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Discovering relationships between artefacts using 3D and semantic data June 2015 – May 2018

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Page 1: Gravitate overview

Discovering relationships between artefacts using 3D and

semantic data

June 2015 – May 2018

Page 2: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

https://www.flickr.com/photos/lunamodule/

Cyprus

Page 3: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

We can all do this jigsaw

Page 4: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

What if lots of pieces were missing?

Page 5: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

What if it was in 3D?

Page 6: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Front Back

Faded

Cracked

Eroded

What if the pieces were 2500 years old, were all faded, cracked and with the edges worn away so that they didn’t actually fit together any more?

Page 7: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

British Museum Cyprus Museum

Ashmolean Museum Fitzwilliam Museum

What if the pieces were in 4 different museums?

Page 8: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Jigsawsin 3D

most pieces missingall the edges worn off

many puzzles jumbled togetherpieces spread across many countries

Page 9: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-AssemblyRe-UnificationRe-Association

Page 10: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-Assembly

You have some (eroded) pieces.The computer fits them together.

This is hard in 2 dimensions, never mind in 3D!

Localised geometry

Surface texture descriptorsLocalised detail

Colour descriptors

Page 11: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-Unification

Head in the British Museum

Statue in the Cyprus Museum

Page 12: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-unify 3D models of the statue 3D print copies for re-unification Re-unify statue in a virtual tour

Re-Unification

Page 13: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-Association

Artefact with semantic descriptionMaterial, decoration, size, shape, period, style, glaze, …

Data in another museum catalogue

Page 14: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Re-Association

Find similarities leading to new insights about past cultures

Page 15: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

How?

Page 16: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Geometric data, material data Point cloud, mesh Photos Shape, geometry

reassembly Curvature Colour(s)

UV light, pigments Pattern Texture

markings front & back manufacturing methods

Chemical composition x-ray fluorescence

Microscopic composition clay matrix, porosity

Page 17: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Fracture

Fracture

External

Internal

3D model processing

Left Ear

Faceting

Describing

Annotating

Mating

Page 18: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Semantic data, natural language data

CIDOC-CRM (“conceptual reference model”) ISO 21127:2006

Object type, place, date, material, style, people, institution, bibliography, dimensions, school, production technique, …

Object hasNote “…lots of free-form text added by the curator” Natural Language Processing (NLP) required to extract further information

The CRM harmonises knowledge to support discovery and enables knowledge collaboration

The British Museum has 2.5M objects described in CRM

provides definitions and a formal structure for describing the implicit and explicit concepts and relationships used in cultural heritage documentation.

Page 19: Gravitate overview

© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Interactive Dashboard

Page 20: Gravitate overview

GRAVITATE-PROJECT.EU

Coordinator:Stephen C [email protected]