first charting
TRANSCRIPT
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FIRST CHARTING
WEBFIRST CHARTING
DESKFIRST CHARTING
MOBILE
APPLICATIO
NPLATFORMS:
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NSE CHARTINGAPP
MCX CHARTINGAPP
BOTH MCX/NSECHART APP
WEPROVIDE:
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A,O!T !S: The First Charting ran! has een "e## $n%"n in the a&ti'e
tra!er &%(()nit*+ The First &harting s)ite %, -r%!)&ts an!ser'i&es. as "e## as tra!ing e!)&ati%n. -r%'i!es g#%a#. rea#ti(e (ar$et !ata an! -r%,essi%na##e'e# !e&isi%n s)--%rt t%in!i'i!)a# in'est%rs an! a&ti'e tra!ers "%r#!"i!e+
In)!e! in this ran! are the !es$t%- s%,t"are -r%!)&tsFirst Charting. First Charting. A!'an&e! E!iti%n. as "e## as ar%"serase! 'ersi%n . !esigne! ,%r )se %n (%i#e !e'i&esan! s(art -h%nes+
The First Charting -r%!)&ts -r%'i!e re#ia#e st%&$. ,)t)res.F%re0 an! %-ti%ns (ar$et 1)%tes an! the ,astest
&%nne&ti%ns -%ssi#e e&a)se the* are a&$e! * %ne %, the(%st te&hni&a##* a!'an&e! in,rastr)&t)res a'ai#a#e.&a-a#e %, han!#ing the e'er&hanging !e(an!s %, the(ar$et+
Engineere! an! %-erate! interna##*. the a!'an&e! IP()#ti&ast a&$%ne. %asting ()#ti-#e. ge%gra-hi&a##*!is-erse! ser'er ,ar(s. ,e! "ith #i'e !ata ,r%( !ire&t.
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PROD2CT SER3ICES4First Charting Charting -#at,%r( is ase! %n Si#'er#ight an! ta$es
a!'antage %, a## the #atest ,eat)res ,%)n! in this r%"ser ase!te&hn%#%g* !esigne! * Mi&r%s%,t+ Mi&r%s%,t Si#'er#ight is a &r%ss-#at,%r( te&hn%#%g* that r)ns %n Win!%"s. Ma& an! Lin)0 insi!e a"i!e 'ariet* %, "e r%"sers in)!ing Internet E0-#%rer. Fire,%0.Sa,ari. O-era. Chr%(e an! (an* %thers+
D-nami( Finan(ial C%a&tin+First Charting Charting s)--%rts rea#ti(e &harting ,%r st%&$s.
,)t)res an! %-ti%ns+ 2-!ates &an e (a!e t% the &hart in rea#ti(e"hi#e the (ar$et is tra!ing+ 2sers (a* a!! te&hni&a# in!i&at%rs.#ine st)!ies %r &hange &%#%)r -r%-erties 'ia the )i#tin ,)n&ti%nsan! -r%-erties+
S)--%rte! Ti(e,ra(es 56 (in. 7 (in. 68 (in. 67 (in. 98 (in :8(in. Dai#*. Wee$#*. M%nth#*;
P&oision to sea&(% $o& t%e sto(.)(ommo#ities s-m'ols/
Can !%"n#%a! the IEOD Data 56 (in. 7 (in. 68 (in. 67 (in. 98 (in:8 (in; an! EOD !ata 5Dai#*. Wee$#*. M%nth#* Data; int% a &s'
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C%ntin)e=++ Fi&st C%a&tin+ $eatu&es oe& 01 "o"ula& te(%ni(al in#i(ato&s
t%at ma- 'e (ustomi2e# '- t%e en# use&3 (om"letenai+ational e4ten#e# line st-les an# (olou& "&o"e&ties3use&5#&a*n line stu#ies3 "o&t$olio s(&een3 an# a L6 7uotes(&een/
Sim"le Moin+ Ae&a+e3 ,ollin+e& ,an#s3 A((umulatie
S*in+ In#e43 A&oon Os(illato&3 C%ai.in Mone- Flo*3 C%ai.inVolatilit-3 C%an#e Momentum Os(illato&3 Commo#it-C%annel In#e43 Com"a&atie Relatie St&en+t%3 Det&en#e#P&i(e Os(illato&3 Di&e(tional Moement S-stem3 Ease o$Moement3 E4"onential Moin+ Ae&a+e3 F&a(tal C%aos,an#s3 F&a(tal C%aos Os(illato&3 Hi+% 5 Lo* ,an#s3 Histo&i(alVolatilit-3 Linea& Re+&ession Fo&e(ast3 Linea& Re+&ession
Inte&(e"t3 Linea& Re+&ession R8 S7ua&e#3 Linea& Re+&essionSlo"e3 MACD3 MACD Histo+&am3 Mass In#e43 Me#ian3Momentum Os(illato&3 Mone- Flo* In#e43 Moin+ Ae&a+eEnelo"e3 Ne+atie Volume In#e43 On ,alan(e Volume3Pa&a'oli( SAR3 Pe&$o&man(e In#e43 Positie Volume In#e43P&i(e Os(illato&3 P&i(e ROC3 P&i(e Volume t&en#3 P&i(e
Num'e& ,an#s3 P&i(e Num'e& Os(illato&3 Rain'o* Os(illato&3RSI3 Stan#a Deiation3 Sto(. Moement In#e43 Sto(.
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C%ntin)e=++
Also Aaila'le Cr%ss Hair. Re&tang#e. E##i-se. Fi%na&&i Ti(e >%nes. Fi%na&&i
Ar&s. Gann Fan. ?)a! Lines. S-ee! Lines. Tir%ne Le'e#s. Tren!Lines. 3erti&a# Lines
A((ess &eal5time an# %isto&i( #ata $o& oe& 011inst&uments $&om o$ In#ian E4(%an+es/
P#ease n%te that the Si#'er#ight ase! -#at,%r( is a thin ientthat !%es n%t %@er s&ri-ting &a-ai#ities. there,%re a#erts. a&$testing. a)t%(ate! tra!ing an! s&anning are n%t i(-#e(ente!+First Charting is &%(-ati#e "ith a## %-erating s*ste(s an! "er%"sers #iste! %n the Mi&r%s%,t Si#'er#ight -age+
Customi2ation Se&i(es First Charting Charting tea( %, high#* s$i##e!. -r%,essi%na#
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PLATFORM4
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MT FEAT2RES4
9 &hartt*-es. ti(e,ra(es an!%'er 88 ana#*ti&a# t%%#s+
Ba&$ testing ,eat)res+
W%r$ing "ith M?L "i## e easier4there "i## e (%re !ata t*-es.str)&t)res. asses it## e easier
t% trans,er C s%)r&e &%!es int%M?L. EA e0e&)ti%n s-ee! "i##in&rease+
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,asi( Can#lesti(. Patte&ns
SPINNING TOPS Candlesticks:
Candlesticks with a long upper shadow, long lower shadow and small real
bodies are called spinning tops. The colour o the real bod! is not "er!
important.The pattern indicates the indecision between the bu!ers and sellers.
The small real bod! #whether hollow or illed$ shows little mo"ement rom
open to close, and the shadows indicate that both bu!ers and sellers were
ighting but nobod! could gain the upper hand.%"en though the session opened and closed with little change, prices mo"ed
signiicantl! higher and lower in the meantime. Neither bu!ers nor sellers
could gain the upper hand, and the result was a stando.I a spinning top orms during an uptrend, this usuall! means there aren&t
man! bu!ers let and a possible re"ersal in direction could occur.
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'arubo(u Candlesticks
S%)n!s #i$e s%(e $in! %, '%%!%% (agi&. h)h I "i## &ast thee'i# s-e## %, the Mar)%) %n *%)J F%rt)nate#*. thats n%t"hat it (eans+ Mar)%) (eans there are n% sha!%"s ,r%(the %!ies+ De-en!ing %n "hether the &an!#esti&$s %!* is
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Continue.
A )hite 'arubo(u contains a long white body with noshadows. The open price e*uals the low priceand
the close price e*uals the high price. This is a very
bullish candle as it shows that buyers were in control
the entire session. It usually becomes the first part of a
bullish continuation or a bullish reversal pattern.
A +lack 'arubo(ucontains a long black body with no
shadows. The open e*uals the high and the close
e*uals the low. This is a very bearish candle as itshows that sellers controlled the price action the entire
session. It usually implies bearish continuation or
bearish reversal.
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Continue.
If a Do"i forms after a series of candlesticks withlong hollow bodies 'like (hite )arubo*us+$ the Do"i
signals that the buyers are becoming e!hausted
and weakening. In order for price to continue rising$
more buyers are needed but there aren,t anymore-ellers are licking their chops and are looking to
come in and drive the price back down.
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/O%0 (1IT2 CA%D/2 3 DOI
If a Do"i forms after a series of candlesticks withlong filled bodies 'like 4lack )arubo*us+$ the Do"i
signals that sellers are becoming e!hausted and
weak. In order for price to continue falling$ more
sellers are needed but sellers are all tapped out-4uyers are foaming in the mouth for a chance to
get in cheap.
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/O%0 4/AC5 CA%D/2 3 DOI
If a Do"i forms after a series of candlesticks with long filled bodies 'like 4lack)arubo*us+$ the Do"i signals that sellers are becoming e!hausted and weak.
In order for price to continue falling$ more sellers are needed but sellers are
all tapped out- 4uyers are foaming in the mouth for a chance to get in cheap.
(hile the decline is sputtering due to lack of new sellers$ further buying
strength is re6uired to confirm any reversal. /ook for a white candlestick to
close above the long black candlestick,s open. In the ne!t following sections$ we will take a look at specific candlestick
formations and what they are telling us. 1opefully$ by the end of this lesson
on candlesticks$ you would know how to recogni*e candlestick patterns and
make sound trading decisions based on them.
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