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FELLOW OF THE ROYAL ARCHITECTURAL INSTITUTE OF CANADA

MEMBER OF ORDRE DES ARCHITECTES DU QUÉBEC

MEMBER OF ONTARIO ASSOCIATION OF ARCHITECTS

MEMBER OF ARCHITECTURAL INSTITUTE OF BRITISH COLUMBIA

MEMBER AAPPQ

S+P IS A MEMBER OF THE CANADA GREEN BUILDING COUNCIL

Gilles Saucier received his diploma in architecture from Université Laval in Quebec City. In 1988, he founded Saucier + Perrotte architects, a multidisciplinary practice internationally renowned for its institutional, cultural, and residential projects.

As Design Partner, he is responsible for the overall design of each project, ensuring that the work of the firm responds to all design criteria, with specific attention to architecture’s connection to geology and the landscape. His commitment to design excellence is well recognized by the architectural press worldwide. The firm has been honoured with numerous awards, including 8 Governor General’s Medals and Awards in Architecture and two International Architecture Awards. In 2009, Saucier + Perrotte received the RAIC Award of Excellence for Best Architectural Firm in Canada. Furthermore, in 2014, Mr. Saucier, along with his partner Mr. Perrotte, were the first recipients of the new Prix du Québec, the Prix Ernest-Cormier.

Since 1989, he has been a visiting professor and an invited critic at several Canadian and American universities, including MIT,

University of Montreal, McGill University, University of Toronto, University of British Columbia, and University of Seattle. Mr. Saucier also frequently gives lectures on the firm’s work in North American universities.

In 2004, the firm represented Canada at the prestigious Architecture Biennale of Venice. In addition, Saucier + Perrotte has previously been part of three important exhibitions: “Les lieux de la couleur,” presented at the CCA in 2000, “Childhood Landscapes / Topographical Unfoldings” presented in Montréal, Toronto, Ottawa, and Buffalo (USA) between 2002 and 2004, and more recently “Substance Over Spectacle” in Vancouver (2005). In 2002, the Canadian Centre for Architecture began archiving architectural drawings and models by Saucier + Perrotte, and in 2007, the CCA selected the firm to design its exhibition on the Oil Crisis of the 1970’s, entitled “1973: Sorry, Out of Gas.”

Gilles Saucier is also a photographer and his work in that field has fine-tuned his approach to architecture and helped evolve his perspective on the world.

GILLES SAUCIER

BIOGRAPHY

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BIOGRAPHY

INSTITUTE OF CANADA

MEMBER OF ORDRE DES ARCHITECTES DU QUÉBEC

MEMBER OF ONTARIO ASSOCIATION OF ARCHITECTS

MEMBER OF ARCHITECTURAL INSTITUTE OF BRITISH COLUMBIA

MEMBER AAPPQ

LEED ACCREDITED PROFESSIONAL

S+P IS A MEMBER OF THE CANADA GREEN BUILDING COUNCIL

André Perrotte studied architecture at Laval University in Quebec City where he received his degree in 1982 (B.Arch).

As Project Architect, André Perrotte is in charge of the coordination for each step of the design and construction process and is in charge of the administrative management of each dossier with the client. He is involved in the design in conjunction with Gilles Saucier and directs the flow of information between all parties involved in the design process.

André Perrotte possesses a vast field of expertise, mainly in managing multidisciplinary teams from control to production, costs to schedules, and techniques to construction systems. He is widely recognized for the rigor and creativity of his approach

towards construction as an expression of contemporary culture. The firm has been honoured with numerous awards, including 8 Governor General’s Medals and Awards in Architecture and two International Architecture Awards. In 2009, Saucier + Perrotte received the RAIC Award of Excellence for Best Architectural Firm in Canada. Furthermore, in 2014, Mr. Perrotte, along with his partner Mr. Saucier, were the first recipients of the new Prix du Québec, the Prix Ernest-Cormier

Since 1989 André Perrotte has taught architecture and been a visiting critic at several Canadian universities, including University of Montreal, University of Waterloo, University of Toronto, McGill University, and UQAM (University of Quebec at Montreal).

ANDRÉ PERROTTE

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STATEMENT OF THE NOMINEES ACHIEVEMENT

Founded in 1988 by Gilles Saucier and André Perrotte, Saucier+Perrotte Architectes is a multidisciplinary practice internationally renowned for its institutional, cultural, and residential projects. The firm represented Canada at the prestigious Architecture Biennale of Venice in 2004, and has been honoured with numerous awards, including 7 Governor General’s Medals (presented by the Royal Architectural Insitute of Canada) in Architecture, three P/A Progressive Architecture honors (presented by Architecture Magazine), and two International Architecture Awards (presented by the Chicago Athenaeum and the European Centre for Architecture Art Design and Urban Studies). Saucier+Perrotte’s highly acclaimed buildings have been published the world over, reflecting the office’s status as one of Canada’s premier design firms. The office continues to add to its significant body of built work in Canada, to expand its international portfolio of work abroad, and in 2009, Saucier + Perrotte received the RAIC Award of Excellence for Best Architectural Firm in Canada.

The firm believes that the architectural process can touch all aspects of design intervention — from master planning and redevelopment to single family homes, from sustainably-designed dwelling complexes to museums and theatres, from interiors to object design. Since its inception, Saucier + Perrotte has integrally linked its architecture to geology and the landscape, stressing the physical and symbolic importance of the site and reflecting the firm’s understanding of architecture’s role in shaping the contemporary city and the rural landscape.

Located in the heart of Montreal’s ‘Little Italy,’ Saucier+Perrotte Architectes occupies a 60-year-old industrial building converted by the firm. The partners are proud to be part of the renewal of this area of the city.

S+P projects that have garnered top awards include the UBC Faculty of Pharmaceutical Sciences/CDRD, Scandinave les Bains Vieux Montréal, the Private Residence and Guest House in the Laurentian Mountains, the Communication, Culture and Technology Building (University of Toronto at Mississauga), the Perimeter Institute for Theoretical Physics (Waterloo, Ontario), and the First Nations Exhibition Pavilion in Montreal, all of which have received, among others, Governor General Medals and Awards in Architecture; River City Toronto, the Anne-Marie Edward Science Building at John Abbott College (target LEED Gold); the new Schulich School of Music Building (McGill University); the New College Student Residence (University of Toronto); the School of Architecture and Design for University of Montreal; Gerald-Godin College in Ste-Genevieve; the Canadian Embassy in Abu Dhabi; Michel Brisson_ menwear stores in Montreal; and the Philippe Dubuc stores in Montreal and Quebec.

Ongoing major projects include River City, a 1000-unit, 3.8 acre LEED Gold master plan in Toronto’s industrial West Don Lands; Thompson Residences, a mixed use residential project in downtown Toronto; Rack House D, a residence/hotel in Toronto’s Distillery district; Lewis Farms Community Center in Edmonton; Gabrielle-Roy library in Québec City; and The Musée d’art contemporain de Montréal (MAC) Renewal Project.

Throughout the firm’s history, Gilles Saucier and André Perrotte have been involved in lecturing and teaching locally and abroad. Gilles has taught at MIT, McGill, and University of Montreal and has lectured at AIA Seattle and San Francisco as well as for the Séminaire international Phyllis Lambert. André is also active in architectural education, often an invited critic, and has spoken at the Annual Conference of the Society of College and University Planning. Past lecture series for S+P have included talks at several universities, the New York Architectural League, and “Architecture Rampant” at the Royal Ontario Museum. Notably, Gilles was one of three architects in Canada invited to accompany the Governor General team to promote Canadian culture through a series of state visits to Finland and Iceland. In addition to the 2004 Architecture Biennale in Venice, Saucier + Perrotte has previously been part of three important exhibitions: “Les lieux de la couleur,” presented at the CCA in 2000, “Childhood Landscapes / Topographical Unfoldings” presented in Montréal, Toronto, Ottawa, and Buffalo (USA) between 2002 and 2004, and more recently “Substance Over Spectacle” in Vancouver (2005). In 2002, the Canadian Centre for Architecture began archiving architectural drawings and models by Saucier+Perrotte, and in 2007, the CCA selected the firm to design its exhibition on the Oil Crisis of the 1970’s, entitled “1973: Sorry, Out of Gas.”

Saucier+Perrotte is regularly invited to participate in major international competitions and has been a finalist in several in recent years. The firm was short-listed for the Bogota International Convention Center Competition, the Fallingwater Educational Cottage Competition, the Cantos National Music Centre in Calgary, the New Montreal Concert Hall, the new Montreal Planetarium, the Musée national des beaux-arts du Québec, Grande Bibliothèque du Québec, the Canadian Museum for Human Rights in Winnipeg, and the AIST African Institute of Science and Technology International Competition in Nigeria.

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AWARDS

116. Architectural competition for MAC renewal project_Winner115. ‘Award of Merit’, Canadian Architect Awards of Excellence_River City Toronto114. Design Award, Canadian Institute of Steel Construction (CISC), Institutional_Stade de soccer de Montréal113. American Architecture Prize 2017 (AAP), Recreational Architecture_Complexe sportif Saint-Laurent112. Excellence Award, Ordre des architectes du Québec (OAQ), Bâtiment civique_Stade de soccer de Montréal111. Architectural competition for Maisonneuve library in Montréal_Finalist110. Architectural competition for Gabrielle-Roy library in Quebec City_Winner109. Architectural competition for future Plateau library in Gatineau_Finalist108. OAA Awards Design Excellence 2017_River City Toronto 107. American Architecture Prize 2016 (AAP), Recreational Architecture_Stade de soccer de Montréal106. Wood design Awards 2016_Honor Award_Stade de soccer de Montréal105. OAA Awards Design Excellence 2016_Stade de soccer de Montréal104. Architizer A+ Awards 2016_Mention Spéciale Architecture + Bois_Stade de soccer de Montréal103. Wan Sports in Architecture Awards 2016_Finalist_Stade de soccer de Montréal102. Mies Crown Hall Americas Prize_Projets 2014/2015_Stade de soccer de Montréal101. AZ Awards finalist _ Residential Architecture Multi-Unit_ River City Toronto100. Grand Prix Commerce Design_Cahier d’exercices099. Prix du Québec Ernest-Cormier pour l’ensemble de l’oeuvre098. Médaille du Mérite de l’Ordre des architectes du Québec _ Hommage à Saucier + Perrotte pour sa contribution à l’architecture097. Governor General Medal in Architecture 2014 _ UBC Pharma Sciences096. P/A Award Citation 2014 by Architecture Magazine _Stade de soccer de Montréal095. Grand Prix du Design FERDIE 2013 Educational_UBC Pharma Sciences094. Lieutenant Governor Award of Merit in Architecture_UBC Pharma Sciences093. OAQ Grand Prix of Excellence for Architecture 2013_UBC Pharma Sciences092. Wallpaper* Magazine Design Award 2013_ Best Lab_UBC Pharma Sciences091. AICQ Structural Design Award 2013_John Abbott College Anne-Marie Edward Building090. Architizer A+ Award Pop Winner 2013_UBC Pharma Sciences089. OAA Best in Show 2013_UBC Pharma Sciences / CDRD088. OAA Award Of Design Excellence 2013_UBC Pharma Sciences087. NWCB 2013 Outstanding Project_UBC Pharma Sciences086. ACEC British Columbia Awards for Engineering Excellence 2013_UBC Pharma Sciences / CDRD085. Competition winning entry 2012_Stade de soccer de Montréal084. P/A Award Citation 2012 by Architecture Magazine_Rack House D083. Prix Intérieurs FERDIE 2011_Commecial Spaces_Michel Brisson boutique 082. Canadian Architect Award of Excellence 2011_UBC Pharma Sciences081. AZ Award 2011_Best Commercial Space_Scandinave Les Bains080. AZ Award 2011_Best Competition Scheme_MNBAQ079. OAA Award Of Excellence 2011_Scandinave Les Bains078. OAQ Prix d’Excellence en Architecture 2011_Scandinave Les Bains077. OAQ Prix d’Excellence en Architecture 2011_Michel Brisson boutique076. WAN 2011_World Architecture News 21 for 21 Highly Commended Accolade for Saucier+Perrotte Architectes075. Competition winning entry_Complexe Sportif St-Laurent

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AWARDS

074. International Architecture Award 2010 presented by the Chicago Athenaeum / European Centre for Architecture, Art,Design and Urban Studies _ Scandinave Les Bains Vieux Montréal073. Governor General Medal in Architecture 2010_Scandinave Les Bains Vieux Montréal072. Governor General Medal in Architecture 2010_Private Residence 071. Prix Intérieurs FERDIE 2010 _ Espace Commecial _ Boutique Dubuc 070. BILD Award 2010 _ Best Building Design - High Rise _ River City 069. Best Architectural Firm in Canada _ 2009 RAIC Award of Excellence068. Prix Intérieurs FERDIE 2009 _ Projet de l’année _ Scandinave V-M067. Prix Intérieurs FERDIE 2009 _ Prix Spa _ Scandinave V-M066. Award of Merit from Canadian Architect 2009 _ John Abbott College Anne-Marie Edward Science Building065. Design Exchange (DX) Award 2009 _ Interior Design Category _ Scandinave Les Bains Vieux Montreal064. OAQ Prix d’excellence en aménagement intérieur 2009 _ Bureaux Saucier + Perrotte architectes063. International Architecture Award 2008 presented by the Chicago Athenaeum / European Centre for Architecture, Art,Design and Urban Studies _ Perimeter Institute062. Prix Intérieurs Ferdie 2008_Award of Homage for Saucier + Perrotte061. Prix Intérieurs FERDIE 2008_Saucier + Perrotte Office060. Prix Intérieurs FERDIE 2008_Commecial Spaces _ Michel Brisson boutique059. Prix Intérieurs FERDIE 2008_1973: Sorry, Out of Gas at the CCA058. Grand Prix Créativité Montréal 2008 (all categories)_Michel Brisson boutique057. Grand Prix Créativité Montréal 2008 catégorie boutique 1500- sq.ft_Michel Brisson boutique056. Grand Prix Créativité Montréal 2008 catégorie bureau 10000+ sq.ft_bureau Saucier+Perrotte 055. Governor General Medal in Architecture 2008_CCT Building054. Canadian Architect Award of Excellence 2007_National Mountain Centre, Canmore, Alberta 053. Mississauga Urban Design Award of Excellence 2007_CCT Building052. OAQ Prix d’excellence en architecture institutionelle 2007_CCT Building 051. OAA Award for Design Excellence 2007_CCT Building 050. Prix Intérieurs FERDIE 2007_Commecial Spaces_Boutique Dubuc049. Prix Intérieurs FERDIE 2007_Lighting Award 2007_Boutique Dubuc048. Governor General Medal in Architecture 2006_Perimeter Institute047. Grand Prix Créativité Montréal 2006_Boutique Dubuc046. ArchiZinc Award 2006_Paris_Perimeter Institute045. AERMQ Award of Excellence 2006_Schulich School of Music, McGill044. OAQ Prix d’excellence en architecture institutionelle 2005_Perimeter Institute for Theoretical Physics043. Building Magazine ‘Out of the Box Award 2005’ _Perimeter Institute for Theoretical Physics, Waterloo042. Building Magazine ‘Out of the Box Award 2005’_Théâtre Sans Fil041. First Prize Winner 2005_Bank Street Parliament Building, Ottawa040. OAA Award of Excellence for Architecture 2005_Perimeter Institute039. Canadian Architect Award of Excellence 2004_Residence038. First Prize Winner 2004_CPAS Competition, Sherbrooke, Quebec 037. Best of Canada, Canadian Interiors Award 2003_Michel Brisson boutique036. OAQ Prix d’excellence en architecture 2003_First Nations Pavilion035. Grand Prize, Montreal Commercial Design Competition 2003_Michel Brisson Store, Montreal034. Governor General Medal in Architecture 2002_First Nations Pavilion

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AWARDS

033. Canadian Architect Award of Excellence 2001_New College Residence, University of Toronto032. P/A Award 2001from Architecture Magazine, New York_Perimeter Institute031. Grand Prix OAQ_Prix d’excellence 2000_Gérald-Godin College030. OAQ Prix d’excellence en architecture 2000_Gérald-Godin College029. Honourable Mention - OAQ Awards of Excellence 2000_Salon Orbite028. Orange Prize - Renovation «Sauvons Montréal» 2000_Gérald-Godin 027. Canadian Architect Award of Excellence 2000_First Nations Pavilion026. Canadian Architect Award of Excellence 1999_Gérald-Godin College025. Canadian Architect Award of Excellence 1999_Montreal Pavilion, Shanghai024. Grand Prize, Montreal Commercial Design Competition 1999_Orbite023. Governor General Medal of Merit in Architecture 1999_Cinémathèque Québécoise, Montréal022. OAQ Prix d’excellence en architecture institutionelle 1998_Cinémathèque Québécoise, Montréal 021. Honourable Mention - OAQ Awards of Excellence_Residential Architecture 1998_Mercille Residence020. Grand Prize Winner, Canadian Interiors Awards 1998 _Cinémathèque Québécoise, Montreal019. Governor General Award of Merit in Architecture 1997 _Usine C / Theatre Carbone14, Montreal018. OAQ Prix d’excellence en architecture institutionelle 1997 _Usine C / Theatre Carbone14, Montréal017. Grand Prize, Montreal Commercial Design Competition 1997 _Salon Eclectic, Montreal016. Canadian Architect Award of Excellence 1995 _Faculty of Design and Architecture, University of Montreal015. Orange Prize - Renovation «Sauvons Montreal» 1995 _Usine C / Theatre Carbone14, Montreal014. Honourable Mention_OAQ Awards of Excellence Renovation-Restauration 1995_Usine C Theatre Carbone 14013. Montreal Commercial Design Competition 1995_Hall and Façade Cossette Communication-Marketing012. Honourable Mention - OAQ Awards of Excellence in Architecture 1995_Cossette Communication-Marketing 011. The Art of CAD First Prize 1995_Faculty of Design and Architecture, University of Montreal010. Canadian Architect Honourable Mention 1995_Master Plan UQAM phase IV, Montreal009. Canadian Architect Award of Excellence 1994_Faculty of Music, McGill University, Montreal008. Gagant du concours, 1994_Faculty of design and Architecture, University of Montreal007. First Prize Winner, 1993_Faubourg-Québec Competition, Montreal006. Grand Prize - OAQ Awards of Excellence 1991_Théâtre du Rideau Vert, Montreal005. Canadian Architect Award of Excellence 1990_Théâtre d’Aujourd’hui,004. Jury Honourable Mention 1990_Montreal Municipal Workshops Competition003. Honourable Mention - OAQ Awards of Excellence, OAQ 1989_225 est rue Roy, Montreal002. Orange Prize - Renovation «Sauvons Montreal», 1989_225 est rue Roy, Montreal001. Projet d’Excellence ARQ 1989_Concours F.I.C.

SELECTED PUBLICATIONS

STADE DE SOCCER DE MONTRÉAL CESM: sb International magazine for sports, leisure and recreational facilities, February 2017, Mineral stratum, Germany

STADE DE SOCCER DE MONTRÉAL CESM: Legno architettura, Ottobre 2016, Strutture Un tetto per il calcio, Italia

STADE DE SOCCER DE MONTRÉAL CESM: the Globe and Mail, August 2016, Canada’s most ambitious new public building is a Montreal soccer stadium

STADE DE SOCCER CESM: Canadian Architect, Juin, par Elsa Lam, Stade de soccer de Montréal

STADE DE SOCCER DE MONTRÉAL CESM: Trä! The Wood Magazine, Massive opportunities, article par Erik Bredhe, Sweden

STADE DE SOCCER CESM: Mark Magazine, Saucier + Perrotte and HCMA Sculpt Stadium for Montreal Park par Evan Jehl

STADE DE SOCCER CESM: Azure, Mai, Pitch Perfect par Tanya Southcott, Stade de soccer de Montréal

STADE DE SOCCER CESM: D’Architectures, Mai, Article par Emmanuel Caille, Stade de soccer de Montréal

STADE DE SOCCER CESM: Le Devoir, Rêver l’architecture en mots par Jérôme Delgado, Stade de soccer de Montréal

STADE DE SOCCER CESM: Dezeen, Crystalline soccer stadium by Saucier + Perrotte and HCMA references Canadian mining landscape

STADE DE SOCCER CESM: Wallpaper Magazine, Building blocks : our edits of the most striking structures around the globe par Paula Erizanu, image 36 of 52

STADE DE SOCCER CESM: Archello, Stade de soccer de Montréal by Saucier + Perrotte architectes / HCMA architects

STADE DE SOCCER CESM: Archdaily, Stade de soccer de Montréal / Saucier + Perrotte architectes + HCMA

STADE DE SOCCER CESM: BLOAAG, The OAA Blog, Mars, Stade de soccer de Montréal The Journal of American Institute of Architects, Decembre, P/A Progressive Architecture Award Citation 2014 de Architecture Magazine, par Melissa Krochmal

STADE DE SOCCER CESM: Wettbewerbe aktuell, Allemagne, Février, Stade de soccer de Montréal

Canadian Architect, Septembre, Collaborative Cure par Tanya Southcott, UBC Faculty of Pharmaceutical Sciences

The Plan No. 063, Italie, Faculty of Pharmaceutical Sciences

Architectural Record, Mai, UBC Faculty of Pharmaceutical Sciences

GQ Gentlemen’s Quaterly No. Mars, États-Unis, Boutique Michel Brisson III

Azure, No. 222, UBC Faculty of Pharmaceutical Sciences

MARK, UBC Faculty of Pharmaceutical Sciences

Wallpaper, Best Lab par Hadani Ditmars, UBC Faculty of Pharmaceutical Sciences

STADE DE SOCCER CESM: Frame : The great indoors, Issue 90, City Shaper par David Theodore, Cahier d’Exercices, Stade de soccer de Montréal

Archiworld Co, Corée, No. 212 Special Façade, UBC Faculty of Pharmaceutical Sciences 7

Architect Magazine, P/A Awards, Rack House D

STADE DE SOCCER CESM: Journal Métro Montréal, Week-End 21-23 décembre, Stade de soccer de Montréal

Azure, Design Architecture Art Curiosity, Raw artistry par David Theodore, Boutique Quai 417

Abitare No. 525, Italie, Teletrasporto par Lev Bratishenko, Schulich School of Music,Université McGill

MARK, Another Architecture #38, Compétition centre culturel de Verdun

STADE DE SOCCER CESM: Wettbewerbe aktuell, Allemagne, Edition 03, Stade de soccer de Montréal

STADE DE SOCCER CESM: Archiworld Co, Korea, No. 202, Stade de soccer de Montréal

STADE DE SOCCER CESM: Concept, International Magazine of competition CA, Corée, Special issue Vol. 154, Stade de soccer de Montréal

Interior Design Gold & Silver Book Vol.2, H.K. Rihan Int’l Culture Spread Limited hinge Architecture/Interior Design, CCT, Perimeter Institute, Scandinave Les Bains V-M, MB, II

Estetica Design (Italy), No. 15, Fashion & Wellness Issue, Scandinave Les Bains Vieux-Montréal

IW, Interior World Design and Detail (Korea) Vol 97, Boutique Michel Brisson, III

Azure, Design Architecture Art Curiosity, #209, AZ Awards, MNBAQ, Scandinave Les Bains

Masterpieces: Country House Architecture + Design, Braun Publishing, Salenstein, Switzerland

The World of Spa Design: Hotel, Spas & Beauty Spas / Wellness Centers interior design Vols 1&2, Édité par Ying Lee, Artpower International Publishing Co. Limited

Architecture Exploring, H.K. Rihan Int’l Culture Spread Limited

Architecture Canada 2010 – Governor General’s Awards for Architecture, RAIC

CAE Canadian Architecture Edition, Edition 01 (2010), CCT Building

“oym: Open Your Mind” Issue de Ramp Auto.Kultur.Magazin (Germany)

Public Space: Exhibitions, Education, Culture (Space X File), H.K. Rihan Int’l Culture Spread Ltd

21st Century Interiors, Edited by Beth Browne, The Images Publishig Group Pty. Ltd.

Colleges & Universities – Educational Spaces, Braun Publishing AG, Salenstein, Switzerland

ArchManual [Design+Concept+Script+Process], Curated and Edited by Bruce Lan, AADCU 100% Classical Cases of Interior Design, H.K. Rihan Int’l Culture Spread Limited

Architecture Zone (A to Z 2), H.K. Rihan Int’l Culture Spread Limited

A Guidebook to Contemporary Architecture in Toronto, Douglas & McIntyre

Swim! Best of Pool Design, Braun Publishing AG, Salenstein, Switzerland

Competition Architecture, Braun Publishing AG, Salenstein, Switzerland

SELECTED PUBLICATIONS

Architecture Zone II (A to Z), H.K. Rihan Int’l Culture Spread Limited

Canadian Architect May 2010, Governor General’s Awards, Scandinave Les Bains, Private Residence

L’industria delle costruzioni 412 marzo-aprile 2010, architettura Canadese (Canadian Architecture)

100 Ideas (Architecure X File), H.K. Rihan Int’l Culture Spread Limited (Hong Kong)

M3 Modern Architecture, Sandu Publishing Co. Limited, Beijing

Canadian Architect Dec 2009, Award of Merit, John Abbott Science and Health Technologies Building

Intérieurs, INT #49, Décembre 2009, Prix FERDIE, Scandinave Les Bains Vieux Montréal

Platinum Magazine (Brasil), December 2009, Scandinave Les Bains Vieux Montréal

Intérieurs, Design Architecture Une Culture, Prix FERDIE, Hommage à Saucier + Perrotte

md, International Magazine of Design (Germany) md 02.2009, New Lining, S+P Bureau/Office

Preston Catalogue: Canada’s Premiere Art, Fashion & Design Showcase Publication

ARTRAVEL, No. 26, “Mystic’s Cube”

Concept, International Magazine of Competition (Korea) November 2009, Cantos Music Centre

Intérieurs, INT #48, October-Novembre 2009, Repenser la Maison Québécoise

Il Bagno Oggi e Domani (Italy), October 2009, Scandinave Les Bains Vieux Montréal

DHD Hotel Design Diffusion (Italy) settembre-ottobre-novembre 2009 n.23 Scandinave Les Bains

Costruire in Laterizio (Italy) Luglio/Agosto 2009 Issue 130, Residenze Universitarie, New College

OCTOGON architecture & design (Hungary), July 2009, Scandinave Les Bains Vieux Montréal

Shotenkenchiku-sha (Japan), July 2009, Scandinave Les Bains Vieux Montréal

Interior Design (USA) July 2009 “Canadian/Scandinavian”, Scandinave Les Bains Vieux Montréal

Aeroflot Style (Russia), July 2009, Scandinave Les Bains Vieux Montréal

md, International Magazine of Design (Germany) md 06.2009, Water Curtain, Scandinave Les Bains

Very Small Shops, Laurence King Publishing Ltd, London 2009. Texte par John Stone

Interieurs, INT #47, Design Architecture Une Culture, May-June 2009, 1973: Sorry, Out of Gas

Canadian Architect, May 2009, RAIC Award for Best Architectural Firm in Canada

Interior Design China, May 2009, Scandinave Les Bains Vieux Montréal

Ottagono (Italy), Avril 2009, Scandinave Les Bains Vieux Montréal

Arquitectura & Construção (Portugal), No. 54, Abril/Maio 2009, National Mountain Centre

SELECTED PUBLICATIONS

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B-1: Be The Best Magazine (Thailand) March 2009

IW, Interior World Design and Detail (Korea) Vol 77, Scandinave Les Bains Vieux Montréal

Azure, Design Architecture Art January/February 2009, Light Matter, Dark Matter by Beth Kapusta

md, International Magazine of Design (Germany) md 12.2008, Tailor-Made, Michel Brisson II

atd, architecture technology & design (China), 2008.12, vol. 171, Boutique Philippe Dubuc

Monitor: Design Innovations for Professionals (Russia), Light, Boutique Michel Brisson II

Detail ’08, IW Magazine Special Issue 2008 (Taiwan), S+P Office Profile and Perimeter Institute

Wallpaper City Guide Montreal, Phaidon Press Ltd

Architecture Canada 2008 – Governor General’s Awards for Architecture, RAIC

Voir La Ville, August 23, 2007, Architecture Dynamique by Alain Hochereau

A Guidebook to Contemporary Architecture in Montreal, Douglas & McIntyre Ltd

Canadian Architect, June 2008, Governor General’s Medal Winner, CCT Building

Frame : The Great Indoors, Issue #62 May/June 2008, “Time Travel”, Boutique Michel Brisson II

Azure, Design Architecture Art May 2008, Black and White in Colour, S+P’s Dramatic Studio and Loft

A+U Architecture and Urbanism 451, 08:04, Design for 1973: Sorry, Out of Gas, Exhibition at CCA

Plaisirs de Vivre, Living With Style, March 2008, Boutique Michel Brisson II

Azure, Design Architecture Art January/February 2008, Design for CCA’s 1973: Sorry, Out of Gas

Architecture Canada 2008, Governor General’s Award for Architecture, RAIC

Intramuros, International Design No. 133 November-December 2007 S+P Office, Dubuc Boutique

Intérieurs, Design Architecture Une Culture, No 41, Décembre 2007, Prix Intérieurs FERDIE 2007

Canadian Architect Dec 2007, 2007 Awards of Excellence, National Mountain Centre

The Plan (Italy) December 2007-January 2008, Communication, Culture and Technology (CCT) Building

Natura (Turkey) June 2007, National Mountain Centre, First Nations Pavilion, Perimeter Institute

1001 Buildings You Must See Before You Die, Universe

Phaidon Atlas of 21st Century World Architecture, Phaidon Press Ltd

Wallpaper, Design Interiors Fashion Arts Lifestyle (USA), September 2007, National Mountain Centre

Competitions Magazine, Volume 17, Number 3 (Fall 2007), Interview: Gilles Saucier with D. Theodore

SELECTED PUBLICATIONS

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SELECTED PUBLICATIONS

Montréal Centre-Ville, Volume 1, Numero 1, Automne 2007, Interview with Gilles Saucier

MARK Another Architecture, MARK #9, August-September 2007, National Mountain Centre

Interior Design China, August 2007, Boutique Philippe Dubuc, Flagship Store

Architectural Record (USA) July 2007, Schulich School of Music, Université McGill

Beaux Art Magazine (France), July 2007, National Mountain Centre

Architecture Highlights, ShangLin Edition, Beijing Designer Books Co., Ltd

Canadian Architect, June 2007, National Mountain Centre

IW Focus Scop Opinion (Taiwan) January 2007, Schulich School of Music

Monitor (Russia), 42, 2007, Boutique Philippe Dubuc, Flagship Store

Surface Magazine, Fashion Architecture Design No 69, National Mountain Centre

OBJEKT International no. 40, Saucier + Perrotte Office, Boutique Philippe Dubuc, Flagship Store

Les 1001 Merveilles de l’Architecture qu’il faut avoir vues dans sa vie, Quintessence Publishing Limited, Édition du Trecarré, Montréal

Gong Gan Sa Rang (Korea) November 2006, CCT Building

Créativité Montréal, Novembre 2006, Numero 001, Boutique Philippe Dubuc, Flagship Store

Architecture Canada 2006 – Governor General’s Awards for Architecture, RAIC

Upstairs Downstairs, The Images Publishing Group Pty Ltd, Australia

atd, Architecture Technology & Design (China) 2006/05 Vol. 140, Bureaux Jet Films

Canadian Architect May 2006, Governor General Awards, Perimeter Institute

Canadian Architect April 2006, Schulich School of Music

enRoute Magazine, April 2006, Inspired Architecture, Perimeter Institute

Tatlin (Russia) No2 / 32 / 2006, Found Objects (Venice Biennale), Collège Gérald-Godin, New College

Context C3, Korea, Architecture, Urbanism, Landscape

Canadian Architect November 2006, Plane Geometry by Nova Tayona, CCT Building

POL Oxygen (Australia) issue 16/2006

Office Space At Work, Pace Publishing Limited, Jet Film Offices

Azure, Design Architecture Art November-December 2005, Making Music by Lisa Flitterman, Schulich

Phaidon Atlas of Contemporary World Architecture, Phaidon Press Ltd 2004 (Travel Edition)

Canadian Architect Nov 2005, Bank Street Building

Plaisirs de Vivre, Living With Style, October-November 2005, Voir, Dire et Agir by Celine Tremblay

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SELECTED PUBLICATIONS

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SELECTED PUBLICATIONS

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SELECTED PUBLICATIONS

15

TRANSFORMATION DU MUSÉE D’ART CONTEMPORAIN DE MONTRÉAL

Notre proposition pour le projet de transformation du MAC s’articule autour de deux objectifs majeurs : offrir une nouvelle structure capable de soutenir la croissance du Musée et le plein déploiement de ses activités et développer une solution architecturale contemporaine qui soit adaptée au contexte urbain de la Place des Arts, de son Esplanade et du Quartier des spectacles. En complémentarité au bâtiment existant, notre proposition adopte une expression contemporaine misant sur l’ouverture et ce, à plusieurs niveaux. Tout d’abord, le projet valorise l’ouverture sur la ville afin d’assurer une meilleure communication des activités et de l’animation du Musée. Le projet témoigne aussi d’ouverture

au niveau de la lumière et des vues de manière à créer des espaces intérieurs stimulants et attractifs. Finalement, notre proposition fait preuve d’ouverture par rapports aux divers usagers par la mise en place d’un réseau de circulations et d’espaces publics accessibles et conviviaux. Ces espaces publics seront intimement liés au parcours muséal, de manière à créer une synergie entre l’art et l’architecture et à rendre l’expérience des lieux plus intuitive. En somme, le projet souhaite favoriser la promotion de l’art contemporain au moyen d’une signalétique spatiale issue de l’architecture qui soit au diapason de son environnement.

AWARDS2017 Competition for the transformation of the Musée d’art Contemporain de Montréal, Winner

SELECTED PROJECTS

in joint venture with GLCRM

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BIBLIOTHÈQUE GABRIELLE-ROY, QUÉBEC

Architectural competition for Gabrielle-Roy library in Quebec City, Winner

Implantée au coeur d’un quartier en pleine effervescence culturelle et économique, la Bibliothèque Gabrielle-Roy est soumise à une multitude d’influences qui l’alimentent et la stimulent. Parmi les caractéristiques distinctives de ce milieu, la diversité et la mixité sociales jouent un rôle important et façonnent l’identité de Saint-Roch à plusieurs niveaux. C’est donc au coeur de cette mouvance que BGR prend ses racines et puise l’énergie

nécessaire à sa croissance.

Le rapport à la ville constitue donc la pierre d’assise du projet. Cette approche publique à l’institution fait de Saint-Roch le premier foyer de BGR. Cette connexion primaire est renforcée par d’importants gestes urbains et architecturaux qui profiteront autant à l’institution qu’à la communauté environnante.

AWARD

in joint venture with GLCRM

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BUREAUX DE STIKEMAN-ELLIOTT MONTRÉAL

Le cabinet d’avocat Stikeman Elliott occupe les huit étages supérieurs de la prestigieuse Tour CIBC à Montréal. Pour ce projet, l’intention de départ était de créer un nouvel aménagement maximisant la lumière naturelle, cadrant les vues et favorisant les rencontres informelles au sein de la firme.

Pour ce faire, nous avons élaboré un plan s’articulant autour d’une circulation centrale qui nous rappelle les ramifications d’un arbre. Cette arborescence devient une image forte servant d’inspiration dans le développement du projet. C’est à ce nouveau schéma de circulation que se greffent l’escalier central et les espaces communs de la firme tel que la bibliothèque, le salon des avocats, le salon des employés et les cuisinettes. Des espaces informels de travail, reliés à la fois au schéma de circulation et à l’espace bureau, deviennent des espaces névralgiques favorisant les rencontres spontanées, le travail en équipe et l’échange d’idées. Au dernier étage, on retrouve les salles de réunions et la reception, l’espace client de la firme.

18

COMPLEXE SPORTIF SAINT-LAURENT

The project site is situated between the existing Émile Legault School and Raymond Bourque Arena, both of which are horizontal in form and neutral in character. For this project, it thus became vital for the design of new sports complex to create a visual and physical link between the Marcel Laurin Park (to the north of the site), and the projected green band that will run along Thimens Boulevard.

The sculptural nature of the project creates a strong link between these two natural elements in the urban

fabric. Two angular objects — one prismatic, white and diaphanous, the other darker and stretched horizontally — embrace the specific programmatic functions of the project but simultaneously transcend these, inviting users and passersby from the boulevard, while serving as a signal for the passage toward the park beyond.

The two volumes appear to float, suspended by the kinetic energy emanating from the heart of the project, thereby evoking the dynamic nature of the activities (sports, athletics, training) taking place within.

AWARDSAmerican Architecture Prize 2017 - Recreational Architecture

in joint venture with HCMA

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STADE DE SOCCER DE MONTRÉAL

On the site of the former Miron quarry and a future Ecological Park, the new Stade de Soccer intérieur emerges from the park’s artificial topography as a layer of mineral stratum recalling the geological nature of the site. The mineral stratum is articulated by a continuous roof which cantilevers over the entry plaza and folds down over the interior soccer field. It extends to the

ground to become the spectator seating for the outdoor field in the next project phase. To ensure the unity of the soccer centre over different programs and construction phases, the stratum appears as a single gesture with laminated wood structure supporting the roof. The roof’s crossing beams form a seemingly arbitrary lattice suspended over the entire site.

AWARDS2016 Architizer A+ Awards, special mention Architecture + Bois2016 Shortlisted, WAN Sports in Architecture Awards2015 Wood Design Awards, Honor Award2014 P/A Progressive Architecture Award Citation of

the Architecture Magazine2014 Mies Crown Hall Americas Prize, nominated for 2014/15 prices2012 Interior Soccer Centre SMEC First Prize Winner

in joint venture with HCMA

20

ANNE-MARIE EDWARD SCIENCE BUILDING AT JOHN ABBOTT COLLEGE

Located on a campus designed along Lac St-Louis in the first decade of the twentieth century, John Abbott College is home to more than 5000 post-secondary students, faculty and staff members. Its new Science Building is a state-of-the-art facility intended to foster the interdisciplinary nature of science, collaborative study and experiments, and the need for formal and informal learning. Designed as a showcase for sustainability, the singular, iconic form promotes a variety of pedagogical approaches through flexible classrooms, laboratories, learning centres, and informal spaces where ideas can be exchanged and creative interaction can unfold.The architecture stems from the landscape, taking cues from its context. On the site is a majestic gingko tree that was envisioned

as a centerpiece for a beautiful, collegial, outdoor gathering space. The building’s form first extends from the campus centre, then folds to frame a public courtyard around this tree. The landscape flows into the foyer, becoming an interior topography, which transforms at the fulcrum of the building into a light-filled, vertical circulation space connecting the sciences. An architectonic tree, analogous to that of the adjacent gingko, this atrium space contains the grand staircase and branches that extend through the building as built-in wayfinding elements and benches. The vertical link thus becomes a public interior garden, emphasizing the connection between the natural environment and the type of learning that takes place within the building.

AWARDS2009 Canadian Architect Award of Merit 2013 AICQ Structural Design Award2013 «Grand Prix du génie-conseil québécois»2014 Building Structure category / Energia Awards from the Quebec Association of Energy Managers – « New Buildings » category2015 First Place at ASHRAE Technology Awards

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UBC FACULTY OF PHARMACEUTICAL SCIENCES / CDRD

The design reflects UBC’s world-class pharmaceutical science researchers, faculty, and the University’s status as an internationally recognized institution in scientific endeavors. Since architecture can, perhaps more than ever, give an international presence to particular schools and departments within universities, the design itself is intended to play a significant role in attracting and retaining the best in the scientific community from around the world.

The initial concept stems from the idea of trees whose branch system forms a canopy floating above the ground. As this organic network is abstracted, it is subsequently given tectonic manifestation, and the architecture takes on a more geometric form. The striking design provides enjoyable, livable spaces for research and learning, creating public and private spaces for the exchange of ideas. The conceptual tree trunks become atria filled with natural light permeates the adjacent spaces (laboratories, offices, etc.)..

AWARDS2014 Governor General’s Medal in Architecture 2013 Wallpaper Magazine Awards for Best Lab 2013 OAQ Grand Prize of Excellence in Architecture 2013 Architizer A+ Award Pop Winner 2013 OAA Best in Show Award 2013 ACEC British Columbia Awards for Engineering Excellence2013 Ontario Association of Architects Award Of Design Excellence2013 Lieutenant Governor Award of Merit in

Architecture 2013 Grand Prix du Design FERDIE 2013 for Educational Architecture2011 Canadian Architect Award of Excellence

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BOGOTÀ INTERNATIONAL CONVENTION CENTER

Astonishingly powerful in their topographic presence, the Cerros Orientales and Monserrate are defining features of Colombia’s landscape and Bogotá’s cityscape. As structuring elements of the city, they exist as the beautiful background against which unfold the lives of the inhabitants of Bogotá. Cradled between the mountains and the river, this stunning landscape gives the city its unique identity.

The new architecture for the CICB is designed as a reflection of this majestic topography.

An emblematic work of architecture — a signature building for Bogotá and for Colombia — the Bogotá International Convention Center (CICB) takes root in the physical and cultural landscape of the city. These literal and symbolic topos are the elements that actuate the architectural approach of the new CICB project, whose bold architectonic form becomes not only the centerpiece for the urban plan of the Fairs, Expositions, and Conventions node of the city, but also the catalyst for regeneration of the central zone of Bogotá and its future urban development.

AWARDS2011 International Competition, Finalists

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SCANDINAVE LES BAINS OLD MONTREAL

Located in the heart of historic Old Montreal and facing the vibrant piers of Old Port, Scandinave Les Bains Vieux-Montréal is an urban spa whose purpose is to provide a thermal therapy experience that engages each of the body’s senses. The building, rebuilt half a century ago after extensive fire damage, has housed warehouse functions until recently when it was acquired by the new owners: the new spa is positioned at the ground/entrance level.The formal parti is derived from the contact between

hot and cold — more specifically, the naturally occurring phenomena associated with these conditions. The design distills the idea of cool glacial forms and the warmness of volcanic rocks, whose duality is articulated through both the spa’s forms and materials.Visitors are immersed in a unique, environment where walls, floors and ceiling are slightly angled according to a notion of interior topography. These angles, though subtle, heighten awareness of the corporeal relationship with one’s surroundings, grounding each visitor for that

AWARDS2011 OAA Award Of Excellence2011 OAQ Award of Excellence for Commercial Architecture2011 AZ Awards for Best Commercial Space2010 Governor General’s Medal in Architecture

2010 International Architecture Award presented by the Chicago Athenaeum2009 Prix Design Exchange (DX)2009 Prix Intérieurs FERDIE, Project of the Year 2009 Prix Intérieurs FERDIE, Spa Prize

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KUTCHING HOTEL, MALAYSIA

The hotel is located in a developing zone of Kuching, on an island in the Sarawak region of Malaysia. The project insists upon the relationship between the object (composed of the tower and its base) and the surrounding natural elements (mountain, river, vegetation) to create a new landmark for the city of Kuching.

The building is grounded in the Sarawak landscape. It takes root in the soil (as does a tree) and folds upward as it rises into the sky. The tower creates a link between the Sarawak earth and the sky. With its height of 135 meters, the tower creates an iconic figure in the Sarawak skyline.

The hotel tower sits perpendicular to the river, taking advantage of the views toward the meandering river

landscape. The guestrooms facing southwest look at the downtown district, while the rooms oriented northeast offer a spectacular view to Mount Santubong.

Like the roots of a giant tree, the base of the complex moves up the ground plane which folds to cover the service functions of the hotel. This folded surface creates a new ground plane which becomes the formal entry for the hotel. This slightly sloped landscaped area opens out from the hotel’s main lobby and faces the entrance of the convention centre. The plane folds up again to cover the volume of the ballroom and generate the base of the tower, which contains the public components of the hotel and connects them visually to the Sarawak River.

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RESIDENCE AND GUEST HOUSE IN THE LAURENTIAN MOUNTAINS

This residence and guest house is located near the ski hills of Mont Tremblant. Pierced in a singular gesture by an oblique interior stair, the main house consists of three bedrooms, living areas, a sauna, a transformable recreation room, and, typical of the region’s cottages, a screened outdoor living room. The residence, composed of three superimposed volumes aligned with an entrance-level pool, is placed within a fold in the landscape, creating an intimate exterior space framed by the north façade and a three-meter-high rock outcrop. This location allows for several advantages in terms of exposure to the sun, wind, and the public realm.

Erosion seems to have caused the blocks to glide laterally, slightly out of synch with each other, yet together forming a harmonious, clear composition. Analogous to the other building blocks, the guest house is envisaged as a fourth prism that has slid westward. The pool deck, between the residence and guest house, affords a sense of enclosure while providing a breathtaking panorama of the rolling mountains. Due to the dramatic slope of the site, two of the volumes of the main house are visible from the entry; the three stacked blocks are only perceived once inside or from the lower portion of the site.

AWARDS2010 Governor General’s Medal in Architecture

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SAUCIER+PERROTTE ARCHITECTES OFFICE

Located at the west end of Montreal’s little Italy, Saucier + Perrotte architectes occupies a 60-year-old clothing manufacturing building that has been converted by the firm. The three storey brick building is situated in a neighbourhood characterized by its peculiar mix of low density residential typology and old industrial buildings. The building opens up to the street by means of large windows with minimal black protruding frames. Gilles Saucier and André Perrotte are proud to be part of the renewal of this area of the city.

The converted building is mixed-use, the lower two storeys containing the S+P office while the top floor houses two residences. The entrance to the office guides visitors via a

ramp to the public area containing the reception, conference room, administration, an artist’s studio and gallery. Also located on this floor is the workshop facility where models and furniture are made. The space is punctuated by a grand stair that ascends through a 20 square meter opening in the concrete slab, a perforation made during the renovation, designed expressly to connect the two lowers storeys.

On the middle floor is the main design studio space, organized by rows of steel tables positioned end to end. The lighting system, designed by the architects, reinforces the organization of the space. Natural light pervades the space, entering from both the street and alley facades.

AWARDS2009 OAQ Award of Excellence for Interior Design 2008 Prix Intérieurs FERDIE for Office Spaces 2008 Grand Prix Créativité Montréal for Office Spaces

27

SCHULICH SCHOOL OF MUSIC, MCGILL UNIVERSITY

The design for the new Faculty of Music Building gives prominence to the southeast corner of the McGill University campus at Sherbrooke and Aylmer Streets in downtown Montreal. The new building is adjacent to the historic Strathcona Building, the existing home of the Faculty of Music.The site is a narrow strip of land between Aylmer Street and the east wing of the existing faculty building. The

multimedia studio anchors the design. It is a polished limestone volume almost five stories high that is « embedded » three stories into the ground at the north end of the lot. Practice rooms and technical studios also inhabit the underground realm south of the multimedia studio. Above these submerged spaces, at street level, are located the recital hall and main entrance. A folded concrete plane defines these spaces and appears to

AWARDS2006 AERMQ Award of Excellence 1994 Canadian Architect Award of Excellence

in joint venture with MSD Arcchitects

PERIMETER INSTITUTE FOR THEORETICAL PHYSICS

Riding the controversial line between public and private space, this research institute attempts to subvert the usual hard thresholds established by private enterprises in the public realm. The site is on the shore of Silver Lake, at the northern edge of Waterloo’s downtown core and the southern edge of the city’s central park. Adjacent to the primary pedestrian access between the University of Waterloo campus and the city centre, the site is an urban wilderness between clearly defined worlds.

The design takes inspiration from the wide-ranging, hard to define concepts that make up the subject matter of theoretical physics, at once micro- and macro-cosmic, rich in information and of indeterminate form and substance.Between city and park, the Perimeter Institute expands and inhabits the improbable space of the line separating the two. The building defines the secure zones of the

AWARDS2008 International Architecture Award presented by the Chicago Athenaeum 2006 Paris ArchiZinc Award2006 Governor General’s Medal in Architecture2005 Building Magazine Out of the Box Award2005 OAQ Award of Excellence for Institutional Architecture2005 OAA Award of Excellence for Institutional Architecture2001 Architecture Magazine PA Award

28

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COMMUNICATION, CULTURE, INFORMATION AND TECHNOLOGY BUILDING

Located at the edge of the University of Toronto at Mississauga Campus, the new building assumes the role of an interface. Organized along the principal façade, it is closely bordered by a park on one side and a new courtyard garden on the other. Its main circulation creates a linear public space that provides a connection between the Student Centre and the Library as it links the landscape to the building’s public and educational spaces. CCIT becomes a place of transition, adjacency

and inhabitation all at once.

The glazed vertical surface of this connection acts as a thickened membrane that serves a technological filter between the existing, natural material of the forest and the tamed, controlled environment of the building and its garden. At the level of the ground, the membrane is completely transparent; the line between exterior and interior disappears. The plane of the earth forms a

AWARDS2008 Governor General’s Medal in Architecture2007 OAA Award for Design Excellence2007 OAQ Award of Excellence for Institutional Architecture2007 Mississauga Urban Design Award of Excellence

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NEW COLLEGE STUDENT RESIDENCE, UNIVERSITY OF TORONTO

The New College Residence of University of Toronto is intended to be a meeting place, a venue for the exchanging of ideas within both an academic and urban setting.

The organization of the architectural elements reflects the relationship of the student community with its surrounding urban campus environment. The lower levels become a gathering place for the community at large. Raised above the street, the mezzanine level contains the administration offices and reception and provides access to the residences above and the ground floor below. The versatile ground floor

provides a theatre for public performances along with quiet study halls for the large student population.

Two unique hanging gardens promote the well-being of student life on campus. On Spadina Avenue, a wall of large perforated masonry plates floats above the transparent mezzanine level. This brick volume is complimented by a zinc and glass-clad volume which contains the East Garden and faces the St. George Campus. This three-storey space is a place of repose as well as an exterior community room available to all residents.

AWARDS2001 Canadian Architect Award of Excellence

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MICHEL BRISSON BOUTIQUE

To transform this seventies era, modern heritage building (formerly a National Bank) into a new space dedicated to contemporary fashion, the first step was to simplify the overall structure, which had been subjected over the years to a series of additions and renovations. The building’s interior was thus stripped to its original brutalist structure, which revealed itself to be surprisingly striking. The sculpted, corrugated concrete of the vault and mezzanine, the structural supports, and the original exterior brick together became the mineral shell from which the project took shape.

The ensemble of the new elements, such as smoked glass, mirrors, and movable display elements work in counterpoint to the building’s original structure. The luminous ceiling stretches to fit the form of the mezzanine; the ceiling therefore illuminates the zone of the movable display cases, and contrasts with the clothing racks, which function as linear lighting for the space, suspended from the second floor ceiling like stalactites.

AWARDS2011 Prix Intérieurs FERDIE for Retail Spaces 2011 OAQ Award of Excellence for Commercial Architecture

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FIRST NATIONS GARDEN PAVILION

The First Nations Garden is a permanent pavilion for the commemoration of the Great Peace of Montreal of 1701. It is a crossroads of cultures, designed to help visitors discover the customs of the first inhabitants of North America. It also offers an opportunity for the First Nations to share their traditions, wisdom and knowledge.

The project is a museum within the garden. Occupying less than 2% of the garden grounds, the pavilion is mostly outdoor space. Built along the garden’s main pathway, the pavilion metaphorically raises the path to reveal the cultural memory of the place. The undulating roof recalls a wisp of smoke through the trees. Outdoor displays sheltered by the roof are framed by two indoor spaces at opposite ends of the building – exhibition and

AWARDS2003 OAQ Award of Excellence for Institutional Architecture2002 Governor General’s Medal in Architecture2000 Canadian Architect Award of Excellence

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COLLÈGE GÉRALD-GODIN

Adjacent to the Rivière-des-Prairies, the former Jesuit Monastery has a commanding presence in the village of Sainte-Geneviève. The monastery, built in 1933, was designed by architect Lucien Parent in the Lombard Style. In the 1990’s, it was chosen to house a new French College at the western extremity of the Island of

Montreal. This change of function represents the third life of the building. The building, which has a concrete structure clad with a local stone veneer, is situated on a small hill with a gently sloping landscape of 3.5 hectares, including a peninsula stretching north into the Rivière-des-Prairies. Overlooked by the former bell tower, the

AWARDS2000 Orange Prize for Renovation “Sauvons Montréal”2000 OAQ Award of Excellence for Institutional Architecture 2000 OAQ Award of Excellence, Grand Prix of Excellence 1999 Canadian Architect Award of Excellence

in joint venture with Desnoyers Mercure

55, avenue Bégin, Lévis, Qc Canada G6V 4C3 T 418-835-1533 F 418-835-1444 annecarrier.com

Lévis, January 18th 2018 Architecture Canada 330-55 Murray street Ottawa, Ontario Canada K1N 5M3 Objet : Gold Medal nomination – Gilles Saucier + André Perrotte It is with tremendous honour that I nominate Gilles Saucier and André Perrotte for the RAIC’s Gold Medal, recognizing their work and its vital importance in the emergence of an architecture with a distinctive Canadian identity and quality. I have known Gilles and André since the beginning of our studies at the School of Architecture at Université Laval in 1978 and I can confirm that for both these talented architects, professionally associated for now 30 years, the quest for excellence in design is a mark of their recognized work. Numerous awards and distinctions throughout the years, here and abroad, are a testimony of the exceptional quality and creativity of their oeuvre. Each of their projects proposes a sensible reflection on the relation between place, the landscape and man, taking into consideration architectural solutions and innovative techniques that are always bold and relevant to the context in which they are inscribed. To this day, their work has influenced a number of architects and their notoriety is the pride of Québec and Canada. In my humble opinion, it is extremely rare to be able to maintain such a constant level of precision throughout a career, technically and conception wise; a feat they have both together exceptionally accomplished to this day. In this sense, the work of Gilles Saucier and André Perrotte is exemplary and inspirational for our profession, demonstrated by the recognition it has received from their peers throughout their career. I would also like to underline the warm human qualities Gilles and André have demonstrated throughout their lives, their integrity, perseverance and contagious passion for architecture that they have managed to transmit to many. I truly hope this statement, among others, will convince the jury of the pertinence in recognizing what Gilles Saucier and André Perrotte have contributed to our national architecture. Respectfully, Anne Carrier architecte, MOAQ, FIRAC, RCA

55, avenue Bégin, Lévis, Qc Canada G6V 4C3 T 418-835-1533 F 418-835-1444 annecarrier.com

Lévis, le 18 janvier 2018 Architecture Canada 330-55 rue Murray Ottawa, Ontario Canada K1N 5M3 Objet : Médaille d’or –candidature de Gilles Saucier et André Perrotte C’est pour moi un honneur de proposer la candidature de Gilles Saucier et André Perrotte pour la Médaille d’or de l’IRAC en reconnaissance de leur contribution importante à l’émergence d’une architecture canadienne identitaire et de qualité. Je connais Gilles et André depuis le début de nos études à l’École d’architecture de l’Université Laval en 1978 et je peux confirmer que pour ces deux architectes de talent, associés professionnellement depuis maintenant 30 ans, la recherche d’excellence en design est une constante reconnue de leur parcours. D’ailleurs les nombreux prix et reconnaissances obtenues au niveau national et international témoignent de la qualité et de la créativité exceptionnelle de leur œuvre. Chacun de leurs projets propose une réflexion sensible sur l’interrelation entre le lieu, le paysage et l’homme ainsi que des solutions architecturales et techniques à la fois audacieuses, innovantes, et toujours pertinentes au contexte dans lequel elles s’inscrivent. À ce jour, leur travail a influencé de nombreux architectes et leur notoriété est une grande fierté pour le Québec et le Canada. Il est à mon avis très rare de pouvoir maintenir pendant toute une carrière et pour autant de projets une qualité constante tant au niveau de la conception que de la réalisation technique. L’oeuvre de Gilles Saucier et de André Perrotte est en ce sens exemplaire et inspirante pour notre profession et la reconnaissance récurrente de l’excellence de leur travail par des pairs en témoigne. J’aimerais aussi souligner les grandes qualités humaines de Gilles et d’André, leur intégrité, leur persévérance et leur passion contagieuse pour l’architecture qu’ils ont su transmettre à travers les différents volets de leur parcours. J’ose espérer que l’ensemble des témoignages et appuis qui s’ajoute au dossier de candidature de Gilles Saucier et André Perrotte saura convaincre le jury de la pertinence de leur décerner la Médaille d’or de l’IRAC. Respectueusement, Anne Carrier architecte, MOAQ, FIRAC, RCA

ORIGINAL LETTER IN FRENCH

LETTERS OF SUPPORT AND TESTIMONIALS

Peter Guo-hua Fu School of Architecture Postal address: McGill University 815 Sherbrooke Street West Macdonald-Harrington Building Montreal, Quebec, Canada H3A 2K6 Telephone: (514) 398-6700 Fax: (514) 398-7372 Friday,January12,2018Juryofthe2018RAICGoldMedalRoyalArchitecturalInstituteofCanada55MurrayStreet,Suite330Ottawa,OntarioCanadaK1N5M3DearJurymembers:ItiswithgreatpleasurethatIwritethisletteronbehalfofGillesSaucierandAndréPerrotte,insupportoftheirapplicationtothe2018RAICGoldMedal.Beinganarchitectofthesamegeneration,IhavebeenabletofollowtheircareerfromtheirveryfirstinstitutionalbuildingsbuiltinMontrealintheearly1990s–theThéâtred’Aujourd’hui,theRiveauVert,theUsineC,andtheextensiontotheCinémathèqueQuébécoise.TheeffectofthesebuildingswithintheCanadianarchitecturallandscapeatthattimewasstriking,especiallythelasttwo.NotonlydidSaucier+Perrottereturnedarchitecturetoarigorousmodernism,theyalsodevelopedanentirelynewrangeofarchitecturalfeelings:immersivelandscapethatcombinedthepleasureofpictorialabstraction,withtheenhancedpowerofbrutmaterialssuchasrawconcreteandsteel.TheirearlyworkmarkedawatershedinCanadianarchitecture,initiatingasecondmodernistwave,onethatriskednewexperimentation,anddisplayedamuchgreatersensibilitytoatmosphere.ThatremarkablebodyofworkquicklypropelledSaucier+Perrotteattheforefrontofthearchitecturalavant-gardenationallyandinternationally.Fromtheirfirstexperiments,Saucier+Perrottehavebuiltaconsiderable,highqualityandextremelydiversifiedbodyofwork,resistingtheunfortunatecontemporarytendencyofpigeonholingpracticeswithinanarrowprogrammaticcompass.Ialreadymentionedtheirearlytheatres;theyalsodesignedaseriesofwonderfulcommercialspaces,suchastheMichelBrissonboutiquesinMontreal;exquisitegardenpavilions,suchastheJardindesPremièresNationsattheBotanicalgardeninMontreal;aseriesofmajoruniversityoracademicbuildings,suchastheMcGill’sSchoolofMusic,thePerimeterInstituteforTheoreticalPhysicsinWaterlooor,morerecently,theUBCFacultyofSciences;sportsfacilities,suchastheremarkableSoccerstadiuminMontreal,andthejust-completedSaint-Laurentsportscomplex;residentialandmixed-usedevelopmentslikethemulti-phasedRiverCitydevelopmentinToronto.Thelistcontinues:hotels,artcenters,privateresidences,etc.Ishouldaddthattheyhavealsodesignedseveralimportantexhibitions,

notablythe1973–OutofGasattheCCAin2007;Objetstrouvés,attheVeniceBiennalein2004;andanexhibitiononthegreatQuebecfashiondesignerDenisGagnonattheMuséedesBeaux-Artsin2010.UnliketheothertwoorthreetoppracticesinCanada–PatkauArchitects,BrianMacKay-LyonsorShim-SutcliffeArchitects–Saucier+Perrottehavenotestablishedtheirreputationonprivateresidences.Fromthestart,theirswasapublicarchitecture,attheserviceofcultureandacollectiveidentity.Despitethegreatdifficultiesattachedtoanypubliccommissions(especiallyincontrasttoprivatehouses),theirworkmaintainedthehighestlevelofquality,keepingaspiritofexperimentationforthe“public”eyes.Inlinewiththatrole,GillesSaucierhasacquiredthestatusofapublic,culturalfigureinQuebec.Since2017,GillesSaucierhasinitiatedareturntoteaching.HehasbeenVisitingProfessor,invitedcriticandspeakerinagreatnumberofschoolsworldwidethroughouthiscareer,notablyatMITforseveralyears.Headmittedtomerecently,however,thatthisstageofhiscareerisamomentwhenhefeelsparticularlyhappyoreventheneedtogiveback,andapplyhimselftoteaching.AsDirectoroftheSchoolofArchitecture,IamextremelygratefulthatheiswithusatMcGill–hopefullythebeginningofalong-terminvolvement.Histeachingcutsacrossthehabitualpitfallsof“academic”expertise:hisdesigncourseiswhatcanonlybecalleda“master”studio.Studentsexposedtothecalmassuranceofthemasterarchitect,beingintimatelyinitiatedtotherigorsofadesignprocessfullymaturedoveraperiodof30years.Gillestakesparticularcaretoshowstudentshowtothinkabouttherelationshipofarchitecturetolandscape,thatmostdelicateanddifficultbondthatmarksanarchitecturewithtruedepth.Saucier+Perotte’sreputationfordesignexcellenceisconfirmedbymorethan100awards,includingtheBestCanadianArchitecturalFirmAwardfromtheRoyalArchitecturalInstituteofCanada,7GovernorGeneralMedals,2AmericanInstituteofArchitectsHonorAwardsforArchitecture,1LieutenantGovernor'sMedalsofExcellence,12CanadianArchitectAwards,16OAQexcellence,and,bothin2014,themédailleduMéritefromtheOAQandtheveryimpressivePrixduQuébecErnest-Cormierforlifeachievement.In2016,theywerenominatedfortheMiesCrownHallAmericasPrize,amongstthemostprestigiousworld-wide.IwholeheartedlysupportSaucier+Perrotte’sapplicationtotheRAICGoldMedal.IcannotimagineanyotherCanadianarchitectsworthierofthathighestrecognition.Sincerely,

MartinBressani,PhD,MRAICSirWilliamC.MacdonaldChairinArchitectureProfessorandDirector

Centre de création et de diffusion national et international    Montréal,  le  25  janvier  2018        IRAC  Architecture  Canada  330-­‐55  rue  Murray  Ottawa  Ontario  K1N  5M3      Au  directeur  général,    J’ai   eu   le   grand   bonheur   de   travailler   avec   Saucier   Perrotte   Architectes,   de   1993   à   1995,   à   la  reconversion   d’une   ancienne   usine   du   centre   sud   en   un   Centre   de   création   et   de   diffusion  pluridisciplinaire,  l’Usine  C.      Gilles  Maheu  et  moi-­‐même  avons  décidé  de   faire  appel  à  cette   firme   fondée  en  1988  par  Gilles  Saucier   et   André   Perrotte,   reconnue   sur   le   plan   national   et   international   pour   la   qualité  exceptionnelle  de  ses  projets  institutionnels,  culturels  et  résidentiels.      Ce   qui   nous   a   séduit   avec   Gilles   Saucier   et   André   Perrotte   c’est   avant   tout   l’importance   qu’ils  accordent   au   site   et   au   respect   du   contexte   historique   dans   lesquels   s’inscrit   un   projet.   Nous  voulions   en   effet   investir   un   lieu   déjà   porteur   d’une   histoire   et   préserver   nos   attaches   avec   le  quartier   Centre-­‐Sud.   L’ancienne   usine   Raymond,   sise   en   retrait   des   grandes   artères  commerciales,   offrait   tous   les   préalables   nécessaires   à   la   mise   en   œuvre   du   rêve   que   nous  caressions.   Le  projet,   tel   que   conçu  et   réalisé  par   Saucier  Perrotte,   permit  de   sauvegarder  une  pièce  unique  du  patrimoine   industriel  montréalais  et   fut  un  élément  majeur  dans   la  relance  du  développement  urbain  de  cette  portion  problématique  du  centre-­‐ville.    Nous   avons   particulièrement   apprécié   la   grande   qualité   d’écoute   de   Gilles   Saucier   et   André  Perrotte  et  leur  capacité  à  trouver  des  solutions  créatives,  originales  et  esthétiques  adaptées  au  budget.  Toute  l’architecture  fut  articulée  à  partir  de  la  culture  industrielle  déjà  présente  dans  le  bâtiment   existant.   Cette   volonté   se   révèle   dans   la   préservation,   partout   où   ce   fut   possible,   des  colonnes   et  des  plafonds  de  béton  existants;   on   la   retrouve   aussi   dans   le  dessin   industriel   des  poutrelles  maîtresses  de  la  salle  de  diffusion  et  dans  le  mur  de  fond  de  scène  construit  à  partir  de  briques   recyclées.   Tout   en   étant   cohérent,   ce   choix   architectural   judicieux   a   permis   d’éviter   la  tentation   de   matériaux   coûteux   et   de   préserver   ainsi,   contre   vents   et   marées,   l’enveloppe  destinée  aux  équipements  de  scène.  

Le  défi  auquel  nous  faisions  face  et  que  Gilles  Saucier  et  André  Perrotte  ont  relevé  brillamment  était   de   relier   l’ancien   bâtiment   aux   nouvelles   constructions   qui   allaient   abriter   les   salles   de  spectacle.  Ce  passage  entre   le  passé   industriel  et   le   futur  culturel  du   lieu  a  pu  être  réalisé  avec  brio  grâce  à  l’utilisation  équilibrée  et  inspirée  de  matériaux  anciens  et  nouveaux.    

 

   

L’exposition   du   béton   de   la   trame   originelle,   l’utilisation   précise   de   rideaux   de   verre   ultra  transparent,   la   renaissance   de   l’acier   corten   produite   par   le   vieillissement   progressif   de   ce  matériau,  engendrent  un  rapport  subtil  entre  les  anciennes  surfaces  et  les  volumes  ajoutés.  

Dès  son  ouverture,  l’Usine  C  a  été  applaudie  comme  l’une  des  grandes  réalisations  architecturales  montréalaises  :     «  Il   aurait   fallu   applaudir,   mardi,   les   concepteurs,   les   ouvriers,   les   architectes   qui   ont   réussi   une  véritable  œuvre  d’art,  un  lieu  théâtral  qui  place  Montréal  parmi  les  grandes  capitales  du  théâtre  du  monde.  »  -­‐  Jean  Beaunoyer,  La  Presse,  30  mars  1995  

Le  projet   fut  rapidement  couronné  par  deux  prix  prestigieux  :   le  Prix  du  mérite  en  architecture  du  Gouverneur  Général  en  1997  et  le  Prix  d’excellence  en  architecture  de  l’Ordre  des  architectes  du  Québec  en  1997.    Vingt  ans  plus   tard,     le   lieu  est   encore   considéré  par   le  milieu  et   les  artistes  d’ici   et  du  monde  entier   comme   l’un   des   plus   beaux   théâtres   montréalais   rivalisant   avec   ceux   d’autres   grandes  métropoles.  Les  réalisations  de  Gilles  Saucier  et  André  Perrotte  ont  la  grande  force  d’amener  des  nouvelles   propositions   dans   le   paysage   urbain   tout   en   sachant   résister   au   passage   du   temps.  L’Usine  C  est  toujours  aussi  radicale  et  remarquable  aujourd’hui  que  lors  de  son  inauguration  en  1995.    « Parmi les nouvelles salles, c’est sans contredit la plus spectaculaire, la plus esthétique, la plus agréable et la mieux pensée. Allez-y seulement pour le coup d’œil. C’est un pur ravissement (…) Quand on entre dans le vaste hall de l’Usine C, on se croit à Berlin ou à Soho. » Nathalie Petrowski, La Presse, 30 mars 1995  Pour   toutes   ces   raisons,   j’estime   que   Gilles   Saucier   et   André   Perrotte   méritent   d’obtenir   la  médaille  d’or  de  l’institut  royal  d’architecture  du  Canada  pour  l’ensemble  de  leur  carrière  et  pour  la   qualité   artistique,   la   cohérence   et   l’intelligence   qui   se   dégagent   de   leurs   œuvres   dont  l’empreinte   reconnaissable   et   originale   a   su   marquer   le   paysage   architectural   montréalais,  canadien  et  international.        En  vous  remerciant  de  votre  bienveillante  attention,  je  vous  prie  d’agréer,  cher  directeur  général,  l’expression  de  mes  sentiments  les  plus  distingués,            Danièle  de  Fontenay  Cofondatrice  et  codirectrice  générale  et  artistique  de  l’Usine  C  daniele@usine-­‐c.com  

LIST OF IMAGES

01GillesSaucier - Page 1 - Portrait of Gilles Saucier - Credits: Justine Latour02AndrePerrotte - Page 2 - Portrait of André Perrotte - Credits: Justine Latour03REM - Page 7 - Real Estate magazine, no44 junio/septiembre 2009 - cover Residence and Guest House in the Laurentian Mountains04CanadianArchitect - Page 7 - Canadian Architect, Mai 2010 - cover Scandinave les Bains Old Montreal05Interieurs - Page 7 - Magazine Intérieurs november 1998 - cover Faculté d’aménagement de l’Université de Montréal06Azure - Page 7 - Azure Magazine, june 2008 - cover Inside Saucier+Perrotte’s dramatic studio and loft07ArchitecturalRecords - Page 8 - Architectural Records, november 2001 - cover Collège Gérald-Godin08CanadianArchitect - Page 8 - Canadian Architect, march 2005 - cover Perimeter Institute for Theoretical Physics09Azure - Page 8 - Azure Magazine - cover Schulich School of Music and Marvin Duchow music Library, McGill University10TatlinMagazine - Page 8 - Tatlin Magazine - cover Schulich School of Music and Marvin Duchow music Library, McGill University11CanadianArchitect - Page 9 - Canadian Architect, febuary 199612CanadianArchitect - Page 9 - Canadian Architect, august 2000 - cover Collège Gérald-Godin13CanadianArchitect - Page 9 - Canadian Architect, december 200114CanadianArchitect - Page 9 - Canadian Architect, september 1992 - cover Théâtre d’aujourd’hui15ArchitecturalRecords - Page 10 - Architectural Records, november 2014 - cover Anne-Marie Edward Science Building at John Abbott College16Architect - Page 10 - Architect Magazine, febuary 2012 - Cover Rack-House D, Sketch by Gilles Saucier17CanadianArchitect - Page 10 - Canadian Architect, december 2017 - 2017 Awards of Excellence – River City 318WolrdArchitecture - Page 10 - Wolrd Architecture Magazine, october 1998 - cover Faculté d’Aménagement de l’Université de Montréal19ARQ - Page 11 - ARQ Magazine, august 2005 - cover Perimeter Institute for Theoretical Physics20Interieurs - Page 11 - Magazine Intérieurs, december 2009 - cover Scandinave les Bains Old Montreal21PolOxygen - Page 11 - Pol Oxygen Magazine, 2006 - featuring Saucier+Perrotte architectes22PolOxygen - Page 11 - Pol Oxygen Magazine, 2006 - featuring Saucier+Perrotte architectes23MuseeArtContemporain - Page 15 - Musée d’Art Contemporain de Montréal Competition - Credits: Doug&Wolf24MuseeArtContemporainSketch - Page 15 - Musée d’Art Contemporain de Montréal Competition Sketch - Credits: Gilles Saucier25GabrielleRoy - Page 16 - Bibliothèque Gabrielle-Roy Competition, Quebec City - Credits : Luxigon26GabrielleRoySketch - Page 16 - Bibliothèque Gabrielle-Roy Competition Sketch - Credits : Gilles Saucier27Stikeman - Page 17 - Stikeman-Elliott Montreal Office - Credits: Olivier Blouin Photographe28Stikeman - Page 17 - Stikeman-Elliott Montreal Office - Credits: Olivier Blouin Photographe29StikemanSketch - Page 17 - Stikeman-Elliott Montreal Office Sketch - Credits: Gilles Saucier30ComplexeSportifSaintLaurent - Page 18 - Complexe Sportif Saint-Laurent - Credits : Olivier Blouin Photographe31ComplexeSportifSaintLaurentSketch - Page 18 - Complexe Sportif Saint-Laurent Sketch - Credits : Gilles Saucier32StadeSoccerMontreal - Page 19 - Stade de Soccer de Montréal - Credits: Olivier Blouin Photographe33StadeSoccerMontrealSketch - Page 19 - Stade de Soccer de Montréal Sketch- Credits: Gilles Saucier34JohnAbbottCollege - Page 20 - Anne-Marie Edward Science Building at John Abbott College - Credits: Marc Cramer35JohnAbbottCollege - Page 20 - Anne-Marie Edward Science Building at John Abbott College - Credits: Olivier Blouin Photographe36JohnAbbottCollegeSketch - Page 20 - Anne-Marie Edward Science Building at John Abbott College Sketch - Credits: Gilles Saucier37UBC - Page 21 - UBC Faculty of Pharmaceutical Sciences / CDRD - Credits: Marc Cramer38UBCSketch - Page 21 - UBC Faculty of Pharmaceutical Sciences / CDRD Sketch - Credits: Gilles Saucier39Bogota - Page 22 - Bogotà International Convention Center Competition - Credits: Luxigon40BogotaSketch - Page 22 - Bogotà International Convention Center Competition Sketch - Credits: Gilles Saucier41ScandinaveBains - Page 23 - Scandinave les Bains Old Montreal - Credits: Marc Cramer42ScandinaveBains - Page 23 - Scandinave les Bains Old Montreal - Credits: Marc Cramer43ScandinaveBainsSketch - Page 23 - Scandinave les Bains Old Montreal Sketch - Credits: Gilles Saucier44Kutching - Page 24 - Kutching Hotel, Malaysia - Credits: Saucier+Perrotte architectes45Kutching - Page 24 - Kutching Hotel, Malaysia - Credits: Saucier+Perrotte architectes

46KutchingSketch - Page 24 - Kutching Hotel, Malaysia Sketch - Credits: Gilles Saucier47Laurentians - Page 25 - Residence and Guest House in the Laurentian Mountains - Credits: Marc Cramer48LaurentiansSketch - Page 25 - Residence and Guest House in the Laurentian Mountains Sketch - Credits: Gilles Saucier49SPAOffice - Page 26 - Saucier+Perrotte Architectes Office in Montreal - Credits Olivier Blouin Photographe50SchulichSchoolMusic - Page 27 - Schulich School of Music and Marvin Duchow music Library, McGill University - Credits: Marc Cramer51SchulichSchoolMusic - Page 27 - Schulich School of Music and Marvin Duchow music Library, McGill University - Credits: Marc Cramer52SchulichSchoolMusicSketch - Page 27 - Schulich School of Music and Marvin Duchow music Library Sketch - Credits: Gilles Saucier53Perimeter - Page 28 - Perimeter Institute for Theoretical Physics - Credits: Marc Cramer54Perimeter - Page 28 - Perimeter Institute for Theoretical Physics - Credits: Marc Cramer55PerimeterSketch - Page 28 - Perimeter Institute for Theoretical Physics Sketch - Credits: Gilles Saucier56CCIT - Page 29 - Communication, Culture, Information and Technology Building, University of Toronto at Mississauga - Credits: Marc Cramer56CCITCollage - Page 29 - Communication, Culture, Information and Technology Building, University of Toronto at Mississauga Collage - Credits: Gilles Saucier57NewCollegeResidence - Page 30 - New College Student Residence, University of Toronto - Credits: Marc Cramer58NewCollegeResidence - Page 30 - New College Student Residence, University of Toronto - Credits: Marc Cramer59NewCollegeResidenceSketch - Page 30 - New College Student Residence Sketch - Credits: Gilles Saucier60MichelBrisson - Page 31 -Michel Brisson Boutique - Credits: Marc Cramer61MichelBrissonSketch - Page 31- Michel Brisson Boutique Sketch - Credits: Gilles Saucier62FirstNation - Page 32 - First Nation Garden Pavilion - Credits: Marc Cramer63FirstNation - Page 32 - First Nation Garden Pavilion - Credits: Marc Cramer64FirstNationSketch - Page 32 - First Nation Garden Pavilion Sketch - Credits: Gilles Saucier65GeraldGodin - Page 33 - Collège Gérald-Godin - Credits: Marc Cramer66GeraldGodin - Page 33 - Collège Gérald-Godin - Credits: Marc Cramer67GeraldGodinSketch - Page 33 - Collège Gérald-Godin Sketch - Credits:Gilles Saucier68ThePlanCover - Page 12 - The Plan Magazine April 2005 - inside Perimeter Institute for Theoretical Physics69ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics70ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics71ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics72ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics73ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics74ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics75ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics76ThePlanPerimeter - Page 12 - The Plan Magazine April 2005, Perimeter Institute for Theoretical Physics77CasabellaCover - Page 13 - Casabella november 2016 - inside Stade de Soccer de Montréal78CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal79CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal80CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal81CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal82CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal83CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal84CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal85CasabellaStadeSoccerMontreal - Page 13 - Casabella november 2016 - Stade de Soccer de Montréal86C3MagazineCover - Page 14 - C3 Magazine, december 2017 - inside Complexe Sportif Saint-Laurent87C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent88C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent89C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent90C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent91C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent92C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent93C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent94C3ComplexeSportifSaintLaurent - Page 14 - C3 Magazine, december 2017 - Complexe Sportif Saint-Laurent