Slide 1

GCSE Fast Track Portraits Final Expressive Portrait Portrait of Lucian Freud on Orange Couch by Francis Bacon, 1965

Slide 2

How to use this PowerPoint Use this PP to plan and produce development work for your expressive painting. You can always access it via the art website: www.lbsart.weebly.com Green slides signal the start of a new stage in your planning or sketchbook

Slide 3

CHALLENGE WHYTRY WHAT: Create a final expressive portrait acrylic painting for the project Planning deadline: Thursday 6th December ( 3 weeks planning) Mock exam and portfolio deadline: Wednesday 12 th, Thursday 13 th December (Success criteria) Use primary source material. Link to an artist Focus on facial features and tones Consider distorting the face to add expression. Consider adding objects and symbolism Thursday 22 nd November 2012 CONFIDENT Present an informed and meaningful personal response Show a very strong and sustained ability to experiment with materials and processes COHERENT Show a strong and consistent ability to experiment with materials and processes COMPETENT Show a sound ability to experiment with materials and processes

Slide 4

Planning stages (green slides) (Tip: Label these stages in your sketchbook to help planning) 1.Early intentions 2.Primary investigations 3.Artist investigations 4.Acrylic painting experiments 5.Final design and practice painting 6.Final painting (on canvas in mock exam)

Slide 5

Stage 1: Write your early intentions Use the 4 headings to write down the task in your own words and what you hope to create (your intentions) Process Content Meaning Purpose TOP TIP: You could include some small thumbnail drawings to show your idea visually Creating an expressive portrait

Slide 6

Stage 2: Primary Investigations This portrait must come from primary source material. This means a self portrait OR a portrait of a friend or family member. - Take a range of expressive photographs of the subjects face - Consider unusual angles and dramatic lighting (your teacher can help with this) -Present the photos in your sketchbook and make sketches from at least 3. -Make notes about how suitable they could be for your intentions for the painting. TOP TIP: Use the yellow annotation resources in the classroom and on the website to extend your vocabulary when discussing your ideas: http://lbsart.weebly.com/annotatio n-helpsheets.html

Slide 7

Expressive photo portraits...

Slide 8

Stage 3: Artist investigations Use the following expressive portraits to help identify an artist who will inspire your work. Produce a minimum double page spread analysing the artists work Include images, drawings and annotations using the 4 headings. TOP TIPS: Continue to use the annotation help sheets Always highlight WHY you have chosen the artist and how they will inspire you to achieve your intentions

Slide 9

Francis Bacon Portrait of Lucian Freud on Orange Couch by Francis Bacon, 1965 WHY this artist? Francis Bacon is well known for distorting the face and features to create mood, movement and expression. WHY this artist? Francis Bacon is well known for distorting the face and features to create mood, movement and expression. http://www.tate.org.uk/art/artists/francis-bacon-682

Slide 10

Slide 11

Frida Kahlo Self-portrait with Thorn Necklace and Hummingbird, WHY this artist? Frida Kahlo uses objects in her paintings that symbolise thoughts and feelings about her life. What do you think the thorn necklace symbolises? WHY this artist? Frida Kahlo uses objects in her paintings that symbolise thoughts and feelings about her life. What do you think the thorn necklace symbolises?

Slide 12

Frida Kahlo de Rivera (July 6, 1907- July 13, 1954; born Magdalena Carmen Frieda Kahlo y Caldern)[2][3] was a Mexican painter, born in Coyoacn,[4] who is best known for her self-portraits.[5]Mexican painter, born in Coyoacn,[4] who is best known for her self-portraits.[5] Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health problems, many of which derived from a traffic accident she experienced as a teenager. These issues are represented in her works, many of which are self- portraits of one sort or another. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best."[9] She also stated, "I was born a bitch. I was born a painter."[Diego Rivera. She suffered lifelong health problems, many of which derived from a traffic accident she experienced as a teenager. These issues are represented in her works, many of which are self- portraits of one sort or another. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best."[9] She also stated, "I was born a bitch. I was born a painter."[ taken from Wikipedia Nov 2012

Slide 13

Slide 14

Peter Blake 'Self-Portrait with Badges' 1961 WHY this artist? Peter Blake uses objects from the culture of his youth to show the trends and fashions of that time. What are the badges on his jacket and the book in his hand? WHY this artist? Peter Blake uses objects from the culture of his youth to show the trends and fashions of that time. What are the badges on his jacket and the book in his hand? http://www.tate.org.uk/art/artists/peter-blake-763

Slide 15

Lucian Freud Reflection (Self-portrait), 1985 WHY this artist? Lucian Freud is considered a master of painting skin tones. How many different colours or tones can you see in his face? WHY this artist? Lucian Freud is considered a master of painting skin tones. How many different colours or tones can you see in his face? I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be Lucian Freud Quote http://www.tate.org.uk/art/artists/lucian -freud-1120

Slide 16

Lucian Freud was one of the great realist painters of the twentieth century. He had a life-long preoccupation with the human face and figure. Family, friends and lovers were his subjects and, sometimes, when no-one else was available, himself. Sitters were drawn from all walks of life, from the aristocracy to the criminal underworld, but he rarely took on commissions. Freuds portraits often record the life of a relationship. Highly personal and private, they are an enigmatic record of time spent behind the closed door of the studio.

Slide 17

Edvard Munch The Scream

Slide 18

Stage 4 Acrylic Painting Experiments

Slide 19

Stage 5: Final Design and Practice Painting