faking infrared using adobe camera raw. open your raw file in acr, then head straight to the the...

9
Faking Infrared Using Adobe CAMERA RAW

Upload: bruno-clark

Post on 12-Jan-2016

212 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Faking InfraredUsing Adobe CAMERA RAW

Page 2: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to

Grayscale, then click on the word Default to zero out all the sliders. Drag both the Yellows and Greens up to 100; you’ll start to see the grass and trees begin to brighten in

characteristic infrared fashion.

Page 3: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Black-and-white infrared capture turns skies dark, so dial down the Blues slider to –100. Try the same thing with the Aquas slider. Decreasing the Aquas sometimes augments

the effect, but sometimes it makes no difference at all.

Page 4: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

HSL/GrayscaleWhile a great starting point, the HSL/Grayscale tab doesn’t take your

image all the way to an infrared look. If cranking down the Aquas slider creates banding, turn it back up; you can always darken the sky

later. Same goes for darkening the Blues slider.

Page 5: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Now head back to the Basic Panel. Bolster your dark skies and brighten foliage by adjusting the white balance to be bluer and

greener. Slide the Temperature to the left toward blue. You should see the sky darken even more. Then move Tint to the left to make the

white balance greener, as well.

Page 6: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Adjusting Shadows and Blacks can help you further brighten the grass and trees while darkening the sky. Start by sliding the Shadows to the right to bring them up; you can often go as far as 100. Crank the Blacks up to 100 as well, then dial them back if the effect is too

much.

Page 7: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Infrared images often have a blurry, foggy quality. Add it by dialing down Clarity. Don’t go too far—you risk losing all detail when you

dial it back to zero. If your image is getting too flat, move the contrast slider to the right to add a bit of definition back.

Page 8: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Basic AdjustmentsThe screenshot below shows the Basic panel after making

adjustments. White Balance, Clarity, and Contrast settings will vary according to the image.

Page 9: Faking Infrared Using Adobe CAMERA RAW. Open your RAW file in ACR, then head straight to the the HSL/Grayscale tab. Check the box for Convert to Grayscale,

Infrared film tends to be a bit grainy. To add some grain, go to the Effects tab. Zoom in to view your image at 100%, then adjust the Amount, Size, and Roughness

sliders until you get a look you like.