graduate portfolio 2010-2016

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PORTFOLIO OF SELECTED ARCHITECTURAL WORK HARDY HO

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Hardy Ho MArch & BArch Portfolio of Selected Works

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Page 1: Graduate Portfolio 2010-2016

PORTFOLIO OF SELECTEDARCHITECTURAL WORK

HARDY HO

Page 2: Graduate Portfolio 2010-2016

Hardy Cheuk Yiu, Ho

[email protected]+852 6338 4403

Personal website: http://hohardy.wixsite.com/works LinkedIn: https://hk.linkedin.com/in/hohardy

Full portfolio of works: https://issuu.com/hohardy

EDUCATION

University of Hong KongMaster of Architecture (Candidate)| Expected Distinction

2014.9 - present

University of Hong KongBachelor of Arts (Architectural Studies) | Second Class Honours (First Division)

2010.9 - 2013.6

St. Joseph’s College, Hong Kong2003.9 - 2010.6

SKILLS/ SOFTWARE

AutoCAD Rhinoceros, SketchUp, VRay, Maxwell

Grasshopper, RhinoScriptAdobe Creative Suite (Photoshop, Illustrator, InDesign, Premiere Pro)

Microsoft Office (Word, PowerPoint, Excel)

LANGUAGES

ENGLISH [Proficient; IELTS 8.5 Overall Score]MANDARIN CHINESE [Proficient]

CANTONESE CHINESE [Proficient]

RECENT ACADEMIC RECORD

Spring Semester 20162016.1 - 2016.6

ARCH5002 Architecture and Urban Design Title: Deep Masses - An Immersive Social Complex | Thesis Advisor: Dylan Baker-Rice

- Nominated reviewee for Public Review: Thesis Projects for Master of Architecture - Nominated thesis grouping speaker for Public Forum: Mid Semester Design Studio Symposium

ARCH5003 Professional practice II | Coordinator: Wong Wah Sang ARCH5111 Contemporary Urbansim | Coordinator: Ying Zhou

ARCH5204 Principles and practices of Building Codes | Coordinator: Mona Yeung

Fall Semester 2015GPA: 3.88; Cumulative GPA: 3.63| 2015.9 - 2015.12

ARCH5001 Architecture and Urban Design Title: Projections of Chinese Creativity in the 21st Century | Tutor: Ole Bouman | Grade: A

ARCH6127 Pre-thesis Seminar | Coordinator: David Erdman| Grade: A- ARCH6221 Topics in Modernism | Coordinator: Cole Roskam| Grade: B+

ARCH7520 Topics in Practice & Management | Coordinator: Kurt Evans| Grade: A

Spring Semester 2015GPA: 3.75; Cumulative GPA: 3.51| 2015.1 - 2015.6

ARCH4002 Architecture and Urban Design Title: What Ever Happened to the Countryside? | Tutor: Nasrine Seraji | Grade: A

ARCH4003 Professional Practice I | Coordinator: Wong Wah Sang | Grade: A- ARCH4012 Design and Tech of Susta Bldgs | Coordinator: S Lau, KP Cheung, Chad McKee| Grade: B+

ARCH5114 Architecture and Memory | Coordinator: Koon Wee| Grade: B

Fall Semester 2014GPA: 3.26; Cumulative GPA: 3.26| 2014.9 - 2014.12

ARCH4001 Architecture and Urban Design Title: Searching for the History of Future | Tutor: Dietmar Eberle, Jia Beisi | Grade: B+

ARCH4010 Design and Construction Communication | Coordinator: David Erdman | Grade: B+ ARCH4011 Architecture and its Discourse | Coordinator: Cole Roskam| Grade: B

ARCH5305 Computer-aided architectural design | Coordinator: Jason Carlow| Grade: B+

Page 3: Graduate Portfolio 2010-2016

PROFESSIONAL EXPERIENCE

RAD ( Research Architecture Design )Central, Hong Kong | Year-Out Internship | 2013.8 - 2014.8 (1 year)

Reference: [email protected]

Urbanism\Architecture Bi-city Biennale Hong Kong| Exhibition Schematic Proposal, Design & ConstructionHonourable Mentions in Plovdiv Central Square Competition, Bulgaria

Competition Proposal, Design & Construction| 2014.4 - 2014.610 Hereford Road, Kowloon Tong, Hong Kong

Project Design, Tender, Contract Documentation, Building Construction CR Westin, Chengdu, China | Feasibility Studies, Outline Schematic Proposals, Project Design

Lian Huat Planning, Anhui, China | Feasibility Studies, Outline Schematic Proposals

LWK & Partners (HK) LimitedTsim Sha Tsui Hong Kong | Summer Internship | 2015.6 - 2015.8 (2 months)

Reference: [email protected]

Whitesands, 160 South Lantau Road, Lantau Island, Hong Kong Building Construction (Completion), Sitework Coordination

34 Mount Kellett Road, The Peak, Hong Kong Project Design (General Building Plans, Consultants Coordination)

35 Barker Road, The Peak, Hong Kong | Tender, Contract Documentation

LD Asia ( Llewelyn-Davies Hong Kong Ltd. )Quarry Bay, Hong Kong | Summer Trainee | 2012.6 - 2012.7 (2 months)

Reference: [email protected]

Landscape Works at Tuen Mun Children & Juvenile Home (Minor Works) Outline Schematic Proposals, Project Design

Lok Ma Chau Control Point Vehicle Inbound/Outbound Car Kiosks | Outline Schematic Proposals

LEADERSHIP/ ORGANIZATIONS

Architectural Students’ Association Session 2011-2012, A.S., H.K.U.S.U. External Secretary, Acting Academic Secretary | 2011.4 - 2012.4

Chief Organizer of Studio Lecture on Photography

(Guests: Ms Ceci Liu, photography educator and Mr Stanley Ng, photographer) | 2011.10.11Chief Organizer of Studio Lecture on Body Art

(Guest: Dr Ho Siu Kee, Programme Director of Master of Visual Arts at Baptist University) | 2011.11.1Chief Organizer of Studio Lecture on Sculpture

(Guest: Mr Tai Sheung Shing Victor, architect and sculptor) | 2011.11.22Chief Organizer of Hong Kong Institute of Architects Sharing | 2011.11.29

Organizer & Interviewer of RAD Firm Interview (Interviewee: Jeff Gagnon)| 2011.6.23Coordinator in Bulk Discount Ticket Purchase of ‘Architecture is Art Festival 2011’ by Zuni Icosahedron| 2011.10

Executive Committe of Architectural Students’ Association Orientation 2011 | 2011.8-2011.9

St. Joseph’s College, Hong KongInteract Club, Editorial Board, Web Publishing Board | 2009.9 - 2010.6

AWARD(S)/PRIZE(S)/SCHOLARSHIP(S)/EXHIBITION(S)/PUBLICATION(S)/COMPETITION(S)

Selected thesis for public exhibition at The Repulse BayThesis Projects for Master of Architecture, The Repulse Bay, HKU | 2016.9 (to be announced)

Thesis for public exhibition at The Degree ShowThesis Projects for Master of Architecture, The Faculty of Architecture, HKU | 2016.6.18 - 2016.7.4

Interview by U-Vision, TV channel for HKUDegree Show Reception and Preview, The Faculty of Architecture, HKU | 2016.6.17

Nominated reviewee for Public ReviewThesis Projects for Master of Architecture, The Faculty of Architecture, HKU | 2016.6.11

Nominated thesis grouping presenter for Public Forum: Mid Semester Design Studio Symposium

Spring 2016 Special Event, The Faculty of Architecture, HKU | 2016.3.21

Illusions of Rural Gravity: Eight Thoughts of Chinese Rural Development Exhibition

Exhibition, Shanghai Study Center, The Faculty of Architecture, HKU | 2015.10.08 - 2015.11.27

Nominated design studio presenter for Public Forum: Mid Semester Design Studio Symposium

Fall 2015 Special Event, The Faculty of Architecture, HKU | 2015.10.23

Nominated design studio presenter for Public Forum: Mid Semester Design Studio Symposium

Fall 2014 Special Event, The Faculty of Architecture, HKU | 2014.10.24

Make Room: Afterlives of Thesis / HKU ARchitecture Papers Vol.3Team AP3 | 2015.6

Honourable Mention, Plovdiv Central Square Competition, BulgariaRAD (Research Architecture Design) | 2014.4 - 2014.6

The Leftover City - Urbanism\Architecture Bi-city Biennale HK 2013RAD (Research Architecture Design) | 2013.10 - 2013.12

‘Weather-Proof’ Exhibition, Detour 2011Exhibition | Central Police Station, Hong Kong | 2011.11.25 - 2011.12.11

Asia Bike Trade Show 2011, NanjingExhibition Coordination | Luma Bike, Hong Kong

International Expo Centre, Nanjing, China | 2011.6 - 2011.7

Page 4: Graduate Portfolio 2010-2016

53

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

RESEARCH . DESIGN

亲爱的王县长:Dear Mayor Mr. Wang Jun,

茶業雙年展魅力,松陽縣生態萬千。

Sincerely,Anthony & HardySpring 2015

Through organizing the Tea Biennale, Songyang is no longer internationally known, it becomes the incubator of rural culture.

44

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015 URBAN ECOLOGIES : PEOPLE OF THE WATER FALL 2014

Winery Geographical Conditions

Grand CruPremier CruCommune winesRegion

Oolite and broken limestoneMarl with calcerous beds

Ferruginous oolite

Pearl flagstone

Marl with limestone

Minerals

Plain:Brown soils and brown calcium soils

Edge of the plateau:Skeletic soils

MudGravelSoil

400m

200m

Different Types of erracing according to local conditions

Winddeposited soil

Sundaylight hours

pH 5.5-6.8

Internal waterdrainage:>2 inches/hr

Practice of vermiculturefor enhancing chemcial weathering

Using weeds to provide coverage to soil and provide humus

Water holdingcapacity:<10 inches/ inch of soil

Climate

Rain

Effective Rootdepth:>1000mm

Moist bulkdensity:<1.5 gm/cm3

Tea Farm Geographical Conditions

Annual average temperature: >13°C

Climate Topography

Annual rainfall:>1000mm

Gradient: Less than 25°C

pH 4.5-6.5

Minimum soildepth:600mm

500m

0m

General

Mount Wuyi, Fujian Province

Rock Tea

Continental Tea

Plain:Deep limestone andcalcium brown soils

Slope:Renzines and brown soilssuperficial limestone

Silt, clay

Silt, clay

(source: http://www.coppiere.it/wp-content/uploads/2014/01/

terroir-bourgogne.jpg)

RESE

ARCH

. D

ESIG

N

bothteafarmandvineyardhaveaspecificrequirementonthegeographicalconditionsandtopograpgy.Theybothrequireahillylandscapesoastoavoidwaterlogginfwhilesunlightwithahigherinternsitycanbereceivedperunitofland.

Stage 2: Field Trip in Songyang7/2 - 15/2

8

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

RESE

ARCH

. D

ESIG

N

persons/household

1000households

total population

population not engaging agricultural activities

malepopulation

(%)

female population

(%)

LEGENDS

1. Enjoyment and sentiment in the mountains and streams 2. Hunting and fishing in the forset along the stream at dawn and twilight3. Traffic is inconvenient as the roads to the west were blocked and the connectivity to the south was sparse4. Utopia

1

234

Demography & Economy of Song’yang 松陽人口及經濟Songyang County was established in Eastern Hang Dynasty (199) and is one of the oldest counties in the Southwest of Zhejiang. It is the cultural and economic centre and also well known as the “Granary of Southern Zhejiang”

《初至松陽》

沈晦

羲之去會稽,便為會稽居。

與東土人氏,盡山水之娛。

我無逸俗韻,亦復居之俱。

朝弋林中禽,暮釣溪上魚。

勝游窮山海,埋光混里間。

聊為一日歡,不暇論所余。

西歸道路塞,南去交流疏。

惟此桃花源,四塞無他虞。

況復父老賢,挽留使者車。

便應尋支許,投老青山隅。

SCALE

HILL

RIVER

FIELD

500m

500m

500m

Utopia for living

Transformation of old post

Revitalization of old street

塘后

松陽

介首

TANGHOU

JIESHOU

SONGYANG

1711

02 52

48

4.18

Get Everyone Cruising

0111

1009

0807

0605

0403

02

0108

0706

0504

0302

A HGFEDCB

A FEDCB

1110

09

HG

Hangzhou

Nanjing

Suzhou

Wuxi

Changzhou

Zhenjiang

Yangzhou

Huai’an

PizhouXuzhou

Peixian

Nanyang

Jining

Nanwang

JinanLiaocheng

Linqing

Dezhou

Cangzhou

Tongzhou

Tianjin

Beijing

Tai’erzhuang

Hanzhuang

Shanghai

Jiaxing

Agricultural

Textile

Shipbuilding

Chemical

Engineering

Major Indust. Areas

Electronic

Food Manufacture

Mapping of Industries by Cities

Tier I cities

Stops along canal

Tier II cities

Tier III-IV cities

100

km

100 km

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

A

B

C

D

E

F

G

H

I

A’

B’

C’

D’

E’

F’

G’

H’

I’

E

F

G

H

I

E’

F’

G’

H’

I’

G

H

I

G’

0Scale: 1 to 500

10 20 50m 0Scale: 1 to 200

Running Track

Sundeck

Shops & Galleries

Studios

Sundeck Shops

4 8 16m

H’

I’

200m

200m

N

30

55

520

40

20

100

50

2519

29

1524

11136

7

78

116

100

68

60

35

72

68

21

48

52

84

R 37

177

93

32

122105

85 68

65

91

34

60

91

Program Venue Matrix

Badminton Tennis Basketball Volleyball Swimming

Cycling Football

Athletics

Anciliary Arena Fitness Center

Indoor Arena10-pin Bowling HallRugby

Field HockeyArchery (Outdoor)

Archery (Indoor)

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray CompositionCategories of Depth

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

3. Program Massing Breakdown 4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor

2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

6. Framing Depth along View Corridor

Studies on Site Depth Composition

DEEP MASSESImmersive Social Complex

Deep Masses Immersive Social Complex

by Ho Cheuk Yiu Hardy

This thesis explores new ideas of a typology that can cumulate atmospheric a�ects of ambigu-ous depths. The thesis aims to undertake a detailed examination of a sports complex typology as one part, hybridized with other smaller modules of the same typology as the other. The variegated mixtures are combined to form new complex wholes. These accreted masses mediate the loose �ts among the envelope, the structure and the interior, while defying the distinctions between surface and depth; solidity and plasticity; ephemerality and monumentality; or apparentness and obscurity. The thesis will be tested through an array of aggregate composition in massing con�guration.

BAAS III SPRING 2013MArch I FALL 2014MArch I SPRING 2015MArch II FALL 2016MArch II SPRING 2016

01Massing

& Program

Studies

02ConcreteTypology

03Design

Production

02SongyangField Trip

02Master-

planning

02Design

Production

04Tea

Biennale

02Value

Proposition

03Design

Detail

04Detail

Prototype

03Research:

Tea & Wine

03BuildingDesign

01Research:

Demo-graphics

01Research;Mapping

Database;Feedback

Loop System

01Depthof the

Section

01TypologyResearch

Page 5: Graduate Portfolio 2010-2016

Opening

Stores

Electricity Pole

Iron Sheets

EXPLODED AXONOMETRIC & PERSPECTIVELUBAN ROAD CAMERA MARKET - FLEXIBILITY IN CIRCULATION

BAAS I FALL 2010BAAS I SPRING 2011BAAS II FALL 2011BAAS III FALL 2012 BAAS II SPRING 2012 (SHANGHAI)

01Body

Mapping

01Villa

ShodhanAnalysis

01Visible

City

01Shanghai

CameraMarket

Analysis

01Tilt-Up

PrototypeDesign

02MappingPrototype

02Learning

fromVilla

Shodhan

02Spatial

CityAnalysis

02Shanghai

Market-Library

02Tilt-Up

PrototypeAssembly

03KwunTong

Agglom-erated

Habitat

Page 6: Graduate Portfolio 2010-2016

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray Composition

Arr

ay C

ompo

siti

onA

ggre

gate

/Arr

ay C

ompo

siti

on

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Aggregate CompositionArray CompositionCategories of Depth

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

Concept Arena(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDSUrban Arena

(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

Concept Stadium(unbuilt)

Architect:DCA

RAMP

UTEC Campus(2011)

Architect:Grafton Architects

STACK

Stamford Bridge(unbuilt)

Architect:Herzog & de Meuron

COHESIVE

BordeauxStadium

(2015)

Architect:Herzog & de Meuron

SHAPE

RDS Urban Arena(unbuilt)

Architect:Grafton Architects

SHEAR

Colosseum(70 AD)

EXTRUSION

Braga Stadium(2003)

Architect: Eduardo Souto de Moura

HOLE

HABITABLEGEOMETRY

STADIUM: SECTIONAL GEOMETRY

Disciplinary Background

Design Method & Organization

Test Case BackgroundPre-thesis Artifact - Sectional Analysis of Deep Visual Syntax (Drawing by Hardy Ho)

1. Visual Syntax of 7 Deep Envelopes(Drawing by Hardy Ho)

2. Categories ofDepth Composition

(Drawing by Hardy Ho)

1. Francesco Borromini,Convento Dei Filippini

(https://upload.wikimedia.org/wikipedia/commons/4/4c/Borromini_Drawing_01.jpg)

3. Abedian School of Architec-ture,

Peter Cook & CRAB Studio(http://images.adsttc.com/media/images/52cd/ecec/

e8e4/4e34/3700/000a/medium_jpg/131008_BU_ASA_1297.jpg?1389227232)

2. Depth Framing Studies(Drawing by Hardy Ho)

4. Grafton Architects, University UTEC Lima(http://payload103.cargocollective.com/1/4/159426/4366323/C_UTEC_Lima_Night_De-

tail.jpg)

1. Site, Kai Tak Multi-purpose Sports Complex(Drawing by Hardy Ho)

2. Herbert Bayer, Extended Field of Perspective Vision

(http://41.media.tumblr.com/00a61153cf8d0f1c356df75843ea9f70/tumblr_n2nf86C22j1rbxbmeo1_1280.jpg)

3. Luigi Moretti, Corso Italia;4. Luigi Moretti, Il Girasole

(http://www.themilanese.com/wp-content/uploads/2011/09/LuigiMoretti1.jpg)http://images.adsttc.com/media/images/53e2/fef2/c07a/80bf/0200/034f/me-

dium_jpg/ml_GabrieleBasilico_02_960.jpg?1407385326)

(http://www.strategies-research.ufg.ac.at/english/archive/images/dillerScof_slowH1.jpg)

6. FOA, Yokohama Port Terminal(http://www.arcspace.com/CropUp/-/media/30543/Photo-16.gif)

7. Greg Lynn, Korean Presbyterian Church;8. SHoP Architects, FIT New Academic Building

(http://www.designboom.com/wp-content/uploads/2012/11/01KPCNY.jpg)(http://www.shoparc.com/wp-content/uploads/2014/12/04_78.jpg)

4. Atelier Bow Wow, Sec-tional perspective

(https://www.safaribooksonline.com/library/view/cad-fundamen-tals-for/9781780672823/08_chapter-title-1.html)

5. Tyler Hopf, superNODE (http://archinect.com/people/project/25766616/supernode/53434841)

3. Studies on Depth Composition(Drawing by Hardy Ho)

200m

200m

Schools & Cultural

Private Residential

Public Residential

Office & Commercial

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

3. Program Massing Breakdown

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor 2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

100m

100m

6. Framing Depth along View Corridor

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

1D - Overhung Depth 2D - Perforated Depth

1D - Punched Depth 2D - Focused Depth

1D - Extended Depth 2D - Layered Depth

3D - Type 1a

1D-2

D -

Obv

ious

Dep

th3D

- A

mbi

guou

s D

epth

3D - Shifted Depth

3D - Ambiguous Depth- Consistent Radii Vault

3D - Ambiguous Depth- Inconsistent Consistent Radii Vault

3D - Ambiguous Depth- Various Morphologies

3D - Contracted Depth

3D - Guided Depth

3D - Type 1b

3D - Type 2 3D - Type 3

Test Case - Kai Tak Multi-purpose Sports Complex (MPSC) - Site Analysis

Deep Masses

THIS THESIS EXPLORES NEW IEDAS OF TYPOLOGY THAT PRODUCE AFFECTS OF DEPTH. BY EXAMINING HOW TYPOLO-GY AS A PART (AND ITS VARIEGATED MIXTURES) CAN BE COMBINED TO FORM NEW COMPLEX WHOLES THAT MEDIATE THE LOOSE FIT BETWEEN ENVELOPE, STRUCTURE AND INTERIOR. THE THESIS WILL BE TESTED THROUGH ARRAY/AG-GREGATE COMPOSITION USING A SPORTS COMPLEX TYPOLOGY AND MIXING SMALLER MODULES OF THAT TYPOLOGY.

3. Program Massing Breakdown 4. Program Massing Rearranged

5. Framing Depth in parallel to View Corridor

2. Massing Voids allowable by regulations 1. View Corridors as Framing Parameter

6. Framing Depth along View Corridor

Studies on Site Depth Composition

DEEP MASSESImmersive Social Complex

Deep Masses Immersive Social Complex

by Ho Cheuk Yiu Hardy

This thesis explores new ideas of a typology that can cumulate atmospheric a�ects of ambigu-ous depths. The thesis aims to undertake a detailed examination of a sports complex typology as one part, hybridized with other smaller modules of the same typology as the other. The variegated mixtures are combined to form new complex wholes. These accreted masses mediate the loose �ts among the envelope, the structure and the interior, while defying the distinctions between surface and depth; solidity and plasticity; ephemerality and monumentality; or apparentness and obscurity. The thesis will be tested through an array of aggregate composition in massing con�guration.

DEEP MASSES: IMMERSIVE SOCIAL COMPLEX

MArch II Spring 2016 Thesis Studio | Kai Tak, Hong Kong

Advisor: Dylan Baker-Rice

Link to Thesis Report:https://issuu.com/hohardy/docs/deep_masses_final_thesis_report/1

- Nominated reviewee for Public Review: Thesis Projects for Master of Architecture- Interviewed by U-Vision, TV channel for the University of Hong Kong- Nominated thesis presenter for Public Forum: Mid-Semester Design Studio Symposium- Selected project for Degree Show exhibition at the University of Hong Kong- Selected project for public exhibition at The Repulse Bay, Hong Kong

Conceptual Sketch

Final Panel & Models

Page 7: Graduate Portfolio 2010-2016

200m

200m

N

30

55

520

40

20

100

50

2519

29

1524

11136

7

78

116

100

68

60

35

72

68

21

48

52

84

R 37

177

93

32

122105

85 68

65

91

34

60

91

Program Venue Matrix

Badminton Tennis Basketball Volleyball Swimming

Cycling Football

Athletics

Anciliary Arena Fitness Center

Indoor Arena10-pin Bowling HallRugby

Field HockeyArchery (Outdoor)

Archery (Indoor)

Outdoor Sports Ground Program Breakdown

Indoor Sports Centre Program Breakdown

Main Arena + Seats BowlingHall

Retail

FitnessCtr.

AncillaryArena

Tickets

VIPBooths

Pitch

Track & Field

Seats MediaCtr.

Retail

Changing Rooms VIPBooths

DEEP MASSES: AN IMMERSIVE SOCIAL COMPLEX

CONCEPT

The thesis explores new ideas of a typology that can cumulate atmospheric affects of ambiguous depths. The thesis aims to undertake a detailed examination of a sports complex typology as one part, hybridized with other smaller modules of the same typology as the other. The variegated mixtures are combined to form new com-plex wholes. These accreted masses mediate the loose fits among the envelope, the structure and the interior, while defying the distinctions between surface and depth; solidity and plasticity; ephemerality and monumentality; or apparentness and obscurity. The thesis is tested through an array of aggregate compo-sition in a massing configuration.

STRUCTURE

1. Depth of the Section 1.1 Test Case: Stadium as a Sectional Object 1.2 Disciplinary Background - ‘Loose fits’ between Envelope and Massing 1.3 Categories of Depth1.4 Alternative Vault Compositions1.5 Geometrical Profiling & Subtracting Operations 1.6 Conceptual Deep Prototypes

2. Test Case & Masterplanning 2.1 Kai Tak Multi-Purpose Sports Complex 2.2 Program Breakdown, Massing Composition & Framing Studies 2.3 Design Masterplan as a dissolved field of depth 2.4 Program & Circulation

3. Building Design 3.1 Long Sections & Blowups 3.2 Long Sections - Succession of Depths in different scales & types 3.3 Long Section Blowup Moments 3.4 Plan Overview - Outdoor Stadium & Indoor Arena

4. Detail Prototype Design 4.1 Detail Prototype 1st Development - Axons; Sections 4.2 Detail Prototype 2nd Development - Axons; Sections 4.3 Detail Prototype Final Development - Axons; Sections 4.4 Detail Prototype Final Development - Corner Moments Pairs

Masterplan Exploded Axonometric Drawing

Page 8: Graduate Portfolio 2010-2016

Type 3: Warped FenestrationsType 2: Disjunctive AsymmetryType 1: Scalar Progression

1/2 (LATERAL)

1/2 (TRANSVERSAL)

1/2 - SCALED

1/4 - SCALED

FULL

Parabolic Void Geomterical OperationsArched Void Geomterical Operations

Type IScaling x2+ Shifting x2

Type IIScaling x2 + Shifting x2

Type IIIScaling x1 + Extrusion x1

Type IVScaling x2+ Shifting x1

Type VScaling x1 + Shifting x2

Type VIScaling x1 + Shifting x2 + Extrusion x2

Type 3: Warped FenestrationsType 2: Disjunctive AsymmetryType 1: Scalar Progression

1/2 (LATERAL)

1/2 (TRANSVERSAL)

1/2 - SCALED

1/4 - SCALED

FULL

Parabolic Void Geomterical OperationsArched Void Geomterical Operations

Type IScaling x2+ Shifting x2

Type IIScaling x2 + Shifting x2

Type IIIScaling x1 + Extrusion x1

Type IVScaling x2+ Shifting x1

Type VScaling x1 + Shifting x2

Type VIScaling x1 + Shifting x2 + Extrusion x2

Type 3: Warped FenestrationsType 2: Disjunctive AsymmetryType 1: Scalar Progression

1/2 (LATERAL)

1/2 (TRANSVERSAL)

1/2 - SCALED

1/4 - SCALED

FULL

Parabolic Void Geomterical OperationsArched Void Geomterical Operations

Type IScaling x2+ Shifting x2

Type IIScaling x2 + Shifting x2

Type IIIScaling x1 + Extrusion x1

Type IVScaling x2+ Shifting x1

Type VScaling x1 + Shifting x2

Type VIScaling x1 + Shifting x2 + Extrusion x2

1 to 100 Deep Prototype models

Conceptual Deep Prototypes

Profiling Operations Subtracting Operations

Page 9: Graduate Portfolio 2010-2016

1 to 1000 Overall Massing model

Page 10: Graduate Portfolio 2010-2016

A

B

C

D

E

F

G

H

I

A’

B’

C’

D’

E’

F’

G’

H’

I’

E

F

G

H

I

E’

F’

G’

H’

I’

G

H

I

G’

0Scale: 1 to 500

10 20 50m 0Scale: 1 to 200

Running Track

Sundeck

Shops & Galleries

Studios

Sundeck Shops

4 8 16m

H’

I’

Long Parallel Projections / Sections

Page 11: Graduate Portfolio 2010-2016

0Scale: 1 to 200

8m2 40Scale: 1 to 200

Indoor Arena Level 3 Part Plan+11.00m

Market+11.0m

Deck+3.0m

Hockey Field+0.0m

Indoor Arena+7.0m

Outdoor Track+9.0m

Concourse+18.0m

Studios+14.0m

Open Theatre-3.0m

Deck+18.0m

Outdoor Stadium Level 5 Part Plan+18.00m8m2 4 0

Scale: 1 to 2008m2 40

Scale: 1 to 200

Indoor Arena Level 3 Part Plan+11.00m

Market+11.0m

Deck+3.0m

Hockey Field+0.0m

Indoor Arena+7.0m

Outdoor Track+9.0m

Concourse+18.0m

Studios+14.0m

Open Theatre-3.0m

Deck+18.0m

Outdoor Stadium Level 5 Part Plan+18.00m8m2 4

A

B

C

D

E

F

G

H

I

A’

B’

C’

D’

E’

F’

G’

H’

I’

E

F

G

H

I

E’

F’

G’

H’

I’

G

H

I

G’

0Scale: 1 to 500

10 20 50m 0Scale: 1 to 200

Running Track

Sundeck

Shops & Galleries

Studios

Sundeck Shops

4 8 16m

H’

I’

Section Blowup Details Indoor Arena Level 3 part plan [+11.0 m] Outdoor Stadium Level 5 part plan [+18.0 m]

Page 12: Graduate Portfolio 2010-2016

Track & FieldStadium Spectator StandStadium ConcoursePromenade & Deck

Outdoor Stadium

Page 13: Graduate Portfolio 2010-2016

1 to 200 Long Sectional model

Market & Terraces Concourse & Deck Catering Services

Indoor Arena

Page 14: Graduate Portfolio 2010-2016

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

Final 1 to 50 Detail Prototype

Final 1 to 50 Detail Prototype Corner Moments

Parallel Projection at Front & Top

Parallel Projection at Front & Bottom

Final Detail Prototype Final Detail Prototype Corner Moment worm’s eye axonometric drawings

Page 15: Graduate Portfolio 2010-2016

1 to 50 Final Detail Prototype modelFirst Detail Prototype

Second Detail Prototype

Page 16: Graduate Portfolio 2010-2016

PROJECTIONS OF CHINESE CREATIVITY

IN THE 21ST CENTURY

MArch II Fall 2015 Design Studio | Grand Canal, China

Advisor: Ole Bouman

Studio Design Partners: Ben Tam, Hannah Tong

Link to Creative Vessel Pitchbook: https://issuu.com/hohardy/docs/creative_vessel_pitchbook__single_/1

Projections along the Grand Canal

Maker Faire 2020 at Dezhou

- Nominated studio presenter for Public Forum: Mid-Semester Design Studio Symposium

Page 17: Graduate Portfolio 2010-2016

0111

1009

0807

0605

0403

02

0108

0706

0504

0302

A HGFEDCB

A FEDCB

1110

09

HG

Hangzhou

Nanjing

Suzhou

Wuxi

Changzhou

Zhenjiang

Yangzhou

Huai’an

PizhouXuzhou

Peixian

Nanyang

Jining

Nanwang

JinanLiaocheng

Linqing

Dezhou

Cangzhou

Tongzhou

Tianjin

Beijing

Tai’erzhuang

Hanzhuang

Shanghai

Jiaxing

Agricultural

Textile

Shipbuilding

Chemical

Engineering

Major Indust. Areas

Electronic

Food Manufacture

Mapping of Industries by Cities

Tier I cities

Stops along canal

Tier II cities

Tier III-IV cities

100

km

100 km

47

Apices of Creative ExperiencesApex Massing Decision

Maker Vessel

100m (L)

33m (H)

33m (H)

40m (W)

32m (W)

80m (L)

Picker Vessel

The apices in massing incorporates the living spaces of the populations on board with the mentor-makers and the apprentice-makers on the Maker Vessel, as well as the single Pickers group on the Picker Vessel as the main programmatic drive for the design.

Massings of Maker & Picker VesselMapping of Industries

by Cities

Page 18: Graduate Portfolio 2010-2016

-4.00

+0.00

+5.00

+9.00

+13.00

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Living

Captain

Communal

Office

Exploratorium

Workshop

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Living

Exploratorium

-8.30

0 5 20

-4.00

+0.00

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Auction House

ADD

Fine Dining

Captain

Living

Canteen

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Exploratorium

Studio

Fitness

Business

-8.30

0 5 20m

40m

13m

6.5m

3.3m

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13m

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3.3m

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40m

13m

6.5m

3.3m

2.5m

Creative VesselBigger is Bigger

Maker Vessel Long Section

Maker & Picker Vessel Short Section

Scale Comparison of Carriers

Page 19: Graduate Portfolio 2010-2016

Get Everyone Cruising

BEIJING-HANGZHOU CRETAIVE VESSEL

CONCEPT

Phase 1: Reserach, mapping and interpreting A forensic exercise in finding evidence for a creative China.Deliverables: a comprehensive (meta) fatabase, built up by the entire team. The research of my interest is ‘Cretaivity throug Commer-cialization’, which consists of more than 30 case studies analyzed with an iterative feedback loop system. Phase 2: Operational shift - knowledge to proposition An exploration of integrated design tools and skills, to further substantiate this evidence, at a Strategist’s view.Deliverables: Meta-design of an imaginary office with the required skills as represented in a portfolio.

Phase 3: Output A radical extrapolation, projecting a 5D environment (events/graphics/space/time based content/digital media) on a large scale, including a mega exhibition, event program, environmental designs, publicity strategies, and webtools.Deliverables: a set of designs by sub-groups.

VALUE PROPOSITION

China is experiencing a quick economic growth which results in market saturation without catching up the pace of market maturation. The key to the problem is to establish and standardize the growth of an innovative market.An upgrade of China’s business model from manufactur-ing to creation, leading to an innovation-oriented China of prosperity through leveraging the country’s emerging Maker Community.

Three exemplary companies of the creative industry, col-laborated to propose Creative Vessels along the Grand Canal, namely, Seeed Studio, BYD and MAD.

The Grand Canal played important historical and cultural roles in the past, and continued to breed new businesses with the Creative Vessel, by linking talents, not limited to fresh graduates from the Northern and Eastern China. The Creative Vessel Pitchbook is made under the follow-ing structure: (1) Domestic Market Urgency; (2) Birth of Creative Vessel; (3) Offers from Cretaive Vessel; (4) Sce-narios on Cretaive Vessel; (5) Marketing Creative Vessel.

Vessel Room Typologies Promotion via Mobile App

Promotion via Website

Page 20: Graduate Portfolio 2010-2016

52

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

Dear Mayor Mr. Wang Jun,

Through upgrading the software of tea industry, tea goes beyond a leaf, it becomes the lever lifting up the whole Song’yang County.

Sincerely,Anthony & HardySpring 2015

RESE

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WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

RESEARCH . DESIGN

亲爱的王县长:Dear Mayor Mr. Wang Jun,

茶業雙年展魅力,松陽縣生態萬千。

Sincerely,Anthony & HardySpring 2015

Through organizing the Tea Biennale, Songyang is no longer internationally known, it becomes the incubator of rural culture.

WHAT EVER HAPPENED TO THE COUNTRYSIDE

MArch I Spring 2015 Design Studio | Songyang, Zhejiang, China

Advisor: Nasrine Seraji, Weijen Wang

Studio Design Partner: Lin Lap, Anthony

Songyang Tea Biennale

Tea Industry As A Rural Lever

Link to Songyang Tea Biennale Booklet: https://issuu.com/hohardy/docs/tea_biennale/1

- Nominated studio presenter for Public Forum: Mid-Semester Design Studio Symposium - Selected for “Illusions of Rural Gravity: Eight Thoughts of Chinese Rural Development” Exhibition

Page 21: Graduate Portfolio 2010-2016

HO CHEUK YIU, HARDY2010128769

THE UNIVERSITY OF HONG KONGDEPARTMENT OF ARCHITECTURE

MARCH 1 ARCH4002

STUDIO TUTOR: MS. NASRINE SERAJI/MR. WEIJEN WANG

SEMESTER 2, SPRING 2015

1st CHINA SONG’YANG TEA BIENNALE

HO CHEUK YIU, HARDY2010128769

THE UNIVERSITY OF HONG KONGDEPARTMENT OF ARCHITECTURE

MARCH 1 ARCH4002

STUDIO TUTOR: MS. NASRINE SERAJI/MR. WEIJEN WANG

SEMESTER 2, SPRING 2015

1st CHINA SONG’YANG TEA BIENNALE

HO CHEUK YIU, HARDY2010128769

THE UNIVERSITY OF HONG KONGDEPARTMENT OF ARCHITECTURE

MARCH 1 ARCH4002

STUDIO TUTOR: MS. NASRINE SERAJI/MR. WEIJEN WANG

SEMESTER 2, SPRING 2015

1st CHINA SONG’YANG TEA BIENNALE

From Rural Norm to Biennale Map of Songyang Region

Six Sites of Rural Songyang

Page 22: Graduate Portfolio 2010-2016
Page 23: Graduate Portfolio 2010-2016

Scroll of Songyang

Page 24: Graduate Portfolio 2010-2016

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WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

Open Air Museum Archive & Learning Center (370sqm)

Media Centre (570sqm)Open Air Museum Archive & Learning Center (2040sqm)

Provincial Pavilion (400sqm)

Provincial Pavilion (400sqm)

Spotlight Pavilion (1550sqm)

China Pavilion (10660sqm)

Songyang Pavilion (4770sqm)

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WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

CULTURAL

TEMPORARY

DIALOGUE

ACCOMMODATION

SERVICES

EXHIBITION

RESEARCH . DESIGN

70

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

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SongyangPavilion

ChinaPavilion

ProvincialPavilions

ProvincialPavilions

P

P InternationalCampus

Public Dialogue

ProfessionalDialogue

SpotlightPavilion

information

ticket office

experimental field

ATM

restaurant

picnic area

floating cinema

washroom

shuttle bus station

bicycle parking

jetty

car park

ProfessionalForum-Main

Hall

ProfessionalForum-

ConferenceHall

Fujian

Yunnan

Hunan

500 100m

N

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Zhejiang

Anhui

Jiangxi

Taiwan

China PavilionSongyang

Pavilion

SpotlightPavilion

Media Centre

Public Forum

Kenya UK

India Sri Lanka Iran

Japan

France US

Korea Turkey Russia

Sichuan

DA

MA

HIG

HW

AY

X706 - WAYE SECTION

1st CHINA SONG’YANG TEA BIENNALE

OFFICIAL MAP - MAIN VENUE

Songyang County, Zhejiang

S Hh ’ ¡0‹Terrior of Teas

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6 mins toDushan

5 mins toRiverside Park

45 mins toDamushan

40 mins toZhuxi village

7mins toZhuxi village

15 mins toTown Centre,Tea Market

20 mins to Train Station

71

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

RESEARCH . DESIGN

information

ticket office

ATM

restaurant

picnic area

washroom

landart spotshuttle bus station

bicycle parking

car park N

500 100m

Visitor Centre

Xinxingxiang Village

KantouVillage

Artist Residence

JIANGNAN HIG

HWAY

1st CHINA SONG’YANG TEA BIENNALE

OFFICIAL MAP - DAMUSHAN

浙江松阳县 Songyang County, Zhejiang

“茶 · 風土人情”Terrior of Teas1/4 - 31/5/2020

01 02 03 04 05 06 07 08 09 10 11 12 13 14

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6 mins toJieshou

20 mins toJieshou

50 PROVINCIAL ROAD

information

ticket office

ATM

restaurant

picnic area

washroom

shuttle bus station village relics

bicycle parking

car park N

500 100m

Learning Centre & Library

Archive

1st CHINA SONG’YANG TEA BIENNALE

OFFICIAL MAP - OPEN AIR MUSEUM

浙江松阳县 Songyang County, Zhejiang

“茶 · 風土人情”Terrior of Teas1/4 - 31/5/2020

01 02 03 04 05 06 07 08 09 10 11 12 13 14

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15 mins to Main Venue

50 mins to Main Venue

Main & Satellite Biennale Venues

Plans of Architectural Interventions

Page 25: Graduate Portfolio 2010-2016

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WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

APP

ENDI

X -

AD. C

AMPA

GIN

CHINA SONG’YANG TEA BIENNALE

1/4 - 31/5/2020Terrior

Songyang County, Zhejiang

WEEKLY AGENDA Vol.02

5-11/ 4/ 2020

English

PROUD PARTNER OF

1st CHINA SONG’YANG TEA BIENNALE

ON THE ROAD OF RURAL DEVELOPMENT,YOU ARE NOT ALONE.

107

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

APPENDIX - AD. CAMPAIGN

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1st CHINA SONG’YANG TEA BIENNALE“茶 · 風土人情”

Terrior of Teas1/4 - 31/5/2020浙江松阳县 Songyang County, Zhejiang

1st CHINA SONG’YANG TEA BIENNALE“茶 · 風土人情”

Terrior of Teas1/4 - 31/5/2020浙江松阳县 Songyang County, Zhejiang

1st CHINA SONG’YANG TEA BIENNALE“茶 · 風土人情”

Terrior of Teas1/4 - 31/5/2020

贵宾 VIP

浙江松阳县 Songyang County, Zhejiang

¥180

¥350

¥2800

单日票1-day ticket

三日票3-day ticket

多日票everyday ticket

109

WHAT EVER HAPPENED TO THE COUNTRY SIDE SPRING 2015

APPENDIX - AD. CAMPAIGN

+86 2868 2468 www.teabiennale-001.com +86 2868 2468 www.teabiennale-001.com

+86 2868 2468 www.teabiennale-001.com

A00007892

A00007894

A00007895

A00007893

CHINA SONG’YANG TEA ASSOCIATION

中国松阳茶協会

1st CHINA SONG’YANG TEA BIENNALE浙江松阳县 Songyang County, Zhejiang

¥50

¥200 ¥50

¥20

茶品鉴会 Tea Tasting2-14/4 (Mon) 0900-1800

双年展主场地松阳馆 一号茶居

Tea House1,Songyang Pavilion,Biennale Main Site

1st CHINA SONG’YANG TEA BIENNALE浙江松阳县 Songyang County, Zhejiang

蔡国強之家Chalet Cai Guoqiang 1/3 - 31/6 1000 -2130

杨家堂村Yang jiatang Village

山地单车越野绕圈赛 Mountain Bike Cross

Country Criterium 9/5 (Sat) 0900-1900

大木山骑行茶园

Damushan Cycling Tea Park

1st CHINA SONG’YANG TEA BIENNALE浙江松阳县 Songyang County, Zhejiang

可持续种植实践 Sustainable Growing

Practitces2/4 (Mon) 0900-1200

双年展主场地松阳馆 百家讲坛

The Forum , Biennale Main Site

CHINA SONG’YANG TEA BIENNALE

文 化 活 动CULTURAL EVENT

艺 术 家 常 驻 ARTIST IN RESIDENCE

论 坛FORUM

門票費用的50%將拨捐松阳茶叶研究与设计基金50% of the ticket feewill be donated for the Songyang Tea Research & Design Fund.

門票費用的50%將拨捐松阳茶叶研究与设计基金50% of the ticket feewill be donated for the Songyang Tea Research & Design Fund.

門票費用的50%將拨捐松阳茶叶研究与设计基金50% of the ticket feewill be donated for the Songyang Tea Research & Design Fund.

門票費用的50%將拨捐松阳茶叶研究与设计基金50% of the ticket feewill be donated for the Songyang Tea Research & Design Fund.

+86 2868 2468 www.teabiennale-001.com 诚邀你到第一届松阳茶双年展 You are invited to the 1st Songyang Tea Biennale

CHINA SONG’YANG TEA ASSOCIATION

中国松阳茶協会 一次有效访问, 请保持它在整个行程Only valid for one visit. Keep it throughout the itinerary CHINA SONG’YANG

TEA ASSOCIATION

中国松阳茶協会

CHINA SONG’YANG TEA ASSOCIATION

中国松阳茶協会

Tea forums

TEA Biennale中國松陽茶雙年展

One can smell tea everywhere in Songyang.1/3 of the population and 1/3 of the agricultural productivity in Songyang are supported by tea. It also has the largest green tea wholesale market in China, if not the world.

Because of the engagement of Songyang population1 with the tea industry, we consider tea as the only “lever” for Songyang.

Everyone knows Burgundy because of its wine rather than the forgone power that once extended beyond the Netherlands2. As such, it hints that the tea industry can also cast a significant impact to the territory.

The Tea Biennale is proposed as a holistic approach to provide an occasion attracting people to learn about Songyang through the rich cultural landscape of tea3.A healthy cycle would be driven by the feedback through active participation.

Urban economy is driven by something ethereal, i.e. capitalism. Rural culture is produced from the land, e.g. culture- agriculture, social structure, etc.

The biennale is no longer an envelope of traditional ideas in a contemporary manner, instead, an incubator4 for the rural context .

在松陽,人們何時何地都可以嗅到茶的氣味。

松陽1/3的人口和農業生產力皆來自茶業。它也有世界最大的綠茶葉批發市場。因為松陽人口在茶產業的參與,我們認為茶能夠成為松陽的“槓桿”。我們建議透過舉辦茶雙年展以提供一個全面的機會,吸引人們通過茶的豐富的人文景觀了解松陽。一個健康的循環將透過人們積極的參與和反饋來驅動。

城市經濟是由縹緲的東西-金錢推動,即資本主義; 農村文化則是從土地,如生產文化-農業,社會結構等組成。雙年展不單是以當代方式包裝傳統觀念,相反,它是以農村環境作為孵化器。

1.) During the harvesting seasons (Feb to Apr), there are over 160,000 tea pickers from different provinces moving to Songyang when the total popula-tion of Songyang is only 230,000.2.) The research was structured according to different scales from XS to XL.XS-Tea leaves; S-Organizations of tea business; M- Geographical conditions of tea growing; L- China’s tea trading; XL- Global tea industry3.)Preparation works before the biennale (2015-2020) include upgrading the quality standard of tea, more inputs to R&D sector, development of B&B hostels and construction of auxiliary amenities.4.) Incubator (noun in•cu•ba•tor \ˈiŋ-kyə-ˌbā-tər, ˈin-\)i. Medical: a piece of equipment in which very weak or sick babies are placed for special care and protection after their birth.ii. Business: an organization or place that helps in the development of new businesses.

Biennale Visitor’s Weekly Booklet Poster Design

Day-Pass & Event Ticket Design

Page 26: Graduate Portfolio 2010-2016

SEARCHING FOR THE HISTORY OF FUTURE

MArch I Fall 2014 Design Studio | Eixample District, Barcelona, Spain

Advisor: Dietmar Eberle, Beisi Jia

Phase 1 Level 2: Hong Kong Structure Research & Design

- Nominated studio presenter for Public Forum: Mid-Semester Design Studio Symposium

Page 27: Graduate Portfolio 2010-2016

View at the Eixample Block Corner

Page 28: Graduate Portfolio 2010-2016

Eixample Block Internal Courtyard Reinvention of Lightwells & Parlour

Long Elevation from the Street

Page 29: Graduate Portfolio 2010-2016

RETHINKING THE EIXAMPLE BLOCK

CONCEPT

The studio is built on five basic issues of architecture: place, structure, shell, programme and materiality. They are examined individually in Phase I and together in Phase II - the final exercise unites all the thematic areas into a genuine project.

The sequences of the exercises reflects in turn the hierar-chical weighting of the themes, which derives from the dif-ferences in their useful lives and at the same time reveals an approach to architectural questions that is separate from the programme. It should be understood as a critique of modernism’s focus on the programme, juxtaposing it with an understanding of architecture which emphasizes a building’s useful life and status.This re-evaluation of the focus on programme in favor of useful life is the consequence of questions of sustainability and resource management which are always latent these days.

Observing and grappling with a single theme and in com-bination as a successive bringing together of themes leads step by astep to the ability to relate tasks and solve them at the same time.

The traditional linear sequence of analysis and design are abandoned in fovor of working in parallel. Thinking on several levels - and hence across many scales - is a central requirement of each exercise.

TYPOLOGY RESEARCH

Level 1: Massing Investigation of Philadelphia AthenaeumLevel 2: Structural Design in Kennedy Town, Hong KongLevel 3: Facade Design in Eixample District, BarcelonaLevel 4: Arts Center program proposal in Kennedy Town

A series of exercises is done to investigate different levels of 3 sites in the world reflected in the design proposal.

DESIGN PRODUCTION

The Eixample city block in Barcelona is rethought in terms of circulation, lightwell, balcony space & urban fabric.

The design aims at improving the provision for natural sunlight and ventilation in the reinvented facade; facilitat-ing communal interaction in the semi-public corridor; and providing public flaneur in the neighborhood.

Reinvented Facade & Balcony Space Typical Unit Layout Plan

Public Space below

Semi-public Corridor

LivingRoom

LivingRoom

GuestRoom

GuestRoom

Toilet Toilet

Kitchen Kitchen

Bedroom BedroomStudy Study

Dining/Parlour

Dining/Parlour

Balcony Balcony

Street below

Page 30: Graduate Portfolio 2010-2016

CHONGQING EXPRESS

BAAS III Spring 2013 Design Studio | Chongqing, China

Advisor: Olivier Ottevaere

View at Lower Entrance

Page 31: Graduate Portfolio 2010-2016

Section from Hill to Riverside

Page 32: Graduate Portfolio 2010-2016

1:200 EXPLODED AXONOMETRIC STRUCTURE

PUBLIC PROGRAM: HOTPOT RESTAURANT

PRIVATE PROGRAM: HOUSING TOWER

PRIVATE CIRCULATION:STAIRS

PUBLIC CIRCULATION:STAIRS & LIFT

PRIVATE PROGRAM:PARTITION & FACADE

PRIVATE CIRCULATION:STAIRS ATTACHED TO STRUCTURE

PRIVATE PROGRAM:KITCHEN & TOILET SERVICES

PUBLIC PROGRAM: LEISURE FACILITIES

SHEAR WALL SYSTEM

PUBLIC PROGRAM:STAIRS & PLATFORMS

SITE BOUNDARY

Exploded Axonometric Diagram Form & Structural Development

Duplex Unit Type

Tower & Ground DetailUnit Assembly & Ground

Page 33: Graduate Portfolio 2010-2016

+39.0 m

+36.0 m

+30.0 m

+21.0 m

0.0 m

1:200 BOTTOM ARCHITECTURAL PLAN

+21.0 m

+18.0 m

Typical Layout Plan HAPTI (CITY) THROUGH THEATRICALIZATION OF VIEWS

CONCEPT

Chongqing presents a unique link between the mountains and the river by natural and artificial landscapes. Be it traditional hiking trails or modern highways for cars and metro, the modern Chongqing is visually dynamic and fragmented.

By providing the occupants specific and unique views between two distinct natural features, the mountain and the sea, a thin unit space is designed to interweave along the steep site along the river.

Programmatically, the haptic formal curvature and con-crete textures of the project dynamically strike conversa-tions between opposing views, far and near, dwelled by migratory workers from different communities.

FORM

The design aims to define a relationship between the planar and volumetric layout of structure and form within a scenic and sloped context. Structure is inspired by last se-mester, with curved or corrugated layout to provide extra strength for increased height, while the units are affected by the orientation and dimensions of the structure.

GROUND

A branched network that connects the different neighbor-hood, while the structure is anchored in the earth-retaining mass between. Features like stairs and platforms are provided for public leisure and connection of views.The divided ground also favors tall and slim volumes to avoid blockage of light and air to other towers.

INFRASTRUCTURE

The infrastructure is huge and high to allow sunlight to flood in and diffuse by the concrete walls and slabs, as well as cross ventilation for the wet and humid atmosphere.The form reflects the slope and height of mountains with interweaving paths, the curved floor slabs allow the gentle transition of area without affecting the light quality of another volume.

Page 34: Graduate Portfolio 2010-2016

HOUSE ME TENDER

BAAS III Fall 2012 Design Studio | Imaginary Slope

Advisor: Olivier Ottevaere

Tilted Slab Diagram

Studio Design Partner: Cheung Yin Ngai, Anselm

Page 35: Graduate Portfolio 2010-2016

Design Development

Page 36: Graduate Portfolio 2010-2016

Layout Geometry Axonometric Section

Page 37: Graduate Portfolio 2010-2016

Final Concrete Prototype TILT-UP PROTOTYPE

CONCEPT The studio mostly focus on concrete as a (casting) material and investigate how various existing formwork procedures in the construction industry can be further experimented with and reformulate ideas for foundations, structure and spatial organization of a specific program.

A strategy for grounding will then be articulated as a first groundwork from which the emerging formworks system will perform. Direct intervention on its mass through physical operations such as excavation, foundation, earth retention and others. The main pursue of the design process is to challenge the banal yet efficient building skeleton by prioritizing the emergence of new spatial possibilities and inventive struc-tural performances, both as a working result of the casting procedure of the formwork system.

PROTOTYPE DESIGN

Earth-cast curved concrete slabs are tilted up to serve as shear walls for the 9-storey structure, which makes use of the slope context as a formwork construction site.

An analog model is set up to deal with the correct location and orientation of tilt-up slabs by identifying the Center of Gravity through natural form-finding and determination of optimal spots of slab casting and placement.

Strategic tilt-up and breaking of wavelengths from a modi-fied site with optimal structural feasibility is implemented through optimal number of waves and precise location of tilted up slabs.

Slabs are better be shorter and include least number of waves towards the top of slope. Corrugation occurs increasingly towards bottom of the slope, referencing to Eladio Dieste’s out-of-phase tectonics.

PROTOTYPE ASSEMBLY

Fabric prototyping is chosen where frames and surface treatment of the formwork is experimented. Carbon fiber is added to the concrete mixture to provide strong and subtle strength to prevent cracking and distor-tion.

Page 38: Graduate Portfolio 2010-2016

THE ENDLESS STREETE S SLLNE S SLNDL

A

A’ B’

B

CENTRAL CITY / PERIPHERAL CITY

URBAN ARCHITECTURE

BAAS II Spring 2012 Design Studio (Shanghai) | Shanghai, China

Advisor: Pascal Berger

Site Plan

Massing Development

OVERHANG SPLIT

CONNECT

DOUBLE FLIP

MERGE

SCALEREARRANGE

FRAGMENT

FINAL

Page 39: Graduate Portfolio 2010-2016

Axonometric Rendering

Page 40: Graduate Portfolio 2010-2016

6.00

6.00

5.80

7.008.00

3.50

4.40

6.00

3.25

4.00

4.00

SpecialActivity

Room

PhotographyStudio B

Reading Room

Toilet

Secondhand Market

Local Studies Library

Digital Library

Office/Ad-min

PhotographyStudio A

GreenOpen Space

Axonometric Rendering Level 1 Plan

Page 41: Graduate Portfolio 2010-2016

The Endless Street: Shanghai Market-Library Complex SHANGHAI MARKET-LIBRARY

BRIEF

The objective of the studio is to learn about the importance of the urban context: to understand why some areas of the city look completely different from other areas; to examine the forces that produce these differences; to develop techniques for analysing and drawing the city; and to develop urban propositions that are critical and engage in a dialogue with an urban context. This dialogue willbe demonstrated through drawings of an urban scale that engage with issues such as: infrastructure and movement; public and private spaces; preservation and erasure; cul-ture and identity; natural topography and built form.The work is framed through thinking of the city as a dynamic entity that is in constant flux and formed through the complex interaction of political, economic, social and cultural forces. The intention is to understand why these cities look the way they do and explore design possibilities that offer solutions to specific contextual issues.

PHOTOGRAPHY MARKET STUDY

The photography market is analyzed and criticized by rethinking the circulation/program distribution. New organizational typologies can be derived from the small scale with a heuristic consciousness dervied from the object for sale, i.e. Focusing Power of camera lens.

THE ENDLESS STREET - PARADISE FOR HOMO LUDENS

The Endless Street provides an enclosure for urban neigh-bourhood interaction. Through the loop circulation without a dead end, the us-ers can experience a continuous flow and ambience. The urban strategy deals with a search for a loop with a whole circulation through all programs.Between different programs are transitional spaces with vegetation and open areas for recreation, leisure or read-ing.

The photography hub can be enhanced by increased views within the loop as well as interesting views towards voids in the neighbourhood.The structure provides cantilever for the spaces inside as well as a medium for growing vegetation which facilitates the air ventilation and nice scent.

Page 42: Graduate Portfolio 2010-2016

BAAS II Fall 2011 Design Studio | Kwun Tong, Kowloon, Hong Kong

Advisor: Christiane Lange

‘Visible City’ Collage

CENTRAL CITY / PERIPHERAL CITY

ARCHITECTURAL URBANISM

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Kwun Tong Agglomerated Habitat Final Model

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RESIDENTIAL

BAZAAR I BAZAAR IICOMMERCIAL

STUDIOCONTAINER HUB

GALLERY/MUSEUM

ARCADE

FORMATION OF GRID ACCORDING TO STREET FABRIC

EVEN GRID

ADAPTED GRID

Opening

Stores

Electricity Pole

Iron Sheets

KWUN TONG MARKET PRECEDENT

PROBLEM: UNCONTROLLED SPRAWL

PUBLIC SEMI-PRIVATEPRIVATE

SOLUTION: SPIRAL GROWTH

ENTRY PATH LOOP

HORIZONTAL AGGLOMERATION TYPOLOGIES

MAZE

REPEATED PATTERNAXIS

VERTICAL & HORIZONTAL AGGLOMERATION TYPOLOGIES

NORMAL PUNCTURED STRAIGHT PLATFORM SINGLE PLATFORM STEPS

RAMP OVERHANG PLATFORM MULTIPLE FUSION

Street Fabric & Building Block Circulation Diagram

Typology Circulation MatrixAgglomeration Diagrams

Grid Formation acc. to Street Fabric

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AGGLOMERATED HABITATPERSPECTIVE EXPERIENCE

Agglomerated Habitat Perspective & Scenarios KWUN TONG URBAN RENEWAL

CONCEPT

Hong Kong’s Urban Renewal Authority is undertaking the complete re-development of Kwun Tong Town Centre. The project involves relocating 1600 households with an estimated population of around 5000 people and displac-ing about 500 shops and hawker stalls. The existing buildings, built in the 1960’s have been des-ignated for demolition due to their dilapidated condition. The planning for the area has been in progress since 1968 and a schematic master-plan was produced for public consultation in 2007. The aim of the design studio is to look at alternative strate-gies for the town centre project. First question is what constitutes an urban centre and the role and function a district town centre such as Kwun Tong may provide for the local and wider community.

Issues include a consideration of: political development pressures, the centre vs the periphery, old vs new, infra-structural nodes, publicity & privacy; temporality.

SPATIAL CITY ANALYSIS

Yona Friedman’s Spatial City is analyzed to reveal the potential to evolve and adapt to different urban forces over a period of time. This inspired the urban model as a gameboard to test strategies over time with the intention to create an action plan of phased development.

KWUN TONG AGGLOMERATED HABITAT

The Agglomerated Habitat, with its new design typolo-gies, and large open frames on the ground and on upper levels, can sustain by a rapid transformation of programs and installation of urban instruments.

The ‘islands’ are determined by the current circulation hierarchy, which will obviously change its configuration of solid and void within it over time. New residential towers can find space in voids to grow;new exhibitions in the Cultural District can manipulate the open terraces easily; the two bazaars can orient to agglom-erastion nodes and adapt to the changing environment and human flow conveniently; the green spaces remain unaffected and continue to find voids between buildings to create new courtyards.

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HOUSE ANALYSIS AND DESIGN

BAAS I Spring 2011 Design Studio | Imaginary Site

Advisor: Chad McKee

Villa Shodhan Sectional Study Model

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‘Learning from Villa Shodhan’ Design

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Sectional CollageElevational Collage

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Void-frame Moments RETHINKING BRISE-SOLEIL

CONCEPT

The House is the most fundamental of architectural pro-grams. It is at the core of what it means to dwell. Through the analysis of a modernist house designed between 1910 and 1960, the relationship between program, structure, space and context will be explored. Issue of scale and emphasis on the relationship between architectural ideas existing at different scales, from the body, to architecture, ato the city are investigated.

VILLA SHODHAN ANALYSIS

Brise Soleil, as well as the sectional openings in Villa Shodhan, act as apertures for light as well as frames for daily activities. The gradual expansion and contraction of sectional openings reveal an invigorating lifestyle and programs. Interlocking spaces of main programs slowly reveals ac-cording to the imaginary daily schedule of client, starting from reception to the roof terrace. The sectional study model is made according to the explosion of layers with section cuts at column rows and midway between them. The revealation of sectional spaces follow the circulation in the previous stages, in turn showing the changing layers of transparence in Rowe/Slutzky’s writings.

LEARNING FROM VILLA SHODHAN

Study model 1: The model is organized by layers of program in relation to the circulation and light penetration. Interlocking of volumes connecting from facade to rear, and from ground to the sky.

Study model 2: Stitching of two designed facades accord-ing to height, program hierarchy, and light penetration. All of these are considered with the sculptural and struc-tural exprerssion.

Study Model 3: Improving the circulation path by adding walls and slabs and achieve an interesting experience of interior and exterior.

Final Model: Walls and slabs are modified based on model 3 to give an overall expression responding to different issues investigated from the building analysis.

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BODY MAP AND WEATHER PROOF

BAAS I Fall 2010 Design Studio

Advisor: John Lin

‘Body Mapping’ Photographic Documentation & Mapping

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‘Mapping Prototype’ Final Drawing (partial)

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‘Mapping Prototype’ Final Drawing Series

Final Prototype Interior Moments

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Prototype Side 2Prototype Side 1 FROM BODY TO CLOTHING

CONCEPT

Through the inhabitation of the body, architecture is made relevant. Therefore we use our own bodies to engage ideas about architecture at a number of scales. The studio considers objects which negotiate between the body and the environment. A surface which clothes the body and functions as an interface to climate and weather is designed and constructed. The notion of shelter is perhaps the originating idea of architecture. Forces of climate and weather is what give rise to architecture in terms of being the shelter or the origi-nating idea of architecture.

BODY MAPPING

The photographic works of Muybridge and Marey illustrate space through a sequence of two-dimensional im-ages. How does one represent space, which is inherently three-dimensional in two-dimensional form?

Elastic bands are strapped around our bodies to resemble deformation due to antagonistic force pairs. Gridded sketches resemble the connections and planes generated between two bodies. Our skin is a dynamic landscape that is completely three-dimensional. it has no defined limit as the surface wraps and revolves around our bodies. The connections create planes that evolve to create a continuous solid.

MAPPING PROTOTYPE

Clothing, like architetcure, is a way to mediate external conditions and forces from the outside. Clothing has structure, shape and openings; tailored to fit a three-dimensional body allowing for movement of a body. Layering, folding, pleating, wrapping and padding all create spaces between the body and clothes. Space, void, openings, twisting of form contribute to a clothing object which reflects numerous possibilities.

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SELECTED PROFESSIONAL WORKS

RAD: Honourable Mentions in Plovdiv Central Square Competition, Bulgaria | | 2014.4 - 2014.6

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LWK: Whitesands, Lantau Island, HK | 2015.6 - 2015.8

RAD: CR Westin, Chengdu, China | 2013.8 - 2014.8

RAD: Urbanism\Architecture Bi-city Biennale Hong Kong 2013 | 2013.12