genre “genres are essentially contracts between a writer and his readers” (fredric jameson 138)...

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Page 1: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation
Page 2: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

Genre

“Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138)

Genres offer “a conceptual framework for the mediation (if not the ‘solution’) of intractable problems” and renders “such problems intelligible” (Michael McKeon 20)

Page 3: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation
Page 4: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

… I tremble for my country when I reflect that God is just, that his justice cannot sleep forever.

-Jefferson

Page 5: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation
Page 6: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

The louder she screamed, the harder he whipped; and where the blood ran fastest, there he whipped longest. He would whip her to make her scream, and whip her to make her hush; and not until overcome by fatigue, would he cease to swing the blood-clotted cowskin. I remember the first time I ever witnessed this horrible exhibition. I was quite a child, but I well remember it. I never shall forget it whilst I remember any thing. It was the first of a long series of such outrages, of which I was doomed to be a witness and a participant. It struck me with awful force. It was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it.

Page 7: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.The history of the American Negro is the history of this strife — this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa. He wouldn't bleach his Negro blood in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of opportunity closed roughly in his face.

Page 8: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

“He told me, with great solemnity, I must go back to Covey; but that before I went, I must go with him into another part of the woods, where there was a certain root, which, if I would take some of it with me, carrying it always on my right side, would render it impossible for Mr. Covey, or any other white man, to whip me. He said he had carried it for years; and since he had done so, he had never received a blow, and never expected to, while he carried it. I at first rejected the idea, that the simple carrying of a root in my pocket would have any such effect as he had said, and was not disposed to take it; but Sandy impressed the necessity with such earnestness, telling me it could do no harm, if it did not good. To please him, I at length took the root, and, according to his direction, carried it upon my right side.”

Page 9: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

“Upon either side we saw grim death, assuming the most horrid shapes. Now it was starvation, causing us to eat our own flesh; — now we were contending with the waves, and were drowned; — now we were overtaken, and torn to pieces by the fangs of the terrible bloodhound. We were stung by scorpions, chased by wild beasts, bitten by snakes, and finally, after having nearly reached the desired spot, — after swimming rivers, encountering wild beasts, sleeping in the woods, suffering hunger and nakedness, — we were overtaken by our pursuers, and, in our resistance, we were shot dead upon the spot! I say, this picture sometimes appalled us, and made us

"rather bear those ills we had,Than fly to others, that we knew not of."

In coming to a fixed determination to run away, we did more than Patrick Henry, when he resolved upon liberty or death. With us it was a doubtful liberty at most, and almost certain death if we failed. For my part, I should prefer death to hopeless bondage.”

Page 10: Genre “Genres are essentially contracts between a writer and his readers” (Fredric Jameson 138) Genres offer “a conceptual framework for the mediation

“Every thing looked clean, new, and beautiful. I saw few or no dilapidated houses, with poverty-stricken inmates; no half-naked children and barefooted women, such as I had been accustomed to see in Hillsborough, Easton, St. Michael's, and Baltimore. The people looked more able, stronger, healthier, and happier, than those of Maryland. I was for once made glad by a view of extreme wealth, without being saddened by seeing extreme poverty.”