8/14/2019 FILE 2008 000 000

1/2

galeria de arte do sesiS Pl - Brsil

05 de agoSto - 31 de agoStoauguSt 05 - auguSt 31

Realiao / RealiaioELECTRONIC LANGUAGE INTERNATIONAL FESTIVAL

TWO THOUSAND AND EIGHT MILLION PIXELS

Apoio Clral ApoioRealiao

FILE

Precrsor a resposailiae social empresarial, o Serio Social a Isria - SESI-SP, eiae o SisemaFiesp, aa as reas e Ecao, Sae, Espore e Laer, Alimeao e Socioclral, seo ma as graesfomeaoras e aes arsico-clrais o Pas.O FILE - Fesial Ieracioal e Ligagem Elerica es - em sa oa eio, sempre preocpao com a e-mocraiao o acesso clra igial. O SESI-SP em, assim, corio e maeira ioaora e efeia para aifso e m lee e maifesaes clrais e iliam a ecologia como meio e criaiiae, coemplaoiersas reas o coecimeo mao.

A forerunner in the social responsibility of companies, the Social Service of Industry (SESI-SP), an entity of the Fiesp

system, acts on the areas of education, health, sports and leisure, food and sociocultural, being one of the main spon-

sors of artistic-cultural activities in Brazil.

FILE - Electronic Language International Festival is in its ninth edition, always concerned with the democratization of the

access to digital culture. SESI-SP has, therefore, contributed in an innovative and effective way to the diffusion of various

cultural manifestations that use technology as a means of creativity, contemplating different areas of human knowledge.

8/14/2019 FILE 2008 000 000

2/2

We are MagNetiC(Ns soMos MagNtiCos)JuLIO ObELLEIRO E ALbERtO GARCIA_ESPAnhA

em W r Mnic vms cm crs bjs ins-l ns prsm, rin ns, frmn m rbpclir q cminh ns nsss ps. els s ns-ss ciss, nsss psss, s ciss q rms.In We are Magnetic we see how certain objects within the

installation chase us, sticking to us, forming a peculiar robot

that walks in our footsteps. They are our things, our posses-

sions, the things we attract.

liQUesCerMARIAnA MAnhES_bRASIL

LIQueSCeR (jrrinh) LIQueSCeR (jrrinh zl) s n-nhcs cmns pr vs bjs nims.Liquescer (Jarrinho) e Liquescer (Jarrinho Azul) are com-

manded artifacts by videos of animated objects.

PisoREJAnE CAntOnI & LEOnARdO CRESCEntI_bRASIL

Pis, mbm pli on, m 25 mrs cmprimn frm pr m pis mlic q s s-lc qn lm pis m m ss xrmis.Floor, also called Wave, has 25 meters long and is for-

med by a metal floor that moves when someone steps on

one of its extremities.

the sCalable CityShELdOn bROwn_EuA

th Sclbl Ciy m j q cnsis n cnsr m ci virl, inrin cm m visli-z s. ds sli frmri sls rnsfrms rvs m sri ss lr-mics xrs.The Scalable City is a game that consists of the cons-

truction of a virtual city, interacting with a duct of data

visualization. Data from satellites and ground photogram-

metry are transformed through a series of exaggerated

algorithmic gestures.

roaMiNgSORAyA bRAz E FbIO FOn_bRASIL

tr-s s m pinl rvsi vir q pssi pq-ns snsrs rifrqnci. a sr siml prrmins rnsmisss lrmnics, ilminm-s,rnn visvl prsn misss rifrqnci.It is a glass-coated panel with small radio frequency sen-

sors. When stimulated by certain electromagnetic transmis-

sions, they light up, making visible the presence of radio

frequency emissions.

PhaNtasMtAkAhIRO MAtSuO_JAPO

explrr m mn fnsi vivnci m lm m-p lr m nss mmri. Phnsm m inslinriv m q s pricipns s ilminm m m p-qn mn snhs.To explore a fantasy world experienced sometime and so-

mewhere in our memory. Phantasm is an interactive ins-

tallation in which participants light up in a small dreamlike

world in space.

FILE CINEMA DIGITAL4K - 8 Milhes de PiXelsILE DIGITAL CINEMA - 4K - 8 MILLION PIXELS

1 sUbsoloAndREI thOMAz E SILvIA LAvREntIz _bRASIL

1 SuBSoLo m insl inriv, m q s inr-rs nvm pr m cnri infini, pns cm sl-cmn crp. o cnri cnsis nm scinmn- (cm s xisns n inrir pris rsinciis cmrciis), cjs limis nnc s lcns.1 Subsolo is an interactive installation, where interactors

navigate by an infinite scenario, using only the movement of

their bodies. The scene is composed by a parking (as the

ones located inside building), whose limits are never rea-ched by the interactors.

CoNNeCted MeMoriesAnAISA FRAnCO_bRASIL

Cnnc Mmris m mqin q fncin sim-blicmn, prcssn lmbrns rmzns rzn-s nvl cnscin.Connected Memories is a machine that functions symboli-

cally, processing and bringing stored remembrances to the

conscious level.

KodaMahISAkO k. yAMAkAwA_JAPO

Ns br, Km, q vis cm rvrnci n ri- rl flclr Jp, vzs hmns s xprs-ss fln n r cm mi rnsprn.In this work, KODAMA that is regarded with reverence in

oral tradition and folklore, human voices are expresses flo-

ating in the air as transparent media.

is.3sIvAn IvAnOFF E JOS JIMEnEz_ARGEntInA

IS.3S m Jrim cm z plns lr-rnics. dzsrs vivs s cs pls psss (cm qlqr -r pln c) rn sm imm n l sp-cilmn cnsr pr cr ss inrfc.IS.3S is a garden with ten electro-organic plants. Ten live

beings which are touched by persons (as any other plant

is touched) generate sound and image on the screen, spe-

cially built to detect this interface.

CrePsCUlo dos dolosJARbAS JACOME_bRASIL

Ns insl m vz l-spcr pssiv, vi-sin p xrcr m cnrl sbr imm q ssn rnsmii pr m s rs lvis c-nis brs nql mmn, pns cm s vz, przin qlqr r ip sm.In this installation, instead of a passive spectator, the visi-

tor may exercise a control over the image being conveyed

by one of TV networks at that time with his own voice or

making any other sound.

the MagiC torCh (a toCha MgiCa)JuLIO ObELLEIRO E ALbERtO GARCIA_ESPAnhA

apnn tch Mic pr l, vms cnns pqns srls, plns, sris frms inc-mns sirm s fch lz. o przr brincr cmss lz q scn l mic vi m mn fnsi.By pointing the Magic Torch at the screen, we see how

hundreds of small stars, planets, asteroids and unusual sha-pes follow its beam. The pleasure of playing with this light that

hides something magical brings a fantasy world alive.

FILe 2008 inr m vn ini n Br- FILe cinm iil. o cinm fr ssim fini. Qrz films prziscnli 4k, inclsiv m brsilir, sr

ibis n tr Pplr SeSI, rn cin-is. ess films pqn frm in

rrs ns is hj, pis cnli r in s pcs s lbrris q minm. Cn, nnc s vi l imprs-

nn impcn qn ss imns prnncim nv cinm mnil.

sCalable City ( ris Shln Brwn sr nBrsil pricipr Sympsim)

Sclbl Ciy cri m mbin rbn/sbrbn/rrlrvs m cnl infrm visliz s. os rsls s xprincis cm imprsss,insls v js inrivs mlisris, lm mbins viris.Scalable City creates an urban/suburban/rural environment

via a data visualization pipeline. The results of this are ex- periences such as prints, video installations and interactive

multi-user games and virtual environments.

stUdy of 4d JUlia sets

Sy f 4d Jli ss rsm, m Ry rcin, nim mmic frms frcis cri pl q z = z^2 +k n sism nmric q-

nin 4 imnss.Study of 4D Julia sets is a ray traced abstract ma-ematical animation of fractal forms created by iteratinge equation z = z^2 +k in the 4 dimensional quaternion

mber system.

araKa / baraKa froM dVd to 4K / ba-aKa Wit h the MoNKey

m plvrs, s cmrs ns msrm mn cms n pr n, ms pr q s l. N c- s pisns minis nris. o film vnr sri nrz. Imns pbrz mnic vi rbn lr rr. dpis, vlm ss nrz.thout words, cameras show us the world, with an em-

asis not on where, but on whats there. It begins with

orning and natural landscapes. The film moves to des-

ction of nature. Images of poverty and rapid urban life

e way to war then nature return.

eatboX360

bx360 m bi visl cmps xclsivmnvs l fini cps sism js

oX 360. es rn nmr infrms m pixlsr prpri frm vrms cinm, pis c spc-r rn-s m pricipn iv, sclhn iriir r pr qlqr pn l q inrss.atbox360 is a visual beat composed solely of High Defi-

on video clips captured from the XBOX 360 gaming sys-

m. This vast amount of pixel data alters the very way in

ich we view cinema, as each viewer becomes an activeticipant by choosing to direct their gaze at any particular

nt of interest onscreen.

ra la Notte

Cingri@Hlln Fsivl 2007 rv m prfrmn- er l N n Hlln Fsivl, prsnn

prn ann Crin anncci inrprn brs nvri, Srzzi girm n iri Mzikbw

n IJ, m amsr.neGrid @ Holland Festival 2007 recorded a performance

Era la Notte at the Holland Festival, featuring soprano

na Caterina Antonacci performing works of Monteverdi,

ozzi and Giramo at the Muziekgebouw aan t IJ concert

ll in Amsterdam.

ight to the CeNter of the MilKy Way

Lbrri Visliz avn Cnr N-nl pr aplics Sprcmprs, crims vim virl m brc nr n cnr Vi

c. a jrn cm 26 mil ns-lz isncicnr lcic.the Advanced Visualization Lab, National Center for Su-

rcomputing Applications, we created a virtual journey to a

ck hole at the center of our Milky Way galaxy. The journey

gins 26,000 light years from the galactic center.

groWth by aggregatioN 2

a sri arin, any Lms, prsn imnsq ilizm m Ry rcin nims r-s cnn mis 50 milhs prcls.

Andy Lomas Aggregation series features ray-traced ima-ges and animations of aggregates containing more than 50

million particles.

Jet iNstabilities iN astratified flUid floW

es visliz bs m m siml cinfic Kri Winrs, Insi ocnrfic Scripps scncnr n nlis m nic imsp 75 ibyscm s siml inmic.This visualization is based on a scientific simulation from

Kraig Winters at the Scripps Institute of Oceanography.

This visualization focuses on analyzing a single 75 gigabytetimestep of data from the dynamic simulation.

MaNNy farber (tribUte to)

grv m rib pinr, cric cinm Pr-fssr emri uSCd (univrsi Clifrni mSn di) Mnny Frbr.Recording of a tribute to painter, film critic and UCSD Pro-fessor Emeritus Manny Farber.

the PragUe traiN

Frm cps snns cns Ri Vlv rvs-sn ci Pr; Prfir, ifci ar Nv- mis prminn ci, nvl m lzs nrns; ni rm vpr JHMd crrn sbr s rilhs bil sri m s vim smnl.It was captured motion pictures of the Vltava River flowing

through Prague; the Municipal House, the citys most pro-

minent Art Nouveau building at night, dramatically festoo-

ned in lights; and the vintage JHMD steam train barreling

down narrow-gauge track on its weekly run.

a.s.e.r. tagAFFItI RESEARCh LAb_EuA

FILe prsn pl primir vz n Brsil rfi l-nic grffii Rsrch Lb. grp nv-irqin pi-r n invn cnics q sfim s imnssrqir rbn msrr s L.a.S.e.R. t n FILe

08 ns rs S Pl. L.a.S.e.R. t m cnlsr cm ql s p rfir pris inirs, cm

j m prjr rn scl. drn pri-ir smn FILe, 5 8 s, s plisnsr sr srprnis cm rfi iil grffiisrch Lb m lrs imprvvis ci.E presents for the first time in Brazil the electronic graffiti

Graffiti Research Lab. A New York group pioneering in te-

niques that challenge the dimensions of urban architectureshow its L.A.S.E.R. Tag at FILE 2008 in the streets of

o Paulo. L.A.S.E.R. Tag is a laser pen with which one can

w entire buildings, with the help of a large-scale projector.

ring the first week, on August 05 to 08, people could be

rprised by the digital works of Graffiti Research Lab in unli-

y places of the town.

s n FILe hmni flci ris srck Winr cm m rrspciv s rblh mrcri cm ursl Hnschlr m wb.s year, FILE honors the late Austrian artist Zelko Wiener

h a retrospective of his web work in partnership with Ur-a Hentschlger.

the NoNliNear eVolUtioNof the UNiVerse

o Lbrri Visliz avn (aVL) rblhcm ciniss Princn pr vislizr m siml vl nivrs. a siml m s mirsSimls Csmlics Hirinmics riins nCnr Ncinl pr aplics m Sprcmp(NCSa).The Advanced Visualization Laboratory (AVL) worked with

scientists at Princeton to visualize a simulation of the evo-

lution of the universe. The simulation is one of the largest

Cosmological Hydrodynamic Simulations run at National

Center for Supercomputing Applications.

NQUaNto a Noite No ChegariMeiro filMe brasileiro eM 4K)

s n br hmnim Js gimrs, en-n Ni N Ch, isc m qs qrmn s s srs hmns s inci ssnci: fim vi.sed on the homonym book by Josu Guimares, Whilewait for the night deals with a question that torments

human beings since the beginning of their existence:

s end.

Keio UNiVersity CoNCert

Ki Wnr Sciy (msics sns) rvs m2006 cn ein Klin Nch Msik Mzr.Keio Wagner Society (student musicians) recorded in 2006

playing Mozarts Eine Kleine Nacht Musik.

FILE 2008 inaugurates an unprecedented event

in Brazil: FILE digital cinema. The movies of the

future, in ultra-high definition. Fourteen films

produced with the 4k technology, including one

from Brazil, will be shown at SESI Popular Thea-

ter for five days. These small format films are still

rare today, because the technology is expensive

and a few laboratories master it. However, we

have never seen something so marking and im-

pressive as those images that anticipate the new

world cinema.

iNstalaesINStaLattIONS

FILE GrAFITEseletrNiCosILE ELECTroNIC GraffItI

rETrospECTIvAEM hoMENAGEM:ZelKo WieNer

rETrospECTIvE IN

rIbuTE ToZELKO WIENEr

taNtalUs QUestFAbIAnO OnA E COLMIA_bRASIL

o q pnsr in m nr js cj mircrcrsic jsmn rbr ss pricipns p cnqis finl? o q impr n mis viri, ms sim rnspirr cliv, l pr cnsircmprir m m.What to think before a game gender whose main feature is

precisely to steal from its participants the final climax of con-

quest? What matters is no longer victory, but the collective

transpiration, the fight to accomplish a goal.

aQUaPlayNeGILES ASkhAM_uk

aqplyn prsn m nv cmp xprss mplir mbi xprinci imi. o pln hrizn-l mn m sprfci inriv, fzn r m

j frcr spcr css insnn flx criiv.

Aquaplayne lays out a new field of expression by extending

the framework for immediate experience. The horizontal pla-

ne sets up an interactive surface, making a play of art by

providing the viewer with instant access to the creative flow.

fUll body gaMesJOnAh wARREn & StEvEn SAnbORn_EuA

Fll By gms m insl inriv q prmiq s sris pricipm m xprinci jcm crp inir. o sism prj silh srin frn l m rl bjs rfics simpls cms qis l inr.Full Body Games is an interactive installation that allows

users to engage in an unencumbered, full bodied, gaming

experience. The game system projects the users silhouette

in front of them in relation to simple graphic objects with

which they can interact.

GAMEs iNstalaesINStaLLatIONS GaMES

FILEMidia artefILE MEdIa art

FILEiNoVaofILE INNOvatION

hIpErsNICAPerforMaNCe

HIPErSONIca

PErfOrMaNcE

hIpErsNICAPartiCiPaNtes

HIPErSONIca

PartIcIPaNtS

hIpErsNICAsCreeNiNg

HIPErSONIca

ScrEENING

FILEgaMesfILE GaMES

FILEsyMPosiUM2008

FILE labo

FILE CDCiNeMadoCUMeNta

FILe gms rz 50 js lrnics xprimnis rs-ics. os ifrns frms prpss frm snvlvi-s pr prrs prrs inpnns, ncinis inrncinis xplrn s mis ivrss ms. Nvsfrms jr s prsns cm insls--ms, q cnfrm prpss invrs inr.o FILe gms msr mbm m prspciv s m-lhrs js przis n Brsil ns lims ns. emprcri cm Minisri Clr, cri pr-sn s js prmis pl abrms, ni qprmv insri brsilir n snvlvimn j-s lrnics.FILE Games brings 50 experimental and artistic electronic

games. The different formats and proposals of those games

were developed by independent, national and international

producers and firms exploring different themes. New ways

of playing are presented as installations-games that conferinnovative interaction proposals.

FILE Games also shows a perspective of the best games

produced in Brazil in recent years. In a partnership with the

Ministry of Culture, the category presents games awarded

by Abragames, an institution that promotes Brazilian indus-

try in the development of electronic games.

joGos br

tmn ii anmli cm cnci, Hiprsni-c S Pl 2008 prsn 9 riss brsilirs srn-irs q rblhm n limir msic imm.

as prsns xplrm ifrns cnics cp-, pr miss sm; m m mix xprimnlcm ivrss pssibilis prsn imic. ofsivl cnc nr s is 5 8 as n trPplr SeSI, cm nr frnc.Taking as its concept the idea of Anomaly, Hipersonica

So Paulo 2008 presents nine Brazilian and internationalartists who work in the brink of music and image.

The presentations explore different techniques of capturing,

producing and emitting sounds, in an experimental mix with

several possibilities of image presentation. The festival ha-

ppens on August 5-8 at the SESI Popular Theater, with free

admissions.

+Zero do brasil+zERO [A.k.A. +zERO dO bRASIL]_bRASIL

+zr brsil m prfrmnc rcmbinri snrvisl, n sins s lns m m bism br prprlhs iiis s (r)ncnrm frm insi mpln q livr.+zero do brasil is a recombinant sound-visual performance

where signs are launched in an abyss opened by digital de-

vices and unusually (re)find themselves in a free fall.

NMeNos1ALExAndRE FEnERICh E GIuLIAnO ObICI_bRASIL

Nmns1 m imprvis ivisl cj fc m msic fi prir mqins lp.Nmenos1 is a duo of audiovisual improvisation whose focus

is a music made from loop machine.

soNoCroMtiCaAndREI thOMAz, FRAnCISCO SERPA, LLIAn CAMPE-SAtO & vItOR kISIL_bRASIL

Sncrmic m prfrmnc q r s rlsnr cnini, vl frmn, pr mi lzs, imns sns.Sonocromatic is a sound performance that proposes rela-

tions among continuity, evolution and fragmentation, using

lights, images and sounds.

berNhard gl_uStRIA

alm ss ivis cm cmpsir ris insls, Brnhr gl mbm fz cncrs viv,sn principlmn m cmpr lpp rs is-psiivs lrnics.

Aside from his activities as a composer and installation ar-

tist, Bernhard Gal also performs live in concert, mainly usinga laptop computer and other electronic devices.

holhEnRIquE ROSCOE (A.k.A. 1MPAR)_bRASIL

Hl m prj cncil ivisl nriv. Sm imm m xmn msm imprnci s -rs msm mp s cr c n n cl-, rvs s insrmns spcfics cnsrs msfwr.Hol is a conceptual generative audiovisual project. Sound

and image have exactly the same importance and are ge-

nerated simultaneously by touching the keyboard notes,

through specific software-built instruments.

friCCioNesJOSE IGnACIO hInEStROSA EtEStSu kOndO_vEnEzuELA/JAPO

Nss prsn inr sfwr insrmns l-rcsics cm mixin smplin viv. m qilbri nr frmn nific.Our performance integrates software and electroacoustic

instruments with live mixing and sampling. Its a balancing

act between fragmentation and unification.

CoNCerto Para laPtoPLuIz dva_bRASIL

m cmpsi ivisl prsn m m pr-frmnc mlimi n s imns s sns s mni-pls viv m mp rl.It is an audiovisual composition based on a multimedia per-

formance where images and sounds are manipulated live,

in real time.

3 MoViMeNtos Para orQUestrawILSOn SukORSkI_bRASIL

a orqsr Lpps S Pl frm pr zhipr insrmniss q cm lpps qips cm mis l cnli ispnvl, n m inrfcs qn- m sfwr.The Orquestra de Laptops de So Paulo (OLSP) is formed

by ten hyper instrumentalists who play laptops equipped

with the highest technology available, in interfaces as well

in software.

traNsPoseJOnAh wARREn & StEvEn SAnbORn_EuA

trnsps m insrmn prfrmnc ivisl.el cp s s fsics sri pr mi m c-mr v s rz m sm cr m mp rl. elprmi q sri s ss mvimns livrs prcrir sm cmpr cns.Transpose is an audiovisual performance instrument. It

takes a users physical actions captured from a video ca-

mera and translates them into sound and color in real time.

It allows users to use free gesture and movement to create

sound and compose songs.

leVelheadJuLIAn OLIvER_ESPAnhA

lvlH m j mmri spcil q s inspirns Brinqs filsfics erp s scls 18 19 ns sisms mmri (mmri lci) s nisrs.

levelHead is a spatial memory game. The game takes its

inspiration from the Philosphical Toys of 18th/19th cen-

tury Europe and the memory systems (memory loci) of the

ancient Greeks.

Iliz pr sr m msr ivisl sbr msq s rlcinm ir inirmn cm clrlrnic, FILe-Cd [Cinm dcmn] rz nvrblhs, films v-cmnris iiis slci-ns m pnrm mnil, q m cm iicnrl qsinmn s nvs fnmns sciis,cmprmnis clris q mrm ns principisvns linm lrnic, q v mi lm simpls przr nrnimn.Conceived to be an audiovisual exhibition on themes di-

rectly and indirectly related to electronic culture, FILE-CD

[Cinema Documenta] brings nine works, digital films and

video-documentaries selected from a world panorama, whi-

ch have as their central idea the questioning of new social,

behavioral and cultural phenomena that emerge in the main

electronic language events, going much beyond the simplepleasure of entertainment.

iNterfereNZe / iNterferNCiasAntOnELLO MAtARAzzO_ItLIA, 2006

N i 2005 Inrfrnz r spr msri riss linm lrnic, ql fi ssnhn nr priiv lrnic, m clb-r cm lcr snic sis is, m cmn-ri q cnss srr fsivl.In the 2005 edition of Interferenze, a number of electro-

nic language artists w ere expected, from which emerged,

within the electronic appetizer, and in collaboration withthe six-day sonic madness, a documentary on the whole

structure of the festival.

dUb eChoesbRunO nAtAL_bRASIL, 2008

Film n Jmic, Inlrr, eua Brsil, cmn-ri fi fi cm prpsi finl slinr imprn-ci b jmicn pr vl msic cinls ns 60 m in.Filmed in Jamaica, England, US and Brazil, the documen-

tary was made with the final purpose to highlight the impor-

tance of Jamaican dub for the evolution of Western music

from the 1960s on.

PaNoraMiKa eletroNiKaCARLO SAnSOLO_bRASIL, 2000

dcmnri msic lrnic q nfc pr-rs cn lrnic nrrn Ri Jnir.dcmnry n lcrnic msic h fcss Ri Jnirs nrrn lcrnic scn prcrs.

reCitatioNkEvIn LOGAn_LOndRES, 2008

o film Rciin xmin ris ris s rlcm sisms bss n x infrm pini,m priclr sbr xs rliiss. S m incrpr x nim fi n cmpr (m frm rfi-cs) cm cp sqncis lris fis prm cmr cllr.The film Recitation examines oral traditions and their rela-tion with systems based on text of information and opinion,

particularly religious texts. Its theme includes computer-ma-

de animated text (in the form of graphs) with the capture of

random sequences made by a mobile-phone camera.

NUNCUPatekOdIAk bAChInE E APOLLO 9_bRASIL, 1990

d mnir rvlcinri, crirm q pri sr -nmin sin vi, cnclin m br qs ncix n cnx r bjiv. a inr sns imns l, n mn cnscin in-cnscin lspcr.In a revolutionary way, they created what could be called de-

signed video, concluding a work that fits in the context of

objective art. The interaction of sound and image is total,

acting in the spectators conscious and unconscious mind.

PartiCiPao 0.0LIndA hILFInG nIELSEn_dInAMARCA, 2007

Pricip 0.0 cmn m inrvn n S-cn Lif rliz m ms 2007 q rvl ssri mrkin.Participation 0.0 has documented an intervention in Se-

cond Life made in mid-2007 that has revealed its marketing

strategy.

sliCes, PioNeiros da MsiCa eletr-NiCa Vol.1 doCUMeNtrio sobreriChie haWtiNMAREn SExtRO E hOLGER wICk_ALEMAnhA, 2006

a primir i (pr 1) m sri spcil m dVd rvis Slics m cmnri bs n pr-r, prfmr cn lrnic insri fnrfic,Richi Hwin (crir sil chn miniml).The first edition (Vol. 1) of a special DVD series of the ma-

gazine Slices is a documentary based on the producer,

performer and electronic icon of the record industry, Richie

Hawtin (creator of the techno minimal style).

What the fUtUre soUNded liKe /CoMo seria o soM do fUtUroMAtthEw bAtE_AuStRLIA, 2006

aprsn m cpl pri hisri msic l-rnic, scbrin msrn m nrm rp cmpsirs ciniss q prvivm cnli pc rinvnn s limis msic sm.It presents a lost chapter in the history of electronic music,

discovering and revealing an enormous group of compo-

sers and scientists who used the periods technology to

reinvent the limits of music and sound.

ohM+ the early gUrUs of eleCtroNiCMUsiC / ohM+ os PriMeiros gUrUs daMsiCa eletrNiCathOMAS zIEGLER, JASOn GROSS ERuSSELL ChARMO_EuA, 2006

oHM+ rsm s hrs vris films rrs sbrb pr cn lrnic mnil s ns 50 s is is, cm nrviss, nim, pimns,prfrmncs, vir liv c.OHM+ condenses in two hours several rare films on a large

part of the world electronic scene from the 1950s to the

present, with interviews, animations, testimonies, perfor-

mances, videoart and live act.

o FILe Lb cb sblcr prcri cm grpamricn Sfwr Sis Iniiiv. Si m Sn di-, Clifrni, ss insi pinir n r mis ss m Sfwr. Ss rblhs m si snvlvi-s pr mi wrkshps, pblics sminris rli-zs n dprmn ars Visis uCSd (univrsi- Sn di), nivrsi rp inrncinlpr sr invr m mi, r ri iil.

a prcri nr s is insis sr ficiliz ms, rn FILe Simpsi. o pln rblh n-r FILe Sfwr Sis Iniiiv prv plsrs ncnrs mnsis, lm is prjs psqisq sr rlizs m cnjn, m ls sbr mvi-mn opn Src r sbr impc s prjsCriv Cmmns n clr brsilir.FILE Labo has a new partner: the Software Studies Initiative.Located at San Diego, California, this research institution

intends to play a key role in establishing the field of Softwa-

re Studies. Through workshops, publications, and lectures

conducted at UCSD and disseminated via the web and in

hard copy publications, the group disseminates the broad

vision of software studies.

The partnership will have a special opening in August, du-

ring the FILE Symposium at Sao Paulo. Monthly meetings

and lectures will be part of the joined schedule. Plus, two re-search projects will take place at Labo, one about the Open

Source movement in Brazil and the other one about the im-

pact of Creative Commons project in the Brazilian culture.

o FILe Inv sr cm m prj pil n vrs 2008, cm bjiv prmvr rnsvrslinr rms cinci, r cnmi rvs xibi invns invs m m cnx qnh cm lmn blizr cnci criivi inv br. es prj rr cinc insls crirs invnrs brsilirs.FILE Innovation arises as a pilot project in the 2008 ed

tion, with the aim of promoting intersections among fields o

science, art, and economy through the exhibition of inven-

tions and innovations in a context guided by the concep

of creativity and open innovation. This project will bring five installations by Brazilian creators and inventors.

loo table: Mesa iNteratiVaLOO tabLE: INtEractIvE tabLE

AndR v. PERROttA, ERICO ChEunG E LuIS StAtERIdOS SAntOS, dA EMPRESA LOOdIk

a L tbl m ms inriv q r q pblic. Cm ss ip s s cnlis rn-spssvl crir nvs mbins sis ciins invrs ps pl inrivi.Loo Table is an interactive table that reacts to the publics

touch. With that kind of use for technology, it is possibleto create new environments and innovative daily situations

guided by interactivity.

iNterfaCe Crebro-CoMPUtadorbraIN-cOMPutEr INtErfacEEduARdO MIRAndO

tr-s m circi snsrs q cpm s ns crbris pr cmpr msics cr cm pnsmn.It is a sensor circuit that captures cerebral waves to compo

se music according to thoughts.

sisteMa de reCoNheCiMeNto aUto-MtiCo de fala_autOMatIc SPEEcHrEcOGNItION SyStEM

GEnIuS InStItutO dE tECnOLOGIA

tr-s primir sism rcnhcimn vz lmn cri n Brsil. Sr prsns mnsrss sism pr mi m j/insl inriv (gnis vic) vi m inrfc virl cs fr.It is the first voice recognition system totally created in Bra

zil. Demonstrations of the system will be made through an

interactive game/installation (Genius voice), and through house of the future virtual interface.

rob de Viso oMNidireCioNalOMNIdIrEctIONaL vISION rObOtJun OkAMOtO

o sism vis mniircinl fisnvlvi prssmrbicmvlnm.essipvismpssibiliq rbnxr360rs smvimnrThe omnidirectional vision system was developed to b

used in autonomous mobile robotics. The omnidirectiona

vision allows the mobile robot to see 360 degrees around.

siMUlador de oNdas e siMUlador detUrbilho_SIMuLatOrS Of WavES aNdWHIrLWINdSStEGER PROduO dE EFEItOS ESPECIAIS LtdA.

Simlrs ons trbilh inrm cm spcr pr mi m cnrl rm. o spcpr nr q ls s inflncis pr vlcicnsns q snvlvm mvimns lris csrfics.Simulators of waves and whirlwind interact with the audien

ce through a remote control. The spectator may notice tha

they are influenced by constant speeds and develop ran

dom and catastrophic movements.

5/ago

1400_SAndRAALbuquERquE REISFAChInELLO[bRAecs iiis - prpss picsDigital echoes - poetic propositions

1430_AGnuSvALEntE [bRA]Inrvn sic plic n Ci diil:

VeNdogRatuItaMeNte.CoMAesthetic and political intervention in the Digital City:

VENDOGRATUITAMENTE.COM

1500_SAtORutOkuhISA[JPn]Nrvixxx: um sism nrnimn prprsn VJ cm eMg eegNervixxx: An entertainment system for VJ performance

with EMG and EEG1530_hIdEnORIwAtAnAvE[JPn]

archim - arqir n Mvrs Archidemo - Architecture in Metaverse

1600_GILESASkhAM[uk] aqplyn1630_MESAREdOndA -MInIStRO dACuLtuRA:GILbERtOGIL| SECREtRIOdOAudIOvISuALdOMInIStRIOdACuLtuRA: SLvIOdA-RIn| SECREtRIOdEPOLtICAS CuLtuRAISdOMInIStRIO dACuLtuRAALFREdOMAnEvy [bRA]Plic Clr diil /Politics and Digital Culture1730_iNterValo1800_MESAREdOndA-LALAdEhEInzELIn,GIAnzELAdA,ALESSAndROdALLA,IvAndROSAnChES,EduARdOGIACOMAzzI[bRA]- MEdIAO:JOAnAFERRAInv /Inovation1930_trMiNo

6/ago

1430_vALzELI SAMPAIO[bRA]avn Rpi! / Fast forward!1500_SORAyAbRAz,FAbIOFOn [bRA]Rmin exprimns rsics cmri lrmnicRoaming Art experiments with electromagnetic radiation

1530_ChRIStInbOLEwSkI[uk]Shn-Shi-H tricinl pinr pisns chins rinrpr cm immiil m mvimnShan-Shui-Hua Traditional Chinese landscape

painting reinterpreted as moving digital image

1600_JARbASJCOME[bRA]Sisms Inrivs tmp Rl prPrcssmn aivisl InrInteractive Real-Time Systems for Integrated

Audiovisual Processing1630_iNterValo1700_uRSuLA hEntSChLAEGER[At]o mmn pri. Sbr br Zlk WinrThe Lost Moment. On the work of Zelko Wiener

1730_MESAREdOndA -REnAtALA ROCCA,GAbRIELAPEREIRACARnEIRO,AnA PAuLAnOGuEIRAdECARvALhO,CLARISSARIbEIROPEREIRA dEALMEIdA[bRA]- MEdIAO:vIvIAnCACCuRI1900_trMiNo

7/ago

1430_nARdOGERMAnO [bRA]Pics inrivs m a-rr Cliv [n-lin]Interactive poetics in Collective self-portarit [online]1500_I2OFF:IvAnIvAnOFF& JOSEJIMEnEz[AR]is.3s1530_MEdIEnGRuPPEbItnIk;CARMEnwEISSkOPF,dOMAGOJSMOLJO,SILvAnLEuthOLd,SvEn knIG[SwHckin cm pric rsic:opr Cllin & dwnl FinishHacking as Artistic Practice:

Opera Calling & Download Finished1600_ShELdOnbROwn [uSA]Clr, Cmp arCulture, Computation and Art

1630_iNterValo1700_GRAFFItIRESEARChLAb:JAMESPOwdERLy[EuAL.a.S.e.R t1730_MESAREdOndA- CICEROSILvA,LEvMAnOvIC(tELECOnFEREnCIA)EnOAh wARdRIP-FRuIn[bRA/uS

a clr sfwr lnmn rp ss Sfwr Sis n Brsil (FILe Lb)Software Studies Initiative in Brazil @ FILE Labo

1900_trMiNo

8/ago

1400_AnAISAFRAnCO [bRA]Cnnc Mmris1430_AndREIthOMAz &SILvIA LAuREntIz[bRA]1 Sbsl /1 Underground1500_MARCOSMORAES [bRA]Rsinci arsic FaaP FILe:

as PssibilisFAAP Artistic Residence and FILE: Actions and Possibilities

1530_SuzEtEvEntuRELLI, MARIOMACIEL EbOLSIStASdOCnPq/unb (JOhnnySOuzA, bREnOROChA,JOOROSAESAMuELCAStRO[bRA]dris bs: crp cm inrfc?Droids and bots: the body as interface?

1600_JOOFERnAndO IGAnSInunES [bRA]esic inrfc inriv

Aesthetics of the interactive interface

1630_iNterValo1700_MESA REdOndA - JAnE dE ALMEIdA,ShELdOn bROwnn, MIkE tOILLIOn, nORI SuzukI,tOdd MARGOLIS, PEtER OttO [bRA/uSA]Prjr 4K /4K Projector1900_trMiNo