first · 2017. 6. 26. · one with 1 part clear glaze. chroma level 1 is standard shading chroma...

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Smart Phone or Digital SLR Camera Mobile Digital Shade Analysis System There is nothing like the Life Essence Digital Shade analysis available today – So I had the “Practice Area” developed to enable you to get familiar with our digital shade analysis process before you use the system to do an actual shade analysis’ Before you use the Life Essence digital shade analysis system –Please take advantage of the ‘Practice Area” -this training area does not consume any digital credits from your free trial or member file. The Life Essence practice area enables you to practice selecting different areas in each of the 4 selection zones on the selected tooth . Each practice session enables you to visually compare 3 separate uses to show you what cursor placement does to the + or – percentage reading of the tooth to shade guide or the tooth to library . When you close the practice session all data is erased and the practice may be used fresh again - Life Essence digital shade analysis is fully integrated with shade selection tooth to shade guide comparative analysis. also if you do not have a shade guide in the digital (tooth) picture to be analyzed, we added a feature that compares our vita classic or 3D shade library. © TRY OUR PRACTICE SESSION FIRST 1

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  • Smart Phone or Digital SLR Camera

    Mobile Digital Shade Analysis System

    There is nothing like the Life Essence Digital Shade analysis available

    today – So I had the “Practice Area” developed to enable you to get

    familiar with our digital shade analysis process before you use the system

    to do an actual shade analysis’

    Before you use the Life Essence digital shade analysis system –Please

    take advantage of the ‘Practice Area” -this training area does not

    consume any digital credits from your free trial or member file. The Life

    Essence practice area enables you to practice selecting different areas

    in each of the 4 selection zones on the selected tooth .

    Each practice session enables you to visually compare 3 separate uses

    to show you what cursor placement does to the + or – percentage

    reading of the tooth to shade guide or the tooth to library .

    When you close the practice session all data is erased and the practice

    may be used fresh again -

    Life Essence digital shade analysis is fully integrated with shade selection

    tooth to shade guide comparative analysis.

    also if you do not have a shade guide in the digital (tooth) picture to be

    analyzed, we added a feature that compares our vita classic or 3D

    shade library.

    ©

    TRY OUR PRACTICE SESSION

    FIRST

    1

  • Practice Tutorial

    1 Bright 2 Good depth 3 DARK

    Check your pictures for depth &

    Illumination.

    Never use a flash #1 is too bright ,you can not see into

    the tooth

    #2 Is a good working image & you

    can see into the tooth#3 Is too dark and give you a low

    value analysis

    Learning to recognize the bright & dark areas in a tooth picture is important for you to get

    the best results from the shade analysis.

    4 5 6 7

    #4- NEVER place the cursor on a reflection or right

    on the edge of a

    reflection.

    #5- Good images allow you to see the mamelon effects if

    they are evident.

    This image shows

    Opal mamelons and will register a plus %

    body shade

    #6- Check the incisal tip for extra

    translucency.

    You can skip the

    incisal tip if no incisal

    translucency is

    showing.

    #7- It is never a good idea to try pulling a

    registration from

    the interproximal.

    Most often they are shows and will give

    a you a Lower

    value registry

    I recommend you play with the cursor placement in the practice

    feature. You be able to see results of various places on the tooth

    surface and what happens too the digital Rx registry you will be working from

    Your Life Essence frit shading palette is laid out to accommodate the Digital Shade

    Rx analysis & designed to enable easy shading

    adjustments.

    2

  • Shade communication is one of the last frontiers in restorative dentistry to go digital. To achieve high caliber shade matching ( which I define as difficult to discern) normally requires exceptional expertise and direct contact with the ceramist and the patient.After years of custom shading and realizing I was at my best using a S.W.A.G. technique (Scientific Wild A$$ Guess) - even with my best communication with really great Doctors and staff , I was guessing . The guessing was not so much registering shade but communication And remembering translucency. I had no way to identify the translucency - translucency controls the value . The value drives the vitality. As digital photography developed we were able to easily have pictures to work on in Photoshop to analyze color differences . Then technology advanced and we have smart phones to work with. This will sound very odd - We started with Cannon and Nikon SLR cameras. Some cameras were as low as 4 megapixels. The smart phones give us a point & shoot capability. You may well question the veracity of using a smart phone over a SLR - we have examined both sources and found the smart phone gives us consistently good working pictures, without all the settings f stops and gadgetry . I received a email picture from one client in Dallas Texas when I could not make it to the office. I commented to the assistant - "wow this is a great picture for shade analysis, what camera did you buy? She answered -"we did not buy one, that is with my iPhone." I bought one and the rest is history - first thing to recognize is we are not reading color matching per-se. I developed an algorithm to give me the percentage difference between a shade sample and a patients tooth, and give us a + or - percentage of difference, both for hue (base shade) and translucency(Value)in 4 zones on a tooth -cervical/ middle third /incisal / incisal tip.Once I had the method, I had a digital shade analysis app put together. We were still using SLR cameras for our digital pictures and using he camera cards to transfer the images to our lap tops or desk computers. It was restrictive to have to email images and then transfer then to the web site -Ultimately we realized we needed to add more features and make the shade app mobile access.

    Concepts in Shade Communication

    Jim Emmons CDT, FNBC

    3

  • 4

    We enable pre blended shade adjustment system preblended to the Vita

    classic shade & Vita 3D shade guides.

    The shading frits enable you to adjust shade illumination in line with the digital

    shade analysis percentages shown on the digital shade Rx.

    The average chroma level adjustment of the digital shade analysis is from 2 to 4+ %.

    The level 2 reservoirs enable 2 % shade increases. To mix a level 2 color you use 1 part level

    one with 1 part clear glaze.

    Chroma Level 1 is standard shading Chroma level ( color intensity) that we are used to

    working with, Plus chroma level 1 enables the highest chroma range of the digital shade

    analysis system. Chroma Level 2 is the average color intensity adjustment we find using the

    Digital Shade analysis

    For standard shading ( no digital Rx ) Our chroma level 3 is in line with standard shading

    techniques , you apply the shade & brush to desired appearance and fire.

    The Life Essence frit shading is focused on color in illumination versus reflected color.

    Managing color in illumination enables optimized vitality and depth in restorations.

    Custom shading without digital % references is nearly impossible.

    Having a source of hue % adjustment, makes replicating restorations significantly easier.

    The translucency % levels enable the ceramist to easily provide optimized ceramic

    restorations consistently.

    The Life Essence frit palette shading is laid out A,B, C,

    D, 4M & 5M to enable matching the complete Vita

    shade system.

    Conventional shading systems do not provide 3

    chroma levels of shade adjustment.

    In addition to the standard chroma level 3. Chroma

    Level 3 enables a 3%+ chroma level increase , as well

    as being the go to shade adjustment chroma level

    for straight shading in day to day ceramics.

  • Using the Digital Shade Analysis

    The Spectrafire digital Shade analysis is very simple to use (it takes approx. 3

    minutes)

    You can place our logo on the desk top of your phone / tablet or other

    computer.

    Once you set your membership in the Spectrafire.com web site. Click on the

    logo and you are instantly in the site and ready to proceed with the shade

    analysis.

    You Log in and first enter the patient name then the Doctor name – The

    individual Doctor name is a separate file within you personal membership.

    You can search for cases by Doctor name or patient name. Each analysis Is

    archived in your member file.

    The next step is to select whether you want to use the shade guide in the

    picture option or use the library feature when you do not have a shade

    sample in the picture. The next automatic screen ask you to import the

    picture select the vita classic or vita 3Dand upload, you are ask to place

    your cursor and crop the picture. And save the thumb nail

    The next steps with the shade guide in picture is to alternately select 4 zones

    on the patients tooth and shade guide as follows cervical of patients

    cervical of the shade sample / middle of patient tooth, middle of shade

    sample/ Incisal 1/3 patients tooth , incisal of shade sample & last incisal tip

    of patients tooth , then incisal tip of shade sample . NOTE: any one of these

    zones may simply be skipped.

    If you select the Library option – once the image is loaded and cropped ,

    you select one place in each zone (cervical /middle /incisal third and

    incisal tip. To complete the process click submit. In each option you can

    make editable notes.

    5

  • QUICK START

    Mobile Digital Shade Communication:

    with Smart Phone access

    6

  • Please take the time to run two or three digital pictures to make

    sure your smart phone or camera is taking good working

    pictures.

    Recommendations

    Before You Jump Into The System

    1 2 3

    Picture #1 over

    exposed (too light )

    The Translucency

    registry will be too

    bright (high value )

    Picture #2 is a good mid

    range illumination . The

    translucency registry will

    be the most accurate

    Picture #3 is too dark ion .

    The translucency will

    register excessively dark –

    low value.

    Your smart phones have brightness darkness settings –

    I recommend that test your phone first to optimize your camera or

    phone. If you want us to check your test pictures - email your test

    pictures to [email protected] or 877-989-2248

    7

    mailto:[email protected]

  • Login to www.Spectrafire.com , this is our home page.

    Across the bottom row of buttons you can look at who we are.

    In about us, look at our catalog /cart store / check your lighting volume / log

    on in as a member / sign up as a member and contact us to use the free trial

    or with any questions.

    We have 6 tutorials across the bottom of the page for you. Plus, a short video on digital picture taking for shade analysis

    This Is Our Home Page

    To use the Shade analysis software

    Log in with member button This next screen is the member log in screen.Just follow the screen prompts

    Choose file picture to start using the program and select upload

    8

    http://www.spectrafire.com/

  • Follow screen prompts

    Selected file shows here &

    click upload

    Use the cursor to form a cropping zone on patients tooth area you want to

    do analysis. The cropped analysis area will be on the right . When you have

    the cropping zone in place , save to thumbnail to proceed.

    9

  • 10

    Sample

    Cursor

    Placement

    2nd Selection by placing the cursor on shade guide tooth image

    cervical & click next

    Start Selection Process with placing the cursor on patient tooth image

    cervical & click next

    Sample Cursor

    Placement

  • 11

    4th Selection by placing the cursor on shade guide tooth image

    middle 3rd & click next

    3rd Selection by placing the cursor on patient tooth image

    middle 3rd & click next

    Sample Cursor

    Placement

    Sample Cursor

    Placement

  • 12

    6th Selection by placing the cursor on shade guide tooth image

    Incisal 3rd & click next

    5th Selection by placing the cursor on patient tooth image

    Incisal 3rd & click next

  • 7th Selection by placing the cursor on patient tooth image

    Incisal tip & click next

    8th Selection by placing the cursor on patient tooth image

    Incisal tip& click next

    After you click next – the program will take you to your home screen to scroll down to see the Digital Rx

    Then you can print or email your shade analysis your analysis will be archived by Doctor name

    13

  • Restoration Check Upload a picture of the restoration and use the cursor to crop the restoration picture, you will be ask to select cervical , middle third, incisal & incisal tip in succession on the

    restoration image only.The shade analysis system compares your restoration with the original patient tooth

    analysis

    After you load the thumb nail of the restoration, you will follow the screen prompts for the cervical , the middle third, incisal third and incisal tip – just place the cursor on

    the zone and click ,moving directly to thee next zone . The Spectrafire analysis system will automatically compare your restoration to the

    patients tooth used in the beginning of your analysis

    14

  • Using The Restoration Check Feature

    Step 2

    Step 3

    Step 4

    After you click on NEXT in the final selection your digital Rx will instantly display.You will able able to print or email directly from the Digital analysis screen.

    15

  • This your archived digital Rx with the restoration recorded to retrieve

    any of your digital Rx records , open your membership and search by

    client (Doctor name) these are private files within your membership.

    Restoration Check

    The restoration Check enables you to know how close you are to the patients

    digitized analysis tooth.

    16

  • LightingThis section deals with the transition color in light makes asit travels.

    3 Basic Elements In Selecting Lighting

    Color Rendering Index, Lumens, Kelvin

    All light sources lose integrity and actually deteriorate with time. It follows the progression of a slight addition of green into the emitted light to a lot of green added into the light emission.

    The following scenario can occur with a single set of fluorescent bulbs. The shade is returned because you have too much orange in the A-3 (example). Basic Colors in Light & Illumination. A slight addition ( less than 5%) of green into the light emission causes the ceramic to show more orange, as the bulbs deteriorate the orange fades to yellow. Now you will get the same shade back & the complaint will be the shade too pale. Which is just the opposite of the problem you had a few months before.

    It is not wise to go above 5500 kelvin, 2500 lumen. Above 5500 k has different color content than true daylight, 5000 k (9AM) or 5500k (noon) & above 2500 lumen starts to glare with excessive brightness.

    17

  • 18

    Color Systems-

    Most of us have really been in the dark about color in teeth & how we can

    identify & replicate what we see with dental porcelain or resin / glass.

    Isaac Newton discovered that sun light could be broken down into multiple

    colors (a rainbow) & that light is the source of color.

    This composite light is known as the visible light spectrum. The amount of air & residual water in a dental restoration play key roles in our ability to consistently

    produce porcelain restorations that have natural depth & light transmission.

    Basics of The Visible Light Range-

    We know that visible light is radiant energy that is made up of wave lengths that

    are from 760nm (red low energy) to 380nm (violet high energy). 100% saturation

    of the component spectral colors equals white / invisible light.

    The order of color is always the same red, orange, yellow, green, blue ,violet.

    The best way to remember this is to remember the cowboys name - R,O,Y-G-

    B,V - phonetically Roy G Biv. Color in light always fades from red to violet.

    Red is the largest visible light wave & the slowest moving or lowest energy while

    violet has the highest energy & is the shortest light wave.

    Photons-

    For most of our discussion of color we can think of light (photons ) as a stream of

    minute elusive particles which cause a pulsating electrical disturbance. These

    varying disturbances allow us to see the different frequencies we call "color".

    All photon frequencies are slowed down when they travel, whether in vacuum,

    air, glass, or teeth. And those Photons of different energy levels are slowed

    down to different extents. Red diminishes faster than yellow, green diminishes

    faster than violet. This uneven loss of spectral colors causes color changes in natural teeth to be very hard to mimic.

    One very important thing to remember is "when a photon loses all of it's energy,

    it ceases to exist". There is nothing to see & there is no visible residue or evidence it ever existed. In a natural or artificial tooth this causes a gray or dark

    area.

    When the red, green & blue spectral colors reach an individual & equal level of

    saturation balance in the light wave they are gray. Interproximal grayness is caused by light being diffused to the point of nearly equal components or

    nearly no energy while the light is reflected off the coping or pontic at the same

    time.

    This contrast of light energy makes the interproximal area appear even more

    gray & colorless.

  • Warm Color Visibility FadesWith The

    Addition Of Green To The Light

    #1 Orange lens Illumination in Clear Acrylic represents shade that is seen.

    #2 Deteriorated fluorescent tubes (increased green in the emitted light ) cause the orange

    lens to lose warm shade being seen.

    Matched operatory & laboratory

    lighting enables the Doctor &

    laboratory to see the same shading

    Spectral Effects On Lighting From Aging

    If the light tubes are not matched, the office & the lab will not see the same shade

    effects. It depends whose lights are the greenest, but one side will see light shades &

    the other will see darker shades

    If the laboratory has more green emitted in their lighting, the shade looks good (

    more chroma) in the lab. But, you will see more orange than is really there. And then

    you will send crowns that are too light.

    10% green added to light from aged bulbs reduces the dark orange to light orange

    In your lab you see Fig.2

    You send Fig.3, And you get it back for “add

    color”.

    The Doctorask for Fig.1

    19

  • As Lighting degrades (more Green Emitted) Warm Shading Spectral Is Diminished

    As light travels it loses energy (warm colors & lowers value)

    =

    20

  • ©2014 Jim Emmons CDT, FNBC

    Life Essence © Ilumination Reference Guide

    5000k LED

    21

    5000k 90 CRI 2200 Lumens

  • Life Essence © Illumination Reference Guide

    5000k 85 CRI 2200 LumensCool White

    Anything below 90 CRI will Metameres (color) green

    22

    Plant Lighting / Fluorescent

    http://r.search.yahoo.com/_ylt=AwrBT8HiZHVUOvAAxXJXNyoA;_ylu=X3oDMTEzdTF0cTg4BHNlYwNzcgRwb3MDMgRjb2xvA2JmMQR2dGlkA1ZJUDA3N18x/RV=2/RE=1417008483/RO=10/RU=http:/en.wikipedia.org/wiki/Metamerism_(color)/RK=0/RS=D3zzssgLY2bq5ZCHBn6Q0DRZGd4-

  • Life Essence © Illumination Reference Guide

    Incandescent ( becoming Obsolete)

    Introduction To Color In Living Tissue(Teeth)

    (As the green increases the red diminishes)

    23

  • The Order of Natural Spectral Color

    This natural order of color in light never varies. The red (magenta) is the longest wave in the visible spectrum. Red is also the slowest / weakest of the spectrum, it loses visual presence first . The loss of red illumination causes shades to appear light (low chroma).

    Red/Green/Blue are primary colors in illumination. (additive color system)

    24

    }

  • 25

  • 26

    What makes up this thing called color in light & the language used to talk about it.

    Terms of Basic Physics of Color in LightPhotons: light is made up of millions of a magnetic disturbance causing the particles to oscillate. These particles are called photons & the different oscillations causing us to see different colors. Photons owe their existence to their energy . As they lose energy they cease to exist. When there is no magnetic disturbance (energy) there is no light & no color. A light switch could be called a photon emission controller, when it is on there is energy to the bulbs to make light energy & when it is off (no energy in the bulb) there is no light. Due to the reflective nature of our restorative materials in the

    past we have only utilized 1/2 of the system of living color (reflective)

    This brief explanation of the physics of light will give you the necessary reference points to follow what occurs when color in light changes. Fig 1 shows the primary color in light & the result of all color being present in light which is white light. Fig.2 shows the Subtractive system Fig.3 which is the presence of all color being black.

    © Jim Emmons CDT,FNBC 2017

    Fig 1 Fig 2

    Fig.3 is the color bar showing the prismatic separation of color in light. The number markings across the bottom indicate the nanometer wave lengths of the individual spectral colors. I have used these numbers to identify the colors on the prismatic palette.

  • 27

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  • Perceptions in Color

    Fig 1 & 2 The red /blue arrows appear to be darker chroma that arrows

    surrounded by the white trim – they are the same chroma. In comparing

    the black trimmed arrows , they appear more intense.

    Fig 3 The red & blue arrows that touch appear to have a fuzzy area where

    they touch.

    Fig 4 The stars in #4 are exactly the same size.

    Fig 5 The yellow arrows are the same exact size & chroma.

    Fig 6 The red letters in both hearts are identical, the blue heart letters

    appear fuzzy .

    Our eyes do not focus on red & blue at the same time

    29