• -First American Edition

BachLuteSuites

[orGuitar

The complete works for lute solo byJohann Sebastian Bach. Newly

transcribed and annotated, includinghistorical and performance notes.

¿

Edited and Fingered byJerry Willard

~ - =\-.. _~- - - ---

• • •First American Edition

BachLuteSuites

[orGuitar

The complete works for lute solo byJohann Sebastian Bach. Newly

transcribed and annotated, includinghistorical and performance notes .

.•.

Edited and Fingered byJerry Willard

~~- _. -' .... ~ - _.

Bach Lote SuitesforGuitar

Edited and Fingered byJerry Willard

Ariel PublicationsNew Yorkj Londonj Sydney j Cologne

Acknowledgements

1 am deeply indebted to Laura Lessard, George Glock,

and Marcel Robinson, whose scholarly work helped to

make this book possible. 1 am particularly indebted to

J. S. Bach, without whose c¿mpositions this book wouldhave been impossible.

Edited by Peter PickowCover design by Nina Clayton

Copyright © 1980 by Ariel Publications,A Division of Music Sales Corporation, New York, NY.

Al! rights reserved. No part of this book may bereproduced in any form or by any electronic or mechanical means

including information storage and retrieval systems,without permission in writing from the publisher

except by a reviewer who may quote brief passages in a review.

Order No. AM 27616International Standard Book Number: 0.8256.9979.7

Exclusive Distributors:

Music Sales Corporation257 Park Avenue South, New York, NY 10010 USA

Music Sales Limited

8/9 Frith Street, London WI V 5TZ EnglandMusic Sales Pty. Limited

120 Rothschild Street. Rosebery, Sydney, NSW 2018, Australia

Printcd in the Cnited S:3.tes l'~'America b\\'i-:~" Ltr.C'g=-3.?~ ¿,.c. P:-:¡¡t::-.; CC'rp'~rJtio·n

ContentsIntroductíon

Suíte 1

Suite II

Suite III

Suite IV

Prelude, Fuge,

and Allegro

Prelude

Fuge

6

:2 1

38

55

75

87

89

IntroductionJ ohann Sebastian Bach composed for the 1ute through-out most of his life. The First Lute Suite was composed inWeimar (1708-1723), the Fourth Lute Suite, the Preludein C minor and the Fuge in G minor in Cothen (1717-1723), the Second Lute Suite, the Third Lute Suite, andthe Prelude, Fuge, and Allegro in Leipzig (1723-1750).Bach also wrote specifically for the lute in an aria in theSaint J ohn Passion and in a recitative in the Funeral Music

for Queen Christiane Eberhardine. We know that Bach wasa good friend of the great German lutenist Silvius LeopoldWeiss and establíshed contacts with J. Kropfgans and E. G.Baron, both well-known lutenists in Europe. While livingin Cothen Bach invented an instrument he called a Lute-

Clavicembalo, a keyboard instrument meant to imitate thesound of a 1ute. This leads one to assume that much ofBach's lute music was meant for this instrument or that

the instruments were interchangeable. In all the Suites,however, the writing is completely idiomatic to the 1ute.The Fourth Lute Suite and the Fuge in G minor are tran-scriptions from the solo violín partitas and the Third LuteSuite is a transcription from the solo cello suites. The re-maining compositions were written exclusively for the lute.

In this edition 1 have tried to footnote every editorialchange, with the exception of octave transposition andomamentation. Octave transposition is shown r,. This in-dicates that it was written down an octave in the original.

1 wou1d suggest that one should use this book in con-junction with the Bach-Gesellschaft edition to realize anychanges in omamentation. All the phrase markings from

the Gesellschaft have been kept intacto A dotted 1ine Qindicates a 1eft-hand slur and is always editorial. ~.~.

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BWV 996

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Fernando Sor: Collected Etudes,Vol. 1

Fernando Sor: Collected EtudesVol. 2

Matteo Carcassi: 25 Melodic andProgressive Studies, Opus 60

Bach Inventions for Guitar Duet

Fernando Sor: Elegiac Fantasy.Opus 59

Georg Philipp Telemann: Sonata ir>eMajor, for Alto Recorder/Flute andGuitar '

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