for conductors: september 15 - session #1: basic

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2020 - 2021 Virtual Sessions 15 22 29 06 13 Session #1: Basic Conducting Technique I Right arm only. All the patterns. Session #2: Basic Conducting Technique II Left arm only. Crescendo, decrescendo, cueing, cutoffs, etc. Session #3: Advanced conducting Technique I Wasted motions. Session #4: Advanced conducting Technique II Fermatas. Session #5: Preparing Bach’s St. John Passion Preparing Bach’s St. John Passion for rehearsals and performances. SEPT Session #6: Verdi’s Requiem Preparing Verdi’s Requiem for rehearsals and performances. 20 OCT

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2020 - 2021 Virtual Sessions

15

22

29

06

13

Session #1: BasicConducting Technique I

Right arm only. All thepatterns.

Session #2: BasicConducting Technique II Left arm only. Crescendo,decrescendo, cueing, cutoffs,etc.

Session #3: Advancedconducting Technique I Wasted motions.

Session #4: Advancedconducting Technique IIFermatas.

Session #5: PreparingBach’s St. John PassionPreparing Bach’s St. JohnPassion for rehearsals andperformances.

SEPT

Session #6: Verdi’sRequiemPreparing Verdi’s Requiemfor rehearsals andperformances.

20

OCT

2020 - 2021 Virtual Sessions

27

10

17

24

01Session #7: BrahmsRequiem

Preparing the BrahmsRequiem for rehearsals andperformances.

Session #8: Mozart’s AveVerum Corpus and GrandMass in CPreparing Mozart’s AveVerum Corpus and GrandMass in C for rehearsals andperformances.

Session #9: Bach’s St.Matthew Passion Preparing Bach’s St.Matthew Passion forrehearsals andperformances.

Session #10: Haydn’sCreation Preparing Haydn’s Creationfor rehearsals andperformances.

Session #11: Bach’smotet Jesu Meine Freude Preparing Bach’s motet JesuMeine Freude for rehearsalsand performances.

Session #12: Mozart’sRequiem Preparing Mozart’s Requiemfor rehearsals andperformances.

08NOV

DEC

Session #13: Vivaldi’sGloria and Monteverdi’sSfogava con le Stelle

Preparing Vivaldi’s Gloriaand Monteverdi’s Sfogavacon le Stelle for rehearsalsand performances.

15

2020 - 2021 Virtual Sessions

05

12

19

26

Session #15: Writing forChoirs II

Session #16: Writing forChoirsTips by four professionalchoristers.

Session #17: Masterclassfor singers Tips by four professionalsoloists. Session #18: Bach's

Christmas OratorioPreparing Bach's ChristmasOratorio for rehearsals andperformance.

02

JAN

FEB

Session #14: Writing forChoirs I

2020 - 2021 Virtual Sessions

09

16

23

02

Session #21:Performance Clinic II Analyzing your conductingand your choir’sperformance.

Session #22:Performance Clinic III Analyzing your conductingand your choir’sperformance.

Session #23:Performance Clinic IVAnalyzing your conductingand your choir’sperformance.

09

MAR

Session #19:Mendelssohn's ElijahPreparing Mendelssohn'sElijah for rehearsals andperformance.

Session #20:Performance Clinic I Analyzing your conductingand your choir’sperformance.

16 Session #24: ConductingTechniques IObserving and analyzingconducting techniques invideo performances byRosenbaum and conductorsof the past. Continued in thefolloing session.

23 Session #25: ConductingTechniques II(Cont. ) The following (and muchmore) will be discussed:wasted motions, prepgestures, rebounds,subdividing, conducting inthree vs. one, bending knees,shaking left arm, mouthingwords, mirror conducting,and conducting below thewaist.

2020 - 2021 Virtual Sessions

30

06

13

20

Session #28: Choir Toursand Recording SessionsAchieving successful andgratifying choir tours andrecording sessions.

Session #29:Accompanists,Orchestras, and SoloistsWorking with accompanists,orchestras, and soloists.

Session #30: Ask theChoral Doctor!During this grand finale, youcan bring up any musicaltopic that Harold might beable to advise you on,whether it is something notdiscussed in previoussessions, or a review orexpansion of conceptsalready discussed.

27

APR

Session #26: How does aconductor approach apiece from the start? Part IISurprise Maestro HaroldRosenbaum with pieces youthink he has never studied orperformed. Classical worksonly please.

Session #27: How does aconductor approach apiece from the start? Part IISurprise Maestro HaroldRosenbaum with pieces youthink he has never studied orperformed. Classical worksonly please.