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Exhibiting History It’s More Than a Display Board! Chicago Metro History Education Center 2005

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Exhibiting History. It’s More Than a Display Board! Chicago Metro History Education Center 2005. Think of the History Fair exhibit as a mini-museum. In a museum visitors are greeted with a panel that announces the main idea of the exhibit and sets the stage for what will follow. . - PowerPoint PPT Presentation

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Page 1: Exhibiting History

Exhibiting HistoryIt’s More Than a Display

Board!

Chicago Metro History Education Center 2005

Page 2: Exhibiting History

Think of the History Fair exhibit as a mini-museum.

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In a museum visitors are greeted with a panel that announces the main idea of the exhibit and sets the stage for what will follow.

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The exhibit designer creates a space that uses eye-catching graphics that reflect the theme, time period and topic. Colors, shapes and other visual cues organize different sections of the exhibit.

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Subtitles and different shapes and sizes of labels also act as visual cues. The labels tell the story.

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Each segment (or section) of the exhibit tells a different part of the story.

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A variety of visually engaging and relevant primary sources show what the text tells.

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History Fair exhibits function the same way.

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When you do a History Fair exhibit, you are museum curators and designers.

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What do curators do?• conduct historical

research• form an interpretation or

thesis • develop a story• write the label text • select potential primary

sources and artifacts

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What do designers do?The designers show the story the curators want to tell by creating a well-organized and imaginative exhibit design that reflects and reinforces the curators’ interpretation.

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Before Design Begins• Make an outline,

write text, and do a layout before one finger touches an exhibit board!

• Show your draft to others to make sure it is logical to them.

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A TitleAn introduction and a conclusion

Labels: The Students’

InterpretationPrimary

Sources as

Evidence

Subtitles

Secondary Sources as Evidence

PARTS OF AN EXHIBIT:

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The first elements the visitor sees are:

1. Overall design2. Title

3. Introduction

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Exhibit Design• The maximum

dimensions for an exhibit are 72” tall by 40” wide by 30” deep.

• The three-panel exhibit is the most common form but it is not required.

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Like a museum, the goal of a History Fair exhibit is to effectively communicate the curator’s interpretation. That takes organization and imagination.

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The design reflects the topic of the project…

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…and is visually interesting.

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Design delivers the message

• Choose colors that reflect the topic of the exhibit. This exhibit is about child labor. Why did the students select these colors? Review the earlier exhibits presented here. Do the colors fit the topic?

• Notice different color mats for different parts of the exhibit.

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What topics could these colors symbolize?

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Fonts reflect the story tooSelect fonts that reflect the topic too. Use 3 different font sizes based on the importance of text: consider the larger fonts (36+) for the subtitles and title.

• History Fair

• History Fair• History Fair• History Fair • History Fair• History Fair

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Always use readable styles and black type for labels: 16-24 font size

Look at the actual sizes in different styles. Which is more readable?

• Always use readable styles and black type for labels: 16-24 font size

• Always use readable styles and black type for labels: 16-24 font size

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Avoid too few or too many words--neither

communicates effectively

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Remember: the products of research, analysis, and writing are what count the most

in your exhibit.

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Superior design is the supporting partner of superior

academic work.

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The title sends your message

Make the title snappy and informative, and hint at the argument viewers will find in the exhibit.

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Why do some titles communicate more

effectively than others?• Impact and

Influence of Lemont on the Civil War

• The Memorial Day Massacre

• The War Comes Home: How Small Towns Fought the Civil War

• “They Shot Us in Our Backs”: How the Memorial Day Massacre Galvanized the Labor Movement

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The introduction is the road map to the

exhibit.

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The introduction establishes:• context• change • significance or impact

and contains your thesis statement.

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The largest label on the exhibit, the introduction will consist of

approximately 100 words.

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There is no need to write “Thesis” or

“Introduction” if the design makes it

apparent. Consider using a different color matting, font size, or

shape.

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A strong thesis statement:

• Makes a specific argument or interpretation

• Has a narrow focus• Based on & can be “proven” with

evidence• Can be communicated in one or

two sentences

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FOR EXAMPLE:

After the 1919 riot the means of enforcing segregation became more accepted, more formal, often more

violent, and completely legal.

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Identify the elements of an introduction:CONTEXT CHANGE SIGNIFICANCE/IMPACT THESIS

The race riot of 1919 was a cataclysmic event in Chicago. After five days of rioting, 38 white and black citizens were killed and 537 were injured. The riot itself was the product of nearly two decades of conflict between whites and blacks over housing, jobs, and political representation. Before the riot, the black community was pressed into separate areas of the city by informal and extralegal means. After the riot the means of enforcing segregation became more accepted, more formal, often more violent, and completely legal. In this way the 1919 riot was a turning point for the city Martin Luther King, Jr. called the “most segregated in the nation.”

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• CONTEXT: The race riot of 1919 was a cataclysmic event in Chicago. After five days of rioting, 38 white and black citizens were killed and 537 were injured. The riot itself was the product of nearly two decades of conflict between whites and blacks over housing, jobs, and political representation.

• CHANGE: Before the riot, the black community was pressed into separate areas of the city by informal and extralegal means.

• THESIS: After the riot the means of enforcing segregation became more accepted, more formal, often more violent, and completely legal.

• IMPACT: In this way the riot of 1919 was a turning point for the city Martin Luther King, Jr. called the “most segregated in the nation.”

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The exhibit layout is organized by

sections, or segments, which present the

interpretation.

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Most segments contain:Subtitle

Label(s)

Primary Sources

Secondary Sources

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Segments are like sections in a museum or paragraphs of a

paperThe subtitle, interpretive label(s) and a variety of sources all connect to tell the story.

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Subtitles are Guideposts Subtitles guide the viewer through the exhibit and establish the main points of the argument.

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Labels tell the story• Labels consist

of 50-75 words that develop the interpretation in organized clusters of claims and evidence.

• Each label communicates one main idea.

Revolutionary thinkers, affirming the right to childhood, denounced child labor as exploitation. Settlement workers promoted childhood as a unique stage in life in which an individual’s personality could be developed through creative play, introduction to the arts, and a proper education. Muckrakers, pioneering doctors, and labor union organizers publicized the evils of child labor.

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Strong labels:• Focus on one idea• Use active verbs• Provide explanation and analysis of the primary sources• Move the story forward

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In each segment of the exhibit, the sources directly relate to the label text.

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How do the following sources relate to this

label? Revolutionary thinkers, affirming the right to childhood, denounced child labor as exploitation. Settlement workers promoted childhood as a unique stage in life in which an individual’s personality could be developed through creative play, introduction to the arts, and a proper education. Muckrakers, pioneering doctors, and labor union organizers publicized the evils of child labor.

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Reports & Governmen

t DocumentsInvestigative reports, hearings, laws, executive orders not only make sound evidence, but they also help place your story in the larger national context.

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Posters and Flyers….

Publications from the time reveal much about the past: the people who were trying to communicate, the audience they tried to reach, and the message they wanted to deliver.

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… Editorial Cartoons

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Newspapers &

NewslettersTo be more than a visual image, sources with a lot of text either need an inset quotation to highlight the most important words, or be reflected in the label.

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Photographs

Photographs are more than pictures--they are evidence for the interpretation.What can be found in these photos?

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Quotations“Many women keep their children from school to run the factory and to help with the homework. In order to earn anything and provide food for themselves….” Reverend Dunne, 1897

• Quotes from primary sources bring the actual “voices” from the past and can be powerful sources of evidence.

• From secondary sources they reinforce or add to your argument.

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Charts, Maps, Graphs, Tables

These sources help organize and display a lot of information better than text could do. They also add to the visual quality of the exhibit.

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Now, write a subtitle & label for the following

sources:

Label text

Subtitle

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“The 1903 Illinois child labor law is a curse instead of a blessing to those compelled to earn bread by the sweat of their brow…”

Affiliated Workers School, 1903

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Writing Analysis Research

Sources Labels

Subtitles Design

Put them all together…

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…and you have a mini-museum!

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A successful exhibit is the product of:

• in-depth research, • a clear interpretation, • interesting and relevant sources, • a compelling story,• and a visual design and layout

that reinforces the message.

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Visit our websitewww.uic.edu/orgs/cmhec

For more creative and practical exhibit design tips and worksheets.

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For more support on research, writing, thesis development, and exhibit rules.

Visit our websitewww.uic.edu/orgs/cmhec

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Thanks to all the students whose work made this presentation

possible!

Thanks to the Chicago Historical Society for permitting use of images from their exhibit “Teen Chicago.”

Page 59: Exhibiting History

Produced by Chicago Metro History Education Center for individual or classroom use.

2005

This presentation may NOT be used for any commercial

purpose.