1. Film Editing By Dan Gleeson and Luke Hanshaw

2. Dissolve A gradual scene transition. The editor overlaps the end of one shot with the beginning of the next one. 3. Eyeline match The matching of eyelines between two or more characters. For example, if Sam looks to the right in shot A, Jean will look to the left in shot B. This establishes a relationship of proximity and continuity. 4. Fade A visual transition between shots or scenes that appears on screen as a brief interval with no picture. The editor fades one shot to black and then fades in the next. Often used to indicate a change in time and place. 5. Jump cut A cut that creates a lack of continuity by leaving out parts of the action. 6. Cutaways In film and video, a cutaway shot is the interruption of a continuously filmed action by inserting a view of something else. 7. Long Take A long take or oner is an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes. 8. Cross Cutting Cross-cutting is an editing technique most often used in films to establish action occurring at the same time in two different locations. 9. Graphic Match Cuts A match cut, also called a graphic match is a cut in film editing between either two different objects, two different spaces, or two different compositions in which an object in the two shots graphically match, often helping to establish a strong continuity of action and linking the two shots metaphorically 10. Shot Reverse Shot Shot reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character.