graduate portfolio
DESCRIPTION
Archiectural Graduate PortfolioTRANSCRIPT
SS
STEFFANLOFGREN
SYMBIOTIC ARCHITECTURE
DINOSAUR NATIONAL MONUMENT
ADAPTIVE ARCHITECTURE
A REFLECTION OF TIME
A PHILOSOPHY OF DEATH
INSTRUMENT FOR DWELLING
CONCEPTUAL STUDIES
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LOFGRENSTEFFAN
ARCHITECTURAL STUDIO I // COURSEM
IRA LOCHER // INSTRUCTORFALL 2007 // SEM
ESTER6 W
EEKS // DURATIONTEM
PORARY READING SPACES // PROJECT
06
SYM
BIO
TIC A
RC
HITEC
TUR
E ARCHITECTURAL STUDIO I // COURSE
MIRA LOCHER // INSTRUCTOR
FALL 2007 // SEMESTER
6 WEEKS // DURATION
TEMPORARY READING SPACES // PROJECT
07
SERVING AS
OUR FIRST
exposure to architecture, this project explored the relation-ship
between
primary
and secondary structures through parasitic and sym
biotic archi-tecture. Designed as tem
porary reading spaces, the project on the left w
as fitted between tw
o m
onolithic columns, deriving its
angular m
otive by
respond-ing to the view
s offered at the site. The project on the right w
as built
to respond
to the
natural environment by rem
ov-ing the roof and to allow
readers a m
ore open sense of space.
08
DINOSAUR NATIONAL MONUM
ENT
IN TREATMENT OF THE EXISTING yet debilitating visitors center at Dinosaur National Monument in Vernal, Utah, a new structure was proposed. Central to the concept is a layering of organic systems. The thin, concrete-shell strutures protect the treasured fossils on the cliff side. Within a tunneled ventricle houses all indoor activity. The datum of columns serves as the “back-bone”, guiding visitors through from one exhibit to the next. The two pri-mary divisions are connected with a glass atrium with fenestration reflecting the spontaneity of nature.
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10
11 ARCHITECTURAL STUDIO I // COURSE
MIRA LOCHER // INSTRUCTOR
FALL 2007 // SEMESTER
5 WEEKS // DURATION
VISITORS CENTER // PROJECT
ARCHITECTURAL STUDIO II // COURSEJACOB GINES // INSTRUCTOR
SPRING 2008 // SEMESTER
6 WEEKS // DURATION
TICKET AND EVENTS FACILITY // PROJECT
12
AD
APTIVE A
RC
HITEC
TUR
E 13
14
15DUE TO ACCESS AT 8500+ FEET above sea level, the new ticket fa-cility at Alta Ski Resort required considerations for the architec-ture to be adapted for other uses. Engulfed at the base of the moun-tains, the building reflects the im-posing presense of the Rockies by use of concrete and orthogonal geometry. The project primarily explored the use of light as guid-ance for circulation. The tall nar-row walkway guides skiiers straight through, while the axes of windows lead workers towards various des-tinations. In conjunction with floor elevations, the window fenestra-tion is used to distinguish zoning for both day and night activities.
THE MACHINED MAN WAS built to reflect the inevitable re-sult of human overdependance upon technology. Technological wonder is being exploited to the extent that we are losing touch with our humanity and with each other. Built at 7+ ft tall in downtown Salt Lake City, care-ful consideration was taken to understand not only physical proportions, but emotional re-sponses. The sculpture reflects his realization of the translation that has taken place within and the despair felt because of it.
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A R
EFLECTIO
N O
F TIME 17
ARCHITECTURAL STUDIO II // COURSEJACOB GINES // INSTRUCTOR
SPRING 2008 // SEMESTER
2.5 WEEKS // DURATION
CITY INSTALLATION // PROJECT 4 PERSON GROUP // TYPE
LEAD DESIGNER // WELDING // CONTRIBUTION
THE MACHINED MAN WAS built to reflect the inevitable re-sult of human overdependance upon technology. Technological wonder is being exploited to the extent that we are losing touch with our humanity and with each other. Built at 7+ ft tall in downtown Salt Lake City, care-ful consideration was taken to understand not only physical proportions, but emotional re-sponses. The sculpture reflects his realization of the translation that has taken place within and the despair felt because of it.
18
A P
HILO
SO
PH
Y O
F DEAT
H
DEATH STRIKES WITHIN US SOME of the most powerful and rich emo-tions in human life. Throughout this life, we already experience death in many stages as we let go of one chapter and open anew. This ar-chitecture aimes at creating a tac-tile and responsive space for those to engage in their own veils of life as they depart from those that are close to them. All space is dictat-ed by suspended fabric veils, no permanent walls, which creates a visual privacy for mourning, yet au-ditory life can be heard when support is needed. Its adaptive fabrics can be lifted to create different rooms and accomodate various activities.
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ARCHITECTURAL STUDIO II // COURSEJACOB GINES // INSTRUCTOR
SPRING 2008 // SEMESTER
5 WEEKS // DURATION
CHAPEL AND CREMATORIUM
// PROJECT
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FROM WILLIAM FAULKNER’S, As I Lay Dying, was studyed the character named Cash. A body mask was created to forground physical aspects of the charac-ter which were essential to their way of being in the world. Cash, being an adept carpenter, is char-acterized as a very deliberate and calculated utilitarian. His capentry is his method of communication and output to the world. The body-mask was designed to serve as protection to this language of his, yet demonstrate the hinderance that his over simplistic mentality can cause.
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INSTRUMENT FOR DW
ELLING
FROM THE BODYMASK STUDY, it was seen how the combina-tion of small, static pieces could yield organic and moving form. A furthur analysis of Cash’s one-dimentional character lead to designing around a “series of experiences”. The plan reveals how circulation through the dwelling allows for one to engage and understand each of the six rooms. Each room is provided with a large window drawing attention to a directly framed view. The small win-dows puncturing the entire width of the building indicate circula-tion direction as one moves from public to private to sacred space.
FROM WILLIAM FAULKNER’S, As I Lay Dying, was studyed the character named Cash. A body mask was created to forground physical aspects of the charac-ter which were essential to their way of being in the world. Cash, being an adept carpenter, is char-acterized as a very deliberate and calculated utilitarian. His capentry is his method of communication and output to the world. The body-mask was designed to serve as protection to this language of his, yet demonstrate the hinderance that his over simplistic mentality can cause.
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ARCHITECTURAL STUDIO III // COURSEANNE M
OONEY // INSTRUCTORFALL 2008 // SEM
ESTER6 W
EEKS // DURATIONDW
ELLING // PROJECT
ARCHITECTURAL WORKSHOP // COURSE
VERL ADAMS // INSTRUCTOR
SPRING 2006 // SEMESTER
2 WEEKS // DURATION
12” 12” 12” // DIMENSIONS
26
CO
NC
EPTU
AL S
TUD
IES 27
ARCHITECTURAL WORKSHOP // COURSE
VERL ADAMS // INSTRUCTOR
SPRING 2006 // SEMESTER
2 WEEKS // DURATION
20” 30” // DIMENSIONS
DESIGNER GUAGE // MEDIUM