PHOTOSHOP

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10 REPAIR & RESTORATIONRetouching and repairing images

FOTOMONTAGE

FILTERS AND EFFECT

ILLUSTRATOR

DRAWINGTracing ObjectDrawing with the pen or flare tool and editing pathsPaper toys

CREATING GRAPHS

INDESIGN

LAYOUT & DESIGNMaster pages

TEXTWrapping text around objects

Making selection

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A selection isolates one or more parts of your image. By selecting specific areas, you can edit and apply effects and filters to portions of your image while leaving the unselected areas un-touched.The easiest way to select pixels in your image is to use the quick selection tools. You can also select areas of a certain shape with the mar-quee tools or use the lasso tools to make a se-lection by tracing an element in your image. It’s also possible to make selections based on a ran-ge of colors in an image. There are commands in the Select menu to select, deselect, or reselect all pixels.In addition to pixels, vector data can be used to make selections. Use the pen or shape tools to produce precise outlines called paths. Paths can be converted to selections.Selections can be copied, moved, and pasted, or saved and stored in an alpha channel. Alpha channels store selections as grayscale images called masks. A mask is like the inverse of a selection: it covers the unselected part of the image and protects it from any editing or manipulations you apply. You can convert a stored mask back into a se-lection by loading the alpha channel into an ima-ge.You can use the Move tool to copy selections as you drag them within or between images, or you can copy and move selections using the Copy, Copy Merged, Cut, and Paste commands. Dragging with the Move tool saves memory be-cause the clipboard isn’t used.When a selection or layer is pasted between images with different resolutions, the pasted data retains its pixel di-mensions.

Using any selection tool, se-lect New Selection from the options bar, and position the pointer inside the selection border. The pointer chan-ges to indicate that you can move the selection.

PHOTOMONTAGE

Depending on your color manage-ment settings and the color profile associated with the file, you may be prompted to spe-cify how to handle color information in the file.

MAKING SELECTION

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You can mask or hide parts of a layer using a layer mask.

YOU CAN CREATE A NEW ALPHA CHANNEL AND THEN USE PAINTING TOOLS, EDITING TOOLS, AND FILTERS TO CREATE A MASK FROM THE ALPHA CHANNEL. YOU CAN ALSO SAVE AN EXISTING SELECTION IN A PHOTOSHOP IMAGE AS AN ALPHA CHANNEL THAT APPEARS IN THE CHANNELS PANEL.

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When you select part of an image, the area that is not selected is masked, or protected from edi-ting. So, when you create a mask, you isolate and protect areas of an image as you apply co-lor changes, filters, or other effects to the rest of the image. You can also use masks for complex image editing such as gradually applying color or filter effects to an image.Masks are stored in alpha channels. Masks and channels are grayscale images, so you can edit them like any other image with painting tools, editing tools and filters. Areas painted black on a mask are protected, and areas painted white are editable.Use Quick Mask mode to convert a selection to a temporary mask for easier editing. The Quick Mask appears as a colored overlay with adju-stable opacity. You can edit the Quick Mask using any painting tool or modify it with a filter. Once you exit Quick Mask mode the mask is conver-ted back to a selection on the image.To save a selection more permanently, you can store it as an alpha channel. The alpha channel stores the selection as an editable grayscale mask in the Channels panel. “ Smart Objects. Now even

smarter. Create Photo-graphic blurs and reshape images nondestructively with new Smart Object and Liquify.. ,,

CHANGEBACKGROUND

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The Clone Source panel (Window > Clone Source) has options for the Clone Stamp tools or Healing Bru-sh tools. You can set up to five dif-ferent sample sources and quickly select the one you need without re-sampling each time you change to a different source. You can view an overlay of your sample source to make it easier to clone the source in a specific location. You can also scale or rotate the sample source to better match the size and orien-tation of the cloning destination.(Photoshop Extended) For time-line-based animations, the Clone Source panel also has options for specifying the frame relationship between the sample source video/animation frame and the target vi-deo/animation frame. The Clone Stamp tool paints one part of an image over another part of the same image or over another part of any open document that has the same color mode. You can also paint part of one layer over another layer. The Clone Stamp tool is use-ful for duplicating objects or remo-ving a defect in an image.You can also use the Clone Stamp tool to paint content on video or animation frames. See also Clo-ning content in video and anima-tion frames (Photoshop Extended).

To use the Clone Stamp tool, you set a sampling point on the area you want to copy (clone) the pixels from and paint over another area. To paint with the most current sam-pling point whenever you stop and resume painting, select the Aligned option. Deselect the Aligned op-tion to paint starting from the ini-tial sampling point no matter how many times you stop and resume painting.You can use any brush tip with the Clone Stamp tool, which gives you precise control over the size of the clone area. You can also use opa-city and flow settings to control the paint application to the cloned area. Using the Clone Stamp or He-aling Brush tool, you can sample sources in the current document or any open document in Photoshop.When cloning video or animation, you can set sampling points in the current frame you’re painting or sample sources in a different fra-me, even if the frame is in a dif-ferent video layer or in a different open document.

REPAIR & RESTORATIONRETOUCHING AND REAPAIRING IMAGES.

RETOUCH WITH THE CLONE STAMP TOOL

THE PATCH TOOL LETS YOU REPAIR A SELECTED AREA WITH PIXELS FROM ANOTHER AREA OR A PATTERN.

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The Red Eye tool removes red eye in flash photos of peo-ple or animals.The Spot Healing Brush tool quickly removes blemishes and other imper-fections in your photos.

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You can apply a filter to an indivi-dual channel, apply a different effect to each color channel, or apply the same filter but with diffe-rent settings.

You can use filters to clean up or retouch your photos, apply special art effects that give your image the appearance of a sketch or impres-sionistic painting, or create unique transformations using distortions and lighting effects. The filters pro-vided by Adobe appear in the Fil-ter menu. Some filters provided by third-party developers are avai-lable as plug-ins. Once installed, these plug-in filters appear at the bottom of the Filter menu.Smart Filters, applied to Smart Objects, let you use filters non-de-structively. Smart Filters are stored as layer effects in the Layers panel and can be readjusted at any time, working from the original image data contained in the Smart Object. For more information on Smart Fil-ter Effects and nondestructive edi-ting, see Nondestructive editing.You can apply a filter to the active layer, or to a Smart Object. Filters applied to a Smart Object are non-destructive and can be readjusted at any time.The Filter Gallery provides a pre-view of many of the special effects filters. You can apply multiple fil-ters, turn on or off the effect of a filter, reset options for a filter, and

change the order in which filters are applied. When you are satisfied with the preview, you can then ap-ply it to your image. Not all filters in the Filter menu are available in the Filter Gallery.Filter effects are applied in the order you select them. You can rearran-ge filters after you apply them by dragging a filter name to another position in the list of applied filters. Rearranging filter effects can dra-matically change the way your ima-ge looks. Click the eye icon next to a filter to hide the effect in the preview image. You can also delete applied filters by selecting the filter and clicking the Delete Layer icon.The Fade command changes the opacity and blending mode of any filter, painting tool, erasing tool, or color adjustment.

FILTER& EFFECTRETOUCHING AND REAPAIRING IMAGES.

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DRAWING WITH THE PEN OR FLARE TOOL ANDEDITING PATHSThe simplest path you can draw with the Pen tool is a straight line, made by clicking the Pen tool to create two anchor points. By con-tinuing to click, you create a path made of straight line segments connected by corner points.You create a curve by adding an anchor point where a curve chan-ges direction, and dragging the direction lines that shape the cur-ve. The length and slope of the di-rection lines determine the shape of the curve.Curves are easier to edit and your system can display and print them faster if you draw them using as few anchor points as possible. Using too many points can also introduce unwanted bumps in a curve. Instead, draw widely spaced anchor points, and practice sha-ping curves by adjusting the length and angles of the direction lines.

The Pencil tool works primarily the same way in Adobe Illustrator and InDesign. It lets you draw open and closed paths as if you were drawing with a pencil on paper.

RIGHT ARM

LEGS

TORSO

LEFT ARM

HEAD

© 2007 Christopher Beaumont All rights reserved. Please visit http://www.cubeecraft.com for more information.This legal line and legal line on template piece must remain intact if you intend to share this design.

The “eyes & mouth” and �ngers are only reference.Red lines are slits where pieces connect.Please feel free to alter the template as you see �t.

If you are aiming to have your design posted on cubeecraft.com keep in mind:No glue or tape should be needed for the �nished piece.Keep it safe for work/kids.Make it awesome.

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Graphs let you communicate stati-stical information in a visual way. In Adobe Illustrator, you can create nine different types of graphs and customize them to suit your needs. Click and hold the graph tool in the Tools panel to see all different types of graphs you can create. Adjusting the column width has no effect on the width of columns in the graph; it only lets you view more or fewer digits in a column.Labels are words or numbers that describe two things: the sets of data you want to compare, and the categories across which you want to compare them.

You can access general graph options by

selecting the graph with the Selection tool and double-clicking the graph tool in the Tools

panel.

CREATINGGRAPHS

Variante

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You organize data sets for pie graphs similarly to other graphs. However, each row of data in the worksheet generates a separate graph.It has also made many pro-cesses that can still be done by hand much easier.Enter data-set labels as for column, stacked column, bar, stacked bar, line, area, and radar graphs. Enter category labels if you want to ge-nerate graph names.To create a single pie graph, plot only one row of data, either all po-sitive or all negative values.To create multiple pie graphs, plot additional rows of data, either all positive or all negative values. By default, the size of the individual pie graphs is proportional to the total of each graph’s data.

1 Determines where the value axis appears.2 Applies drop shadows behind the columns, bars, or lines in a graph, and to entire pie graphs.3 Draws lines that make it easier to see relation-ships among data.4 Places square markers at each data point.

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A master is like a back-ground that you can qui-

ckly apply to many pages. Objects on a master appear

on all pages with that master applied. Master items that

appear on document pages are surrounded by a dotted

border.

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LAYOUT & DESIGNMASTER PAGES // RASTER PAGE