fa124 5 - baroque art

53

Upload: rachel-arandilla

Post on 19-Aug-2015

1.302 views

Category:

Education


0 download

TRANSCRIPT

Page 1: Fa124   5 - baroque art
Page 2: Fa124   5 - baroque art

BaroqueBaroque

Page 3: Fa124   5 - baroque art

Baroque

period of artistic style with exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance and grandeur

Began in 1600 in Rome, Italy and spread to most of Europe, until in some places, the 1750s

Page 4: Fa124   5 - baroque art

Baroque art

sensual, ornate and fantastic

implies power and renewed authority of Latin church after the Reformation, appealing to the emotions of the faithful and dogmatic reaffirmations of the Council of Trent.

Jesuits - adopt Baroque as the official style

Religious art used in defense against criticism by the scientists and philosophers, and in response to the Protestant Reformation

Page 5: Fa124   5 - baroque art

also political situations, absolute monarchies of France and Spain prompted the creation of works that reflected their size and splendor of the majesty of kings, Louis XIV and Philip IV.

Page 6: Fa124   5 - baroque art

BAROQUE ART

baroque, from the Portuguese word ‘barroco’, Spanish ‘barroco’ or French ‘baroque, all which means ‘ rough or imperfect pearl’

Page 7: Fa124   5 - baroque art
Page 8: Fa124   5 - baroque art

Eccentric redundancy and noisy abundance of

details, sharply contrasting to the clear and sober rationality of

the Renaissance

Also applied in architecture and music

Eccentric redundancy and noisy abundance of

details, sharply contrasting to the clear and sober rationality of

the Renaissance

Also applied in architecture and music

Page 9: Fa124   5 - baroque art
Page 10: Fa124   5 - baroque art

Baroque ArtBaroque ArtArt, Painting, SculptureArt, Painting, Sculpture

Page 11: Fa124   5 - baroque art

Development

During the late 16th century, a desire for greater clarity and simplification inspired artists against the anti-classical Mannerist style with emphasis on distortion, asymmetry, bizarre juxtaposition and biting colors.

Should speak to the illiterate rather than the elite well-informed

Page 12: Fa124   5 - baroque art

Mannerist paintings

Page 13: Fa124   5 - baroque art

BAROQUE

Page 14: Fa124   5 - baroque art

From the witty, intellectual qualities to a visceral appeal aimed at the senses

Iconography that is direct, simple, obvious, theatrical.

Page 15: Fa124   5 - baroque art

Periods

Early Baroque

High Baroque

Late Baroque (Rococo)

Page 16: Fa124   5 - baroque art

Subject matter

Scenes of martyrdom, suffering saints, dogmatic positions

Mythological or classic motifs with erotic overtones

Portraits of nobility, church figures, commissioned corporation pictures, genre, classic landscapes

Sculptures in movement and large fountains

Page 17: Fa124   5 - baroque art

Technique

Great freedom in paint application

Carravaggio abandoned underpainting, composed as he painted

Textured surfaces, transparent shadows, dark backgrounds ‘tenebrosi painters’

Page 18: Fa124   5 - baroque art

Early Baroque

Annibale Carracci

Michelangelo Merisi, also known as Carravaggio

Page 19: Fa124   5 - baroque art

Carracci

perfection of drawing from the classic arts

composition of Raphael, color of Titian & grandeur of Michelangelo

Page 20: Fa124   5 - baroque art

Flight into Egypt Cara==========

Flight into Egypt Cara==========

CaracciCaracci

Page 21: Fa124   5 - baroque art

Carravaggio

Italian painter, pupil of Titian

Vivid use of lighting effects, realistic view of physical and emotional human state

Page 22: Fa124   5 - baroque art

Conversion of Saint Paul

Caravaggio's art is influenced by naturalism and the grand humanism of Michelangelo and the High Renaissance. His paintings often include types drawn from everyday life engaged in completely believable activities, as well as heroic and tender depictions of religious and mythological subjects.

Page 23: Fa124   5 - baroque art

Carravaggio - Crucifixion of St. Peter

Page 24: Fa124   5 - baroque art

Characteristics

Sense of movement, energy or tension (whether real or implied)

Strong contrasts of light and shadow to enhance dramatic effect

Decorative Surface Elements in Buildings

Intense spirituality and religious themes

Infinite space and true perspective

Realism--figures with their own personalities and inner workings of the mind and soul

Page 25: Fa124   5 - baroque art

Realism--figures with their own personalities and inner workings of the mind and soul

Page 26: Fa124   5 - baroque art

Strong contrasts of light and shadow to enhance dramatic effect

Carravaggio - single shaft of light

Tintoretto - flickering light

El Greco - lightning

de la Tour - candlelight

Rembrandt - inner light

Page 27: Fa124   5 - baroque art

STYLE

Eye gradually led towards infinity. Deep perspectives, picture plane

Figures in diagonals, twists, zigzag or strong foreshortening

Ceiling paintings imitate sky, framed by bulky, architectural elements

putti and saints floating or tumbling in space.

Figures loosely draped, leaving enough flesh to heighten sensual appeal

Dramatic devices of lighting

Page 28: Fa124   5 - baroque art

Dramatic devices of lighting

Page 29: Fa124   5 - baroque art

BAROQUE SCULPTURE

Gianlorenzo Bernini

dominated baroque sculpture in Rome

early over-life-size group sculptures

mastery in marble

use of realistic dramatic tension

strong light and dark contrasts

Page 30: Fa124   5 - baroque art

BerNini

Abduction of Proserpina

Page 31: Fa124   5 - baroque art

Bernini

Apollo and Daphne

Page 32: Fa124   5 - baroque art

Bernini

Ecstasy of St. Theresa

Cornaro Chapel, Santa Maria della Vittoria, Rome

highly charged theatricality

marble and bronze

Page 33: Fa124   5 - baroque art
Page 34: Fa124   5 - baroque art

BerniniBernini was also an accomplished architect

Colonnade in St. Peter’s Square

Sant’ Andrea al Quirinale

Page 35: Fa124   5 - baroque art
Page 36: Fa124   5 - baroque art

Sant’ Andrea al Quirinale

Page 37: Fa124   5 - baroque art

BERNINI SCULPTURES

David - moment of maximum physical contortion, concentrated energy and emotion as he hurls the stone at the giant Goliath

Page 38: Fa124   5 - baroque art
Page 39: Fa124   5 - baroque art

Fountain of the Four Rivers

Page 40: Fa124   5 - baroque art
Page 41: Fa124   5 - baroque art

Sense of movement, energy or tension (whether real or implied)

Page 42: Fa124   5 - baroque art

Intense spirituality and religious themes

The Ecstasy of St. Teresa

Page 43: Fa124   5 - baroque art
Page 44: Fa124   5 - baroque art

Infinite space and true perspective

Page 45: Fa124   5 - baroque art

Notable Artists

Peter Paul Rubens

Jan Vermeer

Rembrandt van Rijn

Diego Velasquez

Gentelleschi

Page 46: Fa124   5 - baroque art

Decorative Surface Elements in Buildings

Philippines: (UNESCO WORLD HERITAGE)

San Agustin Church (Manila)

Santa Maria Church (Ilocos Sur)

San Agustin Church (Ilocos Norte)

Sto. Tomas de Villanueva (Iloilo)

Page 47: Fa124   5 - baroque art

San Agustin (Manila)

Page 48: Fa124   5 - baroque art
Page 49: Fa124   5 - baroque art

Santa Maria (Ilocos

Page 50: Fa124   5 - baroque art

San Agustin (Ilocos)

Page 51: Fa124   5 - baroque art

Santo Tomas (Iloilo)

Page 52: Fa124   5 - baroque art

Cebu Metropolitan Cathedral

Page 53: Fa124   5 - baroque art