guido wolther and his sex-magical drawings.pdf

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  • 7/27/2019 Guido Wolther and his sex-magical drawings.pdf

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  • 7/27/2019 Guido Wolther and his sex-magical drawings.pdf

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    Wolther's sexmagical drawings of the early 1970s consisted of the usual egpytian and hebrew symbols that can be found inwestern occultism. Wolther focused on awkard images of the penis and vagina. Similar to Johannes Gggelmann akaSaturnius, Wolther seemed to claim scientificity and authenticity in order to ascribe meaning to his private reality. His worldwanted to go beyond the normal, he wanted to step over the threshold which causes death to others or"leaves them ill at bodyand soul".

    http://www.parareligion.ch/2007/fs/saturnius.htmhttp://www.parareligion.ch/2007/fs/saturnius.htmhttp://www.parareligion.ch/2007/fs/saturnius.htmhttp://www.parareligion.ch/2007/fs/saturnius.htm
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    Wolther's occult career looks like a sort of an exorcistic ritual with which the protagonist tried to banish unbearable tension of theown existence in order to survive. Wolther's work "ended" in complete inwardness: there are no known drawings or writings after1974. This can be seen in the context of his huge disappointment with the Fraternitas Saturni (as it is documented in the twovolume serial on the FS: In Nomine Demiurgi Nosferati The first volume is In Nomine Demiurgi Saturni).

    Without knowledge of further biographical details (and because analytical interpreation of drawings and contents of rituals seem

    to be problematic nevertheless there are an astonishing amount of female demons both in Saturnius' and Wolther's world) thereseems to be no parallel of occult world with the normal world, as it is possible in Walter Jantschik's universe. Especially thereseems to be no turning back. After 1974 (?) he laid down his "instruments" in order never to use them again. Was/is the"creative work" of Wolther therefore a successful try of a self-recovery at the border of society?

    Grandmaster of the FS Walter Jantschik knew both, Saturnius and Wolther personally. "Daniel and Saturnus achievedtremendously with their magical researches. It is to assume that their creative work represented a sort of ritual getaway from

    http://www.parareligion.ch/sunrise/fs6.htmhttp://www.parareligion.ch/dplanet/html/fs4.htmhttp://www.parareligion.ch/2007/ja/baphomet.htmhttp://www.parareligion.ch/sunrise/fs6.htmhttp://www.parareligion.ch/dplanet/html/fs4.htmhttp://www.parareligion.ch/2007/ja/baphomet.htm
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    unbearably being in a bourgeois and boring society. Of course they did not identify with this society: they always complainedthat there are no suitable individuals for a true magical work and who could continue the MAGICAL WORK." (24 August 1998).

    Vague similarities between

    Wolther's painted women and

    some of those of the english

    Hammer Studio Productions,

    e.g. "The Reptile", directed by

    John Gilling, 1965 and "The

    Gorgon", Terence Fischer,

    1964.

    Drawings are taken from the print version ofAbramelin & Co. and In Nomine Demiurgi Nosferati.Of similar nature: Die GOTOS-Bste. Winke, Anregungen und Ratschlge fr die Brder und Schwestern der Loge FraternitasSaturni.

    More in: The Templar's Reich The Slaves Shall Serve. Hanns Heinz Ewers Lanz von Liebenfels Karl Germer, ArnoldoKrumm-Heller Martha Kuentzel Friedrich Lekve Hermann Joseph Metzger Christian Bouchet Paolo Fogagnolo James Wasserman.

    http://www.parareligion.ch/dplanet/html/abrameli.htmhttp://www.parareligion.ch/sunrise/fs6.htmhttp://www.parareligion.ch/2007/fs/bust.htmhttp://www.parareligion.ch/2007/fs/bust.htmhttp://www.parareligion.ch/2006/pro/pene.htmhttp://www.parareligion.ch/dplanet/html/abrameli.htmhttp://www.parareligion.ch/sunrise/fs6.htmhttp://www.parareligion.ch/2007/fs/bust.htmhttp://www.parareligion.ch/2006/pro/pene.htm