five ways to integrate prose & graphics julie staggers

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Five Ways to Integrate Prose & Graphics Julie Staggers

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Page 1: Five Ways to Integrate Prose & Graphics Julie Staggers

Five Ways to Integrate Prose & Graphics

Julie Staggers

Page 2: Five Ways to Integrate Prose & Graphics Julie Staggers

Five Ways to Integrate Prose & Graphics

• Exercise: integrating prose and graphics• Five key relationships among prose and

pictures: Juxtapositional Redundant Complementary Supplementary Stage-setting

• Activity

Page 3: Five Ways to Integrate Prose & Graphics Julie Staggers

Juxtapositional Relationship

characterized by different content in words and pictures, in which the key ideas are created by a clash or a semantic tension between the ideas in each mode; the idea cannot be inferred without both modes being present simultaneously

Page 4: Five Ways to Integrate Prose & Graphics Julie Staggers

Juxtapositional Example 1

Page 5: Five Ways to Integrate Prose & Graphics Julie Staggers

Juxtapositional Example 2

Page 6: Five Ways to Integrate Prose & Graphics Julie Staggers

Redundant Relationship

characterized by substantially identical content appearing visually and verbally, in which each mode tells the same story, providing repetition of key ideas

Page 7: Five Ways to Integrate Prose & Graphics Julie Staggers

Redundant Example Part 1: Prose Only

Page 8: Five Ways to Integrate Prose & Graphics Julie Staggers

Redundant Example Part 2: Schematic Diagram

Page 9: Five Ways to Integrate Prose & Graphics Julie Staggers

Complementary Relationship

characterized by different content visually and verbally, in which both modes are needed in order to understand the key ideas

Page 10: Five Ways to Integrate Prose & Graphics Julie Staggers

Complementary Example Part 1: Words Only

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Complementary Example Part 2:

Pictures Only

Page 12: Five Ways to Integrate Prose & Graphics Julie Staggers

Complementary Example Part 3: Words & Pictures

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Supplementary Relationship

characterized by different content in words and pictures, in which one mode dominates the other, providing the main ideas, while the other reinforces, elaborates, or instantiates the points made in the dominant mode (or explains how to interpret the other)

Page 14: Five Ways to Integrate Prose & Graphics Julie Staggers

Supplementary Example

Page 15: Five Ways to Integrate Prose & Graphics Julie Staggers

Stage-Setting Relationship

characterized by different content in words and pictures, in which one mode (often the visual) forecasts the content, underlying theme, or ideas presented in the other mode

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Stage-Setting

Example 1

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Stage-Setting

Example 2

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Five Ways to Integrate Prose & Graphics

Five key relationships among prose and pictures: • Juxtapositional• Redundant• Complementary• Supplementary• Stage-setting

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Activity 1

Go to http://postsecret.blogspot.com/ and find examples of each of the text/image relationships?

1. Redundant2. Complementary3. Supplementary4. Juxtapositional5. Stage-setting

Which were easiest to find? Why?Were there any you couldn’t find? Why?

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Activity 2

Using clip art, stock photos, or your current production project, demonstrate one of the five key relationships among prose and pictures:

1. Redundant2. Complementary3. Supplementary4. Juxtapositional5. Stage-setting

Increase the degree of difficulty by incorporating anyof the rhetorical figures from today’s reading.

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Assignment

• Create 2 Post-Secret submissions– Safe for work– Safe to share with classmates– Use at least two relationships