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EnterText 5.1 Allan Siegel: European Market Halls 124 ALLAN SIEGEL Europe’s Market Halls: Pictures from an Exhibition A glimpse of an exhibition in Budapest curated by Allan Siegel. Photographers: Racz Marta, Samuele Martelli, Malgorzata Omilanowska, Allan Siegel, Szörényi Beatrix. Introduction The market halls of Hungary, Finland, Italy, Spain, Poland, Germany and France are remarkable structures. Many have survived two world wars and prevailing changes in the urban landscape. Their role in the life of the city, while sometimes precarious, continues to be invaluable.

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Page 1: Europe’s Market Halls: Pictures from an Exhibition€¦ · curatorial project. Consisting of video, sound and object installations, it was designed to facilitate a wider discourse

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Allan Siegel: European Market Halls 124

ALLAN SIEGEL

Europe’s Market Halls: Pictures from an Exhibition

A glimpse of an exhibition in Budapest curated by Allan Siegel.

Photographers: Racz Marta, Samuele Martelli, Malgorzata Omilanowska, Allan Siegel, Szörényi Beatrix.

Introduction

The market halls of Hungary, Finland, Italy, Spain, Poland, Germany and France are

remarkable structures. Many have survived two world wars and prevailing changes in

the urban landscape. Their role in the life of the city, while sometimes precarious,

continues to be invaluable.

Page 2: Europe’s Market Halls: Pictures from an Exhibition€¦ · curatorial project. Consisting of video, sound and object installations, it was designed to facilitate a wider discourse

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Allan Siegel: European Market Halls 125

Traditional market halls and contemporary versions (in Barcelona, or

Budapest) are important public spaces. They represent vital places of social and

economic activity. They create vibrant neighbourhood focal points and provide retail

sites for small vendors and local food producers. Furthermore, the viability of the

market hall as civic institution and public space tells us something about the societies

we live in and the rituals that mark our daily lives.

With its diverse character, the market hall can be more than simply an up-

scale alternative to the supermarket. In addition to its generic, impersonal design, the

supermarket embodies a form of consumerism that degrades the evaluation of product

quality to comparisons between the price at one location versus another, comparisons

that blur or ignore less visible economic and social costs.

MARKET HALLS ([email protected]) opened at the Ernst Múzeum in

Budapest on 30 November 2005. The exhibition was formulated as an evolving

curatorial project. Consisting of video, sound and object installations, it was designed

to facilitate a wider discourse about the importance of market halls as public spaces,

architectural sites and places of economic activity.

The exhibition featured the work of artists, architectural historians,

sociologists and architects from Hungary, Finland, Italy, Croatia, Poland and the

United States. It will tour in Finland and Italy. A book of essays and photographs

accompanies the exhibition and is available from the Ernst Múzeum

([email protected]) for ten euros, shipping included.

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Allan Siegel: European Market Halls 126

Fig.1: Wroclaw Hale, Poland

Fig.2: Mercado Saragossa, Spain

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Allan Siegel: European Market Halls 127

Fig.3: Marché St. Quentin, Paris

Fig.4: Hakaniemi Kauppahalli, Helsinki

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Fig.5: Smithfield Market Hall, London

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Fig.6: Dresden Markthalle

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Fig.7: Gdansk Markthalle

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Fig.8: Mercado el Born, Barcelona

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Fig.9: Mercado Santa Caterina, Barcelona

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Fig.10: Lehel Square vásárcsarnok, Budapest

Fig.11: Központi vásárcsarnok, Budapest (Central Market Hall)

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Fig.12: Marché de la Chapelle, Paris

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Fig.13: Berlin Markthalle VI, detail

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Fig.14: Kauppahalli Oulu, fish vendors

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Fig.15: Központi vásárcsarnok, Budapest

Fig.16: Mercato San Lorenzo, Florence

Fig.17: Központi vásárcsarnok, Budapest, vendors

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Fig.18: Központi vásárcsarnok, Budapest, vendors

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Fig.19: Központi vásárcsarnok, Budapest, vendor