atthe end of the 18th century, producing their first examples in1791. With John’s training in map engraving and William’sspecialty in nautical instruments, the brothers turned tocartography, creating highly accurate globes from new mapplates of their own design. Their globes have long beenregarded among the finest produced in England during theGeorgian and Regency periods of exploration.John’s sons, George (1788-1859) and John, Jr. (1791-1852),joined the firm in 1820 and the workshop was moved from itsoriginal home at 181 The Strand to a larger studio at 86 St.James’s Street. The present pair of globes was designed in1816, the last to be made with maps exclusively by John, Sr.and William, and produced in 1826 after the design wasupdated to reflect recent cartographical discoveries. After the1820s, the firm was taken over by John, Jr. and George,continuing to operate as J. & G. Cary until 1850.For a sale of similar 15-inch globes, see Lyon & Turnbull,October 3, 2012, Lot 1048.$25,000-30,000


150 152489/1Fine and large Baroque style carvedgiltwood center tablewilliam murray, glasgow, first quarter 19th centuryMade for the Duke of Hamilton, ofrectangular form raised on fourboldly carved legs united by an X-frame stretcher, bearing label“William Murray/Carver andGilder/To his grace the Duke ofHamilton & Brandon/19 BuchananStreet/Glasgow.”H: 38 1/2, W: 100, D: 50 in.

provenance:Private collection, Newport, RhodeIsland.Belcourt Castle, Newport, RhodeIsland.Christopher Beckett Denison,London, England.The Duke of Hamilton, HamiltonPalace, Lanarkshire, Scotland.note:This table was commissioned byAlexander, the tenth Duke ofHamilton (1767-1852), as a stand fora prized pietra dura top. An aestheteand dandy, the Duke was amagnificent man, referred to in hisobituary as “the proudest man inEngland.” Famous for his love ofluxury, he was well known for his

tremendous collections of pietradura, French furniture, and,especially, Egyptian artifacts.The table is described in the 1852-53 Hamilton Palace inventory as “alarge and splendidly Carved and giltTable with Pietra Dure Top inlaidwith rare marbles and preciousstones &c”, and further in the 1876inventory as “A Magnificent PietraDura Table 8 ft 2 by 4 ft on aHandsomely Carved & Gilt Frame”.The table was sold as Lot 666 in‘The Hamilton Palace Sale’administered by Christie, Manson &Woods, which took place over thecourse of 13 days from June to July1882. The table is recorded as soldto a dealer named Duncan for £105.

It was then acquired by thepolitician Christopher BeckettDenison to furnish his new house at41 Upper Grosvenor Street, London.Beckett Denison died only twoyears later, and the table was againsold at the Christie, Manson &Woods’ sale of his collection on July15, 1885, Lot 333. It was describedin that catalogue as “AN OBLONGTABLE, of old Florentine pietre duremosaic, of unusual dimensions, onboldly carved and gilt stand withtrusses and stretcher - 8 ft. 2 in. by4 ft/From Hamilton Palace“.$25,000-40,000

The HamiltonPalace Table



1852-53 Hamilton Palace Inventory, property of the Hamilton Archive, Lennoxlove House, England.


151 160012/1Scottish silk embroidery18th centuryDepicting a large estate with windmill, orchards, andoutbuildings surrounded by a local village.H: 11, W: 12 1/2 in. (frame)$600-800

152 160083/38Pair of mirrors painted with hunt scenes19th centuryH: 21, W:28 1/2, D: 1 1/2 in.$1,000-1,500


153 158106/92Large English “hunting subject” glass punchbowlsecond half 19th centuryFinely engraved with a vignette depicting a foxhunt in continuous landscape, raised on aknopped stem and conical foot.H: 11, Dia: 9 3/4 in.provenance:Private Collection, Virginia.$600-800

154 158106/120Group of English and American cut glass andcrystal equestrian trophies20th centuryComprising a pair of English decanters and apitcher, each engraved “Greenham GroupHandicap Hurdle Race”, also with Waterfordmark to base; a trophy cup engraved “MonmouthPark Hush Lillie June 26, 2005”; and a crystaldecanter with silver collar engraved “TheMitchells & Butlers (Handicap) SteeplechaseWon by Fezeyut at Wolverhampton 8th February1975”, with marks for C.J. Vander & Co.,Birmingham, 1974; together with a fine and largeBohemian trumpet vase. (6).H: 20 in. (vase)provenance:Private Collection, Virginia.$800-1,200

155 160369/4Pair of enamel decorated opaline glass vasessecond half 19th centuryOf baluster form with flared lip, the bodydecorated overall with climbing pink roses, withparcel-gilt neck and foot. (2).H: 16 in.$1,200-1,800

156 168013/6Victorian brass skeleton clock19th centuryThe chapter ring with enameled Romannumerals, the single fusee movement within anopen scrolling frame mounted on red velvet andebonized wood base; enclosed in glass dome.H: 16 in.$2,000-3,000


159 160130/11Pair of George III style marquetryinlaid satinwood Pembroke tables20th centuryH: 27, W: 30, D: 19 in.$800-1,200


158 160204/7English silvered bronze centerpiece with palm tree andwhippetslate 19th centuryIn the manner of Elkington, the intertwined palm treesextending above a pair of whippets modeled after Pierre JulesMêne (French, 1810-1879), “Two Whippets Playing with a Ball”.H: 19, Dia: 13 in.provenance:Private Boyton Beach, Florida collection.$800-1,200

157 168014/2Victorian parcel-gilt and ebonzied lacquer and papiermâché parlor suitecirca 1850-1860Comprising an oval tilt-top pedestal table and four sidechairs. (5).H: 30, W: 19, D: 22 in. (table).$1,500-2,000



161 158106/3Arts and Crafts carved mahogany benchlate 19th centuryWith arched crestrail and pierced backrest of finely carvedirises above a rectangular seat over a frieze of foursimilarly carved drawers, raised on six tapering legs.H: 40, W: 68, D: 20 in.$2,500-4,000

160 160129/1Edwardian satinwood and rosewoodinlaid four decanter tantalusfrom the habsburg steam yachtwaturus, circa 1900The inlaid chest opening to an interiorwith a removable fitting for fourdecanters and six cordial glasses.H: 10 3/4, W: 11 3/4, D: 11 1/4 in.provenance:Private collection, Philadelphia.By descent through the family.The Waturus purchased by RandalMorgan, Philadelphia.From the steam yachtWaturus, built in Scotland for H.I. & R.H.Archduke Karl Stephan of Austria in1900.$800-1,200


Important Portrait Miniaturesfrom a New York Collection

lots 162-186

Lot 173


162 152299/32Attributed to William Grimaldi (English, 1751-1830)portrait miniature of a ladyOval portrait on ivory of a lady in a white dress and collar, with a scarf overher hair, the verso with a blue glass panel centered by seed pearl initials“NC” and a lock of hair; together with two portrait miniature mountedtortoiseshell bonbonnières, the first mounted to the top with circularportrait of a woman in powdered wig, French, circa 1780; the secondmounted with a circular portrait of a woman in red dress and lace bonnet,German, circa 1820. (3).H: 3 in.$600-800

163 152299/33Circle of the Seaman Brothers (English, active second quarter 18th century)portrait miniature of a gentlemanOval portrait of a gentleman in burgundy coat, white cravat and powderedwig, enamel on copper, in metal frame.H: 2 1/8 in.$600-800

164 152299/34Three portrait miniatures of gentlemenenglish and french school, first quarter 19th centuryComprising a portrait of a gentleman in brown jacket with black collarattributed to James T. Mitchell (English, fl. 1798-1830), an English schoolportrait of a young officer, and a French school portrait of a gentleman (3).H: 3 in. (largest)$800-1,200


165 152299/30Jean-Baptiste Troivaux (1788-1860)portrait miniature of a gentlemanOval portrait on ivory of a gentleman wearing thebreast star of the Ordre du Saint-Esprit, signed“Troivaux 1835”, in gilt metal frame.H: 3 1/2 in.$1,000-1,500

166 152299/26John Wright (English, 1760-1820)portrait miniature of a gentlemanOval portrait on ivory of a gentleman in a furcoat and blue jacket; together with an Englishschool portrait of a gentleman in blue jacket andwhite cravat. (2).H: 3 in.$1,000-1,500

167 152299/24Group of English and continental portraitminiaturesfirst quarter 19th centuryComprising a portrait miniature of a gentlemanattributed to Joseph Boze, dated 1805 to verso, acontinental school portrait of a naval officer, circa1815, a continental portrait of a gentleman, aportrait of a lady signed “J. Tremlett, Exeter”, anda portrait of a lady signed “?Otto” by SamuelOtto. (5).H: 3 1/2 in. (largest)$1,000-1,500

168 152299/23Two continental portrait miniatures of younggentlemenheinrich jakob aldenrath (german, 1775-1884)and m. cailliatteThe first an oval portrait on ivory of a younggentleman in black coat, waistcoat and knottedcravat, signed ‘Aldenrath’, in gilt metal frame; thesecond an oval portrait painted in enamel oncopper of a young gentleman in brown coat andyellow waistcoat with a white cravat, signed “M.Cailliate”, in gilt metal frame. (2).H: 2 1/4 in. (each)$1,000-1,500

169 152299/19Sir William Charles Ross, RA (British, 1794-1860)portrait miniature of a gentlemanOval portrait on ivory of a gentleman in brownovercoat with black coat and waistcoat, aturquoise pin in his cravat, with a matte giltmetal and modern wood frame.H: 4 1/2 in.provenance:Property of a New York Collector.$1,000-1,500


170 152299/10John Barry (British, active 1784-1827) and Mrs.Anne Mee, née Foldstone (British, 1770-1851)portrait miniatures of ladiesThe first an oval portrait on ivory of a woman inwhite dress with a pin in her corsage, in goldframe; the second an oval portrait on ivory of alady with powdered wig, the verso with plaitedhair and blue glass, in original red leather case;together with an English school portrait of a lady,the verso with plaited hair centered by plaqueinscribed “Souvenir”. (3).H: 2 1/4 in. (largest)provenance:Property of a New York Collector.$1,000-1,500

171 152299/16Peter Paillou (British, 1757-1831) and AndrewRobertson, MA (Scottish, 1772-1845)two portrait miniatures of gentlemenThe first an oval portrait on ivory of a gentlemanin black coat and white cravat, signed “P. Paillou1809”, in gilt metal frame; the second an ovalportrait on ivory of a gentleman in black coat andwhite cravat, the verso with plaited hair centeredby gilt monogram “WR”, in gilt metal frame. (2).H: 2 7/8 in. (each)provenance:Property of a New York Collector.$1,000-1,500

172 152299/25Two French portrait miniatures of boysone attributed to jean-marie evrard (french, 1776-1860)The first an oval portrait on ivory of a boy in ayellow waistcoat, blue coat and frilled collar, ingilt metal and wood frame; the second Frenchschool, circa 1810, circular portrait on ivory of aboy in a blue coat seated on a chair, in gilt metalmount and modern frame. (2).H: 2 3/8, Dia: 3 in.$1,500-2,000


173 152299/31Simon Jacques Rochard (French, 1788-1872)portrait miniature of a hrh prince augustus frederickOval portrait on ivory of HRH Prince AugustusFrederick, Duke of Sussex (1773-1843) in a goldand red collar and sash, gold epaulettes and bluecoat before a curtain partially lifted to show amonument, signed “Rochard”, the verso signed“Portrait de/Frederick Augustus/D’este/Fils d’un?/le Duc de Sussex”, in gilt bronze frame.H: 4 in.$1,500-2,000

174 152299/29Jean Baptiste Singry (French, 1782-1824)portrait miniature of a young gentlemanOval portrait on ivory of a young gentleman inblack coat, waistcoat and knotted cravat, signed“Singry”, in gilt metal mount and velvet cladframe.H: 3 7/8 in.$1,500-2,000

175 152299/28Anthelme-François Lagrenée (French, 1774-1832)portrait miniature of a gentlemanOval portrait on card of a gentleman in furbordered cloak and blue coat, signed “Lagrenée”in gilt metal mount and wood frame.H: 5 1/2 in.provenance:Sotheby’s, November 26, 1992, Lot 380.$1,500-2,000


177 152299/12Two English school portrait miniatures of gentlemencirca 1820The first an oval portrait on ivory of Captain Charles Sharman, in gilt metal frameengraved “Captain Charles Sharman Royal Artillery by Comerford”, plaited hair toreverse, the second a hexagonal portrait on ivory of a gentleman seated in an interior, ingilt metal frame. (2).H: 3 1/2 in. (each)provenance:Property of a New York Collector.$1,500-2,000


178 152299/11George Chinnery (British, 1774-1852)two portrait miniaturesThe first an oval portrait on ivory of a lady in white dress with frilled collar, ingilt metal frame; the second a portrait of a gentleman in red military uniformwith green facings, attributed to Chinnery, in red leather case. (2).H: 2 7/8 in., 3 1/2 in.provenance:Property of a New York Collector.$1,500-2,000

176 152299/20William Wood (British, 1769-1810)portrait miniature of a gentlemanOval portrait on ivory of a gentleman in blue coat andwhite cravat with powdered hair, the verso with platedhair, in gilt metal frame; together with an English Schoolportrait on ivory of a gentleman in brown coat andknotted cravat, the verso with purple glass and plaitedhair borders around a center gold monogram “WJ”, ingilt metal frame. (2).H: 2 3/4 in.provenance:Property of a New York Collector.$1,500-2,000



180 152299/18James Scouler (British, 1740-1812)two portrait miniatures of gentlemenThe first an oval portrait on ivory of a gentleman in blue coat, orange andwhite waist coat and powdered wig, signed and dated “Scouler 1797”, theverso with blue glass encircling a woven hair decoration, in gilt metal frame,the second an oval portrait on ivory of an army officer in red coat with bluefacings, in gold frame. (2).H: 3 in., 1 1/2 in.provenance:Property of a New York Collector.$1,500-2,000

179 152299/14Walter Stephens Lethbridge (British, 1771-1831)two portrait miniatures of officers, circa 1796The first an oval portrait on ivory of a naval officer in a blue coat, in giltmetal frame, the reverse with a lock of hair beside a monogrammedcartouche, the second an oval portrait on ivory of an army officer in red coatwith black facings, signed to verso “W.S. Lethbridge ?96 London”, in giltmetal frame. (2).H: 2 3/4 in., 3 1/4 in.provenance:Property of a New York Collector.$1,500-2,000

181 152299/27Two portrait miniatures of monarchsalessandro fiocchi and henri benner (french, 1776-1829)The first an oval portrait on ivory of Louis Phillippe, King of France, wearing the sash and star ofthe Order of the Royal French Order of the Legion of Honour, signed “Fiocchi 1835”; the second anoval portrait on ivory of Tsar Alexander I of Russia in the sash and star of the Russian ImperialOrder of St. Andrew, in gold mount and modern frame; together with a circular portrait of aRussian nobleman wearing the ribbon and star of the Russian Imperial Order of St. Vladimir, 1stClass, in military dress, in paste-set silver frame. (3).H: 3 1/4 in., 1 3/4 in.$2,000-3,000



182 152299/22Three French portrait miniaturesone attributed to andré léon larue, called mansion (french, 1785-1837)Comprising an oval portrait on ivory of a young lady in a black coat and white dresswith frilled collar, in gilt metal and wood frame; a rectangular portrait on ivory of agentleman in black coat and white stock, in wood frame, French school, circa 1805;and a rectangular portrait on ivory of a young lady in an off the shoulder dress seatedon a red sofa, French school, circa 1825, in wood frame. (3).H: 3 in., 4 1/2 in., and 4 3/4 in.provenance:Property of a New York Collector.$2,000-3,000

183 152299/13Charles Henard (French, 1757- after 1808)portrait miniature of a gentlemanOval miniature on ivory depicting a gentleman in blue coat and knottedcravat, in gilt metal frame; together with Nicholas Freese (English, 1794-1824), portrait miniature of a gentleman in a white cravat with gem set pinsand a blue coat, the reverse with plaited hair centered by a seed pearlmonogram “WMI”. (2).H: 2 3/4 in.provenance:Property of a New York Collector.$2,000-3,000

184 152299/15John Jukes (English, 1772-1851)portrait miniature of a ladyOval portrait on ivory of a lady in silk dress and lace collar seated in aninterior, signed and dated “Jukes 1798”, in gilt metal frame, the reverse withblue glass and plaited hair border encircling a seed pearl anchor; togetherwith a an oval portrait on ivory of a lady in blue dress and black lace shawland white lace cap, attributed to Moses Griffith. (2).H: 3 5/8 in.provenance:Property of a New York Collector.$2,000-3,000


186 152299/21Two portrait miniatures of officerssamuel andrews (irish, 1767-1807) and english school, circa 1800The first an oval portait on ivory of a young officer in reduniform with silver epaulettes and collar and plumed hat,signed “S.A. 1796”, in gilt metal frame; the second anoval portrait on ivory of an army officer in red coat withochre facings and gold epaulettes and buttons, inréverbère frame. (2).H: 3 1/8 in., 3 1/4 in.provenance:Property of a New York Collector.$3,000-5,000

185 152299/17Andrew Plimer (British, 1763-1837)portrait miniature of a gentleman, colonel ditcherOval portrait on ivory of a gentleman in brown coat, ingilt metal frame; together with a portrait miniature of agentleman attributed to Thomas Hazelhurst, oval portraiton ivory of a gentleman in a black coat and ochrewaistcoat with red lining, the verso with blue glassencircling plaited hair, in gilt metal frame. (2).H: 3 1/4 in.provenance:Property of a New York Collector.$2,000-3,000



187 160337/1Sèvres Rose-Pompadour chocolate cup and saucer1770Sèvres soft paste porcelain, each with blue underglaze doubleL marks to underside with date code for 1770. (2).H: 2 5/8 in. (cup)provenance:Collection of John Irwin, former United States Ambassador toFrance.Purchased from the Antique Porcelain Company, New York,1977.$2,000-3,000

French Furniture & Decorative Artslots 187-271

189 160337/9Pair of Sèvres Bleu Celeste covered twin-handled vases1773Sèvres soft paste porcelain, of compressed form with fluted necksurmounted by shallow domed cover terminating in bun finial,each painted with reserve to recto depicting an idyllic provincialscene and to verso depicting a colorful bouquet, with gadroonedbase above wreathed socle; each with blue underglaze double Lmarks to underside with date code for 1773. (2).H: 7, W: 8 3/4, D: 6 3/4 in.

188 160337/2Sèvres chocolate cup and saucer with Oeil-de-Perdrix ground1772Sèvres soft paste porcelain, with saucer well and cup centeredby hand-painted reserves depicting idyllic provincial scenes;each with blue underglaze double L marks to underside withdate code for 1772. (2).H: 2 5/8 in. (cup)provenance:Collection of John Irwin, former United States Ambassador toFrance.Purchased from the Antique Porcelain Company, New York,1977.$3,000-5,000

provenance:Collection of John Irwin, former United States Ambassador toFrance.Purchased from the Antique Porcelain Company, New York, 1977.$5,000-7,000


190 160337/10Sèvres covered tureen and standcirca 1777Sèvres hard paste porcelain, painted with scattered loosebouquets on white ground, the bombé tureen surmounted by alobed cover terminating in artichoke knop, raised on rocaille feet;the stand of conforming design with scalloped edges and integralscrolled handles; stand engraved to underside “Bo” for modellerEtienne Henri Botio. (2).H: 10 3/4, W: 12 1/4, D: 9 1/2 in. (tureen)provenance:Collection of John Irwin, former United StatesAmbassador to France.Purchased from the Antique Porcelain Company, theAntique Company of New York, Inc., 1977.$10,000-15,000

191 152489/2Pair of late Régence/Louis XIV style giltwoodfauteuils à la reinepartially 19th centuryThe shaped upholstered backs issuing scollingfoliate arms above a square upholstered seatabove tapering square legs decorated instrapwork and bellflower ornamentation, unitedby an X-form stretcher and rear legsterminating in (later) volute feet. (2).H: 53, W: 28, D: 26 in.provenance:Private collection, Newport, Rhode Island.$7,000-9,000

192 158078/124Louis XIV style carved giltwood verdeantico marble top center tablelate 19th/early 20th centuryH: 29 1/2, W: 39 1/2, D: 27 in.$800-1,200


193 151936/13Louis XV provincial carved walnutcaned fauteuil à la reinecirca 1730H: 35 3/4, W: 26, D: 22 1/2 in.provenance:Sold on behalf of the PhiladelphiaMuseum of Art to benefit futureacquisitions.$800-1,200


194 152425/10Louis XV style gilt bronze mounted marquetry inlaidkingwood and satinwood occasional tablelate 19th/early 20th centuryH: 28, W: 19 3/8, D: 15 3/8 in.$600-800

195 152425/11Louis XV style gilt brass mounted parquetry inlaid occasionaltableearly 20th centuryH: 27 5/8, W: 21 1/2, D: 14 3/4 in.$600-800

196 152425/12Louis XV style parquetry inlaid occasional table20th centuryH: 28 1/2, W: 18 1/4, D: 12 1/4 in.$800-1,200

197 160222/1Louis XV style gilt and vernis martin salon suitelate 19th/early 20th centuryComprising a canapé, side chair, and fauteuil à la reine, eachhaving open backrest centered by vernis martin cartouchedepicting an 18th century courting couple. (3).H: 36, W: 43, D: 21 in.$2,000-3,000

198 151398/14Two Louis XV style floral fruitwood marquetry and latticeparquetry kingwood and tulipwood side tableslate 19th centuryH: 29 1/2, W: 23, D: 13 1/2 in. (largest)$800-1,200

French Furniture & Decorative Arts 57

199 152367/10Louis XV style gilt bronze mounted bardiglio marble urnsearly 20th centuryOf baluster form with scrolled foliate handles surmounted byan integral domed cover, raised on acanthus-cast socle andlaurel wreathed foot on marble canted square base; currentlydrilled as lamps. (2).H: 18 3/4 in.provenance:From the collection of the Estates of Edward C. Fogg, III andLisbeth A. Fogg.$1,500-2,500

200 160368/8Louis XV style gilt bronze mounted painted porcelainminiature commodesceaux, 19th centurySoft-paste porcelain with reserves to top and frontpainted with 18th century scenes and to sides withfloral bouquets, of typical form with three drawersraised on rocaille feet, signed with blue underglaze“Sceaux” and anchor mark to underside.H: 9, W: 16, D: 7 in.$5,000-7,000

201 152057/3Pair of Louis XV style gilt bronzechenets20th centuryH: 14 1/2, W: 9 1/2, D: 7 in.$400-600


Antoinette, for whom he fulfilled a largenumber of commissions for the Tuileries,Versailles, Saint-Cloud and Fontainebleaufrom 1785-1791.Other furniture designed by Jacob for thePalais des Tuileries, and bearing the samestamps as the present example, are invarious museum collections, including acarved beechwood chair, circa 1785, in theBrooklyn Museum (68.202.3). The presentmarks, including three fleur-de-lys and acrown accompanied by “TH”, indicate thatthis fauteuil was likely accounted for in theinventories of the Tuileries made during the19th century after the restoration of theBourbon monarchy. Some pieces are alsomarked with inventory numbers related totheir original commission; many, includingthe current example, are not, rendering itdifficult to determine the exact date ofcommission or the room for which it wasoriginally commissioned.$2,000-3,000

203 152301/3Louis XV/Louis XVI transitional ormolu mounted fruitwood marquetry and parquetrykingwood and tulipwood commodechristophe wolff, circa 1770With languedoc marble top, the front marquetry inlaid with landscape scene, stamped “C.Wolff”.H: 33, W: 49 1/2, D: 5 1/2 in.note:Christophe Wolff (1720-1795) was of Germanorigin but made his career as a Parisian ébénisteestablished in the traditional furniture district ofFaubourg Saint-Antoine, first on the rue deCharenton and then, until the Revolution, on rueNeuve-Saint-Denis. Achieving the status of maîtrein 1755, he excelled in the creation of exquisitemarquetry scenes, especially of Chinoiserie,landscapes, and musical instruments. For importantsales of his work, see Christie’s London, TheCollection of Maria Angiolillo, July 15, 2010, Lot 743and Christie’s New York, October 21, 2010, Lot 465.For a sale of similar form see Koller AuctionsZurich, March 31, 2001, Lot 1081.Examples of his work may be found in the Muséedes Arts Décoratifs, the Musée Cognacq-Jay, andthe Louvre, and published in Le Mobilier Français duXVIIIème Siècle, Pierre Kjellberg (2008) and Lesébénistes du XVIIIe siècle, Comte François de Salverte(1934).$3,000-5,000


202 151936/15Louis XVI carved walnut tapestryupholstered fauteuil à la reinelate 18th century, stamped g. iacob andpalais des tuileriesStamped “Palais des Tuileries” with a crownabove three fleur-de-lys inside of an oval,“TH” and “G. Iacob”.H: 36 1/2, W: 24, D: 25 1/2 in.provenance:Sold on behalf of the Philadelphia Museum ofArt to benefit future acquisitions.note:Georges Jacob (1739-1814) apprenticedunder Jean-Baptiste Lerouge, was mademaster in 1765 and established his ownworkshop on the rue de Cléry, Paris in 1775.He was the eldest of three generations oflauded menuisiers including his sons GeorgesJacob II and François-Honoré-Georges Jacob-Desmalter and grandson Alphonse Jacob-Desmalter. Jacob enjoyed French aristocraticand royal patronage and created seating forthe royal residences of Louis XVI and Marie



204 160354/3Fine and large pair of Louis XV style ormolu mountedcipollino verde mandolato marble urns19th centuryOf baluster form, the spiral fluted neck surmounted by anintegral bell form cover terminating in elaborate fruitingfinial, supported by three finely cast caryatid monopediaeraised on conforming tripartite base.H: 27 3/4 in.$15,000-20,000

206 152637/1Louis XVI mounted Chinoiserieblack lacquered and parcel giltcommodepartially 18th century, bearing stamp of bennemanWith a shaped Brêche d’Alep marbletop above three frieze drawersmounted with reeded and beadedmouldings above a further twodrawers and two cabinets, alldepicting Chinese figural scenes,landscapes, animals, and plants, thepanelled sides similarly decorated,the chamfered corners applied withmounts, above squared cabriolelegs ending in (later) rocaillessabots.H: 36, W: 66 1/4, D: 23 1/2 in.$8,000-10,000

205 160354/4Louis XVI style gilt and patinated bronzefigural sphere clockearly 19th centuryThe spherical case with Roman numerals andserpent hands supported by an urn held aloftby two classical ladies, raised on cylindricalrouge marble pedestal with four scrolledsupports on conforming quadripartite base.H: 24 1/4, Dia: 8 in.$4,000-6,000


207 160084/6Pair of Chinese export porcelain armorial sauce tureensand coverscirca 1776Each flanked with boar’s head handles, painted with floralfestoons in the famille rose palette and bearing arms ofalliance for the wedding of Messire Guillaume-FrançoisMarie de La Noüe and Félicité-Marie Meslé de Grandclos in1776. (2).H: 6 1/2, W: 9, D: 7 in.note:Freeman’s is grateful to the gentlemen of the InternationalHeraldry Society for their assistance in the identification ofthese arms.$1,500-2,500

208 152147/6A Chinese export porcelain armorial stand,together with a Chinese export porcelainsauceboatA large Chinese export porcelain armorial stand,circa 1795, finely painted and gilt to the centerwith an heraldic cartouche including a shield andmonogram surmounted by a crest, likely for theAux de Lescout of Guyenne, France; and aChinese export armorial two handled sauceboat,circa 1730. (2).W: 18, D: 15 in. (largest)$3,000-5,000

209 152147/4Two Rare Chinese export porcelain armorialdishes for the continental marketmid 18th centuryThe first a meat dish of octagonal form withfinely molded rim, painted and gilt to the wellwith arms possibly of Pasquier of Lorraine; theother a smaller of similar form and decoration.(2).W: 14, D: 10 1/4 in. (largest)provenance:Acquired Sotheby’s, January 27, 1987.$2,500-3,500


210 160367/5Two Chinese export porcelain gilt andgrisaille decorated mythologicalsubject dishes18th centuryOne painted to the well with Juno inpeacock-drawn carriage, the rim withalternating reserves of landscapes andbirds; the other painted to the well withMars and Bellona struck by Cupid, withgilt and red painted borders to rim. (2).Dia: 11 1/4 in. (largest)$1,000-2,000

208

209


211 152449/1Louis XVI marble top mahogany commode à l’anglaisestamped bergamin, 18th centuryOf demilune form, the Bardiglio marble top with brassgallery surmounting a central commode with three longdrawers, flanked by mirror-backed open shelves.H: 36 3/4, W: 51 1/2, D: 22 in.provenance:Collection of Christopher Norman, proprietor ofChristopher Norman Inc., and Kevin McNamara, InteriorDesigner.$1,500-2,000


212 152449/2Louis XVI bardiglio marble top commodelate 18th centuryH: 34 1/2, W: 31, D: 20 in.provenance:Collection of Christopher Norman,proprietor of Christopher Norman Inc., andKevin McNamara, Interior Designer.$1,000-1,500

213 151922/12Louis XVI style gilt and polychrome carvedwood barometerlate 19th centuryH: 38 1/2, W: 10 1/4 in.$800-1,200


214 160367/2Two rare layered reverse-paintedglass panels depicting the first hotair balloon flights by the FrèresMontgolfier19th centuryEach with six layers of reverse-painted glass, the first depicting theflight of Etienne Montgolfier on June4, 1783 in Annonay, the seconddepicting the flight of JosephMontgolfier on January 19, 1784 inLyon, each in matching gilt gessoand carved wood frame. (2).H: 9 3/4, W: 7 7/8 in. (incl. frame)$3,000-5,000

215 160367/1Two rare layered reverse-paintedglass panels depicting the firsthydrogen balloon flights by theFrères Robert19th centuryEach with six layers of painted glass,the first depicting the flight of July15, 1784 landing in the park atMeudon, the second depicting theflight of September 19, 1784 overthe gardens of the Tuileries Palace,each in matching gilt gesso andcarved wood frame. (2).H: 9 3/4, W: 7 7/8 in. (incl. frame)$3,000-5,000


The frères Montgolfier, Joseph-Michel (1740-1810) and Jacques-Étienne (1745- 1799), were amongthe earliest of French aviators andare credited with the invention ofthe world’s first globe aerostatique, orhot air balloon. From a prosperousfamily of paper manufacturers inAnnonay, southeastern France, thebrothers demonstrated ingenuityfrom an early age. By 1782 theywere experimenting with techniquesinvolving small chambers heated byburning paper, and tested their firstballoon form in late 1782.On June 4, 1783, they made theirfirst public demonstration in

Annonay using a balloon of clothand paper, which was executed withgreat success. Later that yearÉtienne became the world’s firstaeronaut, lifting off on October 15,1783. In January 1784, after severalfurther successes, a largedemonstration was planned forLyon. On January 19, in front of acrowd of 100,000 people, Josephtook flight for the first time,accompanied by several Frenchnobles. Sadly the flight was doomed,ending dramatically with the balloonin flames, but fortunately none ofthe passengers was hurt.At the same time, two younger

brothers, the frères Robert, Anne-Jean (1758-1820) and Nicolas-Louis(1760-1820), were alsoexperimenting with early aviationtechniques. The frères Robert weretrained engineers from Paris workingtogether with a professor namedJacques Charles, who was the firstto propose a hydrogen balloonmodel. They launched their firstmanned hydrogen balloon flight inParis on December 1, 1783.They next began experimenting witha dirigible form, which they hoped tosteer with rudder and oars. Theirdirigible had its first trip on July 15,1784, traveling from Saint-Cloud to

Meudon, and its second onSeptember 19, 1784 from Paris toBeuvry. Though the steeringmechanisms ultimately proveduseless, this second attempt wasthe first long-distance flight over100 kilometers.This collection of four layeredreverse-painted glass panels depictthese early advances in flight. Like adiorama or stage set, they rely onflat layers to enhance the illusion ofdepth so essential to creating animage of altitude and distance. Anearly form of illustration, thistechnique was used by both Romanand medieval artists beforeflourishing in the early 19th century,when the present two lots werepainted.

THE FRÈRES MONTGOLFIER AND ROBERT


216 151780/708Collection of miniature painted porcelain portraitselizabeth camby bradford dupont (1852-1925)Depicting members of the French court. (17).H: 8 1/4, W: 9 1/4 in. (largest)provenance:Property from the Estate of Nancy duPont ReynoldsCooch.$1,000-1,500


(part lot)

217 152498/21Sèvres style porcelain mounted gilt bronzeguéridonlate 19th centurySet with a cobalt ground and parcel-gilt porcelaincharger centered by a portrait of Louis XVI encircledby eight portraits of ladies of the court, eachidentified to verso; bearing blue Sèvres style markand raised on a Louis XVI style tripod baseterminating in paw feet.H: 32, Dia.: 20 3/4 in.provenance:From the Estate of Alfred I. duPont, Florida.$2,000-4,000

219 160366/6Louis XVI style gilt bronze and champlevéminiature meuble à maquillage19th centuryIn the form of a bureau à cylindre, the frontopening to reveal two pink glazed soft-pasteporcelain pots.H: 6 3/4, W: 5 3/4, D: 2 3/4 in.$2,000-3,000

218 160304/1Louis XVI style gilt brass and marble miniaturejewelry cabinet on standlate 19th centuryThe cabinet door inset with an 18th century styleminiature portrait hand-painted on ivory, signed“Bruy”; the cabinet and drawer opening to reveal alining of jacquard fabric; the whole raised on fourtapering legs united by stretcher, festooned withfloral garlands.H: 13 3/4, W: 6 1/2, D: 3 3/4 in.$2,000-3,000



220 160331/3Pair of Louis XVI style gilt and patinated bronze figuralchenetsbouhon frères, late 19th centuryEach modeled as a putto resting atop a pedestal, warming theirhands at flaming urns, each stamped “Bouhon”. (2).H: 14 3/4, W: 13 1/2 in.$800-1,200

221 158078/123Louis XVI style carved giltwood salon suiteearly 20th centuryComprising a settee, four side chairs and two armchairs, all infloral silk upholstery. (7).H: 48, W: 65 1/2, D: 29 in. (settee)$2,000-3,000

222 142414/3Louis XVI style tulipwood and fruitwood gilt bronze mountedsecrétaire à abattant19th centuryThe rectangular portasanta marble top with canted corners aboveconforming case, frieze drawer, and quarter veneered fall frontwriting surface opening to reveal an arrangement of drawers andpigeonholes, above tooled leather writing surface and twocupboard doors opening to a shelved interior with locking box;raised on square tapering legs terminating in sabots.H: 56 1/2, W: 37 1/2, D: 16 in.provenance:Property of a private collector, New Jersey.Sotheby’s Amsterdam, The Estate of HRH Princess Lilian ofBelgium, September 22, 2003, Lot 188.$800-1,200

225 160143/13Louis XVI style Aubusson upholstered giltwood salon suite19th centuryComprising two side chairs, two fauteuils à la reine, and a settee.(5).H: 40, W: 57, D: 28 in. (settee)provenance:Property from the Estate of Kenneth L. Hallam, Washington, D.C.$1,500-2,500

(part lot)

223 160047/4Louis XVI style gilt bronze mountedfigural alabastro di Napoli marblejardinièrelate 19th/early 20th centuryH: 15 1/4, D: 11 in.$1,500-2,000

224 152057/2Pair of Louis XVI style gilt bronze threelight sconces19th centuryH: 16, W: 15 3/4, D: 11 1/2 in.$800-1,200



228 160366/5Pair of Louis XVI style ormolu four-light candelabraattributed to alfred beurdeley (french, 1847-1919),circa 1880Each in the form of a winged nymph holding aloft agrapevine-wrapped central standard terminating inpinecone finial and issuing four scrolling candlearmswith festooned nozzles, above a cartouche-form basecentered by jasperware medallions to front and back,raised on toupie feet; unsigned. (2).H: 19, W: 9, D: 6 1/2 in.note:Alfred-Emmanuel-Louis Beurdeley (1847-1919) wasthe son of Louis-Auguste-Alfred Beurdeley (1808-1882), one of the most important ébénistes of the19th century. In 1875, Alfred took over his father’sworkshop at the Pavillion de Hanovre on theBoulevard des Italiens and continued the success ofhis family dynasty, exhibiting at the 1878 and 1889Expositions Universelles in Paris and the 1883International Colonial and Export Exhibition inAmsterdam. His achievements allowed the firm toopen additional workshops at 20 and 24 rueDautancourt in Paris as well as an office in New York.The present lot, after an earlier 18th century model,likely originated from a three-piece clock garniture;indeed, the form is nearly identical to a larger pairfrom a garniture sold Sotheby’s London, October 1,2008, Lot 342. Typical of Beurdeley’s style, thepresent pair of candelabra bear Wedgwood-stylejasperware medallions as well as his signature highlyintricate rinceaux. The form of the candelarms andbase are further related to another pair of Beurdeleycandelabra sold Christie‘s London, September 30,2015, Lot 224.$10,000-12,000

226 168014/1Pair of Louis XVI style gilt and patinated bronzefigural three-light candelabraafter michel clodion (french, 1738-1814), 19th centuryEach in the form of an infant bacchus, over reededwhite column circled at base with gilt bronze laurelwreath, raised on quatrefoil marble base. (2).H: 17 1/2 in.$2,000-3,000

227 160369/6Pair of Louis XVI gilt bronze mounted gialloantico marble urns19th centuryEach surmounted by integral cover terminatingin pinecone finial, mounted to shoulders withfloral garlands suspended from classical faces,raised on leaftip-cast socle and square base.(2).H: 15 1/2, Dia: 6 1/2 in.$2,500-3,500


230 160302/1French silk and chenille embroiderycirca 1810On hand-painted ground depicting two women discussingthe virtues of friendship before an eternal flame titled“amitié”, inscribed indistinctly in French to matte.H: 11 1/2, W: 13 1/2 in. (frame)$1,000-1,500

231 151999/7French Empire ormolu mountedmahogany cheval mirrorearly 19th centuryThe adjustable mirror suspended inrectangular frame supported by twincylindrical columns surmounted byrectangular pediment mounted tocorners with two helmeted soldiersand to center with corbeille, swans,and rinceaux; the whole abovedownswept legs raised on casters.H: 74, W: 39, D: 22 1/2 in.$800-1,200

232 152057/1Pair of Empire style gilt and patinatedbronze candelabra19th centuryEach in the form of a winged victoryholding aloft six candlearms and standingatop a small orb, all raised on gilt bronzemounted white marble base, with laterlamp fittings. (2).H: 36, W: 15, D: 10 in.note:The design of these candlesticks relatesto the celebrated model designed byPierre-Philippe Thomire after a design byCharles Percier.$3,000-5,000


229 160048/2French Empire brass mounted rosewood andmahogany marble top serverfirst quarter 19th centuryWith rectangular upper shelf supported by foliateS-scroll brackets above a mirrored back, the blackmarble top above a frieze inlaid with brass panels offoliate design, over a setback cupboard enclosed bytwo similarly decorated doors flanked by columns.H: 49 3/4, W: 40, D: 15 1/2 in.$800-1,200


234 158108/30Pair of Empire style bronze and giltbronze three-light sconcesearly 20th centuryH: 20 1/2, W: 9 3/4, D: 7 1/2 in.$400-600


235 158108/29Pair of Empire style gilt bronzethree-light sconces20th centuryH: 17, W: 10 3/4, D: 5 1/4 in.$300-500

233 160369/8Empire ormolu and patinated bronze figural clockfirst quarter 19th centuryDepicting a classical youth surrounded by shells and a glass pearl,leaning on a table with fluted ribbon-tied quivers framing a clockwith enamel numerals set into sunflowers, the face indistinctlysigned possibly “Ferey Au Havre” above a rectangular plinthcentering a putto holding a lowered torch and a butterfly seatedon a suspended garland, the leaftip-cast base on square feet.H: 15 1/2 in.$2,000-3,000

238 152425/3Pair of Empire style gilt bronzemounted cut glass stoppered ewers19th centuryH: 20 3/4, W: 6 1/2, D: 7 1/2 in.$2,000-3,000

237 152425/8Pair of gilt bronze mounted Paris porcelain cache potslate 19th centuryEach finely painted with a continuous scene depicting afête galante, mounted with twin handles and raised on giltbronze base. (2).H: 13 1/2, W: 12 3/4, D: 8 1/4 in.$2,000-3,000

236 160368/1Pair of Neoclassical Paris porcelain parcel-gilt andpainted urnslate 19th centuryAmphora form with parcel-gilded neck and Sphinx-form caryatid handles terminating in scrollingacanthus leaves, the lilac-ground decorated withstylized lyre-form trophies recto and fruited basketsand cornucopia verso above a turned parcel-gilt socleon square base. (2).H: 17 1/4 in.$3,000-5,000


242 168031/5Pair of Louis Philippe gilt and patinatedbronze chenetscirca 1840Each in the form of a classical maidenwarming her hands at a fire, raised onrectangular base with applied foliate scrolls tofront. (2).H: 15 3/4, W: 11 1/2, D: 4 1/4 in.$800-1,200

240 160354/5Fine pair of Empire style ormolu mounted cutglass urns19th centuryDiamond print glass mounted with two handles inthe form of gryphons, raised on acanthus socleand three elaborate dolphin supports aboveconforming tripartite white marble base and bunfeet.H: 12, W: 6: 3 1/4 in.$4,000-6,000


239 160094/2Fine pair of Empire ormolu and patinated bronze five-light candelabrafirst quarter 19th centuryThe fluted and tapering standard issuing central flame finial and fivecandelarms in the form of classical faces, the acanthus base supportedby three lion paw feet above conforming incurved tripartite base.H: 29 1/2, Dia: 11 3/4 in.provenance:Sotheby’s New York, The Collection of Alberto Pinto, March 29, 1999,Lot 539.$1,500-2,000

241 160354/2Fine pair of Empire gilt and patinated bronzesix-light candelabraafter claude-françois rabiat (french, 1756-1815), 19th centuryEach in the form of a winged victory standingatop an orb, holding aloft a basket issuing fivescrolled candlearms and a central nozzle ofpapyrus, all raised on gilt bronze base appliedwith lyre and torches. (2).H: 34 1/4, Dia: 13 in.note:The form of these candelabra aswell as the specific model ofwinged victory are after originaldesigns by the sculptor Claude-FrançoisRabiat (1756-1815). Known especially for his candelabra ‘aux victoires’, Rabiat createdseveral incarnations of winged victories atoporbed pedestals during the first years of theFrench Empire. The present candelabra are

243 152618/1Gothic Revival patinated bronze, brass, andcrystal six-light chandelierpossibly french, second half 19th centuryThe foliate stem issuing six scrollingcandlearms mounted with dragons and bows,with crystal bobeches, drops, and strands.H: 42, Dia: 41 in.$2,000-3,000

after the most typical form, with scrolling andpapyrus candlearms, but Rabiat also madeexamples with candelarms of trumpets, wreaths,caducei, and other symbols of victory.For similar form, see Christie’s New York, May22, 2002, Lot 471, and Koller Zurich, December8, 2011, Lot 1103.$5,000-7,000



244 160366/1Napoleon III gilt bronze and malachite-veneered guéridonlast quarter 19th centuryThe round malachite-veneered top above female heads issuingscrolling foliate supports above volutes terminating in atripartite base centering a brule-parfum, above a conforminggadrooned and fruiting laurel-borded base on lion paw feet.H: 32 3/4, Dia: 30 in.$5,000-7,000

245 160354/7Napoleon III gilt bronze mounted and painted amaranthside cabinetattributed to mathieu béfort (french, 1813 - 1880),circa 1870Of breakfront form surmounted by conforming bleuTurquin marble top above a frieze mounted with classicalmotifs of goats and rinceaux; the cabinet with central doordecrated en grisaille with putti enclosing a shelved interior,flanked by fluted integral corner columns and mounted tosides with lyres; the whole raised on toupie feet.H: 38 1/2, W: 33, D: 19 in.$12,000-18,000

246 160265/2Pair of Napoleon III parcel-gilt andgilt bronze mounted mahogany sidechairsthird quarter 19th centuryH: 35, W: 18, D: 18 in.$800-1,200

247 151922/17Napoleon III gilt brass mountedamaranth and fruitwood floralmarquetry display cabinetlate 19th centuryH: 60, W: 36, D: 13 1/2 in.$800-1,200

248 160048/16Charles X bois clair inlaid firescreensecond quarter 19th centuryWith floral needlepoint roundel to verso.H: 38 1/4, W: 25 1/4 in.note:This firescreen is associated with Lots 249and 250.$800-1,200


249 160151/2Fine pair of Restauration inlaid bois clair fauteuilsjean-jacques werner (1791-1849), circa 1825Each with rectangular padded back and scrolled crest inlaid with palmettesand paterae, the bowed seatrail similarly inlaid, with S-scroll arms restingabove lappets issuing sabre legs with scroll feet, upholstered in crimson silkwith gold embroidery of Grecian style; each bearing the trade label “J. J.Werner, Rue de Grenelle, St. Germain, No. 126, Paris” and one inscribed“Salon de M. de L.”H: 37 1/2, W: 23, D: 19 in.provenance:Private collection, Philadelphia.Christie’s New York, Property from the Collection of Henry P. McIlhenny,May 20, 1987, Lot 85.Jean Chélo, Paris.$8,000-12,000

250 160151/1Fine Restauration inlaid bois clair setteeattributed to joseph-pierre-françois jeanselme (d. 1860), circa 1825With rectangular padded back and bowed cushion seat, the crest andseatrail inlaid with foliate scrolls issuing from rosettes, raised on scrolledlegs descending from lappets and upholstered in crimson silk with goldembroidery of Grecian style.H: 37 1/2, W: 23, D:19 in.provenance:Private collection, Philadelphia.Christie’s New York, Property from the Collection of Henry P. McIlhenny,May 20, 1987, Lot 84.Jean Chélo, Paris.Château de Montuel, Eure, France.$5,000-7,000


The McIlhenny Salon Suite


The living room of Mr. McIlhenny’s Rittenhouse Square home, published in House and Garden magazine. The present sofa is illustrated, as well as the crest ofone fauteuil behind, along with the original firescreen and two portraits by Pierre-Auguste Renoir and Jean-Auguste-Dominique Ingres, all now in thecollection of the Philadelphia Museum of Art.


This exquisite salon suite, comprising a setteeand two fauteuils, was originally part of a largerassembled suite purchased by the renowedPhiladelphia collector and curator, Henry P.McIlhenny, from Jean Chélo, Paris, in the early1950s to furnish his recently purchased andredesigned residence in Rittenhouse Square,Philadelphia. At that time, Mr. McIlhennyacquired two settees, five fauteuils, and afirescreen, among other pieces, which wereillustrated together in situ in House and Gardenmagazine in 1986.Following Mr. McIlhenny’s death, the presentsettee and fauteuils were sold in Christie’s May20 and 21, 1987 sale of Property from theCollection of Henry P. McIlhenny, Lots 84 and

85, respectively. The remaining settee, threefauteuils, and firescreen were donated to thePhiladelphia Museum of Art, where Mr.McIlhenny had served for fifty years, first asCurator of Decorative Arts and later as Chairmanof the Board of Trustees. These pieces areillustrated in the Museum’s 1987 catalogue, TheHenry P. McIlhenny Collection: An IllustratedHistory, by Joseph Rishell.The fauteuils were produced by the notableébéniste Jean-Jacques Werner (1791-1849) at hisRue de Grenelle workshop in St. Germain, Paris,where he was located from 1819-1828. One ofthe original suite of five is illustrated in D.Ledoux-Lebard’s Les Ébénists Parisiens 1795-1870(1965), plate CXXIV. In addition, a very similar

example is illustrated in Mobilier Restauration(1976), Chantal Bizot, page 34.The settee is attributed to Joseph-Pierre-FrançoisJeanselme (d. 1860), whose firm wasestablished in 1824 at 7 rue des Deux-Portes,Paris. This settee hails from a larger suite thatwas commissioned by the Château de Montuelin Eure, Normandy, France. Part of this suiteremains in residence at the Château and thoseexamples bear Jeanselme’s labels.These lots are accompanied by a similar andassociated Charles X inlaid bois clair firescreenpurchased by the present owner, offered aslot 248 on page 69.



251 160085/2Louis Philippe ormolu figural mantel clocksecond quarter 19th centuryThe dial finely engraved with geometric patterns, having Roman hours andBreguet hands, signed Malbec à Paris; encased within a ring of roses, awreath of olive branches, and a spray of wheat flanked by a classicallydraped figure and a basket of agricultural tools; raised on a similarlydecorated plinth atop four cylindrical feet.H: 14 3/4, W: 10 3/4, D: 4 in.$1,500-2,500

253 160369/9French gilt and patinated bronzeanimalier fire fender19th centuryMounted with two bronze casts, oneafter Antoine-Louis Barye (French,1796-1875), Lion au Serpant.W: 57 1/4, H: 13 in.$3,000-5,000

255 152494/1Fine French parcel-gilt bronze mantle clockretailed by bailey, banks and biddle, fourthquarter 19th centuryIn the form of a Louis XIV style sedan chair, thecircular dial with Roman hours signed “Bailey,Banks and Biddle Philadelphia”.H: 11, W: 3 1/2, D: 8 in.$3,000-5,000

254 158106/103Christophe Fratin (French, 1801-1864)19th centuryAn unusal centerpiece with palm tree andmonkeys; bronze, rich brown patina,signed in cast “Fratin”.H: 18 1/2, Dia: 8 in.$2,000-3,000

252 160366/4After Louis-Ernest Barrias (French, 1841 - 1905), a gilt bronze and verdeissogne marble encrierla nature se dévoilant devant la science, late 19th centurySigned in cast “E. Barrias” and stamped with Susse Frères Éditeurs foundrymark.H: 12, W: 16, D: 8 in.$4,000-6,000



256 155055/16French Grand Tour perfume cartcirca 1878In an Oriental style with five elephants pulling amother-of-pearl egg-form casque and two greenglass scent bottles, backed by a reverse-paintedglass medallion depicting the Palais du Trocadéro;likely produced for the Paris Exposition Universelleof 1878.H: 7 3/4, W: 18, D: 7 in.provenance:Estate of Janice M. Wolf, Elkins Park,Pennsylvania.Purchased M.S. Rau Antiques, NewOrleans, 2002.$2,000-3,000

257 160368/14Large French gilt bronze mounted Japanesquefloor vaselast quarter 19th centuryHand painted in blue glaze with an allover design ofbamboo chutes, surmounted by removable oil lampfittings and raised on Oriental style mounted base.H: 33 1/2, Dia: 12 in.$2,000-3,000

258 160367/4Fine Belle Époque painted and enameledcopper tazzacirca 1890Finely painted to the well with the profile of alady in Oriental costume, with artist’s cipherand indistinctly signed, possibly “Berger”.H: 4, Dia.: 5 1/4 in.$1,500-2,000

259 160366/7Pair of Neoclassical style gilt-bronze andchamplevé enamel mounted onyx candelabracirca 1890Each an ovoid urn mounted with caryatidhandles and champlevé plaques surmounted byassociated lily-form candle branches, above leafand meander cast square socle, raised on fourstylized acanthus scroll feet. (2).H: 29 in.$5,000-7,000

260 152367/12Pair of Louis XV style gilt bronze seven-light candelabrathiebaut frères, circa 1900The acanthus wrapped volute standard issuing sixelaborately scrolled candlearms and a central nozzle, raisedon conforming base stamped “Thiebaut Frères Fumière etGavignot Srs Paris”.H: 20 1/4, Dia: 13 3/4 in.provenance:From the collection of the Estates of Edward C. Fogg, IIIand Lisbeth A. Fogg.$2,000-3,000


261 152367/13Pair of Louis XVI style gilt bronze and cut glass vaseslate 19th centurySlender body with lobed and gilt bronze mounted rim,the shoulders mounted with finely modeled gilt bronzefloral festoons, tapering to an outspreading circular footraised on gilt bronze base. (2).H: 18, Dia: 6 1/2 in.provenance:From the collection of the Estates of Edward C. Fogg, IIIand Lisbeth A. Fogg.$1,000-1,500

262 160150/1French gilt bronze and beveledglass tantalus setlast quarter 19th centuryThe fitted interior with four giltrimmed decanters and stoppers andsixteen sherry glasses.H: 11 1/4, W: 13 7/8, D: 12 in.$800-1,200


263 152367/15French three-piece gilt bronzemounted and mirrored surtout detablelate 19th centuryOf ovoid form with pierced andreticulated gallery above a frieze oftasseled curtains, the central lobedpanel raised on paw feet; bearinglabel to underside “Hopilliart/12,Rue des Sts Pères/A Paris/Meubles& Bronzes Anciens/Réparations.”(3).H: 2 1/2, W: 47 1/2, D: 16 1/4 in.provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A.Fogg.$1,000-1,500

264 158103/75Assembled Louis XVI style giltbronze fireplace suitelate 19th centuryComprising a firescreen and pair ofchenets.H: 34 1/4, W: 26 1/4, D: 8 3/4 in.(firescreen)$2,000-3,000

265 152425/24Louis XVI style gilt bronze andporcelain mounted mantel clockjapy frères, early 20th centuryWith Sèvres style porcelain mountsin a pink palette, the movementstamped with Japy Frères “Medailled’Honneur” medallion andnumbered “1903”, the casestamped “6 P. H. Mourey 59” andnumbered “100”.H: 15, W: 9 1/2, D: 5 1/2 in.$1,000-1,500

266 160369/3Louis XVI style gilt bronze andporcelain mounted clock garnituresetjapy frères, last quarter 19th centuryWith Sèvres style mounts in a lightgreen palette, together with a pairof ewers; the two-train movementstamped with Japy Frères “Medailled’Honneur” medallion and HP & Co.pastille. (3).H: 14 1/2 in. (clock)$3,000-5,000

267 160344/1Renaissance Revival style giltbronze cartel clocksamuel marti et cie., paris, circa 1900The circular enameled dial withRoman chapters; the strikingjeweled movement stamped withSamuel Marti “Medaille d’Or”medallion and numbered “2658”,with “Léger à Paris/France” retailer’smark.H: 23 3/4, W: 9 3/4 in.$800-1,200

268 158106/93Monumental assembled gilt bronze clockgarniture setsamuel marti et cie., paris, late 19th centuryComprising a Louis XV style mantel clock and twoRenaissance Revival style ewers; the clockmovement stamped with “Medaille de Bronze/S.Marti et Cie” medallion and numbered “2669 52”,with Caldwell & Co., Philadelphia retailer’s mark.(3).H: 25 1/4 in. (ewers)$3,000-5,000


269 160366/3Large and unusual pair of Belle Époque giltbronze and glass five-light sconcesearly 20th century, possibly edward f. caldwell & co., new yorkEach with dolphin-form backplate issuing twoarms of bulrushes and reeds flanking acentral frosted and molded glass shade in theform of a scallop shell; each indistinctlynumbered. (2).H: 17, W: 14, D: 4 in.$4,000-6,000


270 152449/8Pair of Louis XVI style gilt bronze and steelmarble top guéridons20th centuryH: 30 1/8, Dia: 23 1/2 in.provenance:Collection of Christopher Norman, proprietor ofChristopher Norman Inc., and KevinMcNamara, Interior Designer.$1,000-1,500

271 158153/39Louis Vuitton monogrammed hard sided vanitycase20th centuryBearing original Louis Vuitton label “AveMarceau 78 bis Paris/Nice 2 Ave de Suede”;serial number 900858, with removable insertand flexible leather straps for fittings.H: 8 1/8, W: 16, D: 9 1/4 in.$1,000-1,500


Lot 288 (detail)

Continental Furniture & Decorative Arts

lots 272-293


273 152179/19Large faux grain-painted drop-front pine desknorthern european, circa 1830The drop front opening to a fitted interior.H: 54 1/2, W: 71, D: 24 in.provenance:Property of a Philadelphia area collector.$2,000-3,000

274 160029/2Continental ebonized pine ‘Kunstkammer’ cabinet19th centuryWith cabinet doors opening to reveal an assortment of sevengilt and polychrome decorated drawers, raised on bracket feet.H: 13, W: 17, D: 12 1/4 in.provenance:Sold on behalf of the Philadelphia Museum of Art to benefitfuture acquisitions.$800-1,200

272 158078/5Large Austrian Baroque fruitwood and walnutsecrétaireearly 18th centuryIn four sections, the strap hinges delicatelyengraved, with remants of 18th centuryGerman manuscript shipping label on back,dated *769.H: 73 3/4, W: 48, D: 33 1/2 in.provenance:Property of a gentleman, VA.$1,000-1,500

Continental Furniture & Decorative Arts 77

275 160143/4German walnut and marquetry three-drawer bowfrontcommodesecond quarter 18th centuryThe molded top with conforming marquetry panel centered byoval cartouche above three drawers with floral pulls, the drawersand sides similarly decorated, with locking mechanism to properleft side; the whole raised on four bun feet.H: 33 1/2, W: 45 1/2, D: 25 in.provenance:Property from the Estate of Kenneth L. Hallam, Washington, D.C.$2,000-3,000


276 160143/12Continental amaranth banded oak andwalnut bureau à deux corpspossibly german or dutch, late 18th/early19th centuryWith broken scrolling pediment above a twodoor cabinet, the shaped base above threeconforming banded drawers on bracket feet.H: 91, W: 54 1/2, D: 23 1/2 in.provenance:Property from the Estate of Kenneth L. Hallam,Washington, D.C.$1,500-2,500

277 160143/11South German walnut veneered andcrossbanded serpentine three-drawercommode18th centuryThe serpentine fronted top above conformingchest fitted with three crossbanded drawerswith tassel pulls, raised on shaped bracketfeet.H: 31, W: 23, D: 17 in.provenance:Property from the Estate of Kenneth L. Hallam,Washington, D.C.$800-1,200

278 160143/2South German fruitwood inlaid walnut three-drawercommodelate 18th centuryH: 34 1/2, W:48, D: 22 in.provenance:Property from the Estate of Kenneth L. Hallam,Washington, D.C.$2,000-3,000

279 160130/10Dutch Rococo mahogany and fruitwood floralmarquetry tea tableearly 18th centuryThe rectangular top with shaped raised edgecentered by a jardinière of blooming flowersenclosed by foliate scrolls, butterflies, and birds;over a single frieze drawer, the drawer front andsides similarly decorated, rasied on slender cabriolelegs terminating in pad feet.H: 30, W: 36, D: 24 in.$2,000-3,000



283 160048/1Venetian style paint decoratedvitrine cabinetcirca 1900In two sections, the shaped andmolded cornice above a glazed andshelved upper cabinet; the lowersection with four long drawershaving knob pulls; the whole paintedwith green faux marbling with giltbanding, raised on four bun feet.H: 70, W: 27, D: 12 1/2 in.$800-1,200

284 160304/7Large Venetian style gilt andpolychrome painted carved woodand gesso blackamoor torchèrecirca 1830H: 73 1/2, W: 16, D: 13 in.$1,000-2,000

285 152449/9Pair of continental gilt and patinated bronze blackamoor two-light sconces20th centuryH: 18 1/2, W: 12, D: 5 3/4 in.provenance:Collection of Christopher Norman, proprietor of Christopher Norman Inc.,and Kevin McNamara, Interior Designer.$800-1,200

281 160181/2Italian Rococo style carved woodfigural pedestallate 19th centuryIn the form of three putti climbing aheavy vine, surmounted by modeledcornice in the form of three leaves,the whole raised on carved andstepped circular base above threepaw feet.H: 44, Dia: 18 in.$600-800

282 160181/1Venetian carved walnut “grotto”piano chair19th centuryThe carved shell-form swiveling seatraised on three cabriole legsterminating in paw feet joined bytripartite base.H: 24, W: 17, D: 18 in.$800-1,200


280 160326/1Dutch Baroque floral marquetry inlaid bombédisplay cabinet18th centuryThe shaped and molded cornice over twin panelglazed cupboard doors opening to a shelved interior,the lower section with three long drawers, raised onpaw feet; the whole inlaid to show scrolling foliage,classical urns, birds, and figures.H: 88 1/2, W: 79 1/2, D: 21 in.$2,000-3,000


286 152598/3Pair of Italian Rococo marmo rosa aurora diNapoli marble top consoles18th centuryH: 34, W: 26 1/2, D: 13 in.$3,000-5,000


288 160143/1Fine Italian Rococo carved giltwoodonyx-veneered consolepossibly roman, circa 1750The serpentine onyx-veneered andbanded top above a conformingboldly carved and gilt wood basewith pierced foliate frieze centeredby a C-scroll cartouche, raised onfoliate S-scroll legs united by X-formstretcher surmounted by rocaillecartouche, terminating in scroll feet.H: 35 1/2, W: 52, D: 25 in.provenance:Property from the Estate of KennethL. Hallam, Washington, D.C.note:For an offering of extremely similarform, see Sotheby’s London, July 10,2013, lot 40.$4,000-6,000

287 152077/15Pietra dura specimen marble topped mahoganyand cast iron side tablelate 19th/early 20th centuryThe circular top with molded edge raised on castiron pedestal with three outscrolled legs on casters.H: 26, Dia: 28 in.$2,000-3,000



291 160265/1Continental Neoclassical veneered and string inlaidbureau à cylindreprobably north german, circa 1800With conforming petit antique marble top over alocked frieze drawer and cylindrical front enclosing anassortment of drawers and pigeonholes above a blackleather writing surface concealing a hiddencompartment; the whole veneered possibly with thujawood and raised on tapering legs.H: 44 1/2, W: 39, D: 21 1/2 in.$1,000-1,500

292 158093/7Hispano-Moresque bone and fruitwood inlaidgames table19th centuryInlaid overall with floral marquetry, the cirulartop with inlaid game board raised on balusterform stand, ending in a quadripartite base andscroll feet.H: 26 1/4, W: 23 3/4 in.$1,000-2,000

293 160222/2Chinese export carved rosewood day bed20th centuryWith elaborately carved and pierced back mountedwith central dreamstone roundel flanked by twinbundles of fruiting vines, surmounted by twodreamstone cartouches; with scrolled headrest andfootrest above shaped foliate apron centered by afurther dreamstone cartouche; the whole raised onfoliate carved bracket feet.H: 46, W: 74, D: 44 in.$1,500-2,500

290 151922/14Pair of Italian Neoclassical fruitwood andmahogany marquetry inlaid games tablesin the manner of giuseppi maggiolini, 19thcenturyH: 30 1/4, W: 37 1/2, Dia: 38 in. (open)$2,000-3,000

289 152367/11Pair of Continental classical style ormolu mounted cut glass twin-handled vasespossibly russian, 19th centuryOf urn form flanked by scrolled ormolu handles, above a circularspreading foot raised on integral plinth and ormolu base. (2).H: 12 3/4, W: 7 1/2, D: 5 1/4 in.provenance:From the collection of the Estates of Edward C. Fogg, III and LisbethA. Fogg.$1,000-1,500


294 152285/3Fine Dutch Delft five piece polychromedecorated vase garniture“de paauw” (the peacock), first quarter 18thcenturyComprising two vases of beaker form and threecovered vases of baluster form, the coverssurmounted by parrot form finials, each finelypainted with a pitcher issuing flowers withinraised a raised cartouche; each marked in blueto the base with “DPAVW” monogram and“13”. (5).H: 15, W: 6 1/2 in. (largest)provenance:Private collection, Newport, Rhode Island.Acquired directly from the owner.Mildred Phelps-Stokes Hooker Duncan, Mt.Kisco, New York.Anson Phelps-Stokes, New York, New York.note:The de Paauw factory was established in 1651on the west side of the Koornmarkt andoperated until 1774.A de Paauw vase garniture of the samedecoration is included in the collection of theWinterthur Museum, 1959.2552.$5,000-7,000

Continental Porcelainlots 294-337

295 160014/1Pair of large Dutch Delft Chinese export style lions18th centuryEach modeled as a recumbent fu lion decorated withblue and white tin glaze, raised on rectangular sponge-painted base and foliate scroll-painted socle. (2).H: 18 in, W: 17 1/2, D: 9 in.provenance:Sold on behalf of the Philadelphia Museum of Art tobenefit future acquisitions.$3,000-5,000



296 160014/2Pair of large Dutch Delft vases18th centuryTrumpet form, elaborately painted in two sectionswith blue and white millefleur pattern. (2).H: 17 1/4, Dia: 9 in.provenance:Sold on behalf of the Philadelphia Museum of Art tobenefit future acquisitions.$2,000-3,000

297 152401/1Chinese export porcelain armorial platterfor the Swedish marketcirca 1750Oval with a finely moulded scalloped rim,painted to the well with a pseudo-heraldiccrane of the Grill family.W: 17 1/2, D: 14 1/4 in.note:This platter hails from one of 13 sets ofexport porcelain commissioned in the mid-18th century by Stockholm’s merchant-eliteGrill family, historically one of Sweden’sforemost collectors of export porcelain. Thepresent platter was part of a 68-piece setcommissioned by Jean Abraham Grill(1732-1792) following his tenure at theSwedish East India Company’s Cantonfactory in the 1750s. It was likelymanufactured in the early 1760s: thenotable scalloped edges of this form wereparticularly fashionable in Sweden during

this period. The platter bears a unique andoriginal decorative pattern of geometric,foliate, and scrollwork designs, centered bya pseudo-heraldic image of a crane,alluding to the the Grill family armorial of acrane holding agrillo, or grasshopper, facing the dexterrather than sinister side.A nearly identical but smaller platter fromthe same set, held in the Bloomfield MooreCollection of the Philadelphia Museum ofArt, was loaned to the China House Galleryfor its exhibition, ‘China Trade Porcelain’,1973-74, and is published in the exhibitioncatalogue of the same name. This set ofporcelain is also discussed in JochemKroes’ article, ‘The Grill Family fromSweden and the Netherlands and theirChinese Armorial Services’ (2012).$3,000-5,000

298 152367/20Assembled Herend ornithological porcelain dinnerservice20th centuryComprising fourteen each bread plates, salad plates anddinner plates, eleven teacups and twelve saucers, 15 potsde crème, one tea pot, a large covered tureen and stand,two gravy boats on stands of slightly differing forms, atray, small covered vegetable dish, two small coveredtureens, a small basket, a footed bowl and tazza, allin the Rothschild Bird pattern; eleven dinnerplates, nineteen saucers, eight teacups, atray, leaf form dish, miniature leaf tray,and small covered tureen, all in theQueen Victoria Pattern; togetherwith a set of six demitassecups and saucers. (approx.146 pieces).H: 8 1/2, W: 13,D: 8 in. (tureen)provenance:From the collection ofthe Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$6,000-8,000


301 160367/3Viennese enamel and gilt bronze mounted musicaljewel casket in the form of an organcirca 1870The cabinet surmounted by four mermaid finials andan arched pediment terminating in putto finial, thedoors mounted with organ pipes and opening to revealtwo drawers decorated with picturesque landscapes,above a third drawer, the whole painted with classicalscenes and raised on rocaille feet.H: 8, W: 4 3/4, D: 3 1/2 in.$5,000-7,000

Continental Porcelain 85

300 158105/5Large Italian maiolica charger19th centuryPainted to the center with a portraitmedallion encircled by grotesquesagainst a cobalt ground.Dia: 24 1/4 in.$1,000-1,500

299 152425/7Royal Copenhagen Flora Danicaporcelain covered tureen and standdate code for 1962Each titled in Latin in black script tounderside and with printed factorymark, underglaze blue waves mark,the cover and tureen numbered20/3560, the stand 20/3561.H: 11, W: 16, D: 12 1/2 in.$3,000-5,000

302 160204/10Viennese enamel miniature salonsuiteearly 20th centuryComprising a side chair, a fauteuil, asettee, and a center table withopening drawer; each depicting 18thcentury scenes of courtship andstamped “Austria” to underside. (4).H: 2, W: 3 1/4, D: 2 3/8 in.provenance:Private Boyton Beach, Floridacollection.$1,000-1,500

303 160304/2Miniature Royal Viennaneoclassical style gilt decoratedporcelain urn on pedestalcirca 1900Of campana form, finely giltdecorated on cobalt ground andhand-painted with mythologicalsubjects, signed “F. Kohl”; withconforming lid and raised on integralcylindrical base; stamped andnumbered to underside.H: 9 1/2 in.$300-500

304 152425/5Pair of Vienna style jeweled and parcel-gilt porcelain vases19th centuryOvoid form, the body painted with a continous frieze with medallionsdepicting mythological figures alternating with musical trophies, each withunderglaze blue marks and titled in black script to base. (2).H: 15 1/2, Dia: 8 in.$2,000-3,000


306 152425/9Two hand-painted Vienna porcelainmythological subject chargers19th centuryEach signed “Knoillez” and titled toback “Der Grazien Rasche” and“Venus u. Aeneas”, respectively;together with a pair of Vienna styleporcelain plates. (4).Dia: 10 in. (chargers)$2,000-3,000


305 160237/1Fine Vienna style hand-painted and parcel-gilt serpent handledurncirca 1900, signed wagnerMeissen style, surmounted by a domed cover and flanked by gilthandles, the ovoid body finely painted with a continuous scenedepicting Aurora to one side and Cupid and the Three Graces tothe other, signed “Wagner”; the fluted lower section with giltdecoration against a maroon ground, raised on fluted socle withflared collar and circular foot mounted to conforming pedestalbase; stamped and numbered to underside and bearinginscriptions “Germany/Amor und Grazien” and “Aurora”.H: 21 3/4, W: 10 1/2, D: 6 1/2 in.provenance:Private collection, Pennsylvania.note:For a similar item, see Freeman’s, May 19, 2015, Lot 377.$3,000-5,000

307 160368/15K.P.M. gilt and painted porcelain centerpiecelate 19th centuryOf rocaille form with integral foliate handles andgilt and reticulated edges, hand-painted to thewell with floral decoration in a mauve palette,signed to verso “KPM” with blue underglazescepter mark.L: 11 1/2 in.$400-600

308 152221/2Collection of English and Continental parcel-gilt and hand-painted cabinet wareslate 19th centuryComprising a three-piece cobalt Rudolstadtcoffee service with pot, creamer, and sugar, eachwith scenes of “Amour & Psyche”, titled andmarked to underside; two Vienna styledemitasse cups and saucers with scenes of“Schmückung” and “Geruch”, titled and markedto underside; one maroon Vienna styledemitasse cup and saucer with a scene of Cupidand Psyche, marked to underside; one Mintonwhite and cobalt floral decorated demitasse cupand saucer, marked to underside; one cobaltCoalport demitasse cup and saucer, marked tounderside; and one blue Sèvres style creamerwith reserve of birds, bearing a Sèvres stylemark to underside. (9).H: 5 3/4 in. (largest)$600-800

309 152425/25Four fine Dresden porcelain ‘opera’ cabinetplateshutschenreuther, signed friedrichComprising four dishes each finely painted witha vignette depicting figures from a Wagneropera against a continuous landscape encirclingthe central gilt decorated reserve, each signedFriedrich and very finely gilt with four flowerfilled urns and a border of arabesques withcartouches depicting musical trophies, including“Meistersinger”, “Parsifal”“Tannhauser u. Venus”,and “Rheingold”, each titled in script to the baseand with gilt factory mark; together with twoLimoges dishes. (6).Dia: 10 3/4 in.$1,500-2,000

(part lot)


312 160130/12Pair of Meissen pink ground serpent handledvasessecond half 19th centuryEach of baluster form, the parcel-gilt egg anddart rim mounted with twin coiled snakehandles, raised on gadrooned socle; wired aslamps. (2).H: 16, W: 10 in.$800-1,200

313 160304/4Meissen porcelain figure of a ladylate 19th centuryModeled as a flower seller holding a basked ofvarious blooms and offering a rose, standing nextto a vase of verdant pink roses; marked tounderside with blue crossed swords, incised “C.68.” and impressed “73 42”.H: 7 1/2 in.$500-800

314 152322/7Group of German porcelain figuressome meissen, 19th and 20th centuryComprising six models, including a figural groupof the Abduction of Persephone, blue crossedswords mark, incised 990 and stamped 85 tobase; a figural model of winter in the form of anold man, blue crossed swords mark and incised682 to base; a model of a bare breasted nymph,spurious marks to base; a model of ashepherdess playing the recorder, blue crossedswords mark to base; a model of Athena, bluecrossed swords mark, incised C53 and stamped8 to base; and a model of a nymph standingbeside a putto carrying a basket of flowers. (6).H: 10 1/4, W: 5 1/2, D: 5 1/2 in. (largest)$2,000-3,000

315 160331/1Meissen style cartouche-form porcelain mirrorearly 19th centuryThe cartouche shaped mirror plate inside flowerencrusted C-scroll frame surmounted by wingedputti holding aloft a floral festoon, a secondwinged putti to the lower section.H: 33 1/2, W: 22 1/2 in.$1,000-2,000

310 160360/1Meissen porcelain figural group19th centuryDepicting a dancing couple in provincial 18thcentury dress, raised on naturalistically modeledbase; marked to underside with blue crossedswords and incised with initials “L. t.” andnumber “1514”.H: 5 1/4 in.$400-800

311 152367/17Meissen gilt bronze mounted leaf and berryporcelain centerpiecelast quarter 19th centuryCircular form dish with scalloped edges andparcel-gilt and finely painted bas-relief leavesand berries, mounted within a floral gilt bronzeborder and twin handles of scallop shellssuspended between two foliate S-scrolls, raisedon shell feet.H: 3 1/2, W: 13, D: 11 in.provenance:From the collection of the Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$400-600


316 160304/5Meissen porcelain figural group of two maidenslate 19th centuryEach depicted with toys, the first holidng a toy lamband the second holding a doll and a rattle; eachmarked to underside with blue crossed swords andstamped “127”, and inscribed with model numbers“C. 90” and “C. 79”, respectively. (2).H: 6 in. (tallest)$800-1,200

317 152185/7Meissen porcelain nodding infant pagoda figure20th centuryModeled in the form of a marching boy wearing agreen leaf hat and indianische blumen robes andholding batons in each hand, the base incised“7258”, stamped 59, and with blue crossed swordsmark to base.H: 8 1/2, W: 4 1/2, D: 4 in.$3,000-5,000


320 160367/7Meissen gilt and hand painted porcelaincabinet tray19th centuryOf shaped oval form with parcel-gilt andreticulated raised rim, painted with centralcartouche depicting a Hapsburg-Ottomanbattle scene and marked to underside with bluecrossed swords and star.H: 12 in, W: 16 3/4 in.$1,500-2,000


318 160368/7Near pair of Meissen gilt and hand painted reticulated porcelain platesfourth quarter 19th centuryEach finely gilt decorated on cobalt ground and painted to the well withscenes of idyllic peasant life, marked to reverse with blue underglaze crossedswords and impressed “8 22 138” and “8 601 68”, respectively. (2).Dia: 9 1/4 in.$3,000-5,000

319 160368/6Pair of Meissen gilt and hand painted reticulated porcelain platesfourth quarter 19th centuryEach finely gilt decorated on cobalt ground and painted to the well withconvivial peasant scenes, marked to reverse with blue underglaze crossedswords and impressed “8 22 102”. (2).Dia: 9 1/4 in.$3,000-5,000

321 160367/6Pair of German Meissen style ormolu-mounted porcelain table fountains19th centuryThe yellow-glazed vases decorated withquatrefoils centering coastal scenespainted en grisaille, the rims mountedwith hinged gilt-metal lids cast withwater foliage and porcelain flowers, thenecks applied with masques, the basedrilled for a spout fitting, each above atripartite base en rocailles, one mountedwith three swans, the other with threefigures, the bases with issuing lilypadsand cattails mounted with porcelainflowers. (2).H: 15 1/2 in.$12,000-15,000


323 152480/3Framed group of K.P.M. style porcelain plaqueslate 19th centuryComprising a central circular plaque painted toshow a semi-nude maiden allegorical of ‘solitude’encircled by twelve smaller plaques painted withportrait profiles, each set within reticulated metalborders, mounted and framed.Dia: 19 3/4 in. (plaques) H: 31, W: 31 in. (frame)$1,500-2,000

324 152592/2Two K.P.M. style painted porcelainplaques19th centuryThe first after Justus Sustermans(Flemish, 1597-1681), portrait ofGalileo Galilei (1636); the secondafter Giovanni Francesco Barbieri,known as Il Guercino (Italian, 1591-1666), “Samian Sibyl” (1650);framed as a diptych.W: 18 1/2, H: 13 in. (frame)$1,000-1,500

325 152354/2Two Berlin (K.P.M.) paintedporcelain plaques19th centuryEach finely painted with a half-length figure of a woman in profile,one in Spanish dress shown carryinga tray with tea, the other in Victoriandress carrying a bird cage, withimpressed K.P.M. scepter mark toreverse; each framed. (2).H: 9 1/4, W: 6 1/4 in. (plaque)$1,200-1,500

322 152592/1Fine and large German painted porcelain plaque,Der Früchtekranz1856, signed carl meineltFinely painted after Peter Paul Rubens (Flemish 1577-1640), with seven putti carrying a garland of fruit,signed and dated “C. Meinelt 1856” to lower right, theverso incised “20 l. 12 1/2 h.”, in gilt frame carvedwith cartouches and putti carrying fruit filledcornucopia.H: 12 1/2, W: 20 in.note:A smaller plaque depicting the same subject sold byBonham’s, Los Angeles, June 16, 2014, Lot 5450.$6,000-8,000



326 152354/1A Berlin (K.P.M.) painted porcelain plaque1886Painted in a French manner depicting ayoung girl in red, white, and blue dress,signed and dated “L.J.B./1886” withimpressed K.P.M. scepter mark to reverse;mounted in gilt gesso and carved woodframe.H: 11, W: 9 in. (plaque)$1,000-1,500

327 160368/13A large Berlin (K.P.M.) painted porcelain plaque,Martyr’s Farewelllate 19th century, signed carl meineltFinely painted after George Mase (1735 - 1801)depicting a young Christian martyr and her lover,marked “K.P.M” with impressed scepter mark toreverse.H: 22 1/2, W: 16 1/4 in.$10,000-15,000

328 152580/1A massive Berlin (K.P.M.) paintedporcelain plaque, The Flight into Egyptlate 19th century, signed carl meineltFinely painted after Wilhelm vonKaulbach (German, 1805-1874) with aBiblical scene depicting the Holy Familyguided by a host of angels.H: 26, W: 20 in.$10,000-15,000



330 160368/12Pair of Sèvres style gilt bronze mounted ewerslate 19th/early 20th centuryOf ovoid form with gilt bronze fluted neck andscrolled handle, each painted to recto with acourting couple and to verso with a medievallandscape, above leaftip-cast gilt-bronze socleraised on gilt bronze laurel wreath and octagonalbase. (2).H: 23, W: 8 3/4, D: 7 in.$3,000-5,000

331 160354/6Pair of Sèvres style gilt bronze mounted cobaltvases19th centuryEach oviform vase flanked by two putti climbingknotted ropes, raised on fluted socle, the foot awreath of rope and oak leaves above on cantedsquare base. (2).H: 14 1/4, W: 8 1/2, D: 7 1/2 in.$2,500-3,500

329 160331/2Sèvres style gilt bronze mounted porcelain twin-handled vaselate 19th/early 20th centuryOf inverted pear form with fluted neck andintegral rocaille handles, the pink ground paintedto recto with an 18th century interior scene and toverso a picturesque landscape, signed “E.Antheaume”; raised on gilt bronze and spiralfluted socle above a canted square gilt bronzebase.H: 18 1/2, W: 13 1/4, D: 10 in.$800-1,200


332 152077/14Large pair of Sèvres style gilt bronze mountedporcelain urnslate 19th/early 20th centuryAmphora form with fuchsia ground and mountedwith scrolled handles, surmounted by integral topand pinecone finial, decorated with a continuousfrieze of loosely painted floral garlands on whiteground and with white stripes to lower body; raisedon conforming socle above canted square base. (2).H: 25 1/2, W: 12 1/2, D: 7 in.$3,000-5,000

333 160354/8Large Sèvres style gilt bronze mounted parcel-gilt and handpainted porcelain covered urnlate 19th centuryOf slender proportion, the white ground painted with acontinuous scene of a fluting classical maiden and two puttiamongst a landscape, signed “Armand”; the parcel-gilt necksurmounted by a bell-form cover terminating in pinecone finial;raised on parcel-gilt socle and conforming gilt bronze base; lidbearing a Sèvres style mark.H: 27 1/4 in.$3,000-5,000


334 160366/2Monumental Sèvres style gilt bronze mounted paintedporcelain urnlate 19th centuryOf ovoid form and mounted to shoulders with garlandedstrapwork handles, with hand-painted reserve to recto ofan 18th century quartet and to verso of a colorful floralbouquet; raised on conforming gilt bronze base and fourfestooned strapwork feet.H: 42 in.$8,000-12,000

335 160354/1Pair of monumental Sèvres style gilt bronze mountedand painted porcelain urns19th centuryIn the style of Louis-Philippe, each with cobalt ovoid bodymounted with foliate handes and painted with reserve torecto depicting the Abduction of Europa and MercuryEntrusting the Infant Bacchus to the Nymphs of Nysa,respectively, and with interlaced “LP” to verso; each raisedon gilt bronze socle above fluted and garlanded cylindricalpedestal on canted square base. (2).H: 37 1/4 in.$20,000-30,000

336 168024/7Pair of painted porcelain parrotsin the manner of kalk, 20th centuryEach bearing blue crossed arrows mark to base. (2).H: 13 1/2, W: 10 in.$1,500-2,000

337 160350/20A Gardner porcelain figurine of a balalaika playerrussian, 19th centuryDepicting a seated man in folk dress playing thebalalaika, the underside with impressed factorymark and model number 16, as well as overglaze redstamp reading “Fabrik Gardner’ v’ Moskve” in cyrillicsurmounted by the imperial double-headed eagle.H: 7 1/2 in.$1,500-2,000


(reverse)


Continental Sculptureincluding Pre-Columbian Metalworkslots 338-392


338 Pre-Columbian gold collarcirca 800-1500 a.d.Together with a Costa Rican pectoral disk. (2).W: 10, D: 9 in. Total weight: 13.4 dwt.provenance:Sale to benefit the American Red Cross.Acquired from the collection of Maximo Acosta Soto,Supreme Court magistrate of Costa Rica, by Harry Kurdianin 1959; retained in the Kurdian family and later sold byHaig Kurdian through R.B. Ravens Gallery, Taos NM, wherethey were acquired by the current owner.$2,500-5,000

341 Sinú anthropomorphic diety pendantcirca 1000-1500 a.d.Darién style, cast, soldered and hammeredtumbaga.H: 4 1/2, W: 3 1/4 in.$3,000-5,000


342 Six Tairona gold and tumbaga ornamentscirca 1000-1500 a.d.Comprising four frog pendants of different sizes,and two butterfly form nose ornaments. (6).H: 1 3/4, W: 2 3/4 in.$1,500-2,000

343 Two Pre-Columbian tumbaga pendantscirca 900-1600 a.d.Comprising a Columbian pendant of a masked figure,probably Tolima, and a Tairona pendant of a standingcacique; together with a Nariño tumbaga disk, embossedwith a feline face within beaded border. (3).H: 2, W: 1 in. (largest)note:A similar masked figure pendant is included in thecollection of the Metropolitan Museum of Art,1979.206.500.$3,000-5,000

339 Group of Costa Rican goldminiature pendantscirca 800-1500 a.d.Comprising eleven pendants ofvarious forms including animal,zoomorphic and human figures. (11).H: 1 3/4, W: 2 1/4 in. (largest, avianpendant) Total weight: 70 dwt.provenance:Sale to benefit the American RedCross.Acquired from the collection ofMaximo Acosta Soto, SupremeCourt magistrate of Costa Rica, byHarry Kurdian in 1959; retained inthe Kurdian family and later sold byHaig Kurdian through R.B. RavensGallery, Taos NM, where they were

acquired by the current owner. Theremaining contents of the Kurdiancollection of Pre-Columbian goldwere donated to the WichitaMuseum of Art in the late 1970swhere they are still currentlydisplayed.$7,000-10,000

340 Four Pre-Columbian gold and goldalloy ornamentscirca 1000-1500 a.d.Comprising a Sinú Nose Ornament,two Sinú Ear Ornaments, aColumbian nose ornament oftriangular form. (4).H: 1, W: 3 1/4 in. (largest)$2,000-3,000


345 152425/6Italian marble bust of the Apollo Belvedere,after the antiquelate 19th/early 20th centuryFinely carved, raised on turned carrara marblebase.H: 22, W: 15 1/4, D: 10 in.$1,000-1,500

346 151729/1Orazio Andreoni (Italian, late 19th century)veiled cupidWhite marble, depicting a standing figure of cupid sheathed in transparentdrapery, the base signed “O. Andreoni/Roma 1893”.H: 36 in.provenance:Private collection, Hawaii.note:Another version of this sculpture sold Christie’s London, March 11, 2015, Lot129.Orazio Andreoni operated a large workshop in Rome and was known for bothhis original subjects as well as his sculptures after the antique. Though littleis known about the sculptor, it is recorded that he exhibited in Glasgow in1888 and Berlin in 1892. The present model is a particularly fine example ofAndreoni’s mastery of marble, demonstrated by the finely carved draperythat covers, but does not conceal, the figure’s face and body.$3,000-4,000

344 160339/1Italian marble nude torso of a man, after theantique19th centuryFinely carved in white marble, with left armraised and body in contrapposto pose, raisedon rectangular sandstone plinth.H: 32 in.$2,000-3,000

Continental Sculpture 95

347 152392/3Albert-Ernest Carrier-Belleuse (French, 1824-1887)Gilt bronze, figural model depicting Diana seatedbeside a putto and hound, raised on stepped plinth.H: 20, W: 21 1/2, D: 8 3/8 in.$2,500-3,000

348 151892/10Joseph Jules Emmanuel Cormier,known as Joseph Descomps(French, 1869-1950)Terracotta, modeled in the form of anude nymph seated beside a satyr,signed “J. Cormier” and marked“Barbedienne Edt. Paris”, raised oncustom wood stand.H: 13, W: 24, D: 7 in.$1,200-1,500

349 168013/11After Michel Clodion (French, 1738-1814)the abduction of persephoneBronze, heavy gold patina, signed incast “Clodion” and mounted onmarble base.H: 19 in.$800-1,200


351 152595/1Cesare Fantacchotti (Italian, 1844 - 1922)circa 1870White marble bust of a young woman withflowers, signed to base “C. Fantacchotti/fecein/Firenze”; raised on small integral pedestal.H: 24 1/2, W: 17 1/2 in.note:Another copy of this sculpture soldSotheby’s London, July 3, 2012, Lot 175.$6,000-8,000

352 152480/1After Mathurin Moreau (French, 1822-1912)marie de mediciBronze, mid-brown patina, depicting the Queen of Francein bust length, signed in cast “M. Moreau Sculpt.”, raisedon spreading socle stamped “Ate. Lemaire”.H: 18, W: 10 1/2, D: 4 1/4 in.note:Auguste Lemaire started his workshop in the Maraisdistrict of Paris in 1851 and in 1855 he was award amedal at the Paris Exposition. He was known for thebronze works he created after prominent sculptorsincluding Moreau, as well as the decorative objects hecreated in fashionable styles of the time.$1,500-2,000


350 152367/4Large Continental marble model of a nude maiden20th centuryDepicting a standing nude beauty with arms andhead raised, supported by integral marble pinth andsquare base, unsigned.H: 73 in.provenance:From the collection of the Estates of Edward C. Fogg,III and Lisbeth A. Fogg.$8,000-12,000


354 152454/2After Etienne Hippolyte Maindron (French, 1801-1884)velledaBronze, gold and brown patinas, titled “Velleda” to frontand marked “E. de Labroue, Lbt.”H: 18, W: 5 1/2, D: 6 1/2 in.$2,000-3,000

353 152480/2After Mathurin Moreau (French, 1822-1912)queen elizabeth iBronze, mid-brown patina, signed in cast “M. MoreauSculp.”, raised on spreading socle stamped “Ate. Lemaire”.H: 17, W: 12, D: 4 1/4 in.$1,500-2,000


355 152476/5Victor Joseph Jean Ambroise Ségoffin (French, 1867-1925)danse sacrée, 1905Bronze, with plaque engraved “L’etablissementsL’Aubert/Louis Aubert/Homme Chevalier de la Legiond’Honneur/15 Octobre 1921”.H: 46, W: 29, D: 19 in.note:The sculptor Victor Ségoffin trained at the École des Beaux-Arts in Paris in the 1890s, studying under the 19th centurymaster Ernest Barrias. Awarded the Prix de Rome in 1897and the Légion d’honneur in 1921, Ségoffin’s work wasexemplary of the freedom and movement of the applied artsin the early 20th century. With its flowing lines and vaguelymythological subject, Danse Sacrée, or Sacred Dance, isemblematic of both Segoffin’s modern style as well as that ofthe Art Nouveau movement, with which he is closelyassociated. A larger version of this important sculpture, inmarble, can be found in the collection of the Musée d’Orsay,Paris.$10,000-15,000


356 152425/1Jean-Louis Grégoire (French 1840-1890)Comprising two gilt bronze models ofcupid, one depicted aiming his bow, theother admiring his arrow, each signed incast “L. Gregoire” and raised on rossomarble base. (2).H: 12 1/4 in.$1,500-2,000


357 160354/14Austrian cold-painted bronze figure ofPauline Bonaparte as Venus Victrixafter antonio canova (italian, 1757-1822), early 20th centuryDepicting a reclining, semi-nude PaulineBonaparte, the Princess Borghese,inscribed “Austria” to interior.H: 6, W: 10, D: 3 1/2 in.$1,500-2,000

359 160204/4Austrian cold-painted bronze figure of a monkeytrainerlate 19th/early 20th centuryDepicting an Arab seated on a carpet with fourmonkeys.H: 5 1/4, W: 6 5/6, D: 5 1/4 in.provenance:Private Boyton Beach, Florida collection.$1,000-1,500

358 160204/8A group of Austrian and German silver platedobjectslate 19th/early 20th centuryComprising an Austrian style gilt and silveredbronze figure of Arab riding a camel, togetherwith a German style silver plated casket mountedto top and sides with finely worked high relieffigural panels (2).H: 11, W: 10 in.provenance:Private Boyton Beach, Florida collection.$1,000-1,500



360 160354/12Austrian cold-painted bronze table lampfranz bergman, first quarter 20th centuryDepicting an Arab souvenir merchant, stampedto reverse with Bergman foundry mark and“Geschützt/3003”.H: 14 1/2, W: 8 1/4, D: 7 in.$6,000-8,000

361 160354/11Austrian cold-painted bronze figural groupfranz bergman, first quarter 20th centuryComprising a pair of Nubian riders on camels,each stamped with Bergman foundry mark andlabeled to underside “Geschützt/2607”. (2).H: 8 3/4, W: 7 1/2, D: 2 3/4 in.$4,000-6,000


367 158106/79Adrien Cecioni (Italian, 1838-1886)enfant au coqBronze, light brown patina, signed in cast “AdrienCecioni” and mounted with plaque.H: 12 1/4, W: 7, D: 5 1/2 in.provenance:Private Collection, Virginia.$1,000-1,500


364 151939/3After Emile Coriolan Hippolyte Guillemin(French, 1841-1907)le jouer de banjo, early 20th centuryPatinated spelter, signed in cast andmonogrammed to back, with importer’s stampfor “Alberto Vignes Buenos Aires”, raised onrouge marble base.H: 29 in.$1,000-1,500

365 160204/5J. P. Morante (French, 1882-1960)circa 1925Bronze, brushed gold patina, depicting a semi-nude dancer in exotic turban, signed in cast“Morante” to foot.H: 8 1/4, W: 15 in.provenance:Private Boyton Beach, Florida collection.$1,000-1,500

366 158106/62Three French animalier bronze modelsearly 20th centuryThe first a model of a hound after Pierre JulesMêne (French, 1810-1879), signed in cast “P.J.Mêne”; the second a model of a pointer afterPaul-Édouard Delabrièrre (French, 1829-1912),signed in cast “E. Delabrièrre”; and a third modelof a griffon after Emmanuel Frémiet (French,1824-1910), signed in cast “Fremiet”; eachbronze with brown patina. (3).H: 4 3/4, W: 9 1/2 in. (largest)provenance:Private Collection, Virginia.$1,500-2,000

362 168032/2Austrian cold-painted bronze of an Indian Chiefafter carl kauba (austrian, 1856-1922), early20th centuryWearing feathered headdress and holding a quillbag and peace pipe, raised on rustic marble baseand stamped to rear leg “Geschütz/5806”.H: 11, W: 5 3/4, D: 6 1/4 in.$1,000-1,500

363 152367/7Hans Guradze (German, 1861)amazon on horsebackBronze, mid-brown patina, modeled in the form ofa partially nude maiden on horseback, signed incast “H. Guradze Berlin”, stamped “LauchhammerBildguss 78”, raised on marble pedestal.H: 12 1/2, W: 8, D: 3 1/2 in.provenance:From the collection of the Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$1,000-1,500


371 152367/5After Jean-Baptiste, called AugusteClésinger (French, 1814-1883)taureau-romainBronze, dark green patina, signed in cast‘J. Clesinger. Rome. 1858’, with‘Reduction Mecanique A. Collas Brevete’pastille, titled to base.H: 8 3/8, W: 8 1/2, D: 3 1/2 in.provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A. Fogg.$1,000-1,500


370 168044/1After Alfred Dubucand (French,1828-1894)bécasse, 20th centuryBronze, gold patina, signed in cast“Dubucand”.H: 12 3/4, W: 10 1/2, D: 6 in.$800-1,200

368 158106/104Fine bronze model of a hunting horn19th centuryCast in low relief with a frieze depicting elk, boars,hounds and a hare; raised on custom lucite stand.W: 35, Dia: 4 in.provenance:Private Collection, Virginia.$3,000-5,000

373 152367/35After Jules Edmond Masson (French, 1871-1932)le coqBronze, warm brown patina, signed in cast “L.Masson”.H: 13, W: 8 1/2, D: 5 1/2 in.provenance:From the collection of the Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$1,200-1,800

369 168023/1After Auguste-Nicholas Cain(French, 1822-1894)brillador and fanfardonBronze, green-gold patina, signed incast “A. Cain” and raised on oviformmarble base.H: 10 1/2, W: 12, D: 6 in.$2,000-3,000

372 152367/32After Pierre-Jules Mêne (French, 1810-1879)roaming houndBronze, medium green patina, signed incast “P. J. MÊNE”.H: 5, W: 9, D: 4 in.provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A. Fogg.$600-800



375 152367/37After Enzo Plazzotta(Italian, 1921-1981)grand national ‘74, circa 1975Modeled as a tumbling horse;bronze with warm brown patina,signed with artist’s cypher andnumbered 4/12 in cast, withValsauni foundry stamp.H: 7 3/4, W: 6 1/4, D: 5 1/2 in.provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A.Fogg.$800-1,200

377 158106/78After Georges Gardet (French, 1863-1939)l’ours mendiant, 20th centuryBronze with brown patina, signed incast “G. Gardet” and stamped “Siot-Paris” and numbered; raised on verdeantico marble base.H: 7, W: 4 1/2 in.provenance:Private Collection, Virginia.$800-1,200

378 158106/70After Georges Gardet (French, 1863-1939)chien danoi, 20th centuryTwo models, bronze with dark brownpatina, each signed “G. Gardet” andnumbered; each raised on goldenebony wood base marked “Tiffany &Co.” (2).H: 7 W: 9 1/4 in.provenance:Private Collection, Virginia.$1,000-1,500

379 158106/67Two French bronze models ofwhippets19th centuryComprising a model of a standingwhippet and a model of two seatedwhippets; each unsigned. (2).H: 6, W: 8 in. (largest)provenance:Private Collection, Virginia.note:The present bronzes are based onmodels by Pierre Jules Mêne(French, 1810 - 1879).$400-600

380 158106/65Two French bronze animaliermodels of houndsearly 20th centuryComprising a pair of hounds afterAlfred Dubucand (French, 1828-1894), signed in cast “A. Dubucand”,and a model of a recumbent houndon an oval base cast with huntingscenes, after Grégoire Giraud(French, 1873-1836), stamped “F.Barbedienne Fondeur”. (2).H: 4 3/4, W: 9 1/2 in. (largest)provenance:Private Collection, Virginia.$1,500-2,000

376 158106/102Pierre Jules Mêne (French, 1810-1879), pair ofFrench bronze hunting urns19th centuryBronze with mid-brown patina, each inscribed “P.J.Mêne” to each side of urn. (2).H: 14, W: 8 in.provenance:Private Collection, Virginia.note:Mêne first modelled these vases in 1849, and castapproximately fifty editions. The design for thesevases is illustrated in his catalogue raisonné, pages205-6. Versions were later cast by the Mêne-Cainfoundry, who released approximately 150 editions,and Susse Frères, who produced editions in theearly 20th century.$3,000-5,000

374 152367/36After Aimé-Jules Dalou (French, 1838-1902)Bronze, dark brown/black patina, modeled inthe form of a standing horse, signed in cast“Dalou”, stamped “Cire Perdue A.A. Hébrard “H: 11 3/4, W: 13, D: 3 3/4 in.provenance:From the collection of the Estates of EdwardC. Fogg, III and Lisbeth A. Fogg.$2,000-3,000



382 158106/107After Antoine-Louis Barye (French, 1796-1875)un chien basset assisBronze with brown patina, signed in cast “Barye”and stamped “F. Barbedienne. Fondeur”, theunderside engraved “4” and numbered in blackscript; raised on verde antico marble base.H: 6, W: 11 in.provenance:Private Collection, Virginia.note:Another cast of this model is illustrated in JaneHorswell, Bronze Sculpture of Les Animaliers,Reference and Price Guide. Clopton,England: Antique Collectors’ Club, 1971, page 26.$600-800

381 158106/68After Antoine-Louis Barye (French, 1796-1875)basset debout, 19th centuryBronze, dark green patina, signed in cast “Barye”,and inscribed “J. Barbedienne. Fondeur”; raisedon verde antico marble base.H: 7 5/8, W: 9 1/8 in.provenance:Private collection, Virginia.note:The same model in a different size is illustratedin William R. Johnston and Simon Kelly,Untamed: The Art of Antoine-Louis Barye, 2006,Baltimore: Walters Art Museum, page 154.$1,000-1,500

383 152367/38After Alfred Barye (French, 1839-1882)eva, setter with game birdBronze, mid-brown patina, signed in cast “AlfredBarye Fils”, dated 1890, with “Bronze Guarantée auTitre, L.V. Deposée” pastille.H: 9, W: 9, D: 3 1/2 in.provenance:From the collection of the Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$1,500-2,500

384 152367/34After Alfred Barye (French, 1839-1882)Bronze, brown-black patina, in the form of aseated growling jaguar, signed in cast “1881Barye”.H: 7 3/4, W: 8 3/4, D: 3 1/2 in.provenance:From the collection of the Estates of EdwardC. Fogg, III and Lisbeth A. Fogg.$2,000-3,000

385 152367/33After Antoine-Louis Barye (French, 1796-1875)Bronze, dark green patina, in the form of a cowscratching her neck, signed in cast “Barye” andinscribed “F. Barbedienne. Fondeur. Paris”.H: 4 1/2, W: 8, D: 3 1/2 in.provenance:From the collection of the Estates of Edward C. Fogg, IIIand Lisbeth A. Fogg.$800-1,200



388 168013/7After Antoine-Louis Barye (1795-1875)lion au serpentBronze, warm brown patina, signedin cast “A. Barye”, raised on ovalmarble base.H: 14, W: 16, D: 10 in.$1,200-1,800

389 160094/1After Antoine-Louis Barye (French, 1795-1875)levrette rapportant un lièvreBronze, green-black patina, signed incast “Barye”.H: 8, W: 13, D: 3 3/4 in.$1,200-1,800

390 152425/2Steuben glass and rhodium platedsilver sculpturearctic fisherman, 20th centurysigned to underside “Steuben”.H: 6 1/4, W: 5 3/4, D: 2 in.$1,500-2,000

387 160354/13After Louis-François Barye (French, 1795 - 1875)ours couché sur le dosBronze, black patina, signed in cast“Barye”.H: 3 7/8, W: 5, D: 3 1/4 in.$500-700

391 160354/10Group of three architecturalbronzes of Parisian monuments19th centuryComprising the Arc de Triomphe,the Vendôme Column, and the LuxorObelisk of the Place de la Concorde.(3).H: 15 3/4 in. (largest)$4,000-6,000

386 152367/31After Antoine-Louis Barye (French, 1795-1875)eléphant du sénégal chargeantBronze, dark brown patina, signed in cast “Barye”.H: 5, W: 7, D: 2 1/2 in.provenance:From the collection of the Estates of Edward C. Fogg, III andLisbeth A. Fogg.note:Another cast of this model is illustrated in Jane Horswell, BronzeSculpture of Les Animaliers, Reference and Price Guide. Clopton,England: Antique Collectors’ Club, 1971, page 5.$1,500-2,500



392 160324/1Evgeny Aleksandrovich Lansere(Russian, 1848-1886)a winter troika with two ridersand a dog, 1868Bronze, mid-brown patina, depictinga troika with driver and three horsescarrying two officers and a dog aspassengers, raised on rectangularbase; signed in cast in Cyrillic, withSokolov foundry marks.H: 10 1/4, W: 18, D: 11 1/4 in.note:Evgeny Aleksandrovich Lansere(also called Lanceray) was bornAugust 24, 1848, in Morshansk anddied April 4, 1886, at Neskuchne,Kharkiv Province, Ukraine. As asculptor, Lansere was knownprimarily for his Russian and

ethnographic genre studies, as wellas animalier. The son of statecouncilor Ludwig Paul (Aleksandr)Lansere (1815-1869), Lansere grewup in a privileged noble family,entering the local gymnasium whereit was noted at a young age that hewas already a talented renderer ofhorses.In 1861 he moved to SaintPetersburg with his family, where hecompleted his education. In 1867and 1876 he traveled to Paris, wherehe studied sculpture as well as themethodology of bronze casting.Following his first stint in Paris hereturned to Russia in 1868, whenthe original of the present lot wassculpted. In 1872 he received the

title of Artist First Class from theImperial Academy of Arts and 1874he was recognized as anAcademician; from 1879 he wasalso a member of the MoscowSociety of Fine Arts.Lansere began his public careerexecuting private commissions asunique casts, but the popularity ofhis work convinced Lansere to sellthe license to cast his works to theChopin, Sazikov, and Grachevfoundries. These makers beganreplicating his work and creating thelarge numbers of casts we see todayof varying quality.This bronze is stamped with Sokolovfoundry marks. The A. N. SokolovFoundry was founded in 1856 and

quickly became one of the foremostfoundries in Moscow, executingcasts for N. Lieberich. Known forworking closely with sculptors,Sokolov owned and cast the veryfirst of Lansere’s “Troika” groups in1869, and was noted for his highquality casts. Unfortunately, Sokolovwas unable to compete with thelarger Woerffel and Chopinfoundries in Saint Petersburg in the1880s, and was forced to closed hisfoundry.$10,000-15,000

END OF SALE


G16-23970-Silver-pages5_Layout 1 4/26/16 1:31 PM Page 106

Lot 116 (detail)

Silver & Objets de Vertulots 1-125

British Silver: Lots 1-40

Continental Silver: Lots 41-52

Russian Silver: Lots 53-60

Objets de Vertu: Lots 61-74

Tiffany & Co. Silver: Lots 75-90

American Silver: Lots 91-117

Property deaccessioned from the FranklinInstitute: Lots 118-121

Mexican & Peruvian Silver: Lots 122-125


1 160352/12Queen Anne Britannia standardsilver muglondon, 1707-08, maker’s mark peTapering cylindrical form withreeded band to shoulder, engravedwith family crest.H: 3 3/4 in. 6.9 oz.provenance:Property from a private RittenhouseSquare, Philadelphia collection.$800-1,200

2 160422/2Queen Anne silver tankardlondon, 1709-10, maker’s markrubbedTapering cylindrical form, the hingeddomed cover with scrollingthumbpiece.H: 7 in. 25.4 oz.$2,000-3,000

4 160422/1George II silver tankardthomas mason, london, 1736-37Tapering cylindrical form on reededfoot, engraved with foliatecartouche, the hinged domed coverwith scrolling thumbpiece.H: 7 1/2 in. 26.5 oz.$2,500-3,500

British Silverlots 1-40

3 160352/13George II silver muglondon, 1730-31, unidentifiedmaker’s markBaluster form on stepped circularfoot, engraved with armorial withinfoliate cartouche, with scroll handleand gilt-washed interior.H: 4 1/2 in. 11.3 oz.provenance:Property from a private RittenhouseSquare, Philadelphia collection.$500-700


6 160204/2George II silver cream jugjohn harvey i, london, 1752-53Baluster form raised on three feet withdouble scroll handle and scalloped rim,engraved initials to underside.H: 3 1/2 in. 2.3 oz.provenance:Private Boyton Beach, Florida collection.$600-800

7 160130/4George II silver sauce boatlondon, 1752-53, maker’s mark rubbedTypical form with double C-scroll leaf-capped handle, raised on three paw feet.H: 5 1/4, W: 7 1/2 in. 11.9 oz.$400-600

8 160006/6George II silver caudle cupwilliam shaw ii and william preist,london, 1753-54Ovoid with flared rim, the flutedlower half below a gadroonedmidband, one side monogrammedand dated “May 1888” withinrocaille cartouche, with twin reededscroll handles.H: 4 in. 9 oz.$500-700

5 158153/5Irish Georgian silver cream jugdublin, 18th centuryHelmet-form, repoussé-worked and chased withrocaille, florals, scrolls, and birds, raised on threelion mask and paw feet, engraved with crest, marksrubbed.H: 4 in. 5.7 oz.$800-1,200

British Silver 109

9 158153/14Two George II silver salverswilliam peaston, london, 1753-54Shaped circular with molded shell and scrollborder raised on three hoof feet, engraved withfoliate and floral cartouche surmounted by afamily crest. (2).H: 1 1/4, W: 9 3/4 in. Total weight: 33.9 oz.$1,000-1,500



10 158153/11George II silver salverebenezer coker, london, 1758-59Shaped circular with molded shell and scrollborder, raised on four leaf-capped scroll feet,the well engraved with floral and foliatecartouche below a family crest, undersideengraved “John White to Joseph Swift 1859/J.S. to M.S and E.S/ M.S and E.S to J.S/ J.S toE.S.B/ E.S.B to E.W.B.”Dia: 14 3/4 in. 41.8 oz.$1,200-1,800

12 152506/1George III silver salverthomas hannam and john carter,london, 1766-67Shaped circular with gadrooned edge raisedon three pad feet, engraved with familycrest below the motto “Ut Ameris Ama.”H: 1, W: 7 1/8 in. 9.6 oz.$600-800

11 160352/9George II silver mugwilliam shaw and william priest, london,1759-60Baluster form on stepped circular foot,engraved “R.W.L. from E.J.P”H: 5 in. 11.9 oz.provenance:Property from a private Rittenhouse Square,Philadelphia collection.$500-700


14 158115/1Four George III silver candlesticksmatthew boulton, birmingham, 1787-88Each with fluted tapering stem on circularbase with baluster socket, applied garlanddecoration and engraved with family crest of aship to base and removable bobeches. (4).H: 11 1/2 in. Weighted.$4,000-6,000

15 160361/1Scottish George III silver teapot and standwilliam davie, edinburgh, 1791-92Fluted oval form with engraved bellflowerand floral design, monogrammed “B” to oneside, and engraved with family crest of aram’s head to the other; the tray ofconforming design. (2).H: 6 1/2 in. (teapot). Total weight: 22 oz.$1,500-2,000

16 158153/13George III silver salverpeter & ann bateman, london, 1794-95Circular with reeded edge raised on threefeet, the well engraved with floral and scrolldecoration centered by the Balch familycrest above the motto “Adversis opponitepectora,” the underside engraved “LewisP.W. Balch 1825/ Thomas Balch 1868/ EmilySwift Balch 1877.”Dia: 13 in. 32.6 oz.$1,000-1,500

British Silver 111

13 158153/22Two George III silver sauce boatsone by hester bateman, london, 1777-78The other circa 1760, maker’s marks rubbed.H: 4 1/4 in. Total weight: 11.3 oz.$500-700


18 160048/13Four George III silver open salts with spoonslondon, 1809-10, maker’s mark rubbedOval with gadrooned rim raised on four acanthus-capped pawfeet, engraved with family crest; the spoons by William Eley,William Fearn & William Chawner.H: 1 1/2, W: 3 3/4 in. Total weight: 15.8 oz.$300-500

19 160048/17Two George III Irish silver berry spoonsalexander edmonstoun iii, edinburgh, 1810-11Engraved to bowl and handle with florals and foliage. (2).L: 9 in. Total weight: 3.6 oz.$300-500

20 160264/3Four George III and William IV silver ‘Friendship’ medalslondon, 1812-38Makers include Alice & George Burrows II and Michael Starkey,each engraved with a hand or a hand shake and inscription;one surmounted by a crown and suspended from red ribbon.(4).Total weight: 4 oz. (approx).$300-500


21 160352/3Four Georgian silver snuff boxesbirmingham, 1813-41Various forms and decoration, makers include Francis Clark andCharles Rawlings & William Summers (London), somemonogrammed. (4).L 2 3/4 in. (largest). Total weight: 7.7 oz.provenance:Property from a private Rittenhouse Square, Philadelphiacollection.$500-700

(part lot)

17 158153/18George III silver coffee potlondon, 1796-97, maker’s mark rubbedBaluster form raised on circular pedestal foot,repoussé-worked and chased with rocaille, flowers,and scrolls throughout, the hinged cover surmountedby urn-form finial, engraved with crest within themotto “Deus Intersit” and monogrammed to base.H: 11 1/2 in. 23.7 oz.$500-700


23 152367/18Victorian silver and glass centerpiececharles thomas fox & george fox,london, 1843-44Reticulated basket with repoussé andchased florals and foliage to rim, above anaturalistic openworked stem and base,with removable glass bowl.H: 10 in. Weighable silver: 39.8 oz.provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A. Fogg.$1,500-2,000

British Silver 113

22 160006/5Pair of George IV silver vegetable dishesrebecca emes & edward barnard i, london, 1824-25Shaped oval, the fluted body with repoussé bellflowerswags and scrolls. (2).H: 1 1/2, W: 11, D: 8 1/4 in. Total weight: 29.7 oz.$1,000-1,500

25 160048/18Victorian silver coffee potedward, john, and william barnard, london,1849-50Baluster form engraved with florals and foliage,the hinged cover surmounted by flower finial,retailed by Widdowson & Veale, Strand.H: 10 1/4 in. 25.4 oz.$500-700

26 160130/1Victorian silver tea and coffee servicecreswick & co., london, 1851-52Comprising a coffee and teapot, covered sugar,and creamer with gilt-washed interior; togetherwith an associated hot water kettle on stand byAndrew Crespel & Thomas Parker, 1865-66. (5).H: 16 in. (kettle). Total weight: 143 oz. (approx).$1,500-2,500

24 160352/15Scottish Victorian silver hot waterkettle on standmackay & chisholm, edinburgh, 1845-46Teapot of lobed form, each panelengraved with foliate scrolls, florals, andlatticework, monogrammed to one side,the other with engraved crest above themotto “Ex Industria,” raised onopenworked stand on four scroll feet.H: 19 in. Total weight: 77 oz.provenance:Property from a private RittenhouseSquare, Philadelphia collection.$2,000-3,000



27 160366/10Victorian silver-plated, enamel, and cut-glass centerpieceelkington & co., birmingham, circa 1860sCircular base raised on three paw feet surmounted by threegoddesses in classical dress, possibly depicting Ceres,Hygeia, and Minerva, the central knopped stem with red,blue, and black enamels supporting a fitted cut-glass bowl,underside stamped “Published by Elkington & Co. 835.”H: 17 in.$8,000-10,000See also illustration on inside back cover.


28 160354/15Pair of Victorian silvered bronze three-light figural candelabraelkington, mason & co., birmingham, circa 1860Each designed as a “Nubian” male and female dressed in exoticgarments holding a child, seated under a palm tree issuing threefoliate candle arms, the base stamped “Elkington Mason & Co.”with a further inscription. (2).H: 17 1/2 in.provenance:An almost identical pair sold at Sotheby’s New York, October 21,2009, Lot 47.$10,000-15,000

British Silver 115


31 160264/2Three Victorian silver snuff boxesbirmingham, 19th centuryThe first of double-sided oblongform with central round hole; theother two of rectangular form; eachengraved with a handshake; variousmakers and dates. (3).L: 4 in. (largest). Totalweight: 8.9 oz.$700-900

32 160350/7Victorian silver-mounted glassclaret jugwilliam & george sissons,sheffield, late 19th centuryWith branch-form handle, scrollthumbpiece, and mask to spout.H: 14 1/2 in.$800-1,200


29 160352/2Six Victorian silver card casesbirmingham, circa 1843-1900Various forms and decoration, makers include George Unite, Taylor &Perry, Aston & Son, and Joseph Gloster. (6).L: 4, W: 2 3/4 in. Total weight: 11.8 oz.provenance:Property from a private Rittenhouse Square, Philadelphia collection.$800-1,200

30 160352/1Six Victorian silver card casesbirmingham, circa 1877-1900Various forms and decoration, some monogrammed, makers includeJoseph Gloster, William Neale (Sheffield), George Unite, and ThomasHayes. (6).L: 4, W: 3 in. (largest). Total weight: 12.7 oz.provenance:Property from a private Rittenhouse Square, Philadelphia collection.$800-1,200

33 160352/8Six Victorian cut-glass and silver-mounted perfumebottlesbirmingham and london,fourth quarter 19th centuryThe cut-glass bodies of spherical form with silver-mounted tops, various makers include Horton &Allday, John Grinsell & Sons, George Bedingham, andLines, Bunn & Mason; various sizes.H: 5 in. (largest)provenance:Property from a private Rittenhouse Square,Philadelphia collection.$1,000-1,500


36 160352/5Five gilt-washed match safesearly 20th centuryVarious forms and decoration, one is 9 karat gold,the others apparently unmarked. (5).L: 2 in. (largest). Total weight: 4.4 oz.provenance:Property from a private Rittenhouse Square,Philadelphia collection.$1,200-1,800

34 160352/6Collection of English silver matchsafes19th/20th century,mostly birminghamVarious forms and decoration,makers include Henry WilliamsonLtd., Samuel M. Levi, Joseph GlosterLtd., and William Henry Sparrow,among several other makers, places,and dates. (16).L: 2 in. (largest). Totalweight: 13.1 oz.provenance:Property from a private RittenhouseSquare, Philadelphia collection.$2,000-3,000

British Silver 117

35 160352/4Collection of English silver matchsafes19th/20th century,mostly birminghamVarious forms and decoration,makers include George Unite,Joseph Gloster and William HairHaseler, some monogrammed. (16).L: 2 in. (largest). Totalweight: 9.7 oz.provenance:Property from a private RittenhouseSquare, Philadelphia collection.$2,000-3,000


39 152367/19Pair of Elizabeth II silver and silver-giltfigural candelabrac.j. vander ltd., london, 1977-78Each centered by a figure in 18th centurydress, standing atop a silver-gilt rocaille base,issuing twin candlearms and foliate sockets.(2).H: 11 in. Total weight: 97.5 oz.provenance:From the collection of the Estates of EdwardC. Fogg, III and Lisbeth A. Fogg.$3,000-5,000


40 160130/5Elizabeth II ‘Thistle Bee’ silver creamerand sugarthistle & bee, birmingham, 1999-2000Each of hive-form with applied bees. (2).H: 2 1/2 in. (creamer). Total weight: 8 oz.$400-600

37 160084/3Edward VII silver candy basket with cobaltglass linergeorge fox, london, 1901-02Reticulated and chased with birds amongstflorals and foliage, raised on circular pedestalfoot with swing handle and removable glass liner.H: 4 1/2 in. Weighable silver: 10.6 oz.$200-300

38 152419/4Five-piece George V silver tea and coffeeservicegeorge nathan & ridley hayes, chester,1913-14Comprising a coffee and teapot, kettle, sugar,and waste bowl, lobed baluster form, eachalternating panel with repoussé flowerswithin acanthus cartouche, raised on circularpedestal foot with resin handles and finials,monogrammed. (5).H: 11 in. (kettle). Total weight: 102 oz.$1,000-1,500


42 152367/22Pair of French silver-plated three-lightcandelabrachristofle, paris, early to mid 20th centuryIn the rococo style, composed of three scrollingfoliate candle arms on circular base. (2).H: 7 1/2 in.provenance:From the collection of the Estates of Edward C.Fogg, III and Lisbeth A. Fogg.$800-1,200

44 160028/3French silver traystamped cartier, 20th centuryShaped oval with beaded rim, theborder engraved with garlands, .950standard.L: 17 3/4 in. 41 oz.$1,000-1,500

41 158153/17BFrench silver teapotfrancois durand, paris, 1828-74Squat circular form with fluted body andmidband, the cover engraved with armorial andmonogrammed.H: 5 in. 22.2 oz.$600-800

Continental Silverlots 41-52

43 152367/14French silver-plated surtout de tablechristofle, 20th centuryFormed of three mirrored sections, hallmarked and numbered1987952, 1987953, and 1987954 respectively.L: 32 1/2 in.provenance:From the collection of the Estates of Edward C. Fogg, III andLisbeth A. Fogg.$2,000-3,000

45 160006/7German silver tzedakah boxjohann friedrich brahmfeld,hamburg, 1816-52Ovoid form raised on circularpedestal foot on three ball feet,hinged lid with coin slotsurmounted by parrot finial, withleaf and floral decorationthroughout.H: 7 in. 7.3 oz.$400-600


46 160349/1Austrian silver dessert flatware servicevienna, post 1922Comprising twelve dessert forks and kniveswith silver-gilt blades, .800 standard silver,in fitted box. (24).Total weight: 24 oz.$800-1,200


47 160371/2Danish silver ‘Cactus’ pattern flatware servicegundorph albertus for georg jensen,copenhagen, pattern designed in 1930Comprising eight each dinner forks, salad forks,butter spreaders, table spoons, teaspoons,bouillon spoons, dessert spoons, and demitassespoons; seven each dinner knives and cocktailforks. (78).Weighable silver: 91 oz.$5,000-7,000

48 160261/1Greek silver chaliceprobably 17th/18th centuryThe domed base repoussé-worked withsymbols of the Evangelists with Greekinscription to edge, translating to “This holychalice belongs to the Ieromonakh Polikar ofthe St. Catherine Monastery.”H: 8 1/4 in. 18.1 oz.$500-700


49 160352/14Pair of Italian silver seven-light candelabra20th centuryEach with knopped standard issuing seven foliatecandlearms, on circular fluted base, marked to base, thetops apparently unmarked. (2).H: 22 in. Total weight: 250 oz.provenance:Property from a private Rittenhouse Square,Philadelphia collection.$6,000-8,000

Continental Silver 121


51 160204/1Continental silver covered tea caddy20th centurySquat lobed form with repoussé rosesthroughout and rose-form finial, unidentifiedmarks to underside.H: 6 in. 16 oz.provenance:Private Boyton Beach, Florida collection.$700-900


52 160371/3Four-piece Thai silver tea and coffeeservicesiam, 20th centuryComprising a coffee and teapot, creamer,and sugar with gilt-washed interior, ofbaluster form repoussé worked with figureand stylized foliage on stippled ground,each with elephant-form finial. (4).H: 9 1/2 in. (coffee pot). Totalweight: 73 oz.$1,000-1,500

50 160130/9Continental silver knop-end spoon18th/19th centuryLarge bowl with engraved decorationthroughout, monogram to bowl with engravedinitials to reverse of bowl.L: 5 3/4 in. 1.3 oz.$200-300


54 152502/1Russian silver salt thronemoscow, 1889, assaymaster lev oleksTypical form with pierced and engravedback, the hinged seat opening to silver-gilt interior.H: 3 1/2 in. 2.7 oz.$300-500

55 160350/10Fabergé Russian silver beakermoscow, 1891, assaymaster lev oleksCylindrical form with engravedmonogram below a crown, 84 zolotnik.H: 3 in. 2.8 oz.$800-1,200

53 160352/7Russian silver and niello cigarette casemoscow, 1882-99, maker’s mark unidentifiedRectangular, depicting a horse and dog withinshaped cartouche, gilt-washed interior, 84zolotnik.L: 3 1/2, W: 3 in. 3.8 oz.provenance:Property from a private Rittenhouse Square,Philadelphia collection.$300-500

Russian Silverlots 53-60

56 160350/12Large Russian silver kovshmoscow, 1908-17, maker’s markunidentifiedTypical form chased with scrollingfoliage, stylized flowers, and grapeclusters, 84 zolotnik.H: 7 1/2, W: 12 in. 22.3 oz.$8,000-10,000



57 160332/2Fabergé Russian silver-gilt and jeweled kovshk. fabergé, moscow, 1896-1908Typical form, the openwork handle modeled as a firebirdwith ruby eyes, the wings set with cabochon sapphires andemeralds, 88 zolotnik; accompanied by a copy of a Fabergéinvoice signed by Dr. Géza von Habsburg.H: 3 3/4, W: 6 in. 10.7 oz.provenance:Sold Christie’s New York, April 1985, Lot 85.$20,000-30,000


Russian Silver 125

58 160350/17Russian silver-gilt and guilloché enameledcigarette casemark of 3rd artel for iosif marshak,st. petersburg, 1908-17Rounded rectangular form, translucent cobaltblue enamel over engine-turned ground, withsilver-gilt foliate mounts and sapphire cabochonthumbpiece, 88 zolotnik.L: 4, W: 2 3/4 in. 6.3 oz.$5,000-7,000

59 160350/6Russian silver, cloisonné and guilloché enameledsnuff boxmaria semenova, moscow, 1898-1908,assaymaster ivan lebedkinShaped trefoil form, the hinged lid with red guillochéenamel on engine-turned ground, the sidesdepicting florals and scrolls in shades of green, blue,red, pink, orange, and cream enamels, gilt-washedinterior, 84 zolotnik.H: 1, W: 2 1/2, D: 2 1/2 in. 4.4 oz.$5,000-7,000

60 160350/2Russian silver and cloisonné enameled cigarette casemaria semenova, moscow, 1908-26Rectangular form with scrolling floral and foliate pink,blue, purple, green, and orange shaded enamels on atextured matte ground, surrounded by a cobalt enamelground border, gilt-washed interior, 84 zolotnik.L: 4, W: 3 1/2 in. 7 oz.$3,000-5,000


64 160350/18Continental gold card caselate 19th century, apparently unmarkedRectangular, engraved throughout and monogrammed.L: 3 3/4, W: 2 1/2 in. 52 dwt.$3,000-5,000

Objets de Vertulots 61-74

65 160350/14Continental gold and diamond frameenclosing a portrait miniature of a memberof the Austrian Royal familyapparently unmarkedOval form, the enameled portrait withindiamond bezel with gold frame and strut.H: 2 3/4 in.$3,500-4,500

61 160357/1Continental gold and guilloché enameled needle caseprobably swiss, circa 1800Typical tapering form, with enamel figures in classicalgarb, the borders with blue and white guilloché enamel,apparently unmarked.L: 4 1/4 in. 11.1 dwt.$2,000-3,000

62 160357/2Continental two-color gold needle case19th century, mark’s rubbedTypical tapering form, with bright-cut and chasedhorizontal bands of vari-color gold flowers, withchevron and linear decoration to body.L: 3 1/8 in. 7.1 dwt.$800-1,200

63 160350/3Continental gold snuff boxprobably swiss, 18th/19th centuryRectangular with engine-turned horizontal reedingscattered with pellets within foliate border, interiormarked 750.H: 1/2, W: 3, D: 2 in. 60.8 dwt.$3,000-5,000


66 160350/8Russian hardstone model of amonkeylate 19th/early 20th centuryRealistically carved in a seatedposition, with diamond-set eyes.H: 2 3/4 in.$2,000-3,000

Objets de Vertu 127

68 160332/1Russian bowenite, gold, and guilloché enameled cane handlebearing marks for michael perchin, st. petersburg, circa 1899The handle of carved bowenite, the gold mount with red translucentenamel over an engine-turned ground mounted with entwinedyellow gold laurel wreaths accented with diamonds; accompaniedby a copy of a Fabergé invoice signed by Dr. Géza von Habsburg.L: 4 3/4 in.provenance:Purportedly formerly in the collection of Serge Koussevitzky,Russian-born conductor, composer, and music director of theBoston Symphony Orchestra from 1924-1949.$20,000-30,000

67 160332/3Russian hardstone carving of a ravenThe carved raven’s head set with gold andruby eyes, in fitted case marked for AlexeiKuzmich Denisoff-Uralsky.L: 3 1/4 in.$8,000-12,000



69 160350/4Russian gold cigarette casefriedrich koechli, st. petersburg, circa 1895Rounded rectangular form with fluteddecoration and cabochon sapphire cabochonthumbpiece, 56 zolotnik.L: 3 1/2, W: 2 1/4 in. 98.8 dwt.$6,000-8,000

71 160350/5Russian gold samorodok cigarette caseworkmaster august hollming, st. petersburg,1908-1915, bearing marks for fabergéRounded square form with textured body andapplied double-headed eagle medallion to oneside, with sapphire cabochon thumbpiece.L: 3 3/4, W: 3 1/2 in. 101.1 dwt.$8,000-10,000

70 160350/11Pair of Russian gold and enamel cufflinksst. petersburg, 1908-17, unidentified maker’s markThe circular matte black enamel disks with appliedgold profile head of a medieval warrior, the lozenge-shaped bars with black and yellow enamel, 56zolotnik.Dia: 3/4 in. Total weight: 12.1 dwt.$2,000-3,000


72 160350/16French gold-mounted nephrite boxpost 1919Square form, each nephrite panel framed with goldmounts, stamped with eagle guarantee mark.H: 1 1/8, W: 2 3/4, D: 3 2/4 in.$3,000-5,000

Objets de Vertu 129

74 160350/13Japanese cloisonné enameled metal boxearly 20th centuryRounded rectangular form decorated withflorals and birds throughout on a cobalt blueground.H: 2 1/2, W: 6, D: 4 1/2 in.$800-1,200

73 160350/9Japanese bronze and mixed metal boxmeiji period, late 19th centuryRectangular, the hinged cover with applied vaseand floral motif, each side inlaid with birds,butterflies, dragonflies, and leaves.H: 1 1/4, W: 2 1/2, D: 1 3/4 in.$1,500-2,500


75 160405/1Pair of sterling silver ‘Olympian’ pattern saladserversedward c. moore for tiffany & co., new york,ny, 1878With gilt-washed bowls, monogrammed; infitted Tiffany & Co. box. (2).L: 10 1/4 in. Total weight: 11.4 oz.$500-700

Tiffany & Co. Silverlots 75-90

76 158153/1Four-piece sterling silver partial tea servicetiffany & co., new york, ny, circa 1892Comprising a hot water kettle on stand, creamer,covered sugar, and waste bowl, each with spiralfluted bodies, with scroll and foliate borders,monogrammed to underside. (4).H: 11 in. (kettle on stand). Total weight: 103 oz.provenance:A complete service of this design sold Sotheby’s,New York, October 14, 2015, Lot 256.$2,500-4,000

77 160006/3Sterling silver pitchertiffany & co., new york, ny, circa 1893Lobed baluster form with applied floral andscroll motif to rim, raised on four feet withacanthus-capped scroll handle,monogrammed.H: 7 in. 19.9 oz.$600-800

78 160006/2Sterling silver water pitchertiffany & co., new york, ny, circa 1895Helmet-form with partially fluted body, theshoulder with repoussé band of shells andscrolls, raised on four foliate and paw feet.H: 8 1/4 in. 29 oz.$800-1,200


Tiffany & Co. Silver 131

79 160350/1Pair of rock crystal-style cut-glass and eighteen karat gold-mounteddecanters with stopperstiffany & co., new york, ny, circa 1907-20The glass carved with foliate and floral motifs, signed “W. Fritsche” forWilliam Fritsche, the gold stoppers monogrammed. (2).H: 9 1/2 in.provenance:Formerly from the collection of Hugh J. and Lucie Mackey Grant.note:These decanters originated in the collection of the Honorable Hugh J. Grant(1858-1910) and Julia Murphy Grant (d. 1944), later passed onto their son,Hugh Grant and his wife, Lucie Mackey Grant. The Hon. Grant was theMayor of New York from 1889-1892, the youngest in the city’s history at age31. He made several contributions to the city’s history, including theappointment of the first rapid Transit commission to develop a subwaysystem. Grant became a successful real estate entrepreneur and marriedJulia Murphy, daughter of U.S. Senator Edward Murphy, Jr. The couple’s son,Hugh J. Grant (1904-1981) served in World War II and was an accomplishedattorney and philanthropist.$20,000-25,000


82 158072/25Sterling silver tazzatiffany & co., new york, ny, circa 1908Circular with everted scalloped rim withvarious flowerheads, raised on steppedcircular foot.H: 4 1/2, W: 11 3/4 in. 33.6 oz.$1,000-1,500

83 160105/1Sterling silver ‘St. Dunstan’ pattern flatware service for twelve, in original wooden chestalbert a. southwick for tiffany & co., new york, ny, 1909Comprising twelve each dinner knives and forks, luncheon knives and forks,salad forks with gilt-washed bowls, fruit knives, butter spreaders, creamsoup spoons, bouillon spoons, teaspoons, demitasse spoons, iced teaspoons, grapefruit spoons with gilt-washed bowls; six tablespoons; a pair ofsalad servers with gilt-washed bowls; a carving fork, knife, and knife


sharpener; one each tomato server, cream ladle, gravy ladle, sugar nips,sugar spoon, olive fork, cake server, chipped beef fork; monogrammed “W”;accompanied by copies of the original receipts and paperwork. (175).Weighable silver: 214 oz. (approx).provenance:Purchased directly from Tiffany & Co., New York, in September of 1929.By descent through the family.$8,000-12,000

81 160040/1Sterling silver footed candy dishtiffany & co., new york, ny, circa 1910The circular bowl raised on four elongatedfeet with applied bellflowers,monogrammed.H: 4 1/8, Dia: 5 1/2 in. 9.4 oz.$1,000-1,500

80 152367/21Sterling silver asparagus traytiffany & co., new york, ny, circa 1900Shaped rectangular with applied floral blossoms andC-scrolls, with removable pierced twin-handled liner,raised on four acanthus-capped paw feet.H: 2 1/4, W: 13 3/4, D: 11 in. Total weight: 37 oz.provenance:From the collection of the Estates of Edward C. Fogg,III and Lisbeth A. Fogg.$3,000-5,000


Tiffany & Co. Silver 133

89 160057/1Sterling silver ‘Hampton’ pattern partialflatware servicecharles b. blake for tiffany & co., new york, ny,1934Comprising eight each dinner knives and forks,salad forks, place spoons; sixteen teaspoons; onecarving fork and knife; one each tablespoon andlarge serving spoon; monogrammed. (52).Weighable silver: 77 oz.$1,000-1,500

85 160371/5Sterling silver swing-handled baskettiffany & co., new york, ny, circa 1915Circular with reeded edge, chased with vacantcartouches suspending bellflower pendantsseparated by latticework and shell motif, raised onstepped circular foot with swing-handle.H: 3, Dia: 10 1/2 in. 21.4 oz$600-800

86 158108/25Sterling silver serving traytiffany & co., new york, ny, circa 1925Circular with pie-crust edge.Dia: 13 in. 28.8 oz.$400-600

87 152185/1Sterling silver swing-handled basketmade for tiffany & co., new york, ny, 20th centuryLobed oval form with openworked andchased foliate rim above latticework ground,raised on four feet with swing-handle, theunderside marked “Made for Tiffany &Co./Sterling/2218.”H: 3 1/2, W: 12 1/2 in. 35.6 oz.$1,500-2,000

88 160130/2Sterling silver coffee pottiffany & co., new york, ny, circa 1933Tapering cylindrical form with ebonizedwood scroll handle and finial, raised onstepped circular foot.H: 10 in. 29.8 oz.$500-700

84 160371/4Three-piece sterling silver partial tea servicetiffany & co., new york, ny, circa 1913Comprising a teapot, creamer, and waste bowl, ofoctagonal form with chased foliate, shell, andfloral decoration to each panel. (3).H: 8 1/2 in. Total weight: 40 oz.$1,000-1,500

85



90 158129/1Fine and rare sterling silver and gold-inlaid tea and coffee servicetiffany & co., new york, ny, circa 1929Comprising a hot water kettle on stand, teapot, coffee pot, milk pot, coveredsugar, creamer, waste bowl, and twin-handled tray, each of octagonal formwith stylized foliate motif finely inlaid in gold. (8).H: 12 in. (kettle). L: 26 1/2 in. (tray). Total weight: 352 oz. (approx).provenance:Purportedly given as a gift to W. Alton Jones, an investor in Tiffany & Co.By descent through the family to the present owner.

note:William Alton Jones (1891-1962) was a philanthropist, businessman, andpersonal friend to President Dwight D. Eisenhower. Jones was president ofCities Service Company, now called CITGO, from 1940 to 1953. He wasinfluential during World War II, responsible for producing dynamiteproduction plants and aviation fuel refineries, among other fundamentalcontributions. Jones was killed tragically in an airplane crash while on hisway to join President Eisenhower on a fishing trip in 1962. Following hisdeath, his family gave his private hunting and fishing retreat to theUniversity of Rhode Island, eventually forming the W. Alton Jones Campus.Jones also started a charitable foundation, the W. Alton Jones Foundation,which funded environmental causes and supported the arts until itsdissolution in 2001.$15,000-25,000


93 158181/1ASix silver tablespoonsamerican, various makersTwo by Joseph Richardson, Jr. and NathanielRichardson (circa 1777-91); two by Taylor &Lawrie (circa 1837-70); one by JamesMeredith (circa 1812-60); one by Joseph M.Freeman (circa 1828-71); variousmonograms. (6).L: 9 1/2 in. (largest). Total weight: 11 oz.$400-600

94 158181/2American silver ladle and table spoonsimon wedge, baltimore, md, circa 1821Monogrammed. (2).L: 13 3/4 in. 8.6 oz.$200-300

American Silverlots 91-117

91 160352/11Silver cannprobably john leacock, philadelphia, pa, circa 1748-82Baluster form on stepped circular foot with beaded rim,with leaf-capped scroll handle.H: 5 1/8 in. 12 oz.provenance:Property from a private Rittenhouse Square, Philadelphiacollection.$3,000-5,000

95 160371/1Four-piece silver assembled tea servicebrowne & seal, baltimore, md, circa 1810-13Comprising a coffee and teapot (apparentlyunmarked), and a sterling silver creamer andsugar, lower half decorated with stiff leaf andgeometric motif below a foliate band atshoulder, each raised on circular foot withangular handles. (4).H: 10 in. Total weight: 91 oz.$2,000-3,000

92 160352/10Silver cannjoseph richardson, jr. and nathaniel richardson,philadelphia, pa, 1777-90Baluster form on stepped circular foot with leaf-cappedscroll handle, foliate monogram within ribbon tiedcartouche.H: 5 1/2 in. 13.8 oz.provenance:Property from a private Rittenhouse Square,Philadelphia collection.$3,000-5,000


96 158076/1Silver serving fork and spoonball, black & co., new york, ny, 1851-74Gilt-washed bowls, with applied lobster atterminals. (2).L: 11 in. Total weight: 8 oz.$1,500-2,000


99 160246/1Six-piece sterling silver tea service, inoriginal J.E. Caldwell wooden chestj.e. caldwell & co., philadelphia, pa,circa 1873Comprising two teapots, a coffee pot,covered sugar, creamer, and wastebowl, of tapering cylindrical form eachwith a putti playing a musicalinstrument to one side, andmonogrammed “ESJ” for Emily SarahJudson to the other, with angularhandles raised on circular foot. (6).H: 9 in. (coffee pot). Totalweight: 119 oz. (approx).provenance:Purchased in October 1873 by ColonelOliver A. Judson, as a wedding presentto his younger sister, Emily SarahJudson on her marriage to GeorgeLyman Locke.Be descent through the family.note:An urn of similar form and decoration isheld in the Brooklyn Museum,accession no. 75.164.1a-e.$3,000-5,000

97 160028/2Sterling silver Aesthetic movement waterpitcherbrowne & spaulding, new york, ny,circa 1864-69The body with vacant circular cartouchesseparated by rosettes and engraved scrollingfoliage between two beaded bands, appliedinsect perched on top of handle, raised oncircular foot.H: 12 1/2 in. 35.2 oz.$1,500-2,000

98 158153/17ASterling silver coffee pot, in the Turkish stylegorham mfg. co., providence, ri, last quarter 19th centuryCircular base with elongated spiral neck, withwooden scroll handle.H: 8 in. 13.2 oz.$500-700


101 158115/5Sterling silver gravy boat and ovaltraybaltimore sterling silver co.,baltimore, md, 1892-1904Heavily repoussé-worked to depictflowers and foliage on a stippledground. (2).L: 11 in. (tray). Total weight: 17 oz.$400-600

102 152410/1Five-piece sterling silver tea andcoffee servicesackett & co., philadelphia, pa,1893-1903Comprising a coffee and teapot,creamer, covered sugar, andwastebowl, oval form with flutedlower body and beaded rim, withangular handles. (5).H: 8 1/2 in. (coffee pot). Totalweight: 57 oz.$1,200-1,800

103 160048/15Collection of sterling silver and silver-plated match safesvarious makers, late 19th/early 20th centuryVarious shapes, sizes, and motifs; six possibly silver-plated.(14).Weighable silver: 8 oz. (approx).$1,000-1,500

American Silver 137

100 160206/1Five-piece sterling silver tea and coffee servicebaltimore sterling silver co., baltimore, md, 1892-1904Comprising a coffee and teapot, covered sugar, waste bowl,and creamer (S. Kirk & Son), of baluster form heavilyrepoussé-worked with florals and foliage on a stippledground, raised on four leaf-capped scroll feet, the undersidemonogrammed “LHB“ for Laura Hanson Baldwin. (5).H: 9 1/2 in. Total weight: 82 oz.provenance:From the Estate of Laura Hanson Baldwin, Baltimore, MD.$2,000-3,000

104 160040/5Large sterling silver pitcherstamped black, starr, & frost,early 20th centuryInverted pear-form with repoussé and chasedflowers and scrolling foliage, on shaped squarefoot, monogrammed.H: 12 1/4 in. 49.7 oz.$1,000-1,500

(part lot)

104A 151738/3Sterling silver hot water kettle on standmarked bigelow, kennard, & co, boston, ma,late 19th/early 20th centuryUrn-form with beaded edge, the hinged domecover surmounted by urn-form finial, thestand on square-form plinth and four ball feet.H: 12 in. 49 oz. (excluding burner).$800-1,200



105 160084/2Sterling silver ‘Pompeiian’ pattern table suitemount vernon co. silversmiths, mount vernon, ny, circa 1900Comprising a footed well-and-tree platter, two oval serving trays, asauce boat with undertray, footed serving bowl, and caster; eachdecorated with gilt-washed panels, swags, and monogrammed. (7).Length: 23 1/2 in. (well-and-tree platter). Total weight: 208 oz.(approx).$5,000-7,000

106 160168/3Two sterling silver center bowlsreed & barton, taunton, ma, 20th centuryThe first in the ‘Francis I’ pattern; the secondwith grape clusters. (2).Dia: 11 3/4 in. Total weight: 47 oz.$800-1,200

107 160168/4Sterling silver and silver-gilt ‘Golden Aegean Wave’ patternflatware servicewallace silversmiths, wallingford, ct, 1971-2009Comprising sixteen each dinner knives and forks, salad forks,butter spreaders, place spoons, teaspoons; eight demitassespoons; two each master butter knives, pie servers, smallserving spoons; one each serving spoon and fork, cream ladle.(113).Weighable silver: 102 oz. (approx)$2,000-3,000


114 160040/4Sterling silver ‘Francis I’ pattern bowlreed & barton, taunton, ma, mid 20th centuryShaped circular with fruit and floral decoration.H: 2 1/2, W: 11 1/2 in. 21 oz.$500-700

110 160130/3Pair of sterling silver tazzafrank w. smith silver co., gardner, ma,Circular bowl with openworked andchased foliate, scroll, and latticeworkdecoration. (2).H: 5, Dia: 10 1/4 in. 44.6 oz.$800-1,200

American Silver 139

113 151999/6Sterling silver tea and coffee service20th century, no apparent maker’s markComprising a hot water kettle on stand, coffeeand teapot, creamer, covered sugar, and wastebowl, of baluster form with reeded bands, withebonized wooden handles and finials,monogrammed; together with a silver-platedcircular tray. (7).H: 13 1/2 in. (kettle). Weighable silver: 164 oz.$1,500-2,500

115 160028/1Four-piece sterling silver ‘Richelieu’ pattern teaand coffee serviceinternational silver co., meriden, ct, mid 20th centuryComprising a coffee and teapot, covered sugar,and creamer, of baluster form repoussé-workedand chased with florals, foliage, and scrollsthroughout, the underside stamped “HandChased.” (4).H: 12 in. (coffee pot). Total weight: 130 oz.$3,000-5,000

111 160040/2Sterling silver assembled table suiteredlich & company, new york, ny,20th century, various retailersComprising two dinner plates and fivetazzas in various sizes, each withreticulated latticework, scroll, and floralrims, some monogrammed. (7).H: 4 3/4, Dia: 10 1/4 in. (largesttazza). Total weight: 88 oz.$1,500-2,000

112 160040/3Sterling silver fruit bowlbailey, banks, & biddle, philadelphia, pa,20th centuryLobed with scroll reticulated panels, therim applied with high relief sunflower andstrawflower blossoms, monogrammed tocenter.H: 1 3/4, W: 12 1/4 in. 19.9 oz.$500-700

108 151856/28Sterling silver tea and coffee serviceinternational silver co., meriden, ct, early 20th centuryComprising a hot water kettle on stand, coffee and teapot, coveredsugar, creamer, waste bowl, and twin-handled tray, each piece withdecorative band at shoulder, monogrammed. (7).H: 13 in. (kettle). L: 26 in. (tray). Total weight: 166 oz. (approx).provenance:The Collection of Mr. and Mrs. Graham and Margaret Groves,Coral Gables, Florida.$3,000-5,000

109 158153/8Three sterling silver center bowlss. kirk & son co., baltimore, md, early 20th centuryEach with wide rim with repoussé flowers and foliage ona stippled ground, the largest bowl monogrammed. (3).Dia: 13 in. (largest). Total weight: 60 oz.$1,000-1,500


117 160241/2Hand-hammered sterling silver compotehans christensen, copenhagen and new york,circa 1970sThe rim of the hammered bowl irregularlyshaped with a dimpled top, above a cylindricalfluted base.H: 6 1/2 in. 22.6 oz.provenance:From the estate of a Rochester Institute ofTechnology benefactor, probably given as a giftby Hans Christensen.$2,000-3,000


116 160241/1Rare hand-hammered sterling silverpresentation compotehans christensen, copenhagen andnew york, circa 1970sThe shaped hammered bowl abovetooled tree barked textured baseapplied with depictions of craftsmenat work, with engraved inscription“Rochester Institute of TechnologySchool for American Craftsmen inappreciation of the CharlotteFredericks Mowris Professorship inContemporary Crafts first conferredon Hans Christensen 1976.”H: 6 1/2 in. 21.6 oz.provenance:From the estate of a RochesterInstitute of Technology benefactor,probably given as a gift by HansChristensen.

note:Hans Christensen (1924-1983)distinctly shaped the craft ofsilversmithing in the United States,as one of the most accomplishedand inventive designers of thesecond half of the 20th century.Christensen trained under thereknowned Georg Jensen, andbecame the lead silversmith andhead of the prototype department.His career took off in 1952 whenChristensen was sent to New Yorkto represent the Georg Jensen firmat the Museum of Modern Art.Christensen’s designs made up themajority of the show and thus hewas introduced to the AmericanCraft movement.

After moving to the United States in1954, Hans Christensen beganteaching at the School for AmericanCraftsman at Rochester Institute ofTechnology, where he taught twogenerations of silversmiths. As acraftsman, he emphasized theimportance of making objects forpeople that specifically defined theirpersonality and individuality. Hispieces are held in collections all overthe world including numerouschurches, the Vatican and in thecollections of Royal families, pastUnited States Presidents andCongressmen. Hans Christensen held manyprestigious awards throughout hiscareer, including two medallions

from King Frederick of Denmark, theEisenhart Award for OutstandingTeaching by RIT, and was named tolifelong status as a Fellow of theAmerican Crafts Council in 1979.Christensen was the only endowedchair in the crafts for the CharlotteF. Mowris Professorship inContemporary Crafts, as engravedon the compote at hand.$2,000-3,000


121 160269/5Collection of assorted match safes and remainingsmoking paraphernalialate 19th/early 20th centuryComprising forty six silver- and nickel-platedmatch safes; together with eight smokingparaphernalia objects including ash trays, cigarcutters, and a replica of the first match book.(approx. 54).$1,500-2,000

118 160269/2Collection of twenty four silver- and nickel-platedmatch safeslate 19th/early 20th century, mostly americanVarious forms, decorations, and sizes; four are sterlingsilver, three with enamel. (24).L: 3 in. (largest)$1,500-2,000

Property deacessioned from the Franklin Institutelots 118-121These lots have been deaccessioned from the Franklin Institute and were originally donated to themuseum by the Diamond Match Company in 1977. These lots will be sold on behalf of theFranklin Institute to benefit future acquisitions.

120 160269/4Collection of twenty four silver- and nickel-plated match safes19th/20th century, mostly americanVarious forms, decorations, and sizes; five are sterling silver; twowith niello inlay. (24).L: 2 7/8 in. (largest)$1,500-2,000

119 160269/3Collection of twenty four silver- and nickel-plated match safeslate 19th/early 20th century, mostly americanVarious forms, decorations, and sizes; seven are sterling silver.(24).L: 2 3/4 in. (largest)$1,500-2,000

(part lot)

(part lot)

(part lot)

(part lot)


122 160130/6Large Mexican sterling silver traysanborns, mexico city, mid 20th centuryOval with pie-crust edge.L: 22 3/4, W: 16 in. 68.2 oz.$1,000-1,500

123 160130/8Collection of Mexican silverarticlessanborns, mexico city,mid 20th centuryComprising twelve each smallbowls, bread plates (Casa Prieto),butter pats (Emma, .950 standard);and one shallow serving dish;together with a shell-form footeddish. (38).H: 1 1/2, W: 10 1/2, D: 7 1/4 in.(serving dish). Total weight: 157 oz.$1,500-2,000

124 160048/14Eight Mexican silver sugar scoopswilliam spratling, taxco, 1956-64With rosewood handles.L: 4 in.$200-300

Mexican & Peruvian Silverlots 122-125

125 160387/1Pair of Peruvian silver five-light candelabracamusso, lima, mid 20th centuryBaluster form standard issuing four scrollingarms, on shaped circular base. (2).H: 12 in.$1,500-2,500

END OF SALE


David WeissSenior Vice President, Head of European Art & Old Masters 267.414.1214 | [email protected]

Raja Ravi Varma (indian 1848-1906), “The Coquette,” $100,000-150,000 (detail)

European Art & Old Masters Auction 6/14/16

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www.freemansauction.com 6

To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In TransitNick Clarke314 North 12th StreetPhiladelphia, PA [email protected]

Atelier Art Services ‡

Lynn Smith1330 North 30th StreetPhiladelphia, PA 19144215.235.0402 | Fax: [email protected]

Aiston Fine Art Service ‡

Mark AistonP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629 | Fax: [email protected]

Brooks Fine Art Services Christopher Rossello 155 Rose Lane Haverford, PA [email protected] Cadogan Tate Fine Art ‡

Stacey FergusonCadogan House41-20 39th StreetSunnyside, NY 11104718.706.7999 | Fax: [email protected]

Crozier Fine ArtsJennifer Norton525 W 20th Street New York, NY 10011 212.741.2024 [email protected]

Mr. C’sCharles Cohen1615 North 10th StreetPhiladelphia, PA [email protected]

Malca Amit ‡

Christine Duke153-66 Rockaway BlvdNew York, NY 11434718.525.6100 | Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346 | Fax: [email protected]

The Packaging Store ‡

Duane Freed2333 Welsh RoadLansdale, PA 19446215.361.6940 | Fax: [email protected]

UPS Store ‡

John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990 | Fax: [email protected]

U.S. Art ‡

Jessica Pierce37-11 48th AvenueLong Island City, NY 11101800.472.5784 | Fax:[email protected]

FURNITURE & LARGE ITEMSFor larger pieces when delivery time is not a rush, we suggest:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com

‡ Shippers that can fulfill international deliveries

Purchase removal, shipping and offsite storage information

v3.2016


All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

13A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

14Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

in the original purchase price andwill also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11No “buy” bids shall be accepted at any time for any purpose.

12Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

8Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiency

1Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

Terms & Conditions

v2.2016


bidding & registration form

sale no bidder no client no

name business name

address

city state country

zip code e-mail

phone (primary) phone (secondary) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on

the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no description maximum bid

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion

bank reference

bank name account no

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed q id confirmed(signature required to execute your bids)

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected]

www.freemansauction.com

v2.2016


Specialist Departments

20th Century DesignTim Andreadis [email protected] American Art & Pennsylvania ImpressionistsAlasdair Nichol [email protected]

American Furniture, Folk & Decorative ArtsLynda Cain [email protected]

American SilverSamuel M. Freeman II [email protected]

Asian ArtsRichard A. Cervantes [email protected]

Books, Maps & Manuscripts Benjamin Truesdale [email protected]

English & Continental Furniture & Decorative ArtsNicholas B. A. Nicholson [email protected]

European Art & Old MastersDavid M. Weiss [email protected]

Jewelry & WatchesMichael Larsen, GIA GG [email protected] Virginia B. Salem, GIA [email protected]

Modern & Contemporary ArtTimothy Malyk [email protected]

Musical InstrumentsFrederick [email protected]

Oriental Rugs & CarpetsRichard A. Cervantes [email protected]

PrintsAnne Henry [email protected]

Silver & Objets de VertuSarah Blattner [email protected]

Representatives

New EnglandKelly Wright [email protected]

Mid-AtlanticMatthew Wilcox [email protected]

Southeast Colin Clarke [email protected]

West CoastMichael Larsen [email protected]

Main LineThomas McCabe [email protected]

Directory | 215.563.9275 | www.freemansauction.com

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy Parenti [email protected]

Business DevelopmentThomas B. McCabe IV [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark Beckerman [email protected]

Marketing & CommunicationsTara Theune Davis [email protected]

Museum ServicesThomas B. McCabe IV [email protected]

PhotographyThomas Clark [email protected]

Press & MediaMelissa Geller [email protected]

Trust & EstatesSamuel T. Freeman III [email protected]

v4.2016


www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103T 215.563.9275 | F 215.563.8236

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