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Harmony 3Week 1

Learning OutcomesBy the end of todays session, you will be able to:Access all relevant course materialsUnderstand the requirements for the Mid-term Harmony projectIdentify and analyze secondary dominants, extended dominants, related IIm7 chords and Modal Interchange ChordsIdentify and construct Diatonic Functioning Chord Scales

MoodleModule DescriptorHarmony 3 course outline and weekly scheduleHarmony 3 worksheets

Harmony 3 Midterm Project

Harmony 2 ReviewSecondary DominantsExtended DominantsDeceptive ResolutionRelated IIm7 chordsModal Interchange

Secondary DominantsWhat is a secondary dominant chord?How is it analyzed?Give an example of a secondary dominant and its expected resolution in the key of Bb Major.

Extended DominantsWhat is an extended dominant pattern?How is it analyzed?Write an extended dominant pattern of no less that four bars, resolving to the Imaj7 of F Major.

Deceptive ResolutionWhat is a deceptive resolution chord?How is it analyzed?Write an example of a deceptively resolving progression in D Major.

Related IIm7 ChordsWhat is a related IIm7 chord?How is it analyzed?Write the related IIm7s for the following Chords in C Major (provide Roman Numeral Analysis):

D7E7 B7

Modal InterchangeChords which are borrowed from a parallel tonality for use in the primary tonality are modal interchange chordsName 3 parallel tonalities to C major.What is the difference between parallel minor and relative minor?What are the possible modal interchange chords derived from C Natural Minor?

Basic Modal Interchange ChordsTonic minor from natural minor:Im7bIIImaj7Vm7 (uncommon)Subdominant minor from natural minor:bIImaj7IIm7(b5) (uncommon)Ivm, IVm6, IVm7, IVm(maj7)bVImaj7, bVI6, bVI7bVII7IIm7(b5) V7(b9) from harmonic minor

bVIImaj7, Vm7 from mixolydian

Harmony 3OverviewDiatonic Functioning Chord Scales:Diatonic ChordsSecondary Dominant Chords

Chord ScalesWhat is a chord scale?How are chord scales labeled?

Chord Scale TheoryDescribes the direct interrelation between chords and scales that do not have independent functions, but represent two sides of one coinChords form a vertical structure of notes (tertian structure in 3rds)Scales describe a horizontal structure (stepwise order).Extended chord structures (thirteenth chords) contain all the notes of the appropriate scale

Bbmaj7(#11) - Lydian17

Chord ScalesChord Tones: The basic chord structures are seventh chordsTensions: Additional tones which create special sound colors and tensionAvoid Notes: Tones of a chord scale which sound very dissonant and should be avoided harmonically

Diatonic ChordsDiatonic chords use diatonic chord scales:Imaj7Ionian (major)1 T9 3 S4 5 T13 7 1IIm7Dorian1 T9 b3 T11 5 S6 b7 1IIIm7Phrygian1 Sb2 b3 T11 5 Sb6 b7 1IVmaj7Lydian1 T9 3 T#11 5 T13 7 1V7Mixolydian1 T9 3 S4 5 T13 b7 1VIm7Aeolian (natural minor)1 T9 b3 T11 5 Sb6 b7 1VIIm7(b5)Locrian1 Sb2 b3 T11 b5 Tb13 b7 1

ACTIVITY:In pairs at the keyboards:Play all of the diatonic four note chords in C Major, and play the corresponding mode over each.Now play each mode beginning on C, and play the corresponding chord quality over it. (I.e. C Mixolydian over a C7 chord)One person play the chord, the other the scale, then swap

ACTIVITY:Begin Worksheet 2

Secondary Dominant Chord ScalesSecondary dominants use diatonic chord scales with accidentals for the chord tonesAll secondary dominants use some form of mixolydian chord scale. The root of the expected resolution will be the avoided fourth degree of the chord scale.

ACTIVITYBegin the second half of Worksheet 3

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