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Touching tastes: The haptic perception transfer of liquid food packaging materials Yangjun Tu a,b , Zhi Yang b,c,, Chaoqun Ma b a Research Institute of Educational Science, Hunan University, China b School of Business, Hunan University, China c Department of Business Administration, College of Business, University of Illinois at Urbana-Champaign, USA article info Article history: Received 24 January 2014 Received in revised form 1 July 2014 Accepted 1 July 2014 Available online 17 July 2014 Keywords: Crossmodal correspondence Liquid food product Haptic perception Taste experiences Blindfold method abstract Based on the theory of crossmodal correspondence, which addresses transfer effects from one sense to another, and research that has explored the impact of touch on taste, the present study examined how the packaging materials of traditional Chinese cold tea drinks generated touch–taste associations. Blindfolded participants used a set of tasting attribute items to evaluate the taste of a liquid food product that differed only by the materials used to contain it, although they were led to believe that the products could differ. The results of Experiment 1 suggest that consumers’ haptic perception of packing materials significantly impacted their sense of the product’s SWEET dimension, but not the product’s SOUR or BITTER dimensions. Consumers rated a liquid food product’s sense of cold and ice (sub-dimensions of SWEET) higher when it was presented in a glass container rather than in paper or organic plastic containers. However, with the cups’ weight controlled, the results of Experiment 2 revealed that consum- ers’ haptic perception of packing materials only significantly impacted their sense of ice, but not their sense of cold. Consumers rated a liquid food product’s sense of ice higher when it was presented in a glass container rather than in an organic plastic container. The preliminary findings of both experiments indicate a crossmodal correspondence between the touch of food packaging materials and the taste of the food contained within them. Sensation transference provides the most likely explanation for the results. Affective ventriloquism effects provide another, but less likely, explanation. The study’s implica- tions for choosing between packaging materials for liquid food products are discussed. Ó 2014 Elsevier Ltd. All rights reserved. Introduction When wandering in the supermarket to shop for everyday food and beverages, consumers will find that liquid food packaging material is diverse. This diversity makes liquid food packaging an ideal medium for testing the haptic effects of food packaging, pro- viding us with a convenient site for conducting multi-comparisons and controlling independent variables (i.e., packaging materials). However, among all liquid food products, tea most clearly mani- fests Eastern cultural traditions and characteristics. Specifically, in China, the history of using herbal tea may as long as the history of using traditional Chinese medicines (TCMs), many of which are consumed in the form of tea (Zhao, Deng, Chen, & Li, 2013). Accord- ing to the statistical report of the China National Food Industry Association, herbal tea has a 20% share of the Chinese beverage consumption market, and its market share is increasing at the surprising rate of 30% per year (cited by Zhong & Wu, 2013). Due to its cultural significance and popularity, we selected Chinese cold tea to represent the liquid food stimulus for the present study. At its most fundamental, packaging contains, protects, and pre- serves products; however, at its most sophisticated, it influences selling operations (Paine & Paine, 1992). In the highly competitive environment of retail stores, where the typical shopper passes by some 300 items per minute and makes 40–70% of all purchase decisions, packaging performs many sales functions and acts as an important promotional medium (Armstrong & Kotler, 2013). It is also a key strategic marketing tool for a product’s overall success, especially in the food industry, with its rapid structural changes (Rundh, 2005). Food packaging, which is often intertwined with food, is a broad term, including form, structure, materials, color, imagery, typography, and regulatory information with a few ancil- lary elements (Xu, Li, & Wei, 2009). Successful food packaging not only creates desire and establishes brand loyalty, but it also often provides the sole reason for buying a product (Klimchuk & Krasovec, 2013, pp. 39–40). A substantial amount of research has exclusively examined how the shape and color of packaging affect http://dx.doi.org/10.1016/j.foodqual.2014.07.001 0950-3293/Ó 2014 Elsevier Ltd. All rights reserved. Corresponding author. Address: School of Business, Hunan University, LuShan South Road, Changsha, China. Tel.: +86 13974835477. E-mail address: [email protected] (Z. Yang). Food Quality and Preference 39 (2015) 124–130 Contents lists available at ScienceDirect Food Quality and Preference journal homepage: www.elsevier.com/locate/foodqual

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Food Quality and Preference 39 (2015) 124–130

Contents lists available at ScienceDirect

Food Quality and Preference

journal homepage: www.elsevier .com/locate / foodqual

Touching tastes: The haptic perception transfer of liquid food packagingmaterials

http://dx.doi.org/10.1016/j.foodqual.2014.07.0010950-3293/� 2014 Elsevier Ltd. All rights reserved.

⇑ Corresponding author. Address: School of Business, Hunan University, LuShanSouth Road, Changsha, China. Tel.: +86 13974835477.

E-mail address: [email protected] (Z. Yang).

Yangjun Tu a,b, Zhi Yang b,c,⇑, Chaoqun Ma b

a Research Institute of Educational Science, Hunan University, Chinab School of Business, Hunan University, Chinac Department of Business Administration, College of Business, University of Illinois at Urbana-Champaign, USA

a r t i c l e i n f o

Article history:Received 24 January 2014Received in revised form 1 July 2014Accepted 1 July 2014Available online 17 July 2014

Keywords:Crossmodal correspondenceLiquid food productHaptic perceptionTaste experiencesBlindfold method

a b s t r a c t

Based on the theory of crossmodal correspondence, which addresses transfer effects from one sense toanother, and research that has explored the impact of touch on taste, the present study examined howthe packaging materials of traditional Chinese cold tea drinks generated touch–taste associations.Blindfolded participants used a set of tasting attribute items to evaluate the taste of a liquid food productthat differed only by the materials used to contain it, although they were led to believe that the productscould differ. The results of Experiment 1 suggest that consumers’ haptic perception of packing materialssignificantly impacted their sense of the product’s SWEET dimension, but not the product’s SOUR orBITTER dimensions. Consumers rated a liquid food product’s sense of cold and ice (sub-dimensions ofSWEET) higher when it was presented in a glass container rather than in paper or organic plasticcontainers. However, with the cups’ weight controlled, the results of Experiment 2 revealed that consum-ers’ haptic perception of packing materials only significantly impacted their sense of ice, but not theirsense of cold. Consumers rated a liquid food product’s sense of ice higher when it was presented in a glasscontainer rather than in an organic plastic container. The preliminary findings of both experimentsindicate a crossmodal correspondence between the touch of food packaging materials and the taste ofthe food contained within them. Sensation transference provides the most likely explanation for theresults. Affective ventriloquism effects provide another, but less likely, explanation. The study’s implica-tions for choosing between packaging materials for liquid food products are discussed.

� 2014 Elsevier Ltd. All rights reserved.

Introduction surprising rate of 30% per year (cited by Zhong & Wu, 2013). Due

When wandering in the supermarket to shop for everyday foodand beverages, consumers will find that liquid food packagingmaterial is diverse. This diversity makes liquid food packaging anideal medium for testing the haptic effects of food packaging, pro-viding us with a convenient site for conducting multi-comparisonsand controlling independent variables (i.e., packaging materials).However, among all liquid food products, tea most clearly mani-fests Eastern cultural traditions and characteristics. Specifically,in China, the history of using herbal tea may as long as the historyof using traditional Chinese medicines (TCMs), many of which areconsumed in the form of tea (Zhao, Deng, Chen, & Li, 2013). Accord-ing to the statistical report of the China National Food IndustryAssociation, herbal tea has a 20% share of the Chinese beverageconsumption market, and its market share is increasing at the

to its cultural significance and popularity, we selected Chinese coldtea to represent the liquid food stimulus for the present study.

At its most fundamental, packaging contains, protects, and pre-serves products; however, at its most sophisticated, it influencesselling operations (Paine & Paine, 1992). In the highly competitiveenvironment of retail stores, where the typical shopper passes bysome 300 items per minute and makes 40–70% of all purchasedecisions, packaging performs many sales functions and acts asan important promotional medium (Armstrong & Kotler, 2013). Itis also a key strategic marketing tool for a product’s overall success,especially in the food industry, with its rapid structural changes(Rundh, 2005). Food packaging, which is often intertwined withfood, is a broad term, including form, structure, materials, color,imagery, typography, and regulatory information with a few ancil-lary elements (Xu, Li, & Wei, 2009). Successful food packaging notonly creates desire and establishes brand loyalty, but it also oftenprovides the sole reason for buying a product (Klimchuk &Krasovec, 2013, pp. 39–40). A substantial amount of research hasexclusively examined how the shape and color of packaging affect

Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130 125

taste experiences. In studying the impact of shape, Spence andGallace (2011a), for example, found an association between pre-senting sparkling water, cranberry juice, and Maltesers chocolatewith angular shapes. In studying packaging color, Piqueras-Fiszman, Alcaide, Roura, & Spence (2012) found consumers ratedthe flavor intensity and sweetness of strawberry mousse higherwhen it was presented on a white plate rather than on a blackone. Further, to a great extent, the physical features of food pack-aging have been shown to affect consumers’ product attitude andprice expectations (Becker, Van Rompay, Schifferstein, &Galetzka, 2011), perceived quality of a product (Borland, Savvas,Sharkie, & Moore, 2013), and perceived brand attributes (Parise &Spence, 2012). Even the cutlery with which a food sample is servedhas been shown to affect the response of consumers. Harrar andSpence (2013) found, for instance, that consumers perceivedyoghurt as denser and more expensive when tasted from a lighterplastic spoon as compared to an artificially weighted spoon. Stud-ies focusing on the color and shape of food packaging have contrib-uted to a better understanding of how packaging can impactconsumers’ food taste and brand perception, yet the majority ofthe published research on food texture, or touch, has focused pri-marily on what occurs inside the mouth during consumption(Piqueras-Fiszman & Spence, 2012b). Less attention has typicallybeen given to the possible influence of food packaging materialson consumers’ taste experiences (Krishna & Morrin, 2008;Piqueras-Fiszman et al., 2012; Piqueras-Fiszman & Spence, 2012a,2012b; Schifferstein, 2009).

The importance of consumers’ ability to touch products thatthey are considering for purchase cannot be overstated. Whetherin store- or internet-based selling, products with primarily materialproperties are more likely to be preferred (Citrin, Stem,Spangenberg, & Clark, 2003; McCabe & Nowlis, 2003) and to berated more highly in shopping environments that allow physicalinspection rather than in those environments that do not (Peck &Childers, 2003b). Those pre-selected high-quality products forwhich tactile input is diagnostic obtain more positive and favorableproduct evaluations (Grohmann, Spangenberg, & Sprott, 2007).Physical touch, sensorial judgment, and affective response are oftenrelated to one another in a specific hierarchy; for example, ‘‘relax-ing’’ is a combination of indulgent/sensual and warm, while ‘‘pre-cious’’ is a combination of indulgent/sensual and not warm (Chen,Barnes, Childs, Henson, & Shao, 2009). Researchers have examinedhow expectancy-based effects impact crossmodal correspondence,and have found that people generate expectations about the taste ofa food from contextual cues, such as the features of hot and cold(Spence, Levitan, Shankar, & Zampini, 2010). A consumer’s senseof touch has been shown to play a very important role, especiallyin the first stage of buying, during which the consumer developsa ‘‘feel’’ for the package and the ingredients inside (Schifferstein,Fenko, Desmet, Labbe, & Martin, 2013). Accordingly, we may reli-ably speculate that when consumers purchase food they come toexpect the actual taste of that food by habitually or subconsciouslytouching the packaging, indirectly evoking memories of the pur-chased food’s taste. At the same time, touch may arouse affectiveresponses, independently moderating the effect of food tactilityon consumers’ buying decision-making process. The present studycontributes to this field of research, which is now gradually receiv-ing increased attention. Specifically, the field focuses on how haptic,or touch-related, properties of food packaging materials affectconsumer food-taste experiences. Since haptic perception is com-plicated by the number of perceptual processing inputs that aregenerated from multiple subsystems—including those in skin, mus-cles, tendons, and joints (Goldstein, 2013)—we address key issues instudying haptic perception before presenting the formal study.

Consumers experience a wide range of haptic sensations fromthe many different kinds of liquid food packaging materials to

which they are exposed in the market, and they may associatethese materials and sensations with qualities derived from culturalsemantics. For example, Tu, Yang, and Ma (2013) noted that con-sumers perceived organic glass as bright; wood packaging materialas natural and comfortable, signifying something pure and sweet;and plastic as compact and smooth, suggesting something exqui-site and elegant. Haptic perception may be divided into at leasttwo systems of haptic classification. Lederman and Klatzky’s(1990) initial classification of haptic sensation distinguishedbetween eight diagnostic attributes: shape and size; texture andhardness; weight; temperature; part; and motion of a part. Litteland Orth (2013) narrowed haptic perception to four factors: size,hardness, contour, and texture. Researchers have observed thatcertain stereotypical hand-movement patterns were directed atextracting particular object properties; for example, static contactwith temperature and unsupported holding with weight (Klatzky& Lederman, 1992; Lederman & Klatzky, 1987). Furthermore,Klatzky, Lederman, and Reed (1989) found that redundancy gains(shortened response time) were observed only for two substancefactors at any given time (in their case, texture and hardness withplanar contour). Lederman and Klatzky’s (1990) also observed thatwhen neither hand was favored by the initial mode of contact, thesubject tended to use both hands throughout, which implies thatholding a drink container in both hands may be a habit in everydaylife. They also found that participants came to associate the mostdiagnostic (haptic) attributes (MDA) with specific exploratory pro-cedures (EPs); for example, Texture MDA with Lateral Motion EP,Hardness MDA with Pressure EP, Temperature MDA with StaticContact EP, and Weight MDA with Unsupported Holding EP.

The present study is especially concerned with the crossmodalcorrespondence of haptic temperature, weight, and texture percep-tions with taste. Crossmodal correspondence occurs when polar-ized stimulus dimensions between different, basic physicalstimulus attributes—or features in different sensory modalities—seem to be associated, such as when a more-or-less extreme stim-ulus value on a given dimension is found to be compatible with amore-or-less extreme sensory value on a corresponding dimension(Spence, 2011). Crossmodality may occur at any level, dependingon the stimulus meaning/valence, which could just as effectivelyassociate low-level modal stimulus properties as high-level cogni-tive correspondence (Spence, 2011). Researchers have discussedcrossmodal correspondence between many different pairs of stim-uli (pitch and elevation, brightness and lightness, size and angular-ity of shape), but the majority of studies have matched auditoryand visual stimuli (Spence & Deroy, 2013). Based on crossmodalcorrespondence theory, we have reason to believe that the haptictemperature, weight, and texture of food packaging materialsmay map onto food taste experiences. Krishna, Elder, and Caldara(2010) have shown that both smell and touch have semantic asso-ciations that can enhance haptic perception and product evalua-tion. Research has also established that the physical properties(e.g., weight) of food packaging containers can exert significantinfluence on consumers’ expected satiety and perception of density(Piqueras-Fiszman & Spence, 2012a), sensory and hedonicresponses (Piqueras-Fiszman, Harrar, Alcaide, & Spence, 2011),and even impressions and decisions (Ackerman, Nocera, & Bargh,2010), Piqueras-Fiszman and Spence (2012b) found, for example,that a biscuit (i.e., cookie) contained in a rougher, yoghurt-likepot (i.e., cup) was perceived as being significantly crunchier andharder than those contained in a smoother, yoghurt-like pot.

Schifferstein (2009) has explored in particular how the experi-ence of cups made of different materials affects the experience ofdrinking a liquid food product. That study revealed that differentcup materials evoked different experiences. Schifferstein suggestedthat if the meaning of the test items could be derived directly fromthe perceived sensory characteristics of the liquid food product,

126 Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130

participants’ responses would be likely to follow the shifts in thecorresponding physical characteristics and the results could beinterpreted in a straightforward manner. Schifferstein also pointedout that although the cups used in the study were similar in sizeand shape, they differed in several respects, such as in appearance.This suggested that, in future studies, it would be advisable forsubjects to be blindfolded, in order to control for the visual appear-ance of the product characteristics and focus attention on the effectof touch alone (Krishna & Morrin, 2008). Following Schifferstein(2009) study, the present study was designed to explore the phe-nomenon of crossmodal correspondence to ascertain whether sub-jects reliably associated certain attributes of packaging materialwith their experience of its liquid food content’s taste. We askedblindfolded participants to rate the taste of cold tea, to ensure thattaste would be their main sensory perception, and required thatparticipants take a sip with an approximate volume of 15 ml.Furthermore, we paid special attention to participants’ hand-movement patterns in order to strictly control the sense of touchproduced by touching different materials.

Pretest

A pretest was conducted in order to form a baseline measure forthe taste of the cold tea that would be used in the formal experi-ment. Eighteen participants (6 male, 12 female; mean age24.18 years) tasted the cold tea according to the following proce-dure. First, the participant was presented with the instruction,‘‘Please taste a new type of drink. During tasting, we will coveryour eyes with a blindfold, and then guide you to pinch your nosewith one hand, and with another hand lift the cup to drink (do notswallow). After putting the drink into your mouth, release the handpinching your nose, carefully taste the drink in your mouth forabout 10 s, and then spit into the original cup’’. Second, afterparticipants covered their eyes, two experimental assistants (onemale, one female) used a cup with scales to pour the prepared15 ml of cold tea into disposable cups. Third, participants tastedthe cold tea in accordance with the experimental instruction,immediately writing down the taste experience on a blank A4paper. Finally, participants were thanked for their cooperationand dismissed. The experimenter and two assistants checked theabove responsive taste experiences using a content analysismethod. We firstly quickly browsed through all of the answers toselect the approximate taste category. Answers that could not beclassified were treated as a new subcategory. If subcategories couldnot be merged, they were treated as new, separate categories. Afterfollowing this procedure approximately three times, we hadacquired seven classifications: sweet, bitter, astringent, sour, cold,ice, cool. We used a 9-point rating scale that ranged from ‘‘not atall’’ to ‘‘very much’’ in order to rate to what extent the participantsconsidered a particular taste to characterize the cold tea used inthe present formal experiment.

Experiment 1

Methods

ParticipantsParticipants were 22 freshmen (9 male, 13 female; mean age

18.62 years) enrolled in a professional college devoted to manage-ment science. All participants had two functioning hands and werenaïve as to the purpose of the study, and reported being free fromdiseases that might impact sense perception.

Product selectionWe started with liquid food containers of approximately the

same shape and size as those that are available in local stores

and used them with similar functionality. The cup materials werecone-shaped, without a handle, and approximately the same size.The containers chosen were glass cups (Size: medium; Volume:220 ml; Height: 9.8 cm; Upper Outer Diameter: 6.5 cm; LowerOuter Diameter: 4.8 cm; Color: colorless and transparent), papercups (Size: medium; Volume: 216 ml; Height: 9.0 cm; Upper OuterDiameter: 7.0 cm; Lower Outer Diameter: 4.0 cm; Color: colorlessand not transparent), and organic plastic cups (Size: medium;Volume: 228 ml; Height: 9.5 cm; Upper Outer Diameter: 7.5 cm;Lower Outer Diameter: 4.5 cm; Color: colorless and transparent)(see Fig. 1).

The cold tea chosen was the brand Jia Duo Bao, which currentlyleads China’s tea drink market. The cold tea used in the presentexperiment was produced in Wuhan, China on July 5, 2012. Theoriginal packaging was made of aluminum cans, each with avolume of 310 ml. The tea’s main ingredients were water, sugar,grass jelly, chrysanthemums, and so on. Experimental assistantsbought whole cold tea—ensuring it was from the same atch, withthe same production date—in a local supermarket. The experimen-tal measuring cups chosen were two organic plastic cups with ascale (Range: 5 ml; Volume: 30 ml) and colorless transparency.

ProcedureThe experiment began in early November 2012 and was held

from 9:30 a.m. to 11:20 a.m. on each weekday for two weeks.Participants were recruited at the college. Individuals who werewilling to participate were taken into a behavior laboratory, whichwas kept in a condition of constant illumination and at a constanttemperature of 26 �C. What is more, during the experiment partic-ipants were not allowed to touch any of the objects that were usedexcept when required.

First, participants were required to taste three different newtypes of drink (each in the amount of 15 ml) and evaluate the tasteexperiences. All three new drinks were actually the same drink.Before the start of each experiment, the experimental assistantscovered the participant’s eyes with a blindfold and confirmed thatthe participant could not see. The experimental assistants thenguided the participant to grasp the cup by both hands and gentlyrub it back and forth three times (see Fig. 2). The experimentalassistants then instructed the participant to pinch his/her nose withone hand, and with another hand lift the cup to drink (having beencautioned not to swallow). After putting the drink into his/hermouth, the participant was instructed to release his/her nose andcarefully taste the drink, holding the liquid in his/her mouth forapproximately 10 s. The participant then spit into the original cupand evaluated the taste of the liquid food product. A cup of naturalbottled water (about 80 ml, or approximately two or three fullmouthfuls) was available for rinsing between liquid food samples.After rinsing, participants were required to use the same procedureto taste other new types of drink (each 15 ml) and evaluate the tasteexperiences. Before participants imbibed any kind of drink, theexperimenter would loudly instruct the experimental assistantswhich one the participant should drink. The order in which tastingdrinks and evaluation items were presented was balanced. Finally,participants had to indicate to what extent they were familiar withone of the three kinds of drink (actually the same) by random selec-tion. Responses were recorded on a 9-point rating scale rangingfrom ‘‘not at all’’ to ‘‘very much so.’’ The whole experiment tookabout 20 min. After collecting the data from the participant, theparticipant was thanked for his/her cooperation and given a smallamount of money or a gift of the same value as a reward.

Data analysis

To obtain an overall impression of the characteristics ofparticipants’ taste experiences, we performed a factor analysis

Fig. 1. The different materials of the container (main study).

Fig. 2. Grasp the cup by both hands and gently rub the cup back and forth.

Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130 127

with Varimax rotation for all taste categories, using responses froma single participant (N = 46, 30 male, 16 female) on the seven tasteitems. The KMO level of .80 and the significance of the Bartlett testindicated that factor analysis was appropriate for the data. Theresults identified three factors with eigenvalues >1, and these threefactors, when accumulated, accounted for 70.31% of the total vari-ance. Sweet, cold, cool, and ice had loading of .63–79 on the firstfactor, named the SWEET dimension. Bitter and astringent hadloading of .84 and .84 respectively on the second factor, namedthe BITTER dimension. Sour solely had loading of .93 on the thirdfactor, named the SOUR dimension. In factor analyses, the seventaste items with high factor loadings on corresponding factors,respectively, were used to construct the sum of the three factorsfor the formal experiment.

In order to determine whether the materials of the liquid foodcontainers exerted a significant effect on participants’ perceivedtaste experiences, data were analyzed using 3 (liquid food catego-ries) � 3 (materials of liquid food container: glass, organic plastic,paper) repeated measures analysis of variance (ANOVA), whichconsidered liquid food categories and the materials as independentvariables and taste experiences as dependent variables.

Results

Participants were familiar with the taste of the drinks (M = 6.27,SD = 1.72). The correlations between the tasting familiarity of thedrink and the actual tasting experiences (SWEET: r = .11, p > .05;BITTER: r = .07, p > .05; and SOUR: r = �.08, p > .05) were all notsignificant. Both the main effects of liquid food categories andthe container materials were not significant, and no further inter-action effects were obtained for the familiarity of the three drinks’taste. After the experiment, interviews of the participants found

that the participants did not suspect that the three new kinds ofliquid food were actually the same drink; moreover, four partici-pants kindly reminded the experimenter to pay more attentionto the differences between those new drinks and one drink alreadysold on the market.

Taste evaluation: BITTER dimensionRepeated measures ANOVA showed no main effects for liquid

food categories (p = .74) and no interaction for liquid food catego-ries and the materials of liquid food containers (p = .54). Moreover,the main effect for the materials of liquid food containers was alsonot significant (F2,44 = .10, p = .79, g2 = .01).

Taste evaluation: SOUR dimensionRepeated measures ANOVA showed no main effects for liquid

food categories (p = .37) and no interaction for liquid food catego-ries and the materials of liquid food containers (p = .40). Moreover,the main effect for the materials of liquid food containers was alsonot significant (F2,44 = .72, p = .49, g2 = .03).

Taste evaluation: SWEET dimensionRepeated measures ANOVA showed no main effects for liquid

food categories (p = .34) and no interaction for liquid foodcategories and the materials of liquid food containers (p = .12).However, the main effect for the materials of liquid food containerswas significant (F2,44 = 7.39, p = .002, g2 = .25, dglass–paper =.44, dglass–plastic = .87, dpaper–plastic = .15), suggesting that partici-pants did perceive the SWEET tastes of the liquid food (cold tea)differently.

As the SWEET dimension included the four sub-dimensions ofsweet, cold, cool, and ice, cases with the four sub-dimensions asdependent variables needed further inspection. As far as the sub-dimension of the sensation of sweet was concerned, repeated mea-sures ANOVA showed that the main effects for liquid food catego-ries (p = .78), interaction for liquid food categories with thematerials of liquid food containers (p = .57), and the main effectfor the materials of liquid food containers were not significant(F2, 44 = .16, p = .85, g2 = .01). For the sub-dimension of the sensa-tion of cool, repeated measures ANOVA showed that main effectsfor liquid food categories (p = 81), interaction for liquid food cate-gories with the materials of liquid food containers (p = .75), and themain effect for the materials of liquid food containers were also notsignificant (F2,44 = .96, p = .39, g2 = .04).

However, with respect to the sub-dimension of the sensation ofthe ice, repeated measures ANOVA showed no main effects forliquid food categories (p = .47) and no interaction for liquid foodcategories with the materials of liquid food containers (p = .62).Yet, the main effect for the materials of liquid food containerswas significant (F2,44 = 9.63, p < .001, g2 = .30, dglass–paper = .54,dglass–plastic = .69, dpaper–plastic = .19), suggesting that participantsdid perceive the icy taste of the liquid food differently. According

Fig. 3. Bonferroni test of the taste of ice and the taste of cold.

Fig. 4. Bonferroni test of the sensation of ice.

128 Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130

to the Bonferroni test, the taste experiences of the liquid food inthe glass cup scored higher than in the paper cup (MD = 1.09,SE = .36, p = .02) and the organic plastic cup (MD = 1.44, SE = .39,p = .004) (see Fig. 3), suggesting that although participants tastedthe same drink contained by different materials, they perceivedthe drink contained by the glass cup as icier than the drink con-tained in the paper and plastic cups.

In addition, in terms of the sub-dimension of the sensation ofcold, repeated measures ANOVA showed no main effects for liquidfood categories (p = 0.37) and no interaction for liquid foodcategories with the materials of liquid food containers (p = .64).However, the main effect for the materials of liquid foodcontainers was also significant (F2, 44 = 1.12, p = .005, g2 = .22,dglass–paper = 0.52, dglass–plastic = 0.75, dpaper–plastic = 0.19), suggestingthat participants did perceive the cold taste of the liquid food (coldtea) differently. According to the Bonferroni test, the taste experi-ences of the liquid food in the glass cup scored higher than in thepaper cup (MD = 1.17, SE = .48, p = .07) and the organic plastic cup(MD = 1.60, SE = .48, p = .008) (see Fig. 3), suggesting that althoughconsumers tasted the same drink contained by different materials(glass, paper, and plastic), they perceived the drink contained bythe glass cup as colder than the drinks contained in the paperand plastic cups.

Experiment 2

Methods

In Experiment 1, the weight of the glass, paper, and plastic cupswas not constant. The weight of the glass cup (about 150 g) was fargreater than that of the paper cup (about 5 g) and the plastic cup(about 4 g). Therefore, the significant results in the Experiment 1could have been due to the effect of large differences betweenthe weights of the cups, rather than the textures of the materialsfrom which they were made. Several studies have shown that tastejudgments can be affected by the weight of a container. Containerweight has been shown to influence participants’ impressions anddecisions (Ackerman et al., 2010), Piqueras-Fiszman et al., 2011have also reported that uniform yoghurt samples were perceivedas being significantly dense when consumed from a heavier bowlrather than from a lighter but otherwise identical bowl.

Thus, we carried out Experiment 2, which was designed toensure that only the texture of the cups’ different materialsinfluenced participants’ taste experiences, eliminating differing

cup weights as a factor. Taking our cue from a study by Piqueras-Fiszman and Spence (2012a), in which ‘‘a hidden several g [ram]lead weight was attached to the base of the bowls’’ to keep theirweights constant, we pressed a glass base into the plastic cup(Height: about 5 cm; Weight: about 145 g), which had roughlythe same diameter as the plastic cup. As a result, the two cups(glass and plastic) were identical in weight in each condition.

Participants were 24 first-year graduate students (7 male, 17female; mean age 24.13 years) enrolled at Hunan Universitylocated in Hunan province, China, who were devoted to educationand psychology. The containers chosen were the glass cups and theorganic plastic cups that had been used in the Experiment 1. InExperiment 2, we used the same procedure and data analysis asin Experiment 1.

Results

The results demonstrated that only with respect to the sub-dimension of the sensation of ice, the main effect for the materialsof liquid food containers was significant (F1,29 = 5.36, p = .028,g2 = .16, dglass–plastic = 0.35), suggesting that participants perceivedthe icy taste of the liquid food (cold tea) differently. The taste expe-riences of the liquid food in the glass cup scored higher than in theorganic plastic cup (MD = 0.73) (see Fig. 4). However, with respectto the sub-dimension of the sensation of cold, the main effect forthe materials of liquid food containers was no longer significant(F1,29 = 3.13, p = .09, g2 = .10, dglass–plastic = 0.24), suggesting thatparticipants did not perceive the cold taste of the liquid food (coldtea) differently. The taste experiences of the liquid food in the glasscup scored a little higher than in the organic plastic cup(MD = 0.44).

General discussion

The present study investigated whether or not the materials ofliquid food packaging/containers (glass, paper, plastic) would exerta significant influence on participants’ perceived tasting experi-ences. The results of Experiment 1 and Experiment 2 revealed thatparticipants perceived cold tea contained in glass cups as SWEETERthan cold tea contained in plastic cups. Further analysis showedthat this result was mainly caused by the sensation of ice. Theresults preliminary confirmed and demonstrated that the hapticperception of touching the glass cup (glass material) influencedparticipants’ tasting judgments, which implies a crossmodal corre-spondence between haptic perception induced by different pack-aging/container materials and the taste experiences of the liquidfood contained in them.

Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130 129

The participants’ misjudgments provide the most unexpectedexplanation for the results of the present study. Yet, there is littleevidence to prove that these misjudgments were possible at a con-scious level. The time interval from touching the different cups andtasting from them to the moment of tasting evaluation was at leasta few seconds in length, which provided participants with enoughtime to make correct judgments at a conscious level. What is more,we clearly asked participants to evaluate the tastes of the liquidfood and to not attend to their haptic perception of different cupmaterials. However, we cannot exclude the possibility that some-thing occurred in participants at a subconscious level that mightcomplicate our explanation of the phenomena we observed. Forexample, Ramachandran and Hubbard (2001) proved conclusivelythrough five sets of experiments that such cross-activation is gen-uinely sensory in nature. Spence (2012) has also argued that theinfluence of packaging shape on food taste should be consideredas running at an implicit or functionally subconscious level. Asfor the present study, participants were required to execute onlyhabitual actions while they tasted each drink. As a result, theycould not have been aware of the food packaging’s meaning forthe experimental content or for the taste experiences that mighthave been caused by haptic perception.

As far as occurrence at the subconscious level is concerned,‘‘sensation transference’’—defined as ‘‘the phenomenon wherebycertain sensory attributes of a product perceived via one or moreof the senses can bias a consumer’s perception of other productattributes derived from other sensory modalities’’ (Piqueras-Fiszman & Spence, 2012b)—may provide the most likely explana-tion for the results of the present study. Experiment 1 and Exper-iment 2 showed that participants perceived the cold teacontained in the glass cup as icier than when it was contained inthe plastic cup. Yet, for us, it is believable that participants’ icytaste experiences might have been influenced not by sensationtransfer from the cold tea contained in the cups but from the tex-ture property of the cups. Schifferstein (2009) reported that theremight be a sensation transfer from the cold-warm property of aliquid foodstuff to the cold-warm perception of touching a cup.However, in Schifferstein (2009) study, cups were filled one-halfor one–third of the way full with tea (65 �C or 60 �C) and Sprite(12 �C or 10 �C). Although that study did not report the tempera-tures of the outside of the cups or the room, we speculate thatthe temperature of the tea may have been a little higher and thetemperature of the Sprite may have been a little lower than theoutside temperature of the cup and the room temperature. Giventhese conditions, heat could easily have been conducted from theliquid foodstuff to the feeling (sensation of touch) of the cups,especially for glass materials.

In Experiment 1, however, air-conditioning in the lab kept thetemperature of the cold tea and the cups at almost the same level,which may have prevented warm-cold sensation transfer. Further-more, the cold tea consumed by participants only filled a verysmall portion of each cup’s capacity (about 15 ml: 220 ml � 1/15). What is important is that during the whole process of theexperiment, a significant distance was maintained between whereparticipants’ hands touched the middle of the cups to the level ofthe cold tea at the bottom of the cups. We believe, however, thatexperimental cups made of different materials can still feel ther-mally different, even when they are all at room temperature, dueto differences in thermal conductivity and heat capacity; for exam-ple, paper generally feels a little warmer than glass (BergmannTiest, 2010; Bergmann Tiest & Kappers, 2008). The high thermalconductivity and high heat capacity of glass materials enable aglass object to extract heat from participants’ fingers faster andmore durably, which may make participants feel a little icier andcolder. In the present study, the haptic cues originating from threedifferent cup materials influenced participants’ taste experiences

of the test cold tea. It is possible that sensation transferenceoccurred between participants’ sense of the cups’ textural proper-ties and the taste experiences of the cold tea in them. In this case,the colder sense of touch from the glass cup may have biasedparticipants’ taste experiences of the cold tea contained in the glasscup. Consequently, participants touching glass cups may haveperceived more ice and more cold than those touching the paperand plastic cups (in comparison), and may have also had increasedsensations of ice and cold taste from having drunk the cold teafrom glass cups (in itself).

However, with the condition of weight controlled for acrosscups, Experiment 2 found that participants did not perceive thecold tea contained in the glass cup to be colder than the cold teacontained in the plastic cup—the opposite of the result obtainedin Experiment 1. Thus, an alternative explanation is that the tasteexperience of cold tea was influenced by the weight of the cups:participants’ different liking for cups with different weights mayhave mediated their taste experiences. That is, the heavier the con-tainer was, the more the participants liked the foodstuff in it, andthe sweeter the participants perceived the foodstuff to be. If thisalternative explanation were demonstrated to hold true, we wouldsay that affective (or hedonic) ventriloquism effects (cited bySpence & Gallace, 2011b) had impacted the present study’s tactile(multisensory) design. This would explain why changing the feel ofthe liquid foodstuff’s packaging influenced participants’ overallmultisensory product evaluation (such as the taste experience:sweet). Piqueras-Fiszman et al., 2011 also revealed significant maineffects from the weight of serving bowls on participants’ liking ofyoghurt samples, which increased as the weight of the bowlincreased. Another recent study completed by the current study’sauthors (Tu & Yang, in press) revealed that the more participantsliked the packaging color of a foodstuff, the sweeter the partici-pants perceived its taste to be.

The results of our present study have important implications forliquid food packaging design and for liquid food presentations inbars and restaurants. The outcomes mean that liquid food produc-ers and providers should pay more attention to the dynamic con-sistency between tasting experiences and the materials of thepackaging/containers that may affect them. They have the abilityto change the taste of food products not only by direct means(altering the recipe), but also by indirect means: adjusting thepackaging/container materials of the food. The results have alsoshown that compared to plastic and paper materials, glass materialis better able to transfer the haptic perceptions of cold and ice(Experiment 1) and perceptions of ice (Experiment 2), which areessential for enhancing customers’ taste experience of drinkingon a hot summer’s day. Imagine a very hot day when consumerscrowd into a restaurant, ready to quench their thirst, but find onlydrinks contained in paper and plastic materials. However, on a verycold winter’s day, the only way to boost the warming taste of abeverage would be to use materials that added components ofwood and cotton.

Concluding, the results of the research reported here demon-strate that crossmodal correspondence really does exist betweenthe taste of liquid food and the materials in which it is packaged.Our study also found that touching glass material conveyssensations of cold and ice (Experiment 1) and sensations of ice(Experiment 2). What will be needed in future research is toexplore how haptic perceptions of other materials influence tasteexperiences and how particular hand-movement patterns influ-ence other haptic perceptions (such as warmth and softness)(Lederman & Klatzky, 1987). Future research might also considerin what ways individual differences in ‘‘need for touch’’ (NFT)while shopping affect brand judgments, choice preferences, andinformation searching as well as product evaluation (Peck &Childers, 2003a). We speculate that NFT would play a moderate

130 Y. Tu et al. / Food Quality and Preference 39 (2015) 124–130

role in influencing the haptic transfer of taste experiences, assum-ing that the participants who scored higher in NFT would be moreaffected by touching. In coming years, as trade networks grow,haptic perception will likely be taken more and more seriously,and studies about the crossmodal correspondence between touchand taste will be fruitfully used to enhance tasting experiencesas well as to develop product loyalty, brand name, and branddifferentiation.

Acknowledgements

This research was supported by New Century Talent SupportingProject NCET-10-0370 by China Ministry of Education, Soft ScienceMajor Project 2012ZK1003 in Hunan province and the NaturalScience Foundation 13JJ3051 in Hunan province. The authorswould also like to thank the two anonymous reviewers for theirthoughtful and stimulating comments on earlier versions of thismanuscript.

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