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Page 1: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes
Page 2: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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Goal1

Buildwebsitesthatsuittheneedsandabilitiesofusers

Themaingoalofmanywebsitesistodisplayinformationusersneed.

Page 3: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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Tools for indicating importance in the visual information hierarchy

•Conceptual grouping•Location•Whitespace•Size•Images•Contrast•Color

Page 4: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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In addition to indicating importance, the colors and fonts you pick will have meaning to users.

Page 5: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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What meaning will these colors have to users? (in addition to importance)

Page 6: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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What meaning will these fonts have to users? (in addition to importance)

Page 7: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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What meaning will these fonts, colors and design have to users?

Page 8: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

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What meaning does this font have?

Page 9: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

The human brain is always perceiving meaning (even when it is not intended)

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Page 10: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

The human brain is always perceiving meaning (even when it is not intended)

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UUse color, typography, and design carefully

to convey your intended meaning

Page 11: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Color

Page 12: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

On the web, we mostly use RGB color.

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RGBMixing amounts of Red, Green and Blue light

Page 13: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

There are three perceptual dimensions of color

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Page 14: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Every color is a point in the HSV space.

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Page 15: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

How would we find this color?

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Page 16: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

From Yellow, how do we get Brown?

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Saturation

Page 17: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes
Page 18: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Choosing colors! Start in grayscale, then keep the luminance values! Common schemes: analogous, split complement

Page 19: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Benefit from others ! Adobe Color CC http://color.adobe.com

! Fork popular schemes https://color.adobe.com/explore/most-popular

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Page 20: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Cultural Differences in Color Interpretation

Page 21: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What cultural connections do these colors have?

Page 22: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Are color meaning arbitrary?

Page 23: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Are color meaning arbitrary?

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Color meanings are not absolute.

But at any time and place, they may mean something you don’t intend.

Page 24: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Typography

Page 25: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes
Page 26: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms

Page 27: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Calibri: 2005, Lucas de Groot for Microsoft, www.microsoft.com/typography/fonts/family.aspx?FID=287

Six Typographic TermsPoint size}

S SGill Sans Calibri

Page 28: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic TermsLeading}

Six Typographic Terms

Page 29: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Lucida Bright: 1993, Charles Bigelow & Kris Holmes · Baskerville, 1757, John Baskerville

Six Typographic Terms

SixGill Sans

SixBaskerville Low x-height

x-height}

Typefaces with high x-height:easier to read at small point size

Typefaces with low x-height: harder to read at small point size

Page 30: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Termsascenders

descenders

Page 31: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Termslight regular bold

weight

Page 32: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Weights and Styles

http://developer.android.com/design/style/typography.html

Page 33: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

Page 34: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

?????

Page 35: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

Page 36: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

?????

Page 37: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

?????

Page 38: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Serif

Source: R. WilliamsThe Non-Designers Design Book

Page 39: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Six Typographic Terms: Sans Serif

Source: R. WilliamsThe Non-Designers Design Book

Page 40: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

2002, Christian Schwartz, House Industries, http://www.houseind.com/fonts/neutraface · An Ode to a Typeface, www.youtube.com/watch?v=xHCu28bfxSI

Small caps, lowercase

Page 41: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

2002, Christian Schwartz, House Industries, http://www.houseind.com/fonts/neutraface · An Ode to a Typeface, www.youtube.com/watch?v=xHCu28bfxSI

Small caps, lowercase

1234567890 1234567890

Numbers:Lowercase

Uppercase

Page 42: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

The Serif Hypothesis• Serif typefaces are easier to read --

and thereby preferable for long stretches of text -- because the serifs provide anchors that guide the reader’s eye. Sans serif fonts lack these anchors and are therefore inappropriate for long stretches of text.

Page 43: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Challenges• Individual differences dwarf manipulation effects

• i.e., some people read faster than others. If there is an effect, it’s very small

• Confound: Reading requires familiarity• Dependent Variable? Speed? Comprehension?

…?

Page 44: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

“Legibility, in practice, amounts simply to what one is accustomed to” — Eric Gill, 1931

Page 45: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Combining Type: Concordant

Page 46: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Combining Type: Contrasting

Page 47: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Combining Type: Conflicting

Page 48: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Hoefler + Frere-Jones: http://typography.com/ask/showBlog.php?blogID=79

Typefaces, like everything, build reputations

Baskerville

The Literary Magazine for Gifted Kids & Their Families

Optima POUR HOMME

AFTER SHAVE BALM BAUME APRES RASAGE

Page 49: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Gestaltnounan organized whole that is perceived as more than a sum of its parts

Page 50: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What pattern do you see here?

Page 51: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What pattern do you see here?

Page 52: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Proximity

Page 53: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Proximity

Page 54: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

How is proximity used?

Page 55: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What pattern do you see here?

Page 56: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

How is similarity used?

Page 57: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What pattern do you see here?

Page 58: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What pattern do you see here?

How are proximity and similarity used?

Page 59: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Connectedness

Connection overrules proximity and similarity

Page 60: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What literal difference do you see between A B and C?

A B C

Page 61: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What perceptual difference do you see between A B and C?

A B C

Page 62: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Symmetry

Bilateral symmetry gives strong sense of figure

Page 63: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Which paths are easier to follow?

Page 64: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Continuity

We prefer smooth not abrupt changesConnections are clearer with smooth contours

Page 65: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What is the literal difference between a and b?

Page 66: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What is the perceived difference between a and b?

Page 67: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Closure

Page 68: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Illusory contours

Page 69: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

What do you see?

Page 70: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Figure/Ground

Principle of Relative Size

Page 71: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Figure/Ground

Page 72: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

Figure/Ground

Principle of Surroundedness

Page 73: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

8 Gestalt Principles

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Summary

Page 75: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

The human brain is always perceiving meaning (even when it is not intended)

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Color Font Gestalt

Page 76: Goal 1 Build websites that suit the needs and abilities of ...coms4170.cs.columbia.edu/2018-spring/slides/coms4170-4-color-typ… · Lucida Bright: 1993, Charles Bigelow & Kris Holmes

As a designer, you have to know how these principles are represented by the system,and how they are interpreted by the user.

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Color Font Gestalt