g.c.s.e. shakespeare coursework

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G.C.S.E. SHAKESPEARE COURSEWORK ‘MACBETH’

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G.C.S.E. SHAKESPEARE COURSEWORK. ‘MACBETH’. ASSESSMENT CRITERIA. You will be assessed for this piece of coursework by giving an oral presentation You must make sure you fulfill all the criteria You must provide a written description of the activity. Speaking and Listening:. - PowerPoint PPT Presentation

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Page 1: G.C.S.E. SHAKESPEARE COURSEWORK

G.C.S.E. SHAKESPEARE COURSEWORK

‘MACBETH’

Page 2: G.C.S.E. SHAKESPEARE COURSEWORK

ASSESSMENT CRITERIA• You will be assessed for this piece of

coursework by giving an oral presentation

• You must make sure you fulfill all the criteria

• You must provide a written description of the activity.

Page 3: G.C.S.E. SHAKESPEARE COURSEWORK

Speaking and Listening:

• Speak fluently and clearly• Make significant contributions and listen

closely to others• Use Standard English vocabulary and

grammar• Show order and clear expression in

communicating well-developed significant points and complex ideas

• Cross-reference ideas as appropriate and reach a considered conclusion

Page 4: G.C.S.E. SHAKESPEARE COURSEWORK

THE SHAKESPEARE ASSIGNMENT:

• To achieve a good grade, you must fulfill all the criteria that the assessment guidelines require

• You must be critical, analytical and interpretative

• You must back up your ideas with textual evidence

Page 5: G.C.S.E. SHAKESPEARE COURSEWORK

1. SOCIAL, HISTORICAL, AND PHILOSOPHICAL

CONTEXT:• You must comment on this area in

terms of how the play sits within its dramatic genre

• How does the play reflect or challenge the values and ideas of the time in which it was written?

Page 6: G.C.S.E. SHAKESPEARE COURSEWORK

2. STRUCTURE:• How does the structure of the play

contribute to the development of the relationship between Macbeth and Lady Macbeth?

• Consider the asymmetrical structure to the play, its parallels, and its reversals

Page 7: G.C.S.E. SHAKESPEARE COURSEWORK

3. CHARACTER:• You must consider character in terms of 3

areas:• Action (what they do)• Dialogue (what they say to each other -

and how much they say)• Soliloquies (what they say to themselves).• For the latter two, remember to use

linguistic terms (e.g. imperatives and adjectives)

Page 8: G.C.S.E. SHAKESPEARE COURSEWORK

4. THEMES:• You should discuss how different

themes and images reflect or suggest the developing relationship between Macbeth and Lady Macbeth

• Themes include: night/darkness, sleep, bestial imagery, blood and appearance vs. reality

Page 9: G.C.S.E. SHAKESPEARE COURSEWORK

5. DRAMATIC DEVICES:• Consider the use of both:• Irony• Dramatic irony

Page 10: G.C.S.E. SHAKESPEARE COURSEWORK

6. LINGUISTIC DEVICES:• You should consider Shakespeare’s use of

language to develop the relationship between Macbeth and Lady Macbeth.

• What nouns, adjectives, verbs and adverbs create dramatic effect?

• Consider Shakespeare’s use of pronouns.• Do any words recur throughout the play,

especially if they change meaning?• How is alliteration used for dramatic

effect?

Page 11: G.C.S.E. SHAKESPEARE COURSEWORK

7. POETIC DEVICES:• You must consider Shakespeare’s use of

figurative language and imagery, such as:• Metaphors• Similes• Personification• Oxymorons

• Can you find any patterns of images used throughout the play? Do they change meaning or create dramatic irony?

Page 12: G.C.S.E. SHAKESPEARE COURSEWORK

You should also:• Be perceptive, and consider a range of possible

meanings and interpretations• Use detailed references to each area• Develop ideas in detail• Cross-reference as appropriate• Understand how meaning is conveyed and how an

audience (both Elizabethan and modern) may respond• Conclude with a personal response, and by drawing

together your ideas• You may comment on whether you think the audience

retains any sympathy for Macbeth and Lady Macbeth

Page 13: G.C.S.E. SHAKESPEARE COURSEWORK

The official question:

•Explain how the relationship between Macbeth and Lady Macbeth develops throughout the play.

Page 14: G.C.S.E. SHAKESPEARE COURSEWORK

Finally…• You must consider the following key

scenes:• Act 1, Scenes 5 and 7.• Act 2, Scene 2.• Act 3, Scenes 2 and 4.• Act 5, Scenes 1 and 5.

• It may help you to consider Acts 1 and 2 together (closeness of the pair, Lady Macbeth’s power and dominance); Act 3 as the pivotal scene (reversal/distancing), and Act 5 as the final result of the irrevocable breakdown of the relationship.