gammbill vol ii issue i priscilla asu gammage

Gammbill GAM Covers 1

Gammbill GAM Covers 1

VOL. II ISSUE I

GAM C2_1

philanthropy worksThe ASU Foundation for A New American University is one of the state’s oldest and most respectedphilanthropic organizations. Our mission is simple and direct: to ensure the success of ASU as a NewAmerican University. We help produce a new generation of leaders – tomorrow’s changemakers whowill find solutions to the greatest challenges we face. Critical philanthropic investments drive ASU’sadvancements in the areas of academic excellence, broad access to higher education andtransformative societal impact. These philanthropic commitments help us advance ASU— and a newgeneration of solutions. Philanthropy — it works for all of us.

Together we have the talent, energy and will to make a difference.

be part of the solutioninvest in ASU today at asufoundation.org

philanthropy works

GAM C2_1

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Gammage Preprints 1

Gammage Preprints 1

Most people my age don’t think they canget skin cancer. But I was diagnosed withstage one melanoma at 17. Now, I wearmy scar proudly and tell my friends howimportant it is to get regular skin checks.My answer was Mayo Clinic.

Caitlyn Potter, Phoenix, AZ

Because of Mayo Clinic’s collaborative model of care, Caity had an entire teamon her side, focused on her recovery. Now, she is cancer-free and attendingcollege. For over 100 years, people from all walks of life have come to MayoClinic for answers. Mayo is an in-network provider for millions of people. Inmost cases you don’t need a physician referral. For more information or toschedule an appointment, visit mayoclinic.org/arizona.

Gammage Preprints 1Gammage Preprints 1

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Gammage Preprints 2

Since our opening in 2010, Talking Stick Resort hasbecome one of the most distinct resort destinations inthe Southwest. We proudly invite you to experience foryourself what others are saying about Talking Stick Resort.

• Award of Excellence (Talking Stick Resort) by Travelocity• Best Casino (Talking Stick Resort) by Phoenix Magazine• Best Restaurant View at Dusk (Orange Sky) by AZCentral• AAA Four Diamond Award (Talking Stick Resort) by AAA

1 0 1 & I N D I A N B E N D | 4 8 0 . 8 5 0 .7 7 7 7T A L K I N G S T I C K R E S O R T. C O MLocally owned and caringly operated by the Salt River Pima-Maricopa Indian Community.

©2013 Talking Stick Resort


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Gammage Preprints 3

Connecting CommunitiesConnecting CommunitiesTMTM asugammage.comasugammage.com

This performance is made possible with the support ofThis performance is made possible with the support of

For nearly 50 years, ASU Gammage has been the heart of theFor nearly 50 years, ASU Gammage has been the heart of thearts in our community. Since its opening in 1964, the Frankarts in our community. Since its opening in 1964, the FrankLloyd Wright designed performing arts center on ASU’s TempeLloyd Wright designed performing arts center on ASU’s Tempecampus has welcomed artists and patrons from around the worldcampus has welcomed artists and patrons from around the worldto Arizona.to Arizona.What started as an idea to create a distinct university auditorium, byWhat started as an idea to create a distinct university auditorium, byASU President Grady Gammage in 1957, has become a world-classASU President Grady Gammage in 1957, has become a world-classarts presenting organization and a vital economic engine for thearts presenting organization and a vital economic engine for thestate. In fact, since 2006 ASU Gammage has created more than $350state. In fact, since 2006 ASU Gammage has created more than $350million of economic impact formillion of economic impact for Arizona with iArizona with its Broadway series*.ts Broadway series*.Each season, ASU Gammage presents the best the arts haveEach season, ASU Gammage presents the best the arts haveto offer as well as cultivating new works, artist residencies andto offer as well as cultivating new works, artist residencies andeducation programs that foster the great artists of today andeducation programs that foster the great artists of today andempower the artists of tomorrow. With the mission ofempower the artists of tomorrow. With the mission of ConnectingConnectingCommunitiesCommunities™™, ASU Gammage underscores ASU’s vision with, ASU Gammage underscores ASU’s vision withinnovative Cultural Participation programs that change lives forinnovative Cultural Participation programs that change lives forthe better and make a difference in our community through thethe better and make a difference in our community through theshared experience of the arts.shared experience of the arts.

WELCOME TO

Colleen Jennings-RoggensackColleen Jennings-RoggensackColleen Jennings-RoggensackColleen Jennings-RoggensackExecutive Director for ASU Gammage &Executive Director for ASU Gammage &Assistant Vice President for Cultural AffairsAssistant Vice President for Cultural Affairs

*According to a study by The Broadway League*According to a study by The Broadway League

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Gammage Preprints 4

Welcome Friends,

ON Media Publications grew up in the theater. Chapter One of ourcompany’s story began with a handful of performing arts groups inSouthern Arizona. The plot was simple. We would take on the financialresponsibility of publishing their program books to allow them to directtheir endless talent and limited resources to what they do best, createmagic on the stage. During our nearly four decades in operation, weexpanded from that original handful (still happily with us!) to serve asthe publisher of more than 30 visitor guides, program books and golfspectator guides.

A unique new partnership which launched this summer is with Eight,Arizona PBS, publishing the monthly Eight Magazine. We are thrilledto welcome Eight as our newest member of ON Media partners. Staytuned for more exciting news as this friendship develops.

With our roots in the theater, we have learned a lot about strongperformances. While backstage, the ON Media team has picked upa number of lessons that help guide our company; speak clearly,hit your marks, keep your eye on the spotlight, don’t upstage yourcolleagues and you are only as good as your last performance. This isinvaluable advice for all of us as we build ON Media’s reputation...oneperformance at a time.

A noteworthy moment at this year’s Tony Awards was Cyndi Lauper’swin for Best Original Score, for her musical “Kinky Boots.” I havealways admired her for her ability to make everything she does seemlike fun. In her acceptance speech, my admiration increased as theshow-biz veteran acknowledged the hard working ensemble behindthe award, “My wonderful team, you guys inspire me.”

I invite all of you to meet ON Media’s wonderful team by visiting ournewly designed website, onmediaaz.com. Each work day, and morework nights than I like to admit, they do the hard work of making ourpublications possible while...enjoying the experience, and making it alllook like fun!

Please remember to KEEP THE BOOK. Take it home to read up on allthe latest and greatest news occurring on and o� stage.

Enjoy.

Linda “Mac” PerlichPresident and Publisher

Publisher:Linda “Mac” Perlich

Chief Financial O cer:Mark Kochman

Director of Sales & Marketing:Lesley Bennett

Director of Operations:Richard Blankley

Production Manager:Kendra Uchida

Director of External A�airs:Colin Columna

Account Exectives:Dee Anne ThomasDeidra VibergTracy Turner

Printed By:Courier Graphics

Local FirstARIZONA

FOR ADVERTISINGOPPORTUNITIES

Please visit onmediaaz.comor call 602-323-9701

Letter fromthe Publisher

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Gammage Preprints 5

GRAND CANYON UNIVERSITY’S 2013-2014 THEATRE SEASON Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the WoodsAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobe April 4 – 6 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13

Feb. 14 – 16

TICKETS: 602-639-8880 | [email protected]

GRAND CANYON UNIVERSITY’S 2013 2014 THEATATA RE SEASON

Performances: 7:30 p.m. nightly | 2 p.m. Sundays


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Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the Woods Twelfth Night Ah, Wilderness! Così Fan Tutte The Lion, the Witch Into the WoodsAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 April 4 – 6April 4 – 6Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 April 4 – 6April 4 – 6and the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobe April 4 – 6April 4 – 6April 4 – 6April 4 – 6and the Wardrobeand the Wardrobeand the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6April 4 – 6Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 April 4 – 6April 4 – 6April 4 – 6April 4 – 6Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 and the Wardrobeand the Wardrobeand the Wardrobeand the WardrobeAug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 April 4 – 6April 4 – 6April 4 – 6April 4 – 6Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24Aug. 30 – Sept. 1 Oct. 11 – 13 Nov. 22 – 24 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13 Sept. 6 – 8 Oct. 18 – 20 Nov. 29 – Dec. 1 Feb. 7 – 9 April 11 – 13

Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16 Feb. 14 – 16

Performances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. SundaysPerformances: 7:30 p.m. nightly | 2 p.m. Sundays

TICKETS: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]: 602-639-8880 | [email protected]

Gammage Preprints 6

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DECEMBER 3-8 ASU GammageTickets at ASU Gammage & asugammage.com

800.982.ARTS (2787) Groups 15+: 480.965.6678


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Member FDIC

Knowledge of the path ahead.And the skill to follow it.Who will guide you through financial waters? What qualitiesshould you find in a wealth management partner? Experience?Expertise? Or simply good instinct? At MidFirst Private Bank,we believe success requires all three. We know your privatebanker is the person you will rely on to help make your mostimportant financial plans and decisions. We provide thatperson with a specialized team to make sure those plans arecarried out responsibly, exactly and with incomparable skill.

midfirstprivatebank.com480.384.5750

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SALUTE AT ASU GAMMAGEASU Gammage and USAirwaysshareacommitmentto our veterans, active dutymilitary and their families.The US Airways Saluteat ASU Gammage is apartnership that allows ournation’s heroes and theirfamilies to see the best ofBroadway each season.

MILITARY FAMILY FIRSTNIGHTS Each year, more than100 family members of deployedmilitary personnel annually receive tickets toattend three Broadway performances. Thesefamilies serve our nation at home, while lovedones are serving abroad and in order to honorthat sacrifice this program provides them withexclusive opportunities including a meet-and-greet with the cast. The Military FamilyFirst Nights program was conceived by ASUGammage Executive Director Colleen Jennings-Roggensack. As a daughter of a career militaryfather, Colleen distinctly remembers trips to NewYork with her mother to get standing room onlytickets to Broadway, opera and the ballet. Todate, the Military Family First Nights programhas provided nearly 2,500 tickets to militaryfamilies, active duty military and veterans.Military Family First Nights are made possiblein part by additional funding provided by ArizonaLottery and The Broadway League.

HEROES NIGHT This annual pre-show eventhonors veterans and active duty military andincludes special guests, giveaways and a show ofpatriotism that will warm the soul. This season,Heroes Night will take place at opening night ofTHE WIZARD OF OZ on Tuesday, February 4and will feature a special salute to the militaryfamily that proves there’s no place like home.Heroes Night is made possible with additionalfunding provided by APS, George Brazil HomeServices, Macy’s and The Arizona Republic/azcentral.com.

MILITARY TICKET FUND ASU Gammagehas forged a new relationship with VeteransUpward Bound at ASU; a local chapter ofthe national organization dedicated to fullydeveloping the personal potential of all U.S.military veterans. Each year, ASU Gammage andUS Airways provide Veterans Upward Bound

with tickets to each Broadway show.

VETTIX Since 2010,ASU Gammage hasworked with VetTix to allow more than1,000 active duty military, dependentsand veterans to experience Broadwayperformances at no cost.

For information about supporting theseprograms please contact Peter Means orMollie Trivers at 480.965.2176

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LEAVE YOUR LEGACY AT ASU GAMMAGE

The following article was written by ASUGammage VIPs Bill and Sue Ahearn.A great university needs a great theater. That’s thequick reason for our support of ASU Gammage.There was no better place for a formal date whenwe first met. Great Broadway shows and a widevariety of concerts and other performances; allin a magnificent theater. ASU Gammage was justseven years old then and pretty classy for a youngcouple. Suits and cocktail dresses were the customfor theater then. As we planned to marry, seasontickets were in those plans.We still have those season tickets, though we’vemoved up from row 26. Broadway is better thanever, and we look forward to each season withexcitement. It’s still a great place for today’s young(and not-so-young) couples to have a formal date.We want to make sure that they have the ASUGammage that we have enjoyed for 40 years.That’s why we became donors years ago and,in recent years, provided for a bequest to ASUGammage in our estate plan.As we have become more involved with ASUGammage, we have learned that ticket salesonly cover a fraction of the cost to operate andmaintain the theater. Private philanthropy isneeded to maintain the structure, especially asit approaches its 50th Anniversary in 2014.Furthermore, Frank Lloyd Wright couldnot have imagined the technological

advances in theater sound, lighting and setmovement. Donor support is vital to keep ASUGammage as one of the top touring Broadwayhouses in the country.ASU Gammage is more than just Broadway. Thereare many outreach programs that benefit studentsand the community. One of particular interest tous is Camp Broadway, which teaches students lifeskills as they learn about theater. Our estate giftwill benefit them, as well as keep ASU Gammageas a state-of-the-art facility.We hope that Gammage has meant as much toyou as it has to us. To ensure that ASU Gammageremains a cherished venue for future generationsof students, families, and theater lovers, weencourage you to consider establishing your ownlegacy through an estate gift to ASU Gammage.

For more information about planned giving,please contact Peter Means or Mollie Trivers at480.965.2176.

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Connecting CommunitiesConnecting CommunitiesTMTM asugammage.comasugammage.com

MAKING BROADWAY DREAMS COME TRUECAMP BROADWAY is a unique summer campCAMP BROADWAY is a unique summer campexperience for children that helps develop self-experience for children that helps develop self-esteem, teamwork and creative potential. Directesteem, teamwork and creative potential. Directfrom New York, CAMP BROADWAY willfrom New York, CAMP BROADWAY willcelebrate its 15celebrate its 15thth year at ASU Gammage Juneyear at ASU Gammage June2-6, 2014 and this year is centered around the2-6, 2014 and this year is centered around theaward-winning Broadway aaward-winning Broadway adaptation of THEdaptation of THEGERSHWINS’ PORGY AND BESS. ThisGERSHWINS’ PORGY AND BESS. Thiscomprehensive day camp for kids aged 10-17 hascomprehensive day camp for kids aged 10-17 hasno experience necessary and only enthusiasm isno experience necessary and only enthusiasm isrequired.required.Campers work with distinguished BroadwayCampers work with distinguished Broadwayperformers, writers and designers in classes thatperformers, writers and designers in classes thatinclude acting, scene study, improvisation, musicinclude acting, scene study, improvisation, musictheory, singing and dancing. Additionally, camperstheory, singing and dancing. Additionally, camperssee a hit Broadway show each year. The week-see a hit Broadway show each year. The week-long day camp culminates in a “Family Finale”long day camp culminates in a “Family Finale”performance in which the campers’ groups stageperformance in which the campers’ groups stage

excerpts from Broadway hits as well as their ownexcerpts from Broadway hits as well as their ownBroadway mash-ups that the caBroadway mash-ups that the campers creampers create andte andwrite themselves.write themselves.Two-time camper Alex Trumble talks about what itTwo-time camper Alex Trumble talks about what itmeans to her to be a part of CAMP BROADWAY;means to her to be a part of CAMP BROADWAY;“It means getting an experience like no other,“It means getting an experience like no other,getting to act on stage, sing on stage, a nice familygetting to act on stage, sing on stage, a nice familyenvironment to get to learn everything you possiblyenvironment to get to learn everything you possiblycan. To get to just be yourself and be a part of acan. To get to just be yourself and be a part of afamily that loves Broadway, loves teaching aboutfamily that loves Broadway, loves teaching aboutBroadway and loveBroadway and loves giving you wonderful cls giving you wonderful classesasseson dancing, singing, acting, everything that youon dancing, singing, acting, everything that youcould possibly think of. You get to express yourselfcould possibly think of. You get to express yourselfin a way that you can’t really any other way.”in a way that you can’t really any other way.”The program has also become a favorite of manyThe program has also become a favorite of manyASU Gammage VIPs, who fund scholarshipsASU Gammage VIPs, who fund scholarshipsannually for 20-30% of the participants. “Iannually for 20-30% of the participants. “Isupport Camp Broadway because it affords kidssupport Camp Broadway because it affords kidsthe opportunity to have an authentic theatricalthe opportunity to have an authentic theatricalperformance experience,” says ASU Gammageperformance experience,” says ASU GammageVIP David Horowitz. “The lessons learnedVIP David Horowitz. “The lessons learnedand the friends made last them well beyondand the friends made last them well beyondtheir time at camp.” For more information ontheir time at camp.” For more information onfunding a scholarship student, please contact ourfunding a scholarship student, please contact ourDevelopment department at 480.965.1910.Development department at 480.965.1910.Registrations for CAMP BROADWAY are on aRegistrations for CAMP BROADWAY are on afirst-come, first-served basis and the camp sells outfirst-come, first-served basis and the camp sells outevery year, so hurry! You can reserve your child’severy year, so hurry! You can reserve your child’sspotspot today bytoday by calling 480.965.5062 or visitingcalling 480.965.5062 or visitingasugammage.com/camp.asugammage.com/camp.



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Starring

Troika Entertainment and Nullarbor Productions Ltd.

Bus Concept & Production DesignBRIAN THOMSON

Costume DesignTIM CHAPPEL & LIZZY GARDINER

Original Broadway Lighting DesignNICK SCHLIEPER

Sound DesignJONATHAN DEANS &PETER FITZGERALD

Executive ProducerRANDALL A. BUCK

General ManagerTOWNSEND TEAGUE

Technical SupervisorMB PRODUCTIONS

CastingTELSEY + COMPANYCRAIG BURNS, CSA

Makeup DesignCASSIE HANLON

National Tour Lighting DesignNICK SCHLIEPER &

JONATHAN SPENCER

Developed for the Stage BySIMON PHILIPS

Direction Based Upon the Original New York DirectionDAVID HYSLOP

Choreography Recreated byJOSHUA BUSCHER

TAUREAN EVERETT NIK ALEXZANDER CHELSEA ZENO DAVID KOCH CHRISTY FABER TRAVIS TABER BABS RUBENSTEINand

EMILY AFTON BRE JACKSON BRIT WESTANDREW CHAPPELLE SHANE DAVIS ALEX DELEO AMY HILLNER LARSEN

CHRIS KLINK NEAL MAYER RALPH MEITZLER ALEX RINGLER WILL B.

Book By STEPHAN ELLIOTT & ALLAN SCOTTBased on the Latent Image/ Specific Films Motion Picture

Distributed by Metro-Goldwyn-Mayer Inc.

WADE MCCOLLUM SCOTT WILLIS BRYAN WEST JOE HARTwith

OrchestrationsSTEPHEN “SPUD” MURPHY &

CHARLIE HULL

Music DirectorBRENT FREDERICK

Music CoordinatorTALITHA FEHR

NorthAmericanMusicSupervisorJEFF MARDER

Production Stage ManagerTOM BARTLETT

Tour Marketing and PressAMY KATZ

COURTNEY DAVIS

Tour Booking AgencyTHE BOOKING GROUP

Flying By FOY

Music Supervision & ArrangementsSTEPHEN “SPUD” MURPHY

ChoreographerROSS COLEMAN

DirectorSIMON PHILIPS

The original motion picture was written by Stephan Elliot, produced by Al Clark and Michael Hamlyn,executive producer Rebel Penfold-Russell and was financed with the assistance of the Film Finance

Corporation of Australia Limited and the New South Wales Film and Television Office.

In association with MGM ON STAGEDarcie Denkert and Dean Stolber

present

Priscilla_8.19.13.indd 19 8/28/13 7:05 PM


CAST

The use of any recording device, eitheraudio or video, and the taking of

photographs, either with or without flash, isstrictly prohibited.

Please turn off all electronic devicessuch as cell phones and pagers prior to

the beginning of the performance.

(in order of appearance)

Divas. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EMILY AFTON, BRE JACKSON, BRIT WESTTick (Mitzi). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .WADE MCCOLLUMMiss Understanding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NIK ALEXZANDERMarion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHRISTY FABERBenji. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SHANE DAVIS, WILL B.Farrah/Young Bernadette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TRAVIS TABERBernadette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SCOTT WILLISAdam (Felicia). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BRYAN WESTShirley. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BABS RUBENSTEINJimmy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TAUREAN EVERETTBob. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE HARTCynthia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHELSEA ZENOFrank. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID KOCHEnsemble. . . . . . . .EMILYAFTON, NIKALEXZANDER, ANDREWCHAPPELLE,

ALEX DELEO, TAUREAN EVERETT, CHRISTY FABER,BRE JACKSON, CHRIS KLINK, DAVID KOCH,

NEAL MAYER, ALEX RINGLER, BABS RUBENSTEIN,TRAVIS TABER, BRIT WEST, CHELSEA ZENO

UNDERSTUDIESUnderstudies never substitute for listed players unless a specific notice is posted

at the time of the performance.

Swings: AMY HILLNER LARSEN, RALPH MEITZLERFor Divas: CHRISTY FABER, AMY HILLNER LARSEN, BABS RUBENSTEIN,

CHELSEA ZENO; for Marion, Shirley: EMILY AFTON, AMY HILLNER LARSEN;for Cynthia: AMY HILLNER LARSEN; for Tick (Mitzi): CHRIS KLINK,RALPH MEITZLER; for Miss Understanding: ANDREW CHAPPELLE,

TAUREAN EVERETT; for Farrah/Young Bernadette: RALPH MEITZLER,ALEX RINGLER; for Bernadette: DAVID KOCH, NEAL MAYER; for Adam (Felicia):

ALEX DELEO, ALEX RINGLER; for Jimmy: NIK ALEXZANDER,ANDREW CHAPPELLE; for Bob: DAVID KOCH, NEAL MAYER;

for Frank: NEAL MAYER, RALPH MEITZLER

Dance Captain: RALPH MEITZLER; Assistant Dance Captain: AMY HILLNER LARSEN;Fight Captain: RALPH MEITZLER

The Actors and Stage Managers employed in this production aremembers of Actors’ Equity Association, the union of professionalactors and stage managers in the United States.



SCENES & MUSICAL NUMBERSACT I

The OvertureDOWNTOWN SYDNEY“It’sRainingMen”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TheDivas,TickandCompany“What’s Love Got to Do With It?”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Miss Understanding“ISayaLittlePrayer”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tick“Don’t Leave Me This Way”. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bernadette, Tick and Company“Material Girl”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Felicia and the Boys“Go West”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bernadette, Tick, Adam and CompanyTHE BLACK STUMP“Holiday/Like a Virgin”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Adam, Tick, Bernadette“ISayaLittlePrayer”(reprise). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TickandtheDivasBROKEN HILL“I Love the Nightlife”. . . . . . . . . . . . . . . .Shirley, Bernadette, Mitzi, Felicia and Company“True Colors”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bernadette, Mitzi, FeliciaTHE ROAD TO NOWHERE“Sempre Libera”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Felicia and the DivasTHE MIDDLE OF NOWHERE“Colour My World”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Adam, Tick, Bernadette and Company“IWillSurvive”. . . . . . . . . . . . . . . . . . . . . . . .Bernadette,Felicia,Mitzi,JimmyandCompany

ACT IIWOOP WOOP“Thank God I’m a Country Boy”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company“A Fine Romance”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Young Bernadette and Les Girls“Thank God I’m a Country Boy” (reprise). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company“Shake Your Groove Thing”. . . . . . . . . . . . . . . . . .Mitzi, Bernadette, Felicia and the Divas“Pop Muzik”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cynthia and Company“A Fine Romance” (reprise). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BobTHE BACK OF BEYOND“Girls Just Wanna Have Fun”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Adam and the DivasCOOBER PEDY“Hot Stuff”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Felicia, the Divas and Bernadette“MacArthur Park”. . . . . . . . . . . . . . . . . . . . . . . . . . .Bernadette, Tick, the Divas and CompanyALICE SPRINGS“Boogie Wonderland”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company“The Floor Show”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mitzi, Bernadette, Felicia and Company“Always on My Mind”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tick, Benji“Like a Prayer”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Felicia and Company“We Belong”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Felicia, Mitzi, Bernadette and Company“Finally Medley”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company

THERE WILL BE ONE 15 MINUTE INTERMISSION

PRISCILLA ORCHESTRAMusic Director/Keys: Brent Frederick

Associate Music Director/Keys: Wayne GreenWoodwinds: Dave Stambaugh Trumpet: Walter White

Trombone: James Nelson Guitar: Ralph AgrestaBass: Michael Epperhart Drums: Mark Pardy

Percussion: Jeremy Meronuck

Band Tech: Mark PardyMusic Coordinator: Talitha Fehr (TL Music International)

For musicians’ bios visit: www.inthepitontheroad.com



WHO’S WHO IN THE CASTWADE MCCOLLUM (Tick/Mitzi) JerseyBoys (Chicago/San Fran), Velociraptor of Faithin Triassic Parq the Musical (Off Broadway),Emcee in Cabaret (Dallas Theatre Center),Dracula in Steven Dietz’s Dracula (GEVA/IRT),Prior in Angels in America (Portland Playhouse),Woody in Toy Story the Musical (Disney/PixarWorkshop), The Narrator in Fly By Night, a newmusical (TheatreWorks Palo Alto), Crumpet in TheSantaland Diaries, Charlotte in I Am My Own Wife(Portland Center Stage), Hedwig in Hedwig andthe Angry Inch (Los Angeles Celebration Theatre,Garland Award and LA Critic’s Circle Award:Best Actor). TV: Nolan Grigsby in season 2 ofBroadway’s favorite sitcom: “Submissions Only”www.submissionsonly.com. www.wadesong.com

SCOTT WILLIS (Bernadette) Who would haveguessed twenty-six years ago when Scott wasbackpacking through the Outback of Australiathat he would now be making the very same tripto Ayers Rock in a bus named PRISCILLA?Scott has performed in numerous Broadway andNational Touring productions including the 30thAnniversary production of Annie as “RoosterHannigan,” Rodgers and Hammerstein’s StateFair, the Tony Award® winning Crazy ForYou, David Merrick’s 42nd Street and the 50thAnniversary production of The Fantasticks inNew York. Annually, he stars as “Santa Claus”with the Radio City Rockettes in their ChristmasSpectacular across America.

BRYAN WEST (Adam/Felicia) is thrilled tojoin the Priscilla tour direct from its fabulousBroadway run. Other Broadway credits includeHairspray, Wicked and Legally Blonde. FirstNational Tours of Hairspray and Wicked andWicked’s Los Angeles company. Recording artistBMG Records Europe. Love to my family both inNew York and across the country. To all the youthout there doubting themselves...It Gets Better!Proud member of Actors’ Equity.

JOE HART (Bob) Original BroadwayCompanies: Bonnie & Clyde, Best LittleWhorehouse Goes Public. National Tours: AnnieGet Your Gun, Best Little Whorehouse in Texaswith Alexis Smith, reprising his Aggie role inthe film with Dolly Parton. Ovation Award-BestSupporting Actor, Angles of Lemnos; OvationNomination-Best Actor, Woman in Black (bothRoad Theater). Other awarding winning shows:Bouncers (LA Drama Critics Circle), AnythingGoes (Ovation), Napoli Milionaria (Ovation).Film, TV, Commercials available IMDB. Proudmember of MTG and AEA. Representation TalentHouse. Heartfelt thanks to David, Josh & CreativeTeam. Love to Linda, Hudson and Spencer.

EMILY AFTON (Diva, u/s Marion, Shirley)Broadway: Hair. 1st National Tours: Hair, I Love aPiano. Regional: Goodspeed, MSMT, Mac-Haydn,APAC. BFA Emerson College. Much gratitude toDave, Telsey+Co, the creative team, my family,and all my teachers. So thrilled to be spreading thelove and joy with this show. Namaste.

BRE JACKSON (Diva) B.F.A. Musical Theatre2012UniversityofMichigan.Regional:Muny2011Legally Blonde, The Little Mermaid (Mersister),Little Shop of Horrors (Chiffon). Go Blue!

BRIT WEST (Diva) National Tours: LegallyBlonde The Musical (Pilar), Nickelodeon’sStorytime Live! Education: B.A. SUNY PurchaseCollege. Infinite thanks to the West Family Mafia,The Mine, and Telsey. Proud member of Actors’Equity. www.briterrinwest.yolasite.com.

TAUREAN EVERETT (Jimmy, u/s MissUnderstanding) is so proud to be a part of thisincredible Priscy cast! Most recent RegionalCredits: Legally Blonde (Nikos, Cape Playhouse),Damn Yankees (Paper Mill Playhouse), Curtains(Paper Mill Playhouse), Peter Pan (Paper MillPlayhouse/Cathy Rigby is...). Love and thanks tothe Priscilla Team, 4D, The Mine, F&F!!

NIK ALEXZANDER (Miss Understanding,u/s Jimmy) is so excited about Priscilla beinghis Actors’ Equity debut. Recent credits: JesusChrist Superstar. Other credits include: TheWiz, Dreamgirls, Hairspray, Working and LesMisérables. Nik would like to thank Devon Sims,Mommy, Da, Jerrial Young, Dave Secor, AnnieKate and God for his Mercy.

CHELSEA ZENO (Cynthia, u/s Divas) Off-Broadway: 8 Million Protagonists. Regional:Little Shop of Horrors, Spring Awakening. Tour:Nickelodeon’s Storytime Live. Gratitude: Thewonderful creative team, Telsey + Co., GothamTalent, Friends & Family. This is for Aust, Ma andDad for their undying love and support.

DAVID KOCH (Frank, u/s Bernadette, Bob)NY: Original Broadway casts of Billy Elliot, ThePirate Queen and Jekyll & Hyde; also The PajamaGame and Chess. Tours: The Producers (RogerDebris/Franz), Copacabana (Rico), JeromeRobbins’ Broadway and Joseph and the AmazingTechnicolor Dreamcoat starring Donny Osmond.TV: “Showboat” (PBS), and more importantly,“Dance Fever” (WINNER!!!).

CHRISTY FABER (Marion, u/s Divas)Broadway: Les Misérables (revival). Off-Broadway: I Love You, You’re Perfect, NowChange, The Marvelous Wonderettes, Dr. Sex.



WHO’S WHO IN THE CASTRegional: Damn Yankees, Mame, The Baker’sWife, Annie, My Way. B.F.A. University ofMichigan. Many thanks to H&H, Telsey + Co.and my incredible family and friends. www.christyfaber.com

TRAVIS TABER (Farrah / Young Bernadette)Broadway National Tour: Mamma Mia (u/s Sky).Off-Broadway: For Lovers Only. Other Favoriteroles include: She Loves Me (George), City ofAngels (Stone), and I Love You, You’re Perfect,Now Change (Man 1/Man 2). Thanks to myawesome family, Ali, and Craig!

BABS RUBENSTEIN (Shirley, u/s Divas) isexcited to join Priscilla! Regional credits: FatCamp, Little Shop of Horrors, Chicago, Rent, AllShook Up. Babs appears in her monthly criticallyacclaimed show, We’re Having a Dinner Party.Love to my parents, Joe, Carm, and my family.BFA: The Boston Conservatory.

ANDREW CHAPPELLE (Ensemble, u/s MissUnderstanding, Jimmy) joins Priscilla directlyfrom playing Eddie on Broadway in MammaMia! Regional: Annie and Cinderella (NCT),Dreamgirls and West Side Story (WVPT), andDaniel in Once On This Island (CRT). BigThanks to Craig and Cesar at Telsey + Co. and theawesome creatives. www.AndrewChappelle.com

SHANE DAVIS (Benji) Regional credit: Josephand the Amazing Technicolor Dreamcoat.Other stage credits: Footloose, Bye Bye Birdie,Camp Rock 2 and performed a duo act with hisyounger brother on Carnival Cruise Lines. TV &Films: Knight of Cups opposite Christian Bale,“Wobworld,” “The Amazing Clown Show” and“Future Stars Showcase.” Special thanks to God,Delly Fortgang, Susan Swanson, and his lovingfamily.

ALEX DELEO (Ensemble, u/s Adam/Felicia) isbursting with glitter to be on tour with Priscilla!Credits: Muny, North Shore Music Theatre,BCT, Atlanta’s Fox, Carnegie Hall, CincinnatiConservatory of Music, WHS, Pace. Thanks to myfamily, friends, Avalon Artists, and to my parentsfor their love and support. AEA.

AMY HILLNER LARSEN (Swing, AssistantDance Captain, u/s Divas, Marion, Shirley,Cynthia) TV: Tracy Turnblad on the “66thAnnual Tony Awards.” Webseries: “Gigi: AlmostAmerican” opposite Josh Gad. Tour: Hairspray.Regional: Footloose, Seussical, Fiddler on theRoof, Hairspray (Hollywood Bowl). Love to thefam, and endless thanks to my amazing husbandKevin. I love you mas.

CHRIS KLINK (Ensemble, u/s Tick/Mitzi)Credits include: The Producers (Broadway/LasVegas), We Will Rock You (Las Vegas), ChittyChitty Bang Bang (1st National), A Chorus Line(Papermill Playhouse), White Christmas (WalnutStreet Theatre), It’s Superman (Dallas TheatreCenter), Dirty Rotten Scoundrels (North ShoreMusic Theatre). Indiana University Alum, ProudAEA member.

NEAL MAYER (Ensemble, u/s Bernadette,Bob, Frank) Broadway: Les Misérables. Tour:101 Dalmatians. Off-Broadway: ForbiddenBroadway, Bush is Bad (CD). Regional: ArenaStage, Goodspeed, North Shore, IvorytonPlayhouse, Weston Playhouse. Recent TV: “BlueBloods,” numerous sketches on “Late Night withJimmy Fallon.” Thanks, Barry and Huascar atCarson-Kolker.

RALPH MEITZLER (Swing, Dance Captain,Fight Captain, u/s Tick/Mitzi, Farrah, YoungBernadette, Frank) is honored to undertake sucha fiiiiiiiiiiierce workload, hazing into the PriscillaFamily!! Recently from Broadway’s Rock of Ages,Ralph and his “son” Rexy are ecstatic to travel thecountry together!! Favorites: Sonny (Xanadu),Matthew (Altar Boyz), Wicked in Japan. Love andAppreciation to T, Trish, Dad, and “My Rock!”

ALEX RINGLER (Ensemble, u/s Adam/Felicia,Farrah, Young Bernadette) is excited to kick uphis heels with Priscilla! Broadway: West SideStory. Off-Broadway: Icons. Tours: 1st Nat’l AChorus Line (Greg), West Side Story (Action),CATS (Alonzo). Film: Welcome to New York.Cast, Crew, Creative you’re fabulous! Much loveto family & friends!www.alexringler.com

WILL B. (Benji) Actor/Singer, works with CoolBlue Talent, Vegas Kids TV, Hands Off OurChildren. Has been live on radio stations, festivals,schools. Songwriter L-Jay, recorded songs onYouTube as “willbasuperstar.” The “B” is forBELIEVE. He is proud to be a part of Priscilla.

STEPHAN ELLIOTT (Book) Stephan saw adrag queen’s feathered plume rolling down thestreet like a tumbleweed from a Sergio Leonewestern. In that single moment he created PriscillaQueen of the Desert. The image still haunts him.

ALLAN SCOTT (Book, Producer) Allan Scotthas written and produced more than 20 featurefilms, some of which have won awards and somehis children praised. He graduated from McGillUniversity and the CBC. He has been chairman ofa public company and a trade union at the sametime. This probably led him to Priscilla.



WHO’S WHO IN THE CASTSIMON PHILLIPS (Director) During the past30 years, Simon has worked as a director anddramaturg on new works, classics, musicals andoperas in Australasia, Japan and Europe. In 2000he was appointed artistic director of the MelbourneTheatre Company and most recently he receivedBest Director awards for his Australian productionsof The 25th Annual Putnam County Spelling Bee,August: Osage County and Richard III.

DAVID HYSLOP (Associate Director) wasthe Production Stage Manager for the Broadwayproduction of Priscilla Queen of the Desert.Part of his duties at Chicago, which he has beenaffiliated with since 2005, have been to rehearsedozens of new cast members which have includedHuey Lewis, Usher, Brian McKnight, Lisa Rinna,George Hamilton and Sofia Vergara. OtherBroadway credits include La Cage, Blue Room,Rocky Horror Show, An Ideal Husband, Jekyll &Hyde, and A Few Good Men.

ROSS COLEMAN (Choreographer) Ross isknown for his immense contribution as director/choreographer to Australia’s musical theatre.Credits include Urinetown, Grease, Cabaret andPriscilla. Ross passed away in 2009 and is greatlymissed by everyone involved with Priscilla.

JOSHUA BUSCHER (Associate Choreographer)is making his Associate Choreographer debutwith Priscilla. Having recently performed in boththe Broadway and North American productionsof Priscilla, he’s thrilled that audiences acrossAmerica can experience this amazing show. Joshuahas staged multiple TV appearances such as theTony Awards, Macy’s Day Parade, America’s GotTalent to name a few. Other credits include: Diesel,in the 2009 revival of West Side Story, NBC’s“Smash,” “America’s Got Talent.” Much love B.

ANDREW HALLSWORTH (Original AssociateChoreographer) Theatre choreography: The BoyFromOz,TheDrowsyChaperone,Carousel,TheBoyFriend, EuroBeat - Almost Eurovision, Leader of thePack, Mame, Sideshow Alley, Wombat Stew, NewlyDiscovered, The Merry Widow. Co-choreography:Bye Bye Birdie, The Music Man, Priscilla Queen ofthe Desert. TV choreography: “We Can Be Heroes,”“The Librarians,” “Dead Gorgeous.”

BRIAN THOMSON (Scenic Design) An Aussie,Brian’s international scenic design works includeThe Rocky Horror Show, Jesus Christ Superstarat London’s Palace Theatre and The Rocky HorrorPicture Show. For Broadway, London: HousewifeSuperstar!!!TheKingandI (TonyAward)andDameEdna: Back With a Vengeance. He designed theSydney 2000 Olympic Games Closing Ceremony,the Sydney New Year’s Eve Bridge Effect and was

awarded an Order of Australia (AM) in 2005.

TIM CHAPPEL and LIZZY GARDINER(Costume Design) At 25 years of age, Lizzy andTim won an Academy Award, a British BAFTAAward and an Australian Film Industry Award fortheir costumes for the film Priscilla Queen of theDesert. For the Oscars, Lizzy wore a dress madecompletely out of American Express Gold Cardsthat became an iconic moment in history. Lizzy andTim’s work on Priscilla the Musical has also wonOlivier, Helpmann, Green Room and BroadwayWorld Toronto Awards for Best Costume.

NICK SCHLIEPER (Lighting Design) NickSchlieper regularly designs lighting for all of themajor performing companies in Australia. Workin Europe includes productions for the RoyalShakespeare Company and the state theatresof Berlin, Hamburg and Munich, as well asproductions in Vienna, Stuttgart, at the HamburgState Opera and Theatre Clwyd in Wales. Notablecredits include Wagner’s Ring Cycle in Adelaide,Hedda Gabler and A Streetcar Named Desire inWashington and New York.

JONATHAN SPENCER (Lighting Design)Lives in New York city regularly working onBroadway, off-Broadway, national touring,regional and international productions.More at www.JSpencerDesign.com.

JONATHAN DEANS (Sound Design) mostrecent credits include Spider-Man, La Cageaux Folles. His work with Cirque du Soleilincludes Viva Elvis, Love, Kà, “O” and more atDesigningsound.com. Nominated for a 2010 Tonyaward.

PETER FITZGERALD (Sound Design)Current: Freckleface Strawberry, Burn the Floor.Noted designs: You’re Welcome America, Movin’Out, Paul Simon’s The Capeman and 42nd Street.President of Sound Associates. With wife Maritzathe proud parent of daughters Lori and Mallori.

STEPHEN “SPUD” MURPHY (Orchestrations,Musical Supervision, Arrangements) Green RoomAward, Helpmann Award nom. for Priscilla. Othercredits: Godspell, Evita, Reg Livermore’s FiringSquad and Big Sister (co-composer), Buddy, Shout,Dusty (2006 Helpmann, Best Musical Direction).Film: Thunderstuck. TV: “In Sydney Today,”“Starstruck,” “The Pam Ann Show.” Mo andRotary Awards. Artistic director, Sydney’s CaSPA;lecturer at Australian Institute of Music. Composer/orchestrator for His Holiness Pope Benedict’sarrival in Sydney for World Youth Day (2008).



WHO’S WHOCHARLIE HULL (Orchestrations) Responsiblefor orchestrations and synthesizer programmingfor major musicals and concerts in Australia, U.S.,UK, Singapore, Malaysia, Hong Kong and Japan:Priscilla, Burn the Floor, Saturday Night Fever,Fame and more.

JEFF MARDER (North American MusicSupervisor/Synthesizer Programmer) Broadway(conducting/playing/synthesizing programming):Priscilla Queen of the Desert, Newsies, Leap ofFaith, Jesus Christ Superstar, Guys and Dolls,Wicked, Shrek, The Little Mermaid, The Book ofMormon, Beauty and the Beast. Other theatrical:Sister Act (LA/Atlanta), Radio City ChristmasSpectacular, Cirque du Soleil’s “O.” Discography:Broadway cast albums of Priscilla Queen of theDesert, Newsies, and Leap of Faith; Keve Wilson’sPure Imagination (Composers Concordance).Piano concerto debut at age twelve with ThePhiladelphia Orchestra. www.mardermusic.com

BRENT FREDERICK (Music Director)Broadway: Priscilla Queen of the Desert(Keyboards), Leap of Faith (Asst. KeyboardProgrammer), Newsies (Asst. KeyboardProgrammer). Music Supervisor of SaturdayNight Fever for RCCL. Tour: Fiddler on theRoof (Atlanta TOTS). Off-Broadway musicdepartments: The Kid (New Group), The PianoTeacher (Vineyard), I’m Still Getting My ActTogether (York). NYC: Stand Tall (NYMF),Christmas Up the Holler, Christmas Rappings.Regional: Spamalot (Ogunquit). Thanks to lovelywife, Jacqueline Petroccia and family! www.BrentFrederickMusic.com.

TALITHA FEHR TL MUSICINTERNATIONAL (Music Coordinator) strivesdaily to carry on the contracting traditions of hermentor, Sam Lutfiyya. Broadway: A ChristmasStory. National tours: Sister Act, Catch Me IfYou Can, West Side Story, Priscilla Queen of theDesert, Wizard of Oz, Come Fly Away, MammaMia!, A Christmas Story, Fiddler on the Roof,Jesus Christ Superstar, Cats, Chicago, ChittyChitty Bang Bang, Chita Rivera A Dancer’s Life,Movin’ Out, and 101 Dalmatians. Internationaltours: West Side Story, Sound of Music, Swing!,Cinderella, The King and I. Other: The PirateQueen, 2010 Winter Olympic Ceremonies.

TELSEY + COMPANY (Casting) Broadway/Tours: First Date, Motown, Kinky Boots, Jekyll &Hyde, Annie, Newsies, Spider-Man Turn Off theDark, Rock of Ages, Wicked, Sister Act, MillionDollar Quartet. Off-Broadway: Nobody Loves You(2nd Stage), Atlantic, MCC, Signature. Regional:La Jolla, Paper Mill. Film: The Odd Life of TimothyGreen, Friends with Kids, Joyful Noise, Margin

Call, Sex and the City 1 & 2, I Love You PhillipMorris, Rachel Getting Married, Dan in Real Life,Across the Universe. TV: “Smash,” “The Big C.”www.telseyandco.com

MB PRODUCTIONS (Technical Supervisor)Founded in 2005 by Mike Bauder, MB Productionshas managed projects both domestically andabroad. Recent projects include Spider-Man-TurnOff the Dark (Broadway), Yo Gabba Gabba Live(National Tour), Chitty Chitty Bang Bang! (FirstNational) and the Universal Studios HollywoodAttraction Creature from the Black Lagoon.MB Productions is comprised of Mike Bauder,Sonya Duveneck, Andrew Deichman, and JessicaDiamond. MB Productions can be found online atwww.mbproductions.com.

TOM BARTLETT (Production Stage Manager)ProductionSupervisor:Rent,Chicago,Dreamgirls.Broadway: Chicago, Grease, Cabaret, Movin’Out, Phantom of the Opera, Dreamgirls. Toursinclude Chicago, Come Fly Away, Legally Blonde,Dreamgirls, Swing, Lost in Yonkers, South Pacific,Brighton Beach Memoirs, Song and Dance,Rumors. Las Vegas credits: We Will Rock You,Hairspray and Spamalot.

CHAD LEWIS (Stage Manager) Broadway:Priscilla Queen of the Desert, Shrek the Musical,Monty Python’s Spamalot, La Cage aux Folles,Wicked, Bombay Dreams, Reckless, The Frogs,Mamma Mia! (Tour 2). Other credits include: ButI’m a Cheerleader, Busker Alley, Cheer Wars,Experience Lincoln Center, Broadway Bares.

RYAN J. BELL (Assistant Stage Manager) Tour:Disney’s The Lion King, Bring It On, Movin’ Out;Broadway: Bring It On, Rent, Sweeney Todd,Disney’s Tarzan, Lennon, Movin’ Out, Grease.Off-Broadway: Lucky Guy. Workshops: Disaster!,Newsies, High School Musical 1&2, Harmony.MGSA Rutgers graduate. Love to Family, friends,and Ryan.

TOWNSEND TEAGUE (General Manager) ismanager fornational touring productions of PriscillaQueen of the Desert, Ghost, West Side Story,and Bring It On. Previous national tours includeCatch Me If You Can, Cats, the 25th AnniversaryProduction of Les Misérables, Mel Brooks’ YoungFrankenstein, and Mel Brooks’ The Producers (1stnational & Las Vegas). Broadway credits includeThe Norman Conquests, Gypsy, Radio Golf, andThe Producers. Townsend received a Bachelorof Arts degree in Arts Management from IndianaUniversity’s Individualized Major Program and isa certified member of the Association of TheatricalPress Agents and Managers.



WHO’S WHOGARRY McQUINN (Producer) Garry beganhis career in Australia and has been lucky enoughto work around the world for quite a few yearswith many wonderful shows and fine people. Heoversees all international productions of Priscilla,and is developing a number of new projects withhis regular collaborators and partners.

LIZ KOOPS (Producer) Recently voted the 2012Australian UK Woman of the Year and founder ofBack Row Productions, Liz Koops has producedshows internationally around the world for 20years. During her tenure as Managing Directorof the International Booking division at ClearChannel Entertainment she was instrumental inconsolidating the European and Asian touringcircuit for first class musicals. Liz has producedcountless shows spanning over 37 countries. Lizwas one of the original lead producers on Priscillaand is now CEO of the Broadway EntertainmentGroup. www.broadwayentertainmentgroup.com

MICHAEL HAMLYN (Producer) Michael hasbeen a film producer for longer than he cares toremember. In 1990 he met Australian directorStephan Elliott and became involved in the projectThe Adventures of Priscilla Queen of the Desert.This film was made three years later. The rest ishistory.

MGM ON STAGE (Producer) Veteran film andtheatre executives Denkert and Stolber conceived,developed and run MGM ON STAGE, theindustry leader in developing and licensing filmproperties for live stage presentation. Productionsinclude Legally Blonde, Chitty Chitty Bang Bang,Dirty Rotten Scoundrels, Minsky’s, and PriscillaQueen of the Desert.

RANDALL A. BUCK (Chief Executive Officer)has produced more than 50 productions across theglobe for Troika Entertainment. Before joiningTroika in 1999, Mr. Buck was Vice President andGeneral Manager for Livent in Toronto. Whileworking for Livent, he managed productions suchas Fosse, Ragtime, Show Boat, Music of the Nightand Kiss of the Spider Woman. Mr. Buck was astage manager for more than 20 years, survivinga year with Mary Martin and Carol Channing inJimmy Kirkwood’s Legends!, a year in Japan withSiegfried&Roy,openingThePhantomof theOperaMusic Box Company and opening Show Boat onBroadway. Since beginning as an apprentice withThe Kenley Players in the late 60s, he has had theprivilege of working closely with visionaries suchas Twyla Tharp, Susan Stroman, Hal Prince, JoeLayton and Josh Logan, plus hundreds of stars. Mr.Buck had the privilege of recently serving on theboard for the National Alliance of Music Theater.Randy is currently living happily-ever-after in the

Washington, DC area with his wife, Angela, andtheir daughter Sierra Ashley Buck.

MICHAEL J. ORSINO (Chief OperatingOfficer) has enjoyed nearly a decade workingwith Troika Entertainment. He first joined thecompany on the road as stage manager and lateras company manager. Productions include SouthPacific, Saturday Night Fever, The Sound ofMusic (US and Asian Tours), and CATS. Agraduate of DeSales University, Mr. Orsinohas also worked at venues ranging fromthe Pennsylvania Shakespeare Festival to BuschGardens in Williamsburg, VA. After his manyyears on the road, he is pleased to have settleddown in Maryland with his wife, Anissa, a fellowTroika tour veteran and their son, Cameron.

DONALD KINDL (Chief Financial Officer)graduated from the University of Connecticutwith a Bachelor of Science degree in Accountingin 1982 and again in 1988 with his Masters inBusiness Administration. He began his careerwith Combustion Engineering in Windsor, CT in1982, and moved to Maryland in 1992 to assumethe position of Comptroller for various theatricalproductions. In his current position he overseesthe daily operations of all aspects of finance andmanagement information systems. Mr. Kindl andhis lovely wife, Cindy, are the proud parents of threewonderful children: Stephen, Stacey and Scott.

TROIKA ENTERTAINMENT (Producer)has been the innovator in touring musical theaterproductions for over two decades, producingshows throughout North America and the world.Each season, Troika tours to hundreds of citiesacross the U.S. and Canada. In addition, Troika hasproduced in European markets including Russia,Germany, Austria and Switzerland. Central/SouthAmerican and Caribbean credits include touringCATS in Brazil, Chile, Colombia, Panama, Mexico,Venezuela, Costa Rica and Puerto Rico. As thefirst U.S. production company to tour a musicalin Mainland China, Troika has toured extensivelyacross the Pacific Rim in Japan, Korea, Hong Kong,Macau, Taiwan, Malaysia and Singapore, withproductions of The Sound of Music, Swing!, 42ndStreet and Chicago. The company is experiencedin casino and leisure markets having producedfor The Wynn, Caesars, Grand Casino, Hilton,Eldorado and Harrah’s (Las Vegas, Atlantic City,Biloxi, Lake Tahoe and Branson). Current andupcoming productions include West Side Story,Catch Me If You Can, Sister Act and The Wizard ofOz. With strong ties to the Broadway community,Troika prides itself on delivering top qualityproductions to audiences worldwide.



PRISCILLA TOUR STAFFGENERAL MANAGER

Townsend TeagueTOUR MARKETING & PRESS

Amy Katz, Courtney DavisCOMPANY MANAGER

Natalie FlemingTOUR BOOKING AGENCY

The Booking GroupMeredith Blair, Kara Gebhartwww.thebookinggroup.com

CASTINGTelsey + Company

BernieTelseyCSA,WillCantlerCSA,DavidVaccariCSA,Bethany Knox CSA, Craig Burns CSA,

Tiffany Little Can�eld CSA, Rachel Hoffman CSA,JustinHuffCSA,PatrickGoodwinCSA, AbbieBrady-DaltonCSA,David Morris,CesarA. Rocha CSA,Andrew Femenella, KarynCasl CSA, Kristina Bramhall, ConradWoolfe,Amelia Nadler

TECHNICAL SUPERVISORMB Productions

Mike BauderAndrew Deichman, Sonya Duveneck

PRODUCTION STAGE MANAGER. .TOM BARTLETTStage Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chad LewisAssistantStageManager. . . . . . . . . . . . . . . . . . . . . . .RyanJ.BellAssistant Company Manager. . . . . . . . . . .Shawn MahoneyProduction Consultant. . . . . . . . . . . . . . . . . . . . . . .Alecia ParkerAssociateScenicDesigner. . . . . . . . . . . . . . . . . . JeromeMartinAssociate Costume Designer. . . . . . . . . . . . . .Brian J. BustosAssistant Lighting Designer. . . . . . . . . . . . . . . . . James MilkeyAssociate Sound Design. . . . . . . . . . . . . . . . . . . . . . .Garth HelmProduction Props.. . . . . . . . . . . . . . . . . . . . . . . . . . . .Clista JarrettMovingLightProgrammers. . . JoeAllego,ChrisMerrimanProductionElectricians. . . . . Jeff“Swing”Holtz,ZakKnollProductionSound. . . . . . . . . . . . . . . . .ColleBustin,AlexRitterProduction Hair and Make-Up. . . . . . . . . . . . .Kaylan PaisleySynthesizer Programmer. . . . . . . . . . . . . . . . . . . . . . Jeff MarderAssistant Synthesizer Programmer. . . . .Taylor J. Williams

HEAD CARPENTER. . . . . . . . . . . . .MATTHEW BATESAutomationCarpenters. .BrianRohde,Christopher“Clem”ZajacAssistantCarpenters. . .Dave“Sideshow”Burgdorf,NoahSmithHead of Properties. . . . . . . . . . . . . . . . . . . . . . . .Andy ButkovichAssistant Properties. . . . . . . . . . . . . . . . . . . . . . . . . Jillian BartelsHeadElectrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ZakKnollAssistant Electricians. . . . .Brittney Manning, Brian PearsonHead of Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Deniz AkyurekAssistant Sound Engineer. . . . . . . . . . . . . . . . . . .Rhys DawsonSwing Tech. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Keith KolasinskiHead of Wardrobe. . . . . . . . . . . . . . . . . . . . . . . . . . .GillianAustinAssistant Wardrobe. . . . . . .Christine Goodall, Renee JonesHead of Hair and Make-Up. . . . . . . . . . . . . . . . . . .Tony LauroAssistantHairandMake-Up. . . . . . . . . . . . .MichaelFergusonPhysicalTherapy. . . . . .NEUROTOUR,PhysicalTherapy,Inc.PhysicalTherapist. . . . . . . . . . . . . .KatrinaVanOstrand,MPTMedical Director. . . . . . . . . . . . . . . . . . . . . .Charles Garten, MDTutoring. . . . . . . . . . . . . . . . . .ON LOCATION EDUCATIONTutor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Janet WallenAccounting. . . . . . . . . . . . . . . . . .Fried & Kowgios CPA’s LLPEmployee Bene�ts. . . . . . . . . . . . . . . . . . . . .The Capital GroupInsurance. . . . . . . . . . . . . . . . . . .Maury,DonnellyandParr, Inc.Legal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .S. JeanWard, Esq.Creative Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .G CreativeProduction Photography. . . . . . . . . . . . . . . . . . . . . . Joan MarcusMerchandise Provider. . . . . . . . . . . . . . . . . . . . .Creative Goods

For TROIKA EntertainmentChief Executive Of�cer. . . . . . . . . . . . . . . . . .Randall A. BuckChief Operating Of�cer. . . . . . . . . . . . . . . . Michael J. OrsinoChief Financial Of�cer. . . . . . . . . . . . . . . . . . . . . . Donald KindlAssociate Producer. . . . . . . . . . . . . . . . . . . . . . . . . . . . Jaime PrineGeneralManagers. . . . . .TownsendTeague,JoeChristopherAssistant General Managers. .Brian Schrader,Abram BestProductionCoordinator. . . . . . . . . . . . . . . . . . . RyanP.MurphyMarketingManager. . . . . . . . . . . . . . . . . . . . . . . .CourtneyDavisMarketing Consultant. . . . . . . . . . . . . . . . . . . . . . . . . . . Amy KatzBookingAssociate. . . . . . . . . . . . . . . . . . . . . . . . .Doria Montfort

Budgeting&ForecastingManager. . . . .GeorgeLambertyController. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ryan RudzinskiStaffAccountant. . . . . . . . . . . . . . . . . . . . . . . . . .LourdesCastilloAccountingClerk. . . . . . . . . . . . . . . . . . . . . . . . .MariteEspinozaWarehouse Manager. . . . . . . . . . . . . . . . . . . . . . . . .Scott Garrish

For Nullarbor ProductionsManaging Director. . . . . . . . . . . . . . . . . . . . . . . .Garry McQuinnExecutiveProducer. . . . . . . . . . . . . . . .BradleyStauffer-KruseAssociateProducer. . . . . . . . . . . . . . . . . . . . . . . . . . .KirstenHannFinancial Controller. . . . . . . . . . . . . . . . . . . . . . . . . .Collin HindsExecutiveAssistant. . . . . . . . . . . . . . . . . . . . . . . .Hannah DuroseMarketing Consultant. . . . . . . . . . . . . . . . . . . . . . . . Jo HutchisonLegalRepresentation(UK/International). . JeremySummersforPitmansAssistant toMichaelHamlyn. . . . . . . . . . .ChristinadeBrigerAssistant toAllan Scott. . . . . . . . . . . . . . . . . . . . JoanThompson

For TROIKA CostumesCostume Director. . . . . . . . . . . . . . . . . . . . . . .Michelle HarrisonAssistant to the Costume Director. . . . . . . . . . . .Alison SmithWork Room Manager. . . . . . . . . . . . . . . . . . . . . . . . .Helen JonesLead Stitcher. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laura BrowningCraft Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Risa OnoProjectAssistant. . . . . . . . . . . . . . . . . . . . . . . . . .Kristina LamdinStitchers. . . . . . . . . . . . . . . . .Kristin Czako, Sharon Landrum,

Katherine Kraus, Marla Parker

CREDITS

Village People characters and choreography are usedwith permission of their trademark owner, Can’t Stop

Productions, Inc.

Rehearsed at THE NEW 42ND STREET STUDIOSand RIPLEY-GRIER STUDIOS

The Actors and Stage Managers employed in thisproduction are members of Actors’ Equity Asso-ciation, the union of professional actors and stagemanagers in the United States.

The musicians employed in this production aremembers of the American Federation of Musicians.

The International Alliance of Theatrical StageEmployees represents technicians, artisans, andcraftspersons in the entertainment industry, includinglive theatre, �lm, and television production.

The Director-Choreographer is a memberof the STAGE DIRECTORS ANDCHOREOGRAPHERS SOCIETY, a nationaltheatrical labor union.

United Scenic Artists represents the designers andscenic painters for the American Theatre.

This production is produced by a member of theBroadway League in collaboration with our professionalunion-represented employees.

Production Travel by ROAD REBEL ENTERTAINMENT TOUR-ING, San Diego, CA. Scenery, Bus and Show Deck Automationby HUDSON SCENIC STUDIOS, INC., Yonkers, NY. LightingEquipment by PRG LIGHTING, Secaucus, NJ. Sound by SOUNDASSOCIATES, Yonkers, NY. Original Props by PROOF PRODUC-TIONS and THE RABBIT’S CHOICE. Costumes by TRICORNE,INC., SEAMLESS COSTUMES, PHIL REYNOLDS, JOHNSHEWARD,LORRAINERICHARDS,JILLPASKIN,CHARAC-TER COSTUMES, AMANDA BARROW, FAY FULLERTON,MEIN ROBERTS, LEIGH CRANSTON, PARAGON PROPER-TIES, ERIC WINTERLING, INC. Custom Millinery by LYNNEMACKEY, RODNEY GORDON, SEAN BARRETT, MONICAVIANNI, MARIAN JEAN HOSE, LLC. Costume Knitwear byMARIA FICALORA. Undergarments by BRA*TENDERS. TROI-KA ENTERTAINMENT COSTUME SHOP. Custom Shoes byJITTERBUG BOY FOOTWARE and LADUCA SHOES. CustomPainting by JEFF FENDER. Original Wigs by WIG SPECIALTIESLONDON. Custom Make-Up Masks by BOB FLANIGAN. Truck-ing by JANCO, LTD., Rick Rosenthal, Wayne, NJ. Special thanks toRod McLaughlin. This tour is dedicated in memory of our colleagueTonyRayHicks.


Connecting Communities asugammage.com

CommitmentTo building relationships.To �nding solutions to meet your needs.To giving back to our community.To you.

Desert Schools Federal Credit Uniondesertschools.org

Wherever Life Leads YouWe’re Here for You.



As ASU Gammage embarks on its 50th Anniversary Seasonin September 2014, this historic treasure needs your help in preparation

for the celebration. ASU Gammage has been lucky to share so manymemorable experiences with its patrons since opening in 1964.

Now is your chance to share those memories.“We’d love to hear some of your stories. From first performances to first

dates and everything in between, we want to hear about the waysASU Gammage has been a part of your life for the last 50 years.

If you or your family has pictures and fond memories of an experience atASU Gammage, please share them with us.”

— Colleen Jennings-Roggensack, executive director of ASU Gammage

Memories and photos can be sent to: [email protected]

Share yourmemories with us!

ASU Gammage 50th Anniversary • September 2014

social mediajoin the conversation!

Tell us what you think...Get behind-the-scenes info...Send us a question...Share your excitement...

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In Person: ASU GammageGroups (15+): 480-965-6678

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OCTOBER 22 IN TEMPE!THE WORLD’S #1 MUSICAL BEGINS

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OCTOBER 22–NOVEMBER 17


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CORPORATE PROFILE

As the largest not-for-profit membership-based financial institution in Arizona, DesertSchools Federal Credit Union has built itsfoundation on a fundamental passion foradvocating positive change throughoutValley communities.Founded in 1939, Desert Schools proudlyserves more than 370,000 members andoperate more than 50 locations across threecounties in Arizona. As a not-for-profitcooperative, Desert Schools has strivedto engage and enrich Valleycommunities and has beenserving members for 75 yearswith stellar service, innovativeproducts, community outreachand education.Desert Schools believes theirsuccess is directly connected totheir ability to help individualsand their families achieve abetter quality of life - an idealexemplified by their devotedteam of volunteers, our non-profit and sports partners,financial literacy initiatives,free seminars, appearances atlocal concerts and venues, andour commitment to communitywell-being.

Desert Schools is proud to be activelycommitted to philanthropic programssupporting education and developmentacross Arizona, making good on their goalto teach, train and inspire communities.As an organization, Desert Schools believesin the vitality, potential and promise that theperforming arts can bring to a communityand are proud to pledge their support forthe 2013-2014 arts season as they look tocelebrating a milestone 75th year.



ASU GAMMAGE 100K MILESTONE

AnonymousSusan & William AhearnE.G. & Carol BarmoreLarry BerentzenBarbara, Irv & Jeremy BergerIn Memory of Nan BeyerGeorge & Patricia BrazilCarl J. CrossLeonard & Emily DudziakRaylan & Beverley EvansMary FloraMarilyn & Jim FoleyAlan & Anita HandelsmanHenry & Mary HansenCarl & Patricia Harris

Robert & Jeanette HeacockDavid N. HorowitzLucille HudgensDonald & June JulenRichard S. & Rae LoveDouglas LoweLarry MattalElizabeth & Peter MeansMerrily MetzgerMarilyn MomanPaul & Janet MorrisonRon & Vickie NeillClyde C. Parker Jr.Dr. & Mrs. Michael PollayRussell A. Robbins

Virginia SchantzMargaret SchulzMr. & Mrs. Russell SmithJo & Frank StockmanBruce C. ThoenyMollie C. TriversJohn & Joyce WebbAllie Lamar Yeager

For information onplanned giving, pleasecontact Peter Meansor Mollie Trivers at480.965.2176.

100K MILESTONEASU Gammage gratefully acknowledges theseindividual donors and foundations whosecumulative giving totaled $100,000 or more as ofAugust 2013. The contributions of these generousbenefactors, in partnership with those of othervisionary patrons, sponsors and volunteers, haveincalculably enriched our community.

Arizona LotteryAPSSusan & William AhearnJerry AppellJO & Harvey FinksGeorge Brazil Home ServicesRichard S. & Rae LoveCarole & Robert MachizKemper & Ethel Marley FoundationMargaret T. Morris FoundationScottsdale Insurance Company/ Nationwide Insurance

FoundationUS Airways

$75,000+Desert School Federal Credit

UnionGeorge Brazil Home Services

$50,000 - $25,000Margaret T. Morris Foundation/

J.W. Kieckhefer FoundationNational Endowment for the ArtsSubaru Superstore of ChandlerUS Airways

$24,999 - $10,000Act One FoundationArizona LotteryAPSBerge Auto GroupPearson & CompanyScottsdale Insurance Company/

Nationwide InsuranceFoundation

Stinson Morrison Hecker LLP &Michael C. Manning

The Way Family/Way FamilyCharitable Foundation

$9,999 - $2,500Abbot DowningArizona Business BankArizona Business MagazineBMO Private BankMacy’sThe New England Foundation

for the ArtsPenrose AcademyTargetTim Trumble Photography, Inc.Riva Yares Gallery

LEGACY

CORPORATE/FOUNDATION SPONSORS



ASU GAMMAGE VIP CLUB

BOLD indicates $50K cumulative giving to ASU Gammage * denotes multi-year commitmentBOLD indicates $50K cumulative giving to ASU Gammage * denotes multi-year commitment

INVESTORS GUILD$25,000 and AboveGeorge & Patricia BrazilDr. & Mrs. Charles GoldsteinRev. Jenny Norton &

Mr. Bob RamseyPRODUCERS ACADEMY$10,000 and AboveAnonymous*Rod, Christine &

Josephine BadgleyMr. & Mrs. Douglas BaughmanJe�rey & Marcia BuzzellaHarvey & JO FinksPeter HarriesCarole & Robert MachizGeorge Spelvin*

GRADY GAMMAGE SOCIETY$5,000 and AboveSusan & William Ahearn*AnonymousMary A. BarrettLissa Marie BeckleyCarmela & Michael BlankCheryl & Lee BrueckelRenee Cermak & Fred AuzenneDr. & Mrs. Steven FarberSophia & Mike FongKaren & Grady Gammage Jr.Christine & Luis GonzalezIn Memory of Ada HalbreichPatricia Kaufman*Cathi Ann KniolaLesley & Paul MonfardiniMerrily MetzgerJe�rey D. OliverArthur & Linda PelbergJe� & Leslie RichRosenbluth Family FoundationRichard & Christy SchustMr. & Mrs. Ron StarkmanVMI HoldingsPatrick H. Zanzucchi

KATHRYN GAMMAGE CIRCLE$2,500 and AboveAnonymousAADS O�ce Solutions Int’l, LLC &

Top Priority Messenger Service, Inc.Bill & Cindy AbbottKathy Aichele & Fran Tepner &

Robert Scrivner

Warren & Nancy AlterAnderson, Chavet &

Anderson Inc.Dr. & Mrs. William AndrewMichael & Betsy AppelbaumFelice AppellTran & Glenn AppellAlan & Char AugensteinArizona Maxillofacial Surgeons PC–

Dr. Brinks Austin, Dr. BradleyPorter, Dr. Brent Boyse,Dr. Paul Kelly

Harrison & Laura BachrachTara Bickford Bailey & Glen R. BaileyReginald M. Ballantyne IIIE.G. & Carol BarmoreCraig & Barbara BarrettBarbara, Irv & Jeremy BergerKaren & Gary BethuneJanet Bioletto & Desert Schools

Federal Credit UnionTara & Todd BookspanPenny K. BooneMrs. Frank A. BowmanSteve & Belinda BrownJames Cairns & Dani StantonDr. David & Mrs. Georgiana CaveJacqueline Chadwick, MDChildren’s Dental VillageMartin & Laurie ClemCarol & Larry ClemmensenLes & Becky Coates/Lawns by LesDr. & Mrs. Lance CohenJohn H. Cole III M.D. &

Patrick T. BoyhanAngela & David ConwellJames L. Cramer & Allen C. KalchikCyndi & Terry DeBoerMr. & Mrs. Tom DeBonisBob DemaineTodd & Wendy DickersonMr. & Mrs. Robert DonatKerry & Jim EngbarthMichele & Chris EnglandMr. & Mrs. Glenn EnsorJane & Andrew Evans IILyn & Bruce EveretteBela & Miguel FernandezPhyllis & Jack FinneyDr. & Mrs. Dean GerstenbergerMark & Sherry GoldbergJan & Dick GovigJohn & Deanne GrecoMark & Joanne Halberg*Mr. & Mrs. Don HallAlan & Anita HandelsmanCarl & Patricia HarrisJay & Rojon HaskerRalph & Ellen Hirsch

David HorowitzJacqueline Hu�ord-Jensen &

Greg KroeningTara IyengarDr. Ellie & John IzzoJaburg & Wilk, P.C.Peggy R. JoslinMichelle Jung & Chris RodriguezMr. & Mrs. Tim KaehrSusan KarisStacy & Alan Klibano�Sheila Kloefkorn & Sue WiegerMichael & Ellyn KrukeKathy & Albert Le�erHerb & Nancy LienenbruggerRichard S. & Rae LoveDouglas LoweTara LyengarDr. & Mrs. Gerald A. MandellLinda & Serge MandellMarketline MortgageMs. Michelle Matiski &

Dr. Alan SnyderSteve & Rhonda MaunPatrick McPhilomyAndrew & Marcia MeyerCarl C. MuellerRafael & Mary MunozDick & Jane NeuheiselNathan & Betty NorrisOrcatek PhotographyPRM Association ManagementMr. & Mrs. Francis J. PalamaraDr. John ParenteCarol A. Poore, Ph.D.Pragmatic Marketing, Inc.The Prygocki FamilyDr. Coral QuietRod & Julie RebelloRussell A. RobbinsDr. Kurt Roggensack &

Colleen Jennings-RoggensackLarry & Lisa Rogo�Mario Trejo Romero &

G. Lewis PenroseMitchell & Heather RossNorm & Pam SabaAlfred & Doris SchillerJesse & Jennifer SchwarzEnid & Michael SeidenDanny Sharaby/

Tickets UnlimitedMel & Rita SorensenDr. Barry & Judith SternGrowing Edges LLC - Dr. Ilyssa &

Mr. Ed SwartoutBruce C. ThoenyJanet Yvonne TkachViolet Toy & Betsy Toy Yee



ASU GAMMAGE VIP CLUB

BOLD indicates $50K cumulative giving to ASU Gammage * denotes multi-year commitment

Mollie C. TriversMarsha & Charles Van DamMark & Lynn Vanderlinde/

VRealty AdvisorsSusan Van Dyke MD/ Van Dyke Laser & Skin CareKristi Vasquez & Je� RobertsM.A. Verso MDMr. & Mrs. Robert VoitJoe & Olga WaeschePatrick & Darlene WastalConnie & Craig WeatherupDr. & Mrs. Allan M. WeinsteinJe�rey & Dian WeismanJana & Mark WilckeDaryl & Karly WilliamsDr. Syd Wilson & Dr. Carol WilsonDr. Salpi WolperDr. Frederick T. WoodFrank & Candace YaconisGreg Yagi & Don StrookRay & Sue YorkCharlie & Judy ZarrelliBarbara & Barry Zemel

DIRECTORS CLUB$1,250 and AboveGeorge Abrams & Michael SaavedraAnonymousAltier Credit UnionJane & Larry AshKevin Axx & Cameron GoebelerJim Barash & Dr. Tamar GottfriedDr. Vernon Barksdale & Dr. Louise TaberBattaglia FarmsKatherine & John BoisvertK.M. BruggemanBabette BurdmanJanet & Karen CaldwellDavid E. Cantrell & Glenn W. Eyet IIISusan & Steven CharneyGrainger ColeKris Cook & Nolen CookMarjorie CooperEileen CurtinMarilee Dal PraEd & Beth DawkinsLaurie Dennhardt & Anna de JesusLaurene & Roy DouglasRebecca DriggsBill & Peggy EatonJim EdmondsCynthia EmmonsRichard & Lou EnderChristine English & Lenard HaileyJody EppersonRay & Bettijune FanningCheryl & Eric FarberDino & Linda FarfanteLisa & Paul FinderPenny & Charles FineMike & Becky Fish

Eric Fox & Raymond HebertSandra J. Fromm & Gary FadellPaul & Jean FruscelloMr. & Mrs. E.K. Gaylord IIIDr. Philip E. & Roseann M. GeigerCarole & Ronnie GilbertDavie Glaser In Loving Memory of

David H. GlaserJoe & Helen GoldblattDon & Justine GoodJim & Karen GrandeMarilyn & Paul HarterLarmon & Linda HaugenHensley Beverage CompanyBethany & Bill HicksLori & Howard HirschMike Hughes & Dr. Kevin MendivilTill HutchisonLynda Jones & Ron JenksIn Memory of Steven R. JonasMr. & Mrs. Malcolm Jozo�Rona & Allan KasenJo KruegerMary E. LeRoySharon Lytle-BreenAnita & Gregory MayerMr. & Mrs. Kent McClellandCathy McDavidDr. Geo�rey & Tabitha McKinzieJoni E. McLin, Realtor & Edward Gallardo, LenderElizabeth & Peter MeansKurt MeyerBruce Meyerson & Mary Ellen SimonsonStephanie MitchellRoger & Kathleen NaceChristine & Frank NechvatalLinda & Kevin OlsonSimon & Cindy OlsteinON Media PublicationsLeah Pallin-Hill & Bryan HillPat PiazzaJill Pierce & Gloria GarciaMr. & Mrs. Arnold PortigalKeith & Laura PriceLinda PrinceMr. & Mrs. Wayne RawlingsDr. Lynn RobershotteVicki & Tim RonanJordan RoseChristine ScarpatiLyrna & Michael SchoonMr. & Mrs. Leonard SigneskiCheryl & Ed SucatoToby Teret TaylorRobert & Donna TeegardinTewksbury Financial Group/ John & Sunny TewksburyZeena Ubogy M.D. & Millard Thaler M.D./Papillon Cosmetic Dermatology CenterDonna Velcio & Gerald SchwartzbergDoug WaltersPhyl Wason & Irene Stell

James R. & Elizabeth WertzJohn O. WhitemanMr. & Mrs. Arthur WinklerMr. & Mrs. Bob Withers/ Pastoral Care FundEllie & Michael Ziegler

SUPPORTING MEMBER$500 and AboveGregg AgensAndrea AlleyAnonymousRhet & Marcia AndrewsLory BarazTina & Glenn BeattieKristy BentonIn Memory of Nan BeyerJon & Jennifer BohnertKay BoumaSusan & David BrachmanKelly CalhounSophia Chiang & Wayne GaafarKristie & Andrew CowanCarl J. CrossJackie DisneyKimberly DorrisBob & Frankie EllisFern FernandezMr. & Mrs. Armando FloresHeather & Michael FragaleJane & Bob FranekCrystal FykeCameron GibbonsMaryLee & Wayne HansonRonald H. HartenCol. Paul HarwoodJane Jones & Ronald HillerPatricia & William JumpBarbara LambaridaJenni & Rob LeinbachAlice MasonJulie MateDanny MorminoRon & Vickie NeillDr. & Mrs. John NickCarol & Dean OwenPam & Gary PasseyValerie & Gregory PattenToni Ramsey & Mark MulliganRoger RichardsonRebecca R. Ripley & Tara SwinehartRonald & Beverly RichardsKaren RoddyJohn & Dee Ann RogersRene & Theresa RomeroKristine RomineMr. & Mrs. Leonard SigneskiMr. & Mrs. Clark SkeansJe�rey & Deborah SmithNicole SpracaleRichard P. StahlVicki & Tom TaradashDr. Jerome & Dr. Selma E. TargovnikCheryl & Gary Van BruntVIP Tours of New York LLCRichard S. WaldenTanya WaltersRobert & Cathy Zinn Foundation

ASU GAMMAGE wishes to thank thehundreds of donors who are not listed due tospace limitations.




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In some world cultures there is no word forart—singing, dancing and acting are simplyan essential part of everyday life—at ASUGammage art is community, art is education,art connects us to each other, art is CulturalParticipation. When the word “art” meldstogether with everyday life and globalculture, you have experienced ASU GammageCultural Participation programs.These programs allow students and teachersto work with performing arts professionalsand participate as arts professionals. Theylearn about a culture and express that culture,oftentimes rediscovering their own heritage.ASU Gammage strives to give students of allages opportunities to experience the arts throughcurriculum based programs that meet statearts education standards, artist residencies andteacher development workshops that successfullyintegrate visual arts, dance, drama and music into

mathematics, social studies, language arts andscience lessons.ASU Gammage Cultural Participation programslike Camp Broadway, School To Work andScottsdale Insurance/Nationwide FoundationPerformances for Students flourish because ofsupport from donors who understand that making

a gift to our Cultural Participation programsmake a strong difference in the lives of somany across the Valley. More than 35,000children and families are impacted by CulturalParticipation programs and performanceseach year. These programs can only existwith the help of many community partnersand sponsors and are key to ASU Gammage’smission of Connecting Communities™.For more information about supportingASU Gammage’s mission of ConnectingCommunitiesTM, please contact Peter Meansor Mollie Trivers at 480.965.2176.

CONNECTING COMMUNITIES ™

Phot

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A CONVERSATION WITH BEST-SELLING AUTHORSDAVE BARRY AND RIDLEY PEARSON

How did a thriller writer and a newspaper columnistknown for booger jokes come to write a prequel toPeter Pan?DAVE: It happened because of music. Or somethingvaguely like music, anyway. Back in 1992, Ridleyand I became founding members of the Rock BottomRemainders, a band of authors that included StephenKing, Amy Tan, Matt Groening, Barbara Kingsolverand others. We had a great time, and we becamefriends, and we kept on playing together. In 2003, theband was playing at the Miami Book Fair, and Ridleywas staying at my house. At breakfast one morning, hetold me he had an idea.RIDLEY: I’d been reading Peter Pan with our five-year-old daughter when she’d asked me, “How didPeter meet Captain Hook in the first place?” Thatgot me thinking. How did the boy learn to fly? Whydid he never grow old? How could he detach fromhis shadow, and why would he need to? Dave and Ithought we might be able to combine his humor andmy suspense to tell an adventure story about a boy whobecame Peter Pan. But writing a book is hard enoughwhen flying solo. How would two people collaborate towrite a single story? We encountered some “technicaldifficulties” right away: I am an outliner. Dave is moreseat of the pants.DAVE: Ridley believed -- this is going to sound crazy --that we should figure out the plot of the book BEFOREwe wrote it. So we spent a few weeks figuring out howto make a boy fly, and where Tinker Bell might havecome from, and why there’s a Never Land, among

other things. We ended up with a story that made usboth happy. We wrote the book by a process we called“ping pong.” One of us would write a chapter andemail it to the other guy, who would change whateverhe wanted, then email the result back. Then the first guymight change it some more, and so on. We originallythought we’d write a short book, maybe 100 pages. Weended up with Peter and the Starcatchers, which wasmore than 450 pages long, and which was on the Timesbestseller list for almost a year. Writing that book withRidley was the most fun I’ve ever had in this business.Seeing Rick Elice, Roger Rees and Alex Timbers turn itinto a Broadway play—a fantastic Broadway play—isbeyond anything either of us ever imagined.RIDLEY: Two years later I sat down on my daughter’sbed and reminded her of the question she’d asked melong ago. I pulled out a 450 page manuscript. Hereyes went wide. “Uncle Dave” and I had come upwith a possible answer to her question about Peterand Hook. I suggested we read it together during herbedtime reading hour. We ended up not only reading,but laughing. Eight years passed and I walked withboth our daughters along 47th Street approachinga brightly lit, colorful marquee: PETER AND THESTARCATCHER. On Broadway. My daughtersclutched my arms a little tighter and together wemelded into the swarming crowd. I thought to myself,there really is such a thing as magic.PETER AND THE STARCATCHER bringsits magic to ASU Gammage January 14-19,2014. Tickets on sale now at asugammage.com,ticketmaster.com and by phone at 480.965.3434.

How their novel Peter and the Starcatchers came to life and turnedinto a 5-time Tony Award®-Winning Broadway hit

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CORPORATE PROFILE

Patricia Langlin-Brazil (Pat) and her latehusband George have been personal supportersof ASU Gammage since 2001. The companythey started, George Brazil Home Services, justmade a three-year commitment to be a majorsponsor of ASU Gammage. When Pat andnew company president Marc Erpenbeck wereasked why it was important for George Brazilto support ASU Gammage, Pat explained thatGeorge had a great love of art, both visual andlive performances, and it was important for Patto continue a tradition of helping to keep the artsalive and vibrant in the Valley. ASU Gammageis a good demographic fit for George BrazilHome Services, as many of their customersare also interested in the arts. Supporting thoseassociations that their customers would alsosupport is very important to them.

Marc, who also serves as the Vice Presidenton the Board of Trustees for Arizona TheaterCompany, believes strongly that art enrichesall of us and improves the quality of life in thecommunity. Both ASU Gammage and GeorgeBrazil share similar distinctions inproviding red carpet service andold fashioned values. “When youhire George Brazil for your home’splumbing, air conditioning, heating orelectrical needs, you can expect a redcarpet treatment,” says Marc. “Frombeginning to end, our team prides itselfon 100 percent customer satisfactionand service that goes above andbeyond customer expectations.”

In looking forward to a great partnershipbetween two highly acclaimed Valleyinstitutions, Pat is excited to show thecompany’s support of ASU Gammage tothe greater community, especially duringASU Gammage’s 50th anniversary seasonbeginning September 2014. Marc is pleasedthat their support will be broad, providingfunds for capital improvements as well asprograms, including ASU Gammage’s GoldenGammage Gala (GO GAGA) on October 12,2013 and Heroes Night on February 4, 2014during THE WIZARD OF OZ.

ASU Gammage is proud to partner withGeorge Brazil Home Services. George Brazil’smission is simple: to be the best. As theleading plumbing and electrical company inthe greater Phoenix area, George Brazil takes agenuine interest in its customers by providingold-fashioned and professional high-qualitycustomer service with the work done right thefirst time. Find out more about George BrazilHome Services at: georgebrazilservice.com.

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CALL: 480.965.1910CLICK: asugammage.com/vip

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opportunities - all while helping ASU Gammage bringthe best of Broadway and beyond to our community!

VIP CLUB

WHY GIVE?Gifts to ASU Gammage make a difference in the lives of so many across theValley. More than 35,000 children and families are impacted by ASU GammageCultural Participation programs and performances each year. These programscan only exist with the help of many donors, community partners and sponsorswho are key to ASU Gammage’s mission of Connecting Communities™.

BECOME AN ASU GAMMAGE VIP TODAY TO ENSURE THAT:• Thousands of children have the opportunity to see live performances atASU Gammage at a ticket cost of no more than $3.

• K-12 teachers learn new techniques for connecting the arts and education.• Refugee youth from around the world find inspiration and encouragementthrough theater, dance and music.

• Thousands of ASU students and faculty, children and community membershave access to great international artists through free artist residencies.

For more information on supporting ASU Gammage,contact our Development team at 480.965.1910.

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ASU GAMMAGE STAFF

COLLEEN JENNINGS-ROGGENSACK

EXECUTIVEColleen Jennings-Roggensack, Executive

Director for ASU Gammage & AssistantVice President for Cultural Affairs

Michelle Johnson CAP, Executive AssistantADMINISTRATIVE PROFESSIONALSCarol King, Administrative SecretaryChristine Rose Weir, Administrative SecretaryAUDIENCE SERVICESKarie Lurie, Director of Audience ServicesJon Ainlay, Assistant Box Office ManagerGary Beckert, Concessions ManagerJoan Brown, Group SalesVirginia Fairchild, House ManagerAnn Marie Hermosillo, Box Office ManagerBrad Myers, Patron Services ManagerBUSINESS SERVICESNeva Bochenek, Director of Business ServicesScott Guess, Technology Support AnalystTara Johannson, AccountantSusan Pachello, Accountant PrincipalStephen H. Potter, Contract & Facility ManagerJ. Ragan Warner, Human Resources SpecialistCULTURAL PARTICIPATION &

PROGRAMMINGMichael Reed, Senior Director of Programs &

Organizational InitiativesBrittney Dale, Assistant to the Sr. Director

of Programs & Organizational InitiativesMelissa Vuletich, Cultural Participation

Program Manager

DEVELOPMENTPeter Means, Director of DevelopmentMollie C. Trivers, Senior Director of

DevelopmentCheryl Amick, Assistant to the Directors of

DevelopmentJulie Mate, Assistant Development Officer

MARKETING & COMMUNICATIONSVictor Hamburger, Director of Marketing &

CommunicationsTheresa Dickerson, Digital Marketing &

Promotions SpecialistDana McGuinness, Public Relations ManagerOPERATIONSTerri Cranmer, Senior Director of OperationsLisa Adamsen, Senior Technical DirectorHarry Hale, Senior Technical DirectorJeff Rollins, Senior Technical DirectorJessica Storm, Rental CoordinatorHenry Terrazas III, Event CoordinatorASU KERR CULTURAL CENTERTracey Mason, General ManagerStacey Bailey, Marketing & Special Events

CoordinatorHolly Balash, Administrative SecretaryGeorge Cuyjet, Box Office ManagerJoan Thompson, Events Coordinator AssistantASU Gammage also wishes to acknowledge the manypart-time employees, student employees, interns andvolunteers who assist in its operations.

COLLEEN JENNINGS-ROGGENSACK hasserved as the Executive Director for ASU Gammageand Assistant Vice President for Cultural Affairsfor more than 20 years. Jennings-Roggensackestablished ASU Gammage’s organizational missionof Connecting CommunitiesTM which allows ASUGammage to go beyond its doors to make a differencein the community through the shared experience ofthe arts. In the last 20 years under her leadership,ASU Gammage has commissioned 22 works, morethan any other presenter in the Southwest.

As Arizona’s only Tony Awards® voter and formerPresident of the Association of Performing ArtsPresenters (APAP), Jennings-Roggensack has madea lasting impact on the Valley through arts advocacy.She also serves on The Broadway League Board ofGovernors and the Creative Capital board. She hasbeen honored with numerous awards including theAPAP’s 2007 Fan Taylor Award, The BroadwayLeague’s 2009 Touring Broadway Award, the 2012Governor’s Arts Award as well as being named a2012 Trendsetter according to Trends Magazine.

J e n n i n g s -Roggensack hasheld positionsat DartmouthCollege andColorado StateUniversity. Shewas Director ofPerforming Artsand ProfessionalDevelopment attheWestern StatesArts Federation.J e n n i n g s -Roggensack alsoserved underPresident Clintonon the National Council on the Arts. Formerly adancer and choreographer, she is married to Dr. KurtRoggensack and has a 22-year old daughter, Kelsey,a recent Williams College graduate and four time All-American swimmer.



National Bank of ArizonaConference Center6001 N 24th Street, Phoenix, AZ 85016

BUY TICKETSWWW.NBAZTASTE.COMTickets are $35 online or at the door.

All proceeds go to charity.

THURSDAY, OCTOBER 3, 20136:00 TO 9:00 P.M.

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Act One Foundation supportseducational field trips to the visualand performing arts for Arizona’sunderserved schools. Our beliefis that arts learning encouragesstudent participation with the artsand culture in their community andfosters civic engagement.

Go to www.act1az.org to donateand learn more.

LOCATION

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Act One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportsAct One Foundation supportseducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualeducational field trips to the visualand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sand performing arts for Arizona’sunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefunderserved schools. Our beliefis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesis that arts learning encouragesstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsstudent participation with the artsand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andand culture in their community andfosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.fosters civic engagement.

to donate to donate to donate to donateGo toGo to to donate to donate to donateGo toGo to to donateand learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.and learn more.

EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &EVENT INFO &

Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.Tickets are $35 online or at the door.

All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.All proceeds go to charity.

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National Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaNational Bank of ArizonaConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference CenterConference Center6001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 850166001 N 24th Street, Phoenix, AZ 85016

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