Family relationship Essay!!!At the very start of the play, Lear is in the process of splitting his kingdom between his daughters when he flies into a temper and banishes his youngest daughter. This invokes strain on family ties in the minds of the audience from early in the performance and remains a theme throughout the play. Some would say this is what the main theme of King Lear is This extract in particular explores the relationship between the newly banished Cordelia and her sisters with the Gonerill and Regan discussing their father, who they spoke of highly not 5 minutes before. The possible problems with Gonerill and Regan progress throughout the play until the strain becomes so great that Lear is thrown from both their houses and is forced to walk the moors cursing his children. ! ! There is a sense of dramatic irony when talking about the family relationships. The audience can see that there are problems from the beginning and, through the brief exchanges between the daughters that lear cant see, can predict the inevitable collapse. More specifically the audience witness the tension between Cordelia and the other sisters and the plotting and distrust of their father that Gonerill and Regan show. This gives the audience a sense of foreboding, suspecting that Lear is being set up for a fall. It also makes the audience sympathetic for Cordelia who is blamed for creating a family disturbance by speaking her mind and being honest and contempt for Regan and Gonerill for being praised but actually worsening the situation.!! Cordelia speaks to her sisters in the beginning of this extract with politeness, using polite mode of address sister and parting on good terms well may you prosper, but also the contempt that the audience feels for their false declarations of love saying I know what you are, a sentiment shared with the audience, in reference to their lying but also retains her sense of dignity by not losing her temper and admitting Like a sister am most loathed to call your faults as they are named. The audience respect her for her honesty but also modesty and like wise Regans short, imperative reply of Prescribe us not our duty flounces the maxim of quantity, appears as rudeness and makes the audience resent her and Gonerill more. The metre of the lines also add to the juxtaposition of polite and rude with Cordlia speaking in formal Blank verse and Gonerill and Regan replying in informal prose. The relationship between the sisters are reflected by the metre Cordelia speaks formally to her sisters and, in normal circumstances, they may speak formally back but when speaking to each other Gonerill and Regan speak in prose to suggest they have a closer relationship. This separation of the daughters creates a tension within the family. !! Many lines in the scene are examples of dramatic irony. A particularly noticeable example is Cordelias parting remarks Time shall unfold what plighted cunning hides. She forewarns her sisters that lies will lead to a downfall, a statement that does indeed come true. The fact her predictions come true gives her a sense of truth enforced by her Washed eyes, a metaphor for her newly discovered view of her sister as liers and

panderers. Gonerill and Regan hold a distrust of their father and therefore personify his mood swings calling it unruly waywardness. This enforces, if his actions during the scene were not assurance enough the extent of Lears temper, that it has a mind of its own