greek architecture
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archTRANSCRIPT
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Ancient Greek Ancient Greek ArchitectureArchitecture
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EARLY GREEK EARLY GREEK CIVILIZATIONS..CIVILIZATIONS..
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Early Greek Civilization Early Greek Civilization – Minoans – Minoans
KnossosKnossos
– Many roomsMany rooms
– LabyrinthLabyrinth
Also note that Also note that
Minoans had no Minoans had no
walls around their walls around their
cities or palacescities or palaces
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Early Greek Civilizations - Early Greek Civilizations - MycenaeansMycenaeans
Lions GateLions Gate
Cyclopean Cyclopean
structurestructure
Gates around Gates around
allall their citiestheir cities
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Ancient Greek Ancient Greek ArchitectureArchitectureLater Greek CivilizationsLater Greek Civilizations
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Basis of Greek ArchitectureBasis of Greek ArchitectureThe TempleThe Temple
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A closer look at the parts of a templeA closer look at the parts of a temple
CorniceCornice PedimentPediment FriezeFrieze ArchitraveArchitrave CapitalCapital ColumnColumn ShaftShaft BaseBase
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The bottom of the The bottom of the TempleTemple
CapitalCapital Connecting piece between Connecting piece between
shaft and “cross beam”shaft and “cross beam”
Column/Greek orderColumn/Greek order Of which there are three Of which there are three
kinds…doric, ionic and kinds…doric, ionic and corinthiancorinthian
BaseBase Consists of a foundation Consists of a foundation
and steps on the outsideand steps on the outside
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The top of the templeThe top of the temple
Cornice – the decorative edge Cornice – the decorative edge around the toparound the top
Pediment – the middle of the Pediment – the middle of the triangle – usually decoratedtriangle – usually decorated
Frieze – can be of a plain or Frieze – can be of a plain or ornate design – it is the top ornate design – it is the top horizontal supporting beamhorizontal supporting beam
Architrave – the bottom Architrave – the bottom horizontal supporting beamhorizontal supporting beam
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Doric ColumnsDoric Columns
The plainest of all The plainest of all columnscolumns
It tapers slightly as it It tapers slightly as it gets highergets higher
It has a smushed It has a smushed donut/half bagel look donut/half bagel look
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Ionic ColumnsIonic Columns
The “mediumThe “medium
ornate” columnsornate” columns
Looks like an Looks like an elaborate “elaborate “II” or a ” or a ram’s hornram’s horn
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TEMPLE OF ATHENA NIKETEMPLE OF ATHENA NIKE
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Corinthian ColumnsCorinthian Columns
The MOST elaborate of all the columnsThe MOST elaborate of all the columns Tends to look like a firework going off, producing lots of acanthus Tends to look like a firework going off, producing lots of acanthus
leaves and flowersleaves and flowers
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TEMPLE TO OLYMPIAN ZEUS
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ERECTHEUM
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PORCH OF THE MAIDENS
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Important Ideas of Important Ideas of TemplesTemples
It’s allliiiivvvvveeeeee!It’s allliiiivvvvveeeeee! Similarity to human bodySimilarity to human body It flows It flows It’s perfect!!!..the model for all of western It’s perfect!!!..the model for all of western
architecturearchitecture Measured units – the bottom radius of the Measured units – the bottom radius of the
column…uses the golden rectanglecolumn…uses the golden rectangle All other work was based off that number All other work was based off that number
Greeks Greeks ♥ Being outside – it’s all OPEN♥ Being outside – it’s all OPEN
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Important Greek Important Greek Structures you Structures you should be able to should be able to identifyidentify
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The Parthenon (at the The Parthenon (at the Acropolis)Acropolis)
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Acropolis PlanAcropolis Plan
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The Acropolis as a whole – a fortified The Acropolis as a whole – a fortified agora on a hilltopagora on a hilltop
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Amphitheaters…Amphitheaters…
Theater of Dionysus, AthensTheater of Dionysus, Athens
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The Theater at EpidaurusThe Theater at Epidaurus
perfect acousticsperfect acoustics
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Modern Day Modern Day Connections:Connections:Buildings that use the Greek model Buildings that use the Greek model for architecturefor architecture
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The NY Stock Exchange
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The New York City Hall Building
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The US Supreme Court Building
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QUINCY MARKET (Boston, QUINCY MARKET (Boston, MA)– Uses the agora styleMA)– Uses the agora style
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Greek Architecture Greek Architecture ConclusionConclusion
Often you do not hear of the Greek style Often you do not hear of the Greek style of column as there has never been of column as there has never been anything other than the Greek style of anything other than the Greek style of columns. Architecture thus is part of the columns. Architecture thus is part of the Western heritage of ideas that the Western heritage of ideas that the Greeks began and which we still use Greeks began and which we still use todaytoday
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GREEK SCULPTUREGREEK SCULPTURE
Archaic Period: 750-450 B.C.Archaic Period: 750-450 B.C.
Classical Period: 450-300 B.C.Classical Period: 450-300 B.C.
Hellenistic Period: 300-100 B.C.Hellenistic Period: 300-100 B.C.
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TWO TYPES OF TWO TYPES OF SCULPTURE…SCULPTURE… in the roundin the round
in reliefin relief
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Archaic Sculpture:
• Stiff• Blocky• Arms at sides (males)• Stylized• Weight evenly balanced• Left foot forward• Archaic smile• Male/kouros; female/kore• Males usually nude,
females clothed
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• Kouros
• 525 B.C.
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KORE
• females usually clothed
• one outstretched arm to offer something
to the gods
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THE TRANSITION….
• The Charioteer of Delphi
• 470 B.C.• bronze
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Transition: severe style..Transition: severe style..
Poseidon/ZeusPoseidon/Zeus c. 460 B.C.c. 460 B.C. Found by fishermen Found by fishermen
in 1928in 1928
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Classical SculptureClassical Sculpture
7 heads tall7 heads tall PerfectPerfect Natural, not realisticNatural, not realistic No emotion on faceNo emotion on face ContropostoControposto Classical profileClassical profile Before or after the Before or after the
actionaction
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..Hermes with the..Hermes with theinfant Dionysusinfant Dionysus
..attributed to Praxiteles..attributed to Praxiteles
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SpearbearerSpearbearer 440 B.C.440 B.C.
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• “Diadoumenos”• 430 B. C.• Attributed to
Polykleitos
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Hellenistic Sculpture
• Often realistic, not perfect
• Emotion• In action
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• NIKE OF SAMOTHRACE
• “WINGED VICTORY”
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• The Old Market Woman
• Metropolitan Museum of Art
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Conclusion:
The Romans conquered the Greeks in the 1st century B.C., and took many examples of Greek sculpture back to Rome to decorate both public and private spaces. The Greek ideals were copied by the Romans, who spread them all over the Mediterranean world.