giri; an article by paul starling, kyoshi. dated 1985 circa · 2009-04-14 · gojukai kar school of...

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GOJUKAI KAR SCHO Giri; An article by complete system, master it, an teacher’s art. RATE DO AUSTRALIA~Sydney Gojuka OOL OF GOGEN YAMAGUCHI ] y Paul Starling, Kyoshi. Dated 198 In Japanese Ma there is a conce giri, which imp or "obligation" understood and widely in Japan the West ... for will become ob this article. In Okinawa, th Karate-do, the at the sensei’s h island was not training space w So most of the done either in t the yard. Classe and students w picked by the in It was (and still sensei’s aim, to least one studen possible) to stu nd eventually take over the school - and co an 85 circa artial arts, ept known as plies "loyalty" ". This idea is d practiced n, but not so in r reasons which bvious later in he birthplace of dojo is usually home, as the rich and was limited. training was the house, or in es were small, were hand- nstructor. l is) every o produce at nt (more if udy his ontinue his

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Page 1: Giri; An article by Paul Starling, Kyoshi. Dated 1985 circa · 2009-04-14 · GOJUKAI KAR SCHOOL OF GOGEN YAMAGUCHI Giri; An article by Paul Starling, Kyoshi. complete system, master

GOJUKAI KAR

SCHOOL OF GOGEN YAMAGUCHI

Giri; An article by Paul Starling, Kyoshi.

complete system, master it, and eventually take over the steacher’s art.

GOJUKAI KARATE DO AUSTRALIA~Sydney Gojukan

SCHOOL OF GOGEN YAMAGUCHI

]

An article by Paul Starling, Kyoshi. Dated 1985 circa

In Japanese Martial arts,

there is a concept known as

giri, which implies "loyalty"

or "obligation". This idea is

understood and practiced

widely in Japan, but not so in

the West ... for reasons whi

will become obvious later in

this article.

In Okinawa, the birthplace of Karate-do, the dojo is usually at the sensei’s home, as the island was not rich and training space was limited. So most of the training was done either in the the yard. Classes were small, and students were handpicked by the instructor.

It was (and still is) every sensei’s aim, to produce at least one student (more if possible) to study his

complete system, master it, and eventually take over the school - and continue his

ATE DO AUSTRALIA~Sydney Gojukan

1985 circa

In Japanese Martial arts,

there is a concept known as

giri, which implies "loyalty"

or "obligation". This idea is

understood and practiced

widely in Japan, but not so in

the West ... for reasons which

will become obvious later in

In Okinawa, the birthplace of do, the dojo is usually

at the sensei’s home, as the island was not rich and training space was limited. So most of the training was done either in the house, or in the yard. Classes were small, and students were hand-picked by the instructor.

It was (and still is) every sensei’s aim, to produce at least one student (more if possible) to study his

and continue his

Page 2: Giri; An article by Paul Starling, Kyoshi. Dated 1985 circa · 2009-04-14 · GOJUKAI KAR SCHOOL OF GOGEN YAMAGUCHI Giri; An article by Paul Starling, Kyoshi. complete system, master

Therefore the sensei, who had spent his life mastering his art, would choose a student (or students) to inherit his school, train them in all aspects of Karatestudent in return would stay with his teachputting something back into the school.

It was a two-way relationship, whereby the teacher would show the student everything he knew. In return the student would always acknowledge his sensei as his teacher, and assist him until he was ready to inherit the school.

This is the way that Karate-do is meant to be, like a father/son (or daughter) relationship. The sensei is the "father" the student is the "son" or "daughter". The "father" raises the children in Karatethe "father" to help him or, even if they go away, they will always acknowledge their father. And return to him whenever they can.

In the West, many people regard Karate like shopping in a supermarket. They csome brand, go to the check-out counter and pay for it. ["Here’s my $5, now give me $5 worth of Karate "] Then, if they don’t like it after a short time, they will try another brand next time.

your opponent is yourself, and you must always strive to improve yourself, not necessarily at someone else’s expense.

Therefore, in Sport Karate - if winning is all that counts to your instructor. You can chop and change from one style to another. If you’re not winning at that moment under Sensei A, then go and train with Sensei B. Maybe he can help you to win.

Recently, I have noticed at the tournaments that students keep swapping not only from teacher to teacher, but from style to style. For example: in April they are competing in a tournament representing"Do Take One", then in may they are wearing the badge of "Dim Sim Do". Then finally (?), in June, they front up fighting for "No Kan Do".

Therefore the sensei, who had spent his life mastering his art, would choose a student (or students) to inherit his school, train them in all aspects of Karate-do "and that student in return would stay with his teacher, giving him his loyalty and respect, by putting something back into the school.

way relationship, whereby the teacher would show the student everything he knew. In return the student would always acknowledge his sensei as his teacher,

ssist him until he was ready to inherit the school.

do is meant to be, like a father/son (or daughter) relationship. The sensei is the "father" the student is the "son" or "daughter". The "father" raises the children in Karate-do, and when they grow up, they either stay with the "father" to help him or, even if they go away, they will always acknowledge their father. And return to him whenever they can.

In the West, many people regard Karate like shopping in a supermarket. They cout counter and pay for it. ["Here’s my $5, now give me

$5 worth of Karate "] Then, if they don’t like it after a short time, they will try another

These people don’t realize that it takes a lifetime to learn any style of Karate-do (Traditional). Just ask masters like Yamaguchi Sensei. People who have spent their entire Karate lifetime learning, and teaching one style of Karate-do.

This leads to the conflict between "sport Karate" and the art of "Karate-do". "Sport Karate" encourages people to be winners, by defeating others in Kumite or Kata. "Karate-do" teaches that

your opponent is yourself, and you must always strive to improve yourself, not necessarily at someone else’s expense.

if winning is all that counts - you don’t need to stay loyal to your instructor. You can chop and change from one style to another. If you’re not winning at that moment under Sensei A, then go and train with Sensei B. Maybe he

cently, I have noticed at the tournaments that students keep swapping not only from teacher to teacher, but from style to style. For example: in April they are competing in a tournament representing"Do Take One", then in may they are wearing the badge of Dim Sim Do". Then finally (?), in June, they front up fighting for "No Kan Do".

Therefore the sensei, who had spent his life mastering his art, would choose a student do "and that

er, giving him his loyalty and respect, by

way relationship, whereby the teacher would show the student everything he knew. In return the student would always acknowledge his sensei as his teacher,

do is meant to be, like a father/son (or daughter) relationship. The sensei is the "father" the student is the "son" or "daughter". The

o, and when they grow up, they either stay with the "father" to help him or, even if they go away, they will always acknowledge their

In the West, many people regard Karate like shopping in a supermarket. They choose out counter and pay for it. ["Here’s my $5, now give me

$5 worth of Karate "] Then, if they don’t like it after a short time, they will try another

These people don’t realize that it takes a lifetime to do (Traditional). Just ask

masters like Yamaguchi Sensei. People who have spent their entire Karate lifetime learning, and

This leads to the conflict between "sport Karate" ". "Sport Karate"

encourages people to be winners, by defeating do" teaches that

your opponent is yourself, and you must always strive to improve yourself, not

you don’t need to stay loyal to your instructor. You can chop and change from one style to another. If you’re not winning at that moment under Sensei A, then go and train with Sensei B. Maybe he

cently, I have noticed at the tournaments that students keep swapping not only from teacher to teacher, but from style to style. For example: in April they are competing in a tournament representing"Do Take One", then in may they are wearing the badge of Dim Sim Do". Then finally (?), in June, they front up fighting for "No Kan Do".

Page 3: Giri; An article by Paul Starling, Kyoshi. Dated 1985 circa · 2009-04-14 · GOJUKAI KAR SCHOOL OF GOGEN YAMAGUCHI Giri; An article by Paul Starling, Kyoshi. complete system, master

In other words, they become a "Jack of all trades", and master of none.

There is nothing wrong with learning from other styles or systems. I study other styles’ Kata, and if I like any of their Kumite techniques, I will include them in my training, but I don’t change styles or affiliations!

Tournament champions come and go; they have a limited lifespan. Practitioners of Karate-do have no limits. They can train their entire lifemovements, Kata, Bunkai, prebreathing, meditation, selfdefense techniques, etc.

other side" syndrome. People train for three to five years in one style, get a Black Belt, think that they have mastered it, then move on to greener pastures. Don’t trealize that they need to train for at least 20 years before they can pass judgment on a style?

Sure, you can learn all the physical aspects of a style in a relatively short time. But you need many years to prefect and develop and understand the style

I don’t particularly like accepting students from other styles. I always wonder why they have left their previous instructor. And, if they join my school, how long will it be before they leave me? (The old saying, "Once bitten, twice shy".)

If they were highly graded in another style, then they must surrender their grade, and go back to white belt and start all over again. They must empty their cup, before I can re-fill it for them. Forget all their old habits and techniques and re

If they were some sort of tournament champion then there is no room for ego, just humility. They have come to me to learn, not to show me what they can do. Such a person usually has to train with me for about one year minimum before I will considergrading them into our system. And even then they may not regain their old grade

In other words, they become a "Jack of all trades", and master of none.

There is nothing wrong with learning from other styles or systems. I study other like any of their Kumite techniques, I will include them in my

training, but I don’t change styles or affiliations!

Tournament champions come and go; they have a limited lifespan. Practitioners of do have no limits. They can train their entire life, mastering basics,

movements, Kata, Bunkai, pre-arranged Kumite, free fighting, makiwara training, breathing, meditation, selfdefense techniques, etc.

Most tournament fighters retire from competition in their late 20’s to mid 30’s. What then? Do they givup, or go on to bigger and better things? If they have been chopping and changing from one style to another, how do they then graduate to teaching Karate? Do they make up their own "style", by combining all the styles that they have studied?

What has happened to giri in the West? It has been replaced by ego - and the "grass is greener on the

other side" syndrome. People train for three to five years in one style, get a Black Belt, think that they have mastered it, then move on to greener pastures. Don’t trealize that they need to train for at least 20 years before they can pass judgment on a

Sure, you can learn all the physical aspects of a style in a relatively short time. But you need many years to prefect and develop and understand the style inside out.

I don’t particularly like accepting students from other styles. I always wonder why they have left their previous instructor. And, if they join my school, how long will it be before they leave me? (The old saying, "Once bitten, twice shy".)

they were highly graded in another style, then they must surrender their grade, and go back to white belt and start all over again. They must empty their cup, before I can

fill it for them. Forget all their old habits and techniques and re-learn a new

If they were some sort of tournament champion then there is no room for ego, just humility. They have come to me to learn, not to show me what they can do. Such a person usually has to train with me for about one year minimum before I will considergrading them into our system. And even then they may not regain their old grade

There is nothing wrong with learning from other styles or systems. I study other like any of their Kumite techniques, I will include them in my

Tournament champions come and go; they have a limited lifespan. Practitioners of , mastering basics,

arranged Kumite, free fighting, makiwara training,

Most tournament fighters retire from competition in their late 20’s to mid 30’s. What then? Do they give up, or go on to bigger and better things? If they have been chopping and changing from one style to another, how do they then graduate to teaching Karate? Do they make up their own "style", by combining all the styles that they have studied?

pened to giri in the West? It has been and the "grass is greener on the

other side" syndrome. People train for three to five years in one style, get a Black Belt, think that they have mastered it, then move on to greener pastures. Don’t they realize that they need to train for at least 20 years before they can pass judgment on a

Sure, you can learn all the physical aspects of a style in a relatively short time. But inside out.

I don’t particularly like accepting students from other styles. I always wonder why they have left their previous instructor. And, if they join my school, how long will it

they were highly graded in another style, then they must surrender their grade, and go back to white belt and start all over again. They must empty their cup, before I can

learn a new system.

If they were some sort of tournament champion then there is no room for ego, just humility. They have come to me to learn, not to show me what they can do. Such a person usually has to train with me for about one year minimum before I will consider grading them into our system. And even then they may not regain their old grade - just

Page 4: Giri; An article by Paul Starling, Kyoshi. Dated 1985 circa · 2009-04-14 · GOJUKAI KAR SCHOOL OF GOGEN YAMAGUCHI Giri; An article by Paul Starling, Kyoshi. complete system, master

what I consider they have achieved in Goju Kai. In some ways, it is harder for someone to change styles, then to come into a style as a complete beginner.

I really look closely at another style’s Black Belt student before accepting him or her. I have rejected many over the years. I must understand their character, and their reason for changing, before accepting them. If I do, it is usually because they are basically a good person, with a genuine desire to study Karateimprovement - not just to win tournaments, or to make a name for themselves.

Maybe people make mistakes in the beginning, by joining a school through ignorance. Maybe they change their motives foa "tournament orientated" school, and suddenly realize that there is more to Karate than just winning tournament. Maybe their old instructor bashed them, or ripped them off financially.

Sometimes a student may be justified in leaving his instructor, but he should be very sure that his new instructor is the one he plans to stay with. In conclusion, I would like to give some advice to future students of Karate

1. Spend a lot of time researching as many schools and instructors as possible, before choosing and joining one of them.

2. Study the instructor’s attitudes towards their students, the behavior of the students, class discipline etc., before choosing.

3. Once you make the commitment many years in Karate

4. Study and develop that style fully.5. If you want to enter tournament competition, make your style work for

you. 6. All styles are effective if used properly. Every style has advantages and

disadvantages. Learn what these are, and how to gain maximum advantage from using your strengths and overcoming your weaknesses.

7. Don’t be selfish. Give as well as receive. Receive yoknowledge and, in return, give him your loyalty. (giri)

Just remember: Your real parents bring you into this world. They raise you, feed you, clothe you, educate you, etc. Would you, in return, reject your parents, swap them for others, shun them, turn your back onnot.

Your sensei takes you as a baby in Karate (a white belt). He teaches you and helps you grow in Karate to adulthood - through yellow belt, green belt,

what I consider they have achieved in Goju Kai. In some ways, it is harder for someone to change styles, then to come into a style as a complete beginner.

closely at another style’s Black Belt student before accepting him or her. I have rejected many over the years. I must understand their character, and their reason for changing, before accepting them. If I do, it is usually because they are

od person, with a genuine desire to study Karate-do for selfnot just to win tournaments, or to make a name for themselves.

Maybe people make mistakes in the beginning, by joining a school through ignorance. Maybe they change their motives for training, and seek a new path. Maybe they joined a "tournament orientated" school, and suddenly realize that there is more to Karate than just winning tournament. Maybe their old instructor bashed them, or ripped them

may be justified in leaving his instructor, but he should be very sure that his new instructor is the one he plans to stay with. In conclusion, I would like to give some advice to future students of Karate-do:

ot of time researching as many schools and instructors as possible, before choosing and joining one of them. Study the instructor’s attitudes towards their students, the behavior of the students, class discipline etc., before choosing. Once you make the commitment - if you are seriously intending to spend many years in Karate-do - stay with the one style and the one instructor.Study and develop that style fully. If you want to enter tournament competition, make your style work for

All styles are effective if used properly. Every style has advantages and disadvantages. Learn what these are, and how to gain maximum advantage from using your strengths and overcoming your weaknesses.Don’t be selfish. Give as well as receive. Receive your instructor’s knowledge and, in return, give him your loyalty. (giri)

Just remember: Your real parents bring you into this world. They raise you, feed you, clothe you, educate you, etc. Would you, in return, reject your parents, swap them for

un them, turn your back on them? I hope

Your sensei takes you as a baby in Karate (a white belt). He teaches you and helps you grow in Karate

through yellow belt, green belt,

what I consider they have achieved in Goju Kai. In some ways, it is harder for someone to change styles, then to come into a style as a complete beginner.

closely at another style’s Black Belt student before accepting him or her. I have rejected many over the years. I must understand their character, and their reason for changing, before accepting them. If I do, it is usually because they are

do for self-not just to win tournaments, or to make a name for themselves.

Maybe people make mistakes in the beginning, by joining a school through ignorance. r training, and seek a new path. Maybe they joined

a "tournament orientated" school, and suddenly realize that there is more to Karate than just winning tournament. Maybe their old instructor bashed them, or ripped them

may be justified in leaving his instructor, but he should be very sure that his new instructor is the one he plans to stay with. In conclusion, I would like

ot of time researching as many schools and instructors as

Study the instructor’s attitudes towards their students, the behavior of the

if you are seriously intending to spend stay with the one style and the one instructor.

If you want to enter tournament competition, make your style work for

All styles are effective if used properly. Every style has advantages and disadvantages. Learn what these are, and how to gain maximum advantage from using your strengths and overcoming your weaknesses.

ur instructor’s

Just remember: Your real parents bring you into this world. They raise you, feed you, clothe you, educate you, etc. Would you, in return, reject your parents, swap them for

Page 5: Giri; An article by Paul Starling, Kyoshi. Dated 1985 circa · 2009-04-14 · GOJUKAI KAR SCHOOL OF GOGEN YAMAGUCHI Giri; An article by Paul Starling, Kyoshi. complete system, master

brown belt, black belt, and finally through your dan grades.

Why, then, reject your sensei? He is just a man, a human being. He has his strengths and weaknesses. Nobody is perfect. He is still learning, just like you, in the lifetime journey known as "Karate-do". Why not learn together?

Give your Sensei the loyalty that you hope your students will give you when, eventually, you become the Sensei...

Copyright © Paul Starling, Kyoshi This article is the intellectual property of Paul Starling, Kyoshi

our articles online or in print without first obtaining written permission. Please contact the

author or administrator to obtain his or her written consent. Once you receive permission from

the author, contact us to let us know where and when the article will be reprinted. Goju

articles cannot be reprinted without obtaining author permission and notifying the magazine.

WRITTEN BY GOGEN YAMAGUCHI TO PAUL STARLING.Article from Sydney Goju Kan I.K.G.A. Goju Kai Australia

Founder : PAUL STARLING

Chief Instructor NSW

brown belt, black belt, and finally through your dan grades.

Why, then, reject your sensei? He is just a man, a human being. He has his strengths and weaknesses. Nobody is perfect. He is still learning, just like you, in the lifetime

do". Why not learn together?

that you hope your students will give you when, eventually, you become the Sensei...

Copyright © Paul Starling, Kyoshi-Shihan, All rights Reserved

This article is the intellectual property of Paul Starling, Kyoshi-Shihan...you may not reproduce

icles online or in print without first obtaining written permission. Please contact the

author or administrator to obtain his or her written consent. Once you receive permission from

to let us know where and when the article will be reprinted. Goju

articles cannot be reprinted without obtaining author permission and notifying the magazine.

EN BY GOGEN YAMAGUCHI TO PAUL STARLING.

Article from Sydney Goju Kan I.K.G.A. Goju Kai Australia

PAUL STARLING Kyoshi 7th Dan - VICE PRESIDENT IKGA

NSW Dr MARK BURTON 6th Dan Renshi

http://www.gojukai.com.au

Why, then, reject your sensei? He is just a man, a human being. He has his strengths and weaknesses. Nobody is perfect. He is still learning, just like you, in the lifetime

that you hope your students will give you when,

Shihan...you may not reproduce

icles online or in print without first obtaining written permission. Please contact the

author or administrator to obtain his or her written consent. Once you receive permission from

to let us know where and when the article will be reprinted. Goju-Kai Fan

articles cannot be reprinted without obtaining author permission and notifying the magazine.

EN BY GOGEN YAMAGUCHI TO PAUL STARLING.

VICE PRESIDENT IKGA