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T U E S D A Y , F E B R U A R Y 5 ,
Richard II I by E. A. Abbey
The Guardian announced yesterday that the bones found underneath a pa rkinglot in Leicester, do indeed belong to Richard III, England's last Plantagenetking, who was killed in 1485 in the battle of Bosworth. The clues included DNAtests, the va riety of injuries, and the d istinctive de formed spine.
Richard III was the subject of a Shakesp eare p lay, a famous scene of whichwas painted by Edwin Austin Abbey (1852-1911).
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The painting is in the collection of the Yale Art Gallery, which says the painting"shows the villainous, humpbacked Richard proposing to Lady Anne, Henry VI'swidowed daughter-in-law, as she walks in the late king's funeral procession.Swathed in a sheer black veil and wearing a gown stiff with heraldicembroidery, she is accompanied by Richard's two young nephews and black-cloaked, halberd-bearing honor guards, their halberds reversed as a sign ofmourning."
Abbey's preliminary studies show how the composition took shape. This earlyoil study concentrates on the protagonists, with Lady Anne leaning away fromRichard's dastardly gesture a s he o ffers the ring.
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Another oil sketch resolves the finery of their costumes, a nd the darkprocessional figures begin to emerge from the background.
Here's a later sketch, which Abbey would have d one from his imagination, whiledoing studies of models taking the poses. Abbey's friend John Singer Sargent
sent over a model that he thought would be perfect for the Lady Anne.
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Between research, sketches, and gathering p rops and costumes, not tomention the final painting, Abbey took months to complete the work. At onepoint he had pa inted a ll the halberds facing upward until he realized that theyshould facing downward in mourning. He comp letely repainted the Lady Anne'scostume when he realize d he got the heraldry wrong the first time out.
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The Yale museum describes the scene further: "Shortly before the momentdepicted, Anne has heaped curses on Richard for having brutally stabbed todea th both her father-in- law and her husband, Edward, Prince of Wales.Undaunted, the fawning Richard praises her extravagantly, asserting that hekilled them in order to get near her, and offers to let her kill him, or to killhimself with the unsheathed sword that he holds up. But instead of plunging itinto his breast, as she a sks, he o ffers her a wedd ing ring. She will latersuccumb to his flattery and dec larations of remorse, and accept his proposal."
Abbey shows her after her ea rlier rage has transformed to numbness andvulnerability.
The painting was the sensation of the 1896 Roya l Academy exhibition. Punchdubbed it "The picture of the year." The Art Journal said it was "one of theartistic surprises of the century."
Yale Art Gallery: "Richard Duke o f Gloucester and the Lady Anne"E. A. Abbey on Wikiped iaGuardian article and videoThe only books o n Abbey a re:Edwin Austin Abbey by E.V. LucasUnfaded Pageant: Edwin Austin Abbey's Shakespearean Subjects
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Edwin Austin Abbey (1852- 1911) Exhibition catalogA book of Abbey 's drawings is currently in deve lopment at Flesk Publications
Posted b y James Gurney at Tuesday, February 05, 2013
Labels:Aca de mi c Pa inte rs , Gold en Age Illustration , Preliminary Sketches
8 comments:
+4 Recommend this on Goog le
Joanne Roberts said...
Creepy and cool a t the same time about finding the king's remains.
Regardless, thank-you for po sting about Edwin Austin Abbey. He is
at the top o f my all-time favorites list. I've neve r seen these ske tches
of his process. Thanks!
Febr uary 5, 2013 at 9:23 AM
My Pen Name said...
Many argue that Richard's sinister reputation is more the result of
propaganda (and Shakespeare) than reality.
The Richard III society offers a 'different' viewpoint:
http://www.richardiii.net/
Here's a facial reconstruction:
http://www.bbc.co.uk/news/uk-england-leicestershire-21328380
Febr uary 5, 2013 at 9:57 AM
My Pen Name said...
PS another fascinating aspect of the find:
Miss Langley was strolling across the car park used by Leicester
social services while researching a play about the king when she felt a
chill in August 2009.
'It was a hot summer and I had goosebumps so badly and I was
freezing cold. I walked past a particular spot and absolutely knew I
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was walking on his grave,' she told the Sunday Times.
'I am a rational human being but the feeling I got was the same feeling
I have had before when a truth is given to me.'
http://www.dailyma il.co.uk/sc ience tech/article-2273164 /Richard- III-
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Febr uary 5, 2013 at 9:58 AM
Rich said...
Another go rgeous post: So interesting to follow up the whole
meticulous painstaking process leading to the final pa inting. (Anyone
remembers WORK as the biggest buzz word in Artspeak Word
Cloud?)
Great rendering of the final scene; astonishing to see it all ending upbeneath a parking lot:-(
Febr uary 5, 2013 at 12:57 PM
Jim Hartlage said...
I know this isn't related to this post, but I made it to the Lyman Allen
Art Museum on the very last day - - I am rea lly g lad that I did. The
paintings are even more amaz ing in person. If this exhibit moves on
to a local near you, make sure you make the trip.
Febr uary 5, 2013 at 4:43 PM
Anthony said...
The clincher was the DNA test.
Febr uary 5, 2013 at 11:05 PM
Frasersaid...
A nice painting but a horrible distortion o f Richard. Scolios is doesn't
indicate a huge hump ala Tudor Propaganda. He was considered a
ood kin a a fine warrior in his lifetime. To sit a horse and swin a
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battleaxe suggests he wasn't the horrible thing depicted here.
Febr uary 6, 2013 at 5:07 AM
ARMAND CABRERA said...
I wish someone would do a big book on Abbeys paintings. As nice
as his drawing and pen work was we already have three books
about that aspect o f his career. He was more famous and successful
than Sargent in his lifetime Abbey really deserves a serious book on
his major works.
February 6, 2013 at 10:39 AM
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Concept Art
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