family fascination series study guide

14
Presents FAMILY FASCINATION SERIES Supported by the Gitlin Family Foundation Monday, October 13 th – Wednesday, November 19th Salvation Army Red Shield Family Residence Residence with Jihan Thomas & Universal African Dance & Drum Ensemble Teaching Artists STUDY GUIDE

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with Jihan Thomas & Universal African Dance & Drum Ensemble Teaching Artists Supported by the Gitlin Family Foundation

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Page 1: Family Fascination Series Study Guide

Presents

FAMILY FASCINATION SERIES

Supported by the Gitlin Family Foundation

Monday, October 13th –Wednesday, November 19th

Salvation Army Red Shield Family ResidenceResidence

with Jihan Thomas & Universal African Dance & Drum Ensemble

Teaching Artists

STUDY GUIDE

Page 2: Family Fascination Series Study Guide

The African Drum…has been used to bring people together, communicate, and celebrate and is used for spiritual healing in Africa and many other parts of the world.

That Masquerades in traditional African societies represent the beauty and the spirit of its ancestors? The masquerade on stilts, known as “Chakaba” in Western African societies and the Mocko Jumbi in other African/Caribbean societies, is actually the spiritual police of the village or community. The Chakaba brings blessings to the festivities, and is also used by parents and elders to teach values of discipline and mutual respect. It is also believed that the Chakaba heals women’s hearts and helps women while giving birth.

DID YOU KNOW?

parts of the world.

The African craftsmen would cut and hollow the drum from the trunk of trees, cut it to a perfect shape to produce extremely wonderful sounds, and cover it with the skin of an animal. They used powerful string, cord or animal skin to tune the drum for different levels of sounds. Certain animal skins would be used for different drums to produce sounds from low to high ranges.

The family of drums that the UAD specializes in using originated in West Africa, and is called the Djembe family of drums. The Djembe drums are said to be the healing drums and can be tuned to many levels of sounds. Djembe is normally the lead drum and is covered with goat skin. The Sanbeni is the middle sized drum and is covered with cow skin. The Doundoumba is the largest with powerful bass sounds and is covered with cow skin. The Kenkeni with the bell is also considered a lead drum, and the player can produce two

different rhythms and sounds. It is also covered with cow skin.

DJEMBE SANBENI DOUNDOUMBA KENKENI

Page 3: Family Fascination Series Study Guide

Un-scramble the letters to learn more!

“The pulse of the drum is the spirit of the _____ .”

Name of UAD’s stilt walker

Lead African drum

The name UAD uses for Africa

Mid-sized African drum

Largest African drum with strong bass sound

R A H E T

A A S P A

B E M J E D

L E R M T N O D A H

E I S N A B N

N B O U O U D A M

B K A H A C A

12

3

4

5

67

89

10

11

12

13

14

15

16

17

1821

2223

2425

2627

28

2930

31

32

3334

3536

37 38

3940

What is that tall thing? Connect the dots by number to find out!

Masquerade on stiltsB K A H A C A 1920

2627

About the Company

The Universal African Dance & Drum Ensemble (UAD) was founded by Mr. Robert & Mrs. Wanda

Dickerson in 1984. They are the directors of the ensemble, along with the dedicated assistance of their oldest son, Jamal, and his lovely wife, Ronsha. This program consists of African Dance, Drum, Masquerade, Creative, Aerobic, Modern, Line Dance and Praise Dance. The ensemble has been greatly blessed with the famous "Pasha" the Stilt walker / Dancer, who has been a member since 1984. The ensemble is based in Camden, New Jersey and is comprised of members from Camden, New Jersey and Philadelphia.

Since its inception, the ensemble has grown to be one of the largest professional African Dance & Drum Ensembles in the United States of America. The UAD has also been blessed and sanctioned as the best African-American Dance & Drum Troupe in America by scholars, historians and African Djelis (historians). The ensemble strives to be sensational and electrifying with their amazing Stilt Walkers, Dancers, Drummers, Ground Masquerades and exciting acrobatic show. The UAD is a very versatile and flexible troupe who are able to conform their troupe from 44 to 2 performers. They are known for their West African presentations of Guinea, Senegal, Mali, Ghana, Ivory Coast, Nigeria, Gambia, Liberia and more. They professionally perform song, dance and drum from many sections & cultures of Africa, such as West, East, South, Central and North Africa. They have performed at many prominent and prestigious events in this country, including performing for and honoring leaders of countries, celebrities, politicians, religious, business and community leaders. They have also been blessed to study extensive traditional and authentic dance, drum, song, language and instruments with Moussa and Tenenfig Dioubate, two of the greatest African Dance & Drum teachers, djelis, and scholars from the best African Dance & Drum Troupes in the world.

Page 4: Family Fascination Series Study Guide

WORD SEARCH

Here are some definitions that may help you to understand these

terms:

Ancestral - of or belonging to or inherited from an ancestor (a person from whom one is descended.)

Choreography - the art of composing dances and planning and and planning and arranging the movements, steps, and patterns of dancers.

Diaspora – the community formed by a dispersion of a people from their original homeland.

DID YOU KNOW…

In West African performance traditions, masquerade performers disguise themselves as animals, spirit ancestors, or as other people.

ANCESTORS DIASPORA

CHOREOGRAPHY GHANA

COLORFUL HOMELANDS

COMMUNITY MOVEMENT

CULTURE MUSIC

DANCE SENEGAL

TRADITION

Page 5: Family Fascination Series Study Guide

MAP OF WEST AFRICA

West African dance embodies dynamic athleticism and a graceful beauty

flowing with rhythm. In fact, dancing is a natural and instinctual way people

respond to music—movement is something that is ingrained in us. Similarly,

in West African performance events, dance plays a central role and it is

common that everyone is motivated to participate. There are few barriers

between performer and audience; in fact spectators often become part of

the performance by dancing, singing, or clapping. This reflects the

importance of making individual artistic contributions to a collective creative

whole. Through dance, anyone can express themselves through movement

and participate in a West African performance event.

“If you can walk, you can dance. If you can talk, you can sing.”

-African Proverb

Page 6: Family Fascination Series Study Guide

ROLE OF THE AFRICAN ARTIST

The role of the artists in African societies is extremely vital to the community.

Usually the art form is passed down from generation to generation depending on

the art form. African arts can be described by its spirituals function rather than its

aesthetic.

MASKS

Masks play a vital role in African society. They are used to communicated with the

spiritual and physical planes. Used during festival, sacred ceremonies and rites of

passage.

ART OF THE MASK

Most African masks tend to have a geometric shape or patterns infused with the

design. These patterns can be interpreted in a complete separate form of

communication. Social rank, age or tribe identity can all be told from a mask

MATERIALS

Masks are made out of a variety of materials such as wood, brass, bone, grass,

copper, ivory, pottery, raffia, animal skins and other fiberscopper, ivory, pottery, raffia, animal skins and other fibers

CHECK OUT THESE NEW VOCABULARY WORDS:

Raffia – fibers from the raffia palm are often found on African masks.

Cowrie Shell - a small white shell that has been used throughout the history of Africa as money, jewelry, and religious accessories. Cowrie shells symbolize wealth and power.

Ritual - a ceremony related to religious doctrine or social customs.

Folk Tale - a story passed on by word of mouth rather that by writing. Folk tales are an important part of African culture.

Kente cloth - a patterned woven fabric worn for special ceremonies and occasions in Ghana. Traditional Kente patterns and colors have symbolic meaning.

Page 7: Family Fascination Series Study Guide

BAULE MASKS

The Baule are farmers who populate the eastern side of the Ivory Coast. They are

part of the Akan people, one of the largest ethnic groups in West Africa, who dwell

in both Ghana and the Ivory Coast. These masks were used during tribal festivals

and harvest seasons

Page 8: Family Fascination Series Study Guide

DAN TRIBE

The Dan are hunters and farmers whose territory stretches from the western side of

the Ivory Coast into Liberia. These sacred masks were used for protection and as a

channel for communication with the spirit world. The Dan people also carry

miniature masks for protection during travel.

Page 9: Family Fascination Series Study Guide

KOTA TRIBE

The Kota are a peace loving people who live in an area that stretches from East

Gabon into the Congo. These masks are carved by wood then covered by sheets of

brass and copper. This s believed to infuse power to the mask. The word KOTA

means bind or link together.

Page 10: Family Fascination Series Study Guide

YORUBA OF NIGERIA

The Yoruba are an ethnic group that inhabits the southwest of Nigeria and the

south of Benin. Their art forms come in variety such as pottery, basket making,

beadwork and metal work.

The sacred divination bags are used to store sacred materials for a reading. Only

ordained individuals could carry these intricate bags.

Page 11: Family Fascination Series Study Guide
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Page 13: Family Fascination Series Study Guide

ACTIVITIES YOU CAN DO TOO!

Check out these fun books on West African countries and their cultures at

your next visit to the library:

• Retold by Eric A. Kimmel, Anansi and the talking Melon, 1994, Library of

Congress Cataloging-in-Publication

• Berna Aardema, Bringing the Rain to Kapiti Plain, 1981, Scholastic Inc.

• Won-Ldy Paye and Margaret H. Lippert, Head, Body, Legs, 2002, Henry Holt

and Company, LLC

• Giles Andreae, Guy Parker-Rees, Giraffes Can’t Dance, 1999, Scholastic Inc.

• Pete Seegerès Story song, Abiyoyo, 1986, Aladdin Paperbacks

• Maya Angelou, Kofi and His Magic, 1996, Crow Publishers

• Ifeoma Onyefulu, A Is For Africa , 1993, Lester Publishing Limited

• Jeanette Winter, My Baby, 2001, Douglas @Mcintyre Ltd

• Joshua's Masai Mask by Dakari Hru, ISBN-10: 1880000326

A young boy named Joshua is scared to perform in the school talent show until

his uncle gives him three special gifts. One gift is an African mask that allows his uncle gives him three special gifts. One gift is an African mask that allows

Joshua to overcome his fears and be himself.

• (Adventures in Art) African Masks: Can You Spot the Leopard? By

Christine Stelzigand, ISBN-10: 3791318748

A visually exciting art book that looks at over 30 African masks from a

variety of African cultures.

Create a dance for an accomplishment in your life.

•What music would you use?

•What types of movements would the dance include?

•What kind of costumes would you use?

•Would you use any props?

•How many ways can you move by yourself? With others?

This is the language and joy of dancing!

Make your own music with rhythm sticks!

• Try drumming with pencils

• Do your own movement or the dance you learned with the artists while creating rhythmic sound.

Page 14: Family Fascination Series Study Guide

Word Scramble Solution

HEART

PASHA

DJEMBE

MOTHERLAND

SANBENI

DOUNDOUMBA

CHAKABA

Connect-the-Dots Solution

It’s Pasha the Stiltwalker!

A Special Thanks To A Special Thanks To A Special Thanks To A Special Thanks To

Catherine M. CahillCatherine M. CahillCatherine M. CahillCatherine M. Cahill

President & CEO

Rhoda BlountRhoda BlountRhoda BlountRhoda Blount

VP Education &

Community Engagement

Lisa WillisLisa WillisLisa WillisLisa Willis

Manager of Community

Partnerships & Orchestral

Affairs

Jihan ThomasJihan ThomasJihan ThomasJihan Thomas

Teaching Artist

Universal African Dance & Universal African Dance & Universal African Dance & Universal African Dance &

Drum Ensemble Drum Ensemble Drum Ensemble Drum Ensemble

Teaching Artist

For more information visit

www. Manncenter.org

or e-mail

[email protected]

The Gitlin Family Foundation

A Special Thanks To A Special Thanks To A Special Thanks To A Special Thanks To

The Salvation Army Red Shield Family The Salvation Army Red Shield Family The Salvation Army Red Shield Family The Salvation Army Red Shield Family

Residence Residence Residence Residence

Kelly DevlinKelly DevlinKelly DevlinKelly Devlin

Director

Holden JonesHolden JonesHolden JonesHolden Jones

Youth Services Coordinator

and

The entire staff at the Salvation Army Red The entire staff at the Salvation Army Red The entire staff at the Salvation Army Red The entire staff at the Salvation Army Red

Shield Family Residence for their support Shield Family Residence for their support Shield Family Residence for their support Shield Family Residence for their support

of this project!of this project!of this project!of this project!

Robert and Wanda Dickerson Robert and Wanda Dickerson Robert and Wanda Dickerson Robert and Wanda Dickerson

Founders

Universal African Dance &

Drum Ensemble

Jihan Thomas Jihan Thomas Jihan Thomas Jihan Thomas

Visual Artist