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FILM LANGUAGE Editing

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Page 1: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

FILM LANGUAGE

Editing

Page 2: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Editing

Sequences the shots into something that makes sense for the audience, in terms of time and space.

Most common editing technique in use today is called ‘Continuity Editing’

Page 3: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Continuity Editing

Makes sense of the spatial (space) relationships

Progresses events Shows reactions to previous actions

Allows the film to shift through time Gives the film rhythm Calls the audience’s attention to

significant objects / characters / events in the narrative

Page 4: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Making Sense of Space

Continuity Editing

Page 5: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Spatial Relationships

The Establishing Shot All edits should be motivated

Action / Reaction Eye-Line Match 180 degree rule

Shot Reverse Shot Match on Action Diegetic Sound

Page 6: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

The Establishing Shot

Page 7: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

The Eyeline Match

Page 8: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

180 Degree Rule

Page 9: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Shot

Page 10: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Reverse Shot

Page 11: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Match on Action

Page 12: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Making Sense of Time

Continuity Editing

Page 13: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Time Relationships

Fade In / Out Ellipsis Slow Motion Parallel Editing Flash Back

Page 14: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Parallel Editing

Page 15: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Silence of the Lambs

Fooling the Audience

Page 16: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 17: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Bullet Time (Slow Motion)

Page 18: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Cutting Speed

Page 19: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

‘PSYCHO’In this sequence, note where and when the editing changes pace and to what effect.

Page 20: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 21: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Style

Page 22: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Editing Styles

Straight cut Fade out Dissolve Wipe Jump cut

Page 23: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Transition Style

Page 24: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

The Star Wars Wipe

Page 25: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Spud’s Interview

Page 26: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

ANOTHER STYLE OF EDITING IS CALLED…

Page 27: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Used to show a passing of long periods of time and progression of a character or relationship.

Montage Editing

Page 28: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Montage Sequence

Page 29: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

“...montage is an idea that arises from the collision of independent shots“ Eisenstein

Soviet Montage

Page 30: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Battleship Potemkin (1925) Eisenstein

Page 31: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

GRAPHIC MATCH

Page 32: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Example 1

Page 33: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 34: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 35: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Example 2

Page 36: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 37: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Page 38: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Graphic Match

Page 39: FILM LANGUAGE Editing. Sequences the shots into something that makes sense for the audience, in terms of time and space. Most common editing technique

Editing Controls Text Progression:• Picture relationships

• Rhythmic relationships

• Time relationships

• Space Relationships

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