gothic art - castle high school · gothic c. 1150-1500 economy continues to grow and so does...
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Gothic Art 1150-1500’s
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Gothic
c. 1150-1500 Economy continues to grow and so does populations
and large cities emerge and feudalism begins to die out
The term Gothic was given to this time period from critics because it did not hold to the standards of ancient Greek and Roman art
Mainly describes architecture
Great cathedrals were built to glorify the Church; and they became the religious, cultural, and social centers of growing cities.
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Great Cathedrals in France
The emphasis is on height with wide
windows
Breathtaking height had become the
dominant aim, and the creations of
“translucent wall” filled with stained glass
windows
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Innovations in Cathedral Architecture
Gothic architecture moved away from Romanesque heaviness and solidity toward structures of lightness and grace.
During 13th century, French architects developed the pointed arch, piers, and the flying buttress
Enabled builders to erect slender, soaring Cathedrals
Sometimes, buildings begun in Romanesque style where finished in the Gothic style
Notre Dame Cathedral
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Chartres Cathedral
Chartres,
France
Original
construction:
1145-1155
Reconstructed
c. 1194-1220
Limestone,
stained glass
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Pointed Arches and Flying Buttresses
Pointed arches reduce sideways thrust
Pressure is directed downward to slender
supporting columns called piers
Additional support is provided by
buttresses
A buttress is a support or brace that
counteracts the outward thrust of an arch
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Piers
replaced thick columns
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Flying Buttress
They often had to reach over the side aisles of the church: came to be known as “flying buttress”
This system eliminated
the need for solid walls
Result: space between piers could be filled with
stained glass
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Flying Buttress
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Gothic Interior
Required no more decoration than the colored stained glass and vertical lines
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Stained Glass Windows
Walls of glass let light in
Impressed and instructed the worshipers
Light streaming through windows made glass richer and brighter than dull surface of a wall painting
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In 1194 a fire destroyed Chartres'
earlier Cathedral. Of the twelfth-
century windows that survived,
only this figure of Mary and the
large windows at the west end
were the only ones deemed worth
reusing by the thirteenth century
master. This image of Mary has for
centuries been an object of special
veneration and since the fifteenth
century has been known as Our
Lady of the Beautiful Window.
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Mary is seated on a throne, her feet
resting on a footstool, covered with a
rug. She is dressed in a garment of a
bright, luminous blue. Her head,
surrounded by a blue halo bordered
with pearls, is topped by a rich crown.
A white veil falls in folds on either
side of her head. Her hands rest on
the shoulders of her Son, who is
seated on her knees. A cruciform
halo is around his head. His right
hand is raised in blessing. In his left
hand he holds an open book where
we read the words:
Omnis vallis implebitur ("Every
valley shall be filled.") It is a prophecy
of the Incarnation found in Isaiah 40:4
and recalled by John the Baptist in
Luke 3:5.
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Pointed Arches replaced round
arches
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Compare the difference between
barrel vault and groin vault
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Gothic Church Construction
Gothic cathedrals were both expressions religious devotion and symbols of civic pride
Unlike rural settings of Romanesque churches, Gothic cathedrals were products of the new and prosperous cities
People competed for the right to claim that their cathedral was the biggest, tallest or most beautiful
Gothic style
spread throughout
Europe and was
adapted for use in
monasteries and
secular buildings.
Santes Creus Cloister, Near Tarragona, Spain
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GOTHIC SCULPTURE AND
ILLUSTRATED BOOKS
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Gothic Focus
Cathedrals were erected to the glory of God
Vertical lines pointed toward heaven: spires, columns, windows, pointed arches
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Sculptural Decorations
Sculptures of normal size would have detracted from soaring quality
To avoid this, sculptures were elongated (stretched out)
Repeated, long folds on their sculptured garments emphasize the vertical movement of these figures
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Often, the figures even stand on globes
with their toes pointing downward to
create the impression that they are rising
upward
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Figures project
from the wall
Figures were
recognizable
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Growing concern for reality
Sculptors wanted figures to look real
◦ Appear to move and look about
◦ Drapery looks as though it covers a real body
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Balance More natural balance was sought: more informal
Death of the Virgin, Cloister tympanum, Cathedral of
Pamplona, Spain. 14th c.
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Gargoyles
Interesting sculptural feature was the gargoyle: the grotesque flying monsters that project out from the upper portions of the huge churches
Made of carved stone or cast metal
Functioned as rain spouts
Why ugly? Besides being interesting, they look like evil spirits fleeing for their lives from the sacred building!
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ILLUSTRATED BOOKS
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Illuminated Manuscripts
Demand of illustrated books containing psalms, gospels, and other parts of the liturgy grew
These books, called psalters, were the prized possessions of the wealthy
Showed influence of stained-glass art: illustrations were placed within a painted architectural framework like those surround stained-glass windows.
Carrow Psalter, mid 13th c.
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The Carrow
Psalter
Made in the mid-thirteenth century in England
Book of prayers
Shown: assassination of Thomas Becket, archbishop of Canterbury
Four knights attack the archbishop as he kneels before the altar
Sword breaks with the blow
Knight forces him to the floor with his foot
Astonished attendant looks on
Two years later the archbishop was made a saint
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International Style
Painters began to show great concern for realistic details
Desired to made figures more graceful and colorful
Became known as the International style
Book of Hours (prayer book)
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Book of Hours
Created by famous Limbourg brothers
Patron: brother of French king: Duke of Berry
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ITALIAN CHURCH PAINTING
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Italy
Gothic architecture did not become
popular in Italy
Italian builders continued to construct
churches in a modified Romanesque style
Warmer climate
may have made
Italians prefer
darker cooler
interiors of
Romanesque-
type buildings
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Florence Cathedral 1296-1426
Façade
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Gothic Interior
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Paintings…. Italian style! Instead of putting in stained-glass
windows, artists continued to decorate
church walls with murals.
Basilica de
Santa Croce,
Florence
1443
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Duccio di Buoninsegna (1255-1318)
Paintings on wooden panels were also used to decorate the interiors
Known as the Maestà (or “Majesty Altarpiece”)
Made for the altar at the Cathedral of Siena
Combination of several panel paintings
Reverse side
Virgin in Majesty is the subject of
the main panel. (11 feet high)
She is the Queen of Heaven
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The Calling of the Apostles Peter and
Andrew Christ is calling Peter
and Andrew, he is inviting them to join him as his apostles
Use of gold in background
Bright colors, two-dimensional figures
Shallow space
Similar characteristics to Byzantine mosaics
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Compare
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Giotto di Bondone
Realistic figures, actions and emotions
Natural looking poses
Appear to take real actions in real space
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Lamentation Pieta by Giotto di Bondone
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Timeline
Early Christian AD 100-300
Byzantine c. 300-500
Romanesque c. 1000-1300
Gothic c. 1150-1500
c. 330 Roman Empire Divided
c. 532-537 Hagia Sophia Istanbul, Turkey
Early Medieval c. 475-1050
800 Pope crowns Charlemagne First Holy Roman Emperor
Pisa Cathedral Chartes Cathedral
c. 1454 BC End of
Byzantine Empire
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Art of the Middle Ages
Byzantine Romanesque Gothic
Art Mosaics, icons Frescoes, stylized
sculpture
Stained glass,
more natural
sculpture
Architecture Central-dome
church
Barrel-vaulted church Pointed-arch
cathedral
Example Hagia Sophia Pisa Chartres
Notre Dame
Date 532-37 1000-1300 1150-1500
Place Constantinople,
Turkey
Ravenna,Italy
Pisa, Italy Chartres, France
Paris, France