georgia o’keeffe 1887-1986. o’keeffe chose natural objects as her subject matter. shell no. 1...

23
Georgia O’Keeffe 1887-1986

Upload: brittany-ramsey

Post on 21-Jan-2016

221 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Georgia O’Keeffe1887-1986

Page 2: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

O’Keeffe chose natural objects as her subject matter.

Shell No. 1

1928

Page 3: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Her artwork was greatly influenced by her love of the American Southwest.

Red Hills and Pedernal

Page 4: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

O’Keeffe was a master at subtlety blending colors to show shadow and depth.

She sometimes used an almost monochromatic color scheme.

Cow’s Skull with Roses 1931

Page 5: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Iris, 1929

O’Keeffe is best known for her paintings of flowers

Page 6: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Blue Morning Glories

She would paint greatly enlarged, close-up images of the flower.

In this way she would force the viewer to look at an ordinary object in a new way.

Page 7: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Two Jimson Weeds with Green Leaves and Blue Sky 1935

Page 8: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Oriental Poppies, 1927

Page 9: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Red Poppy

Page 10: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Red Canna1923

Sometimes she would paint an image of a flower so closely that it became an abstraction, and no longer resembled a flower.

Page 11: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Jack-in-the-Pulpit II, 1930

Jack-in-the-Pulpit IV, 1930

Page 12: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Jack-in-the-Pulpit V, 1930

Page 13: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Purple Petunias1925

Page 14: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928

Two Calla Lillies

on Pink

Georgia O’Keeffe is recognized as one of the outstanding American artists of the 20th century.

Page 15: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 16: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 17: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 18: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 19: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 20: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 21: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 22: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928
Page 23: Georgia O’Keeffe 1887-1986. O’Keeffe chose natural objects as her subject matter. Shell No. 1 1928