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Page 1: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Fauvism

Page 2: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted. - Henri Matisse

Page 3: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

An early twentieth century art movement and style of painting in France. The name Fauves, French for "Wild Beasts," was given to artists adhering to this style because it was felt that they used intense colors in a violent, uncontrolled way. The leader of the Fauves was Henri Matisse (French, 1869-1954).

Page 4: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Whilst the Impressionists were exploring the perceptions of an impassive, unemotional observer, others were seeking sensation and emotion... The Fauve experience was a liberation -- escape from the conventions of realism to achieve a realization that the artist was concerned primarily with his own personal vision.

Page 5: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 6: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 7: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 8: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 9: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 10: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Andre Derain

Page 11: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Henri Matisse

Page 12: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Henri Matisse

Page 13: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Student Art Work

Page 14: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 15: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 16: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 17: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 18: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 19: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 20: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 21: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 22: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 23: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 24: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

Page 25: Fauvism. There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the

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Level 3 NCEA Art History Fauvism and Expressionismartsonline.tki.org.nz/.../version/1/file/FauvismExpressionismweb2.pdf · Fauvism and Expressionism Acknowledgements This workbook

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