guest lecturer cecilia puga · richard sennett the craftsman 2008 “workshops past and present...

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The cosmos of iron is not an immediate universe. To approach it one must love fire, hard matter, strength. It is known only by bravely educated creative acts. Gaston Bachelard „Le cosmos du fer / on E.Chillida“ 1956 Timelessness of concept, despite changes in technology: “Craftsmanship names an enduring, basic human impulse, the desire to do a job well for its own sake” Richard Sennett The Craftsman 2008 “Workshops past and present have glued people together through work rituals, whether these be shared cup of tea or the urban para- de; through mentoring…; through face-to-face sharing of information” Richard Sennett The Craftsman 2008 guest lecturer CECILIA PUGA Seminar Week 20. - 27. October 2018 Participants: min. 10, max. 12 Cost Range: C Assistants: Kathrin Füglister Hannes Oswald iron·copper·silver·brass·iron · materials braze·bend·sand·polish·zink·weld·forge·solder· drive procedures prehistoric·industrial·atelier Eliason inspirations mies·liebeskind·behrens·foster·hdm··... volontary excursions After our last years visit in a ceramist, glass blower and violin makers workshop, in this autumn seminary week, Jan Bünig - a metal worker (blacksmith) - will welcome us in his workshop in Berlin and teach us his knowledge. We will work with a wide range of metals, procedures and surface treatments. You will bring an inspiration from your current project and produce a precise and precious artifact in your chosen material and technique. Before the six day workshop, we will visit relevant collections of objects related to the craft of the smith. In the evening of each workday, there will be voluntary excursions through Berlins most iconic steel related architecture.

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Page 1: guest lecturer CECILIA PUGA · Richard Sennett The Craftsman 2008 “Workshops past and present have glued people together through work rituals, whether these be shared cup of tea

The cosmos of iron is not an immediate universe. To approach it one must love fire, hard matter, strength. It is known only by bravely

educated creative acts.

Gaston Bachelard „Le cosmos du fer / on E.Chillida“

1956

Timelessness of concept, despite changes in

technology:“Craftsmanship

names an enduring,basic human impulse,

the desireto do a job wellfor its own sake”

Richard SennettThe Craftsman

2008

“Workshops past and present have glued

people together through work rituals, whether

these be shared cup of tea or the urban para-de; through mentoring…;

through face-to-face sharing of information”

Richard SennettThe Craftsman

2008

guest lecturer CECILIA PUGA

Seminar Week20. - 27. October 2018Participants: min. 10, max. 12Cost Range: CAssistants: Kathrin FüglisterHannes Oswald

iron·cop

per·si

lver·bra

ss·iro

n · ma

teri

als

braz

e·bend·san

d·po

lish·zin

k·we

ld·f

orge

·sol

der·

drive procedures

preh

istori

c·in

dust

rial·ate

lier

Eli

ason ins

pira

tions

mies·liebe

skin

d·be

hren

s·fo

ster·hdm··..

. vo

lontary excursions

After our last years visit in a ceramist, glass blower and violin makers workshop, in this autumn seminary week, Jan Bünig - a metal worker (blacksmith) - will welcome us in his workshop in Berlin and teach us his knowledge. We will work with a wide range of metals, procedures and surface treatments. You will bring an inspiration from your current project and produce a precise and precious artifact in your chosen material and technique.Before the six day workshop, we will visit relevant collections of objects related to the craft of the smith. In the evening of each workday, there will be voluntary excursions through Berlins most iconic steel related architecture.