hasselblad lensesstatic.hasselblad.com/2017/02/xh-system-lenses_en.pdf · 2017-02-17 · all...

Hasselblad Lenses

3

Photographed by AORTA with an X1D-50cXCD 90mm (1/250 sec; ƒ/5.6; ISO 800)

All Hasselblad lenses are engineered to ensure optimal performance and image quality, whether shooting film or digital. Production quality is closely monitored to ensure that our extremely high specifications are met. All current Hasselblad lenses have very accurate central lens shutter mechanisms that deliver flash sync at all speeds* and a multi-coating treatment that results in efficient stray light elimination. Additionally, an integral focus drive motor and instant manual focus overide add to the list of features. In order to ensure their reliability and durability year after year, Hasselblad lenses use metal, rather than plastic components, wherever possible. In short, they are professional level lenses designed to meet the needs of the most demanding photographers.

These are, however, merely technical details. The true test of any lens is image quality and to objectively define a standard, we carry out certain types of measurement. This also means that when comparing lenses, regardless of make, we must use the same types of measurement otherwise any comparisons are meaningless. As the saying goes, you can’t compare apples with oranges.

In order to simplify matters, we use objective measurements, such as Modulation Transfer Function (MTF) curves. We still, however, must take into account certain subjective aspects, such as the quality of the blurred or out-of-focus areas of the image – the bokeh – for example. Subjective aspects are a matter of personal taste, but objective measurements are not.

This booklet discusses how we at Hasselblad view these scientific measurements and other related aspects that, when combined, produce the legendary Hasselblad image quality.

*Up to 1/2000th second depending on lens/camera body combination

54 WHAT IS AN MTF CURVE?An MTF curve is a graph that shows how sharp the lens is at various points across the image in relation to the level of detail in the subject. A simple MTF curve looks like the image on the right.

The left side of the diagram represents the central part of the image and the right hand side of the diagram represents the corner of the image. The higher up the diagram the curve is, the more contrast–and thereby sharpness–can be seen. So, from this diagram we see that the lens is very sharp near the central section of the image but drops away as we move out towards the corners – the most common situation.

To expand on this idea, three different evaluations are made that represent three levels of detail that could be present in any given subject. Standard practice (often emulated digitally nowadays) has been to use sets of black and white lines that produce patterns at specific lines per millimeter (lp/mm) measured at the image plane.

THE ADVANTAGE OF A LARGER SENSORWhen using film, there was a great quality advantage in using a larger format, as it required less magnification than smaller formats to reproduce any given size image. Simply put, film grain was enlarged less and was therefore less visible in the final image. This advantage is still relevant for digital capture, and for exactly the same reasons. It makes sense then, that modern professional format lens design is based on the same requirements. It also means that the same advantages of larger format lens design remain. To take just one example, since larger format lenses use smaller apertures to produce the same depth of field compared to smaller formats, you can get optimum quality at such settings much more often. Basically, a larger format enables easier design of extremely high quality lenses.

If you choose, however, to disregard all the practical and mechanical advantages and aspects of Hasselblad lenses, then the proof comes down to the technical data. To compare the technical aspects of larger format lenses with ‘35mm’ lenses demands a common measurement system. Thankfully, the MTF system exists, but in order to be accurate, lenses must be measured according to firmly established laws of physics that take into account the reality of a given situation. Unfortunately, this isn’t always the way such measurements are carried out and until there is a universal agreement regarding standards and practice, simple MTF comparisons can be, at best, confusing and, at worst, extremely misleading.

53 x 40mmH6D-100c

44 x 33mmH6D-50c

Tangentia l pattern

Image frame

Sagittal pattern

Tangentia l pattern

Sagittal pattern

1mm

Example with 10 lp/mm

0

20

40

60

80

100

MTF

[%]

40 lp/mm

20 lp/mm

10 lp/mm

76 As the level of detail increases, the contrast decreases which in turn produces an apparent decrease in sharpness. So three curves now appear on the diagram, one for each of the three patterns.

To expand the idea even further, other properties inherent in all optics are also taken into account. It involves the actual orientation of perceived patterns in regard to the lens and thereby final image representation. Patterns that appear to be streaming out from the center of the image are called ‘sagittal’ and patterns that appear to be at right angles to the center are called ‘tangential’.

Normally, tangential patterns are not as sharply defined as sagittal patterns and so require a separate curve to provide a fair representation of a real world situation. As both tangential and sagittal valuations are taken from the same lp/mm pattern sets, they are grouped together on the diagram for easier comparative analysis.So now we have three sets of tangential/sagittal grouped curves. A tangential orientation normally causes less resolution than sagittal, and is often represented by a dashed line or different color on the diagram. Examples of tangential and sagittal type

patterns at the corners of the image.

Near the center and at 40 lp/mm, there is virtually no difference in the sharpness of tangential and sagittal patterns.

Halfway towards the edges of the frame there is a slight difference.

At this point, this lens would produce slightly better sharpness of tangential patterns.

HOW DO YOU READ MTF CHARTS?From the final diagram on the right you can see how at 10 lp/mm the orientation of patterns in the image is not too significant for good perception of sharpness whereas for finer details at 40 lp/mm, the orientation of patterns in an image plays a larger part. You can also see that at a specific point on the 40 lp/mm curves, a tangential orientated pattern would actually produce a slightly sharper result than sagittal patterns.

Simply put, if there was a ‘perfect’ lens, then all six curves would be high and flat and across the graph. Being able to read and understand the basics of MTF diagrams will help you compare different lenses, and of course aid you in predicting the optimum settings for specific situations.

I

I I

I I I

I

I I

I I I

COMPARING FORMATSWhen comparing MTF charts representing different formats, cautious interpretation should be used. To make a scientifically correct comparison, test patterns (measured in lines per millimeter) would have to be 15, 30 and 60 lp/mm for 35mm format and 10, 20 and 40 lp/mm for the H System format to compensate for the difference in magnification. You therefore cannot directly compare the MTF diagrams for 35mm format to the diagrams from a larger format using the same test diagrams!

98Here an MTF chart is used in conjunction with an image to help demonstrate the relationship between curves and what they represent in practice. In this case you should expect exceptional sharpness in the centre, as indicated by the very high position of the curves on the chart.

Towards the edge of the frame, and at another aperture setting, the curves are lower down on the chart, indicating a slight decrease in sharpness compared to the centre. Nevertheless, the sharpness remains extremely good.

It should be emphasised though, that this difference is only noticeable under great magnification and in most practical situations is very difficult to perceive.

Phot

o: H

asse

lbla

d M

aste

r 200

8 H

ans

Stra

nd In addition, a Hasselblad image file, being significantly larger than a 35mm DSLR file, will sample an image with finer pitch as there are many more pixels. This means that the image reaching the sensor, which is already higher quality because of the lenses, is sampled with higher resolution and so provides a far superior image quality.

Comparing lenses, therefore, can involve a number of important factors; correctly produced and interpreted MTF charts being just one part.

As mentioned before, there are subjective considerations to add the final equation. Personal taste is impossible to quantify: how sharp should a portrait lens be? It’s also down to each photographer to base their evaluations on a balanced mix of scientifically correct data, practicalities that match specific requirements and aesthetic considerations.

Browse through this booklet and you will certainly find a lens that would prove very useful. Your Hasselblad dealer will be glad to demonstrate it for you and perhaps arrange a test shoot. They are all extremely good, so expect tremendous results!

We wish you happy shooting with your new Hasselblad lens.

Visit www.hasselblad.com to download user manuals, datasheets, product brochures, technical information, technical articles, software and firmware updates etc., as well as news about the latest developments at Hasselblad.

X System Lenses 1110

Existing H System users also have the flexibility to use their existing lenses with the X1D by the way of an optional adapter. These lenses are some of the finest optics available on the market today and have gone through a stringent development, testing and production process to ensure they satisfy the demands of high end mirrorless digital capture, and high resolution sensors.

To complement our entirely new mirrorless camera design we have produced a new range of autofocus lenses, designed in Sweden and specifically engineered to match the high resolution capability of the X1D and its medium format sensor. The superb new XCD lenses deliver edge-to-edge sharpness in a compact form to elegantly match the slim build of the body.

13

GENERAL LENS DATAFocal length 45.0mm

Equivalent Focal length 1 35mm

Aperture range ƒ/3.5 - 32

Angle of view diagonal/horizontal/vertical 63°/52°/40°

Length/diameter 75mm/77mm

Weight 417g

Filter diameter 67mm

1 comparing 33 x 44 with 24 x 36 diagonal

Photographed by AORTA with an X1D-50cXCD 90mm (1/500 sec; ƒ/4.0; ISO 800)

XCD 3,5/45The XCD 45mm is the ideal standard lens for the X1D. Its moderate wide angle focal length provides a 35mm equivalent field of view, making it the perfect general purpose and travel lens.

XCD 3,2/90The XCD 90mm is the ideal portrait lens for the X1D. Its moderate telephoto focal length provides a 71mm equivalent field of view, making it perfect for perspective flattening.






Weight 619g


1 comparing 33 x 44 with 24 x 36 diagonal

52°Horizontal angle of view


1514

MTFModulation Transfer as a function of image height at infinite focus setting.Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.

RELATIVE ILLUMINATIONInfinity setting

DISTORTIONInfinity setting

CLOSE FOCUS RANGE DATAMinimum distance object to sensor plane 0.4m

Maximum image scale 1:6.4

Corresponding area of coverage 28 x 21cm

Corresponding exposure reduction 0.4 ƒ/stop

LENS DESIGN9 elements in 7 groups

FOCUS TYPEFull focusing

ENTRANCE PUPIL POSITION62mm in front of the sensor plane (at infinite focus setting).

The entrance pupil position is the correct position of the axis of rotation when making a panorama image by combining individual images of a scene.

XCD 3,5/45




Corresponding exposure reduction 0 ƒ/stop


FOCUS TYPEInternal focusing



XCD 3,2/90 MTFModulation Transfer as a function of image height at infinite focus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.



0

20

40

60

80

100

0 10 20Image height (mm)

MTF

(%)

f/3.2

0

20

40

60

80

100


MTF

(%)

f/8

-2

-1

0

1


Dist

ortio

n (%

)

0

0.2

0.4

0.6

0.8

1.0

0 10 20

f/3.2f/8

Image height (mm)

Rela

tive

illum

inat

ion

1716

XCD 3,5/30The XCD 30mm is the widest angle lens for the X1D. Its focal length provides a 24mm equivalent field of view, making it the perfect landscape, reportage and travel lens.







FOCUS TYPEFull focusing with floating mechanism.

ENTRANCE PUPIL POSITION75mm in front of image plane.


MTFModulation Transfer as a function of image height at infinite focus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.








Weight 550g


1 comparing 33 x 44 with 24 x 36 diagonal.

H System Lenses 1918

Hasselblad H System lenses are the culmination of over fifty years of continuous refinements and improvements. The entire H System lens line, including all lenses, optics and related user software, has been designed to maintain Hasselblad’s leading global position in modern medium format imaging.

We apply this high standard and meticulous attention to detail to each and every Hasselblad product. Attention that is focused on ensuring the highest possible quality. And when we say attention to detail, we mean to all details, from start to finish, covering all aspects of design and production. Just as with all previous Hasselblad products, when designing the H System lenses, we have utilised the knowledge we have gained over the years by working with the world’s top lens manufacturers, such as Carl Zeiss, Fuji, Kodak, Rodenstock and Schneider. The result is the best lens line available to photographers today.

All current HC/HCD lenses are fully 100MP+ compatible.

20



HCD 4,8/24The HCD 24mm lens is an ultra-wide angle lens with an advanced optical design for outstanding performance and extreme corner to corner sharpness. With a 108° diagonal angle of view it is the most extreme wide-angle lens currently available for medium format.

HCD 4/28The HCD 28mm lens has been designed to be compact and to deliver optimal performance when used with the 48 x 36mm or smaller sensor of the H system digital cameras. Image quality is refined with integral use of Digital Lens Correction which perfects the raw image by digitally removing any colour aberration, vignetting and distortion. The resulting raw images have perfect pixel definition optimal for image rendering.


Equivalent 35mm focal length 1 16.4mm


Angle of view diag/hor/vert 53.4 x 40 format 108°/96°/79°

Angle of view diag/hor/vert 44 x 33 format 97°/84°/68°


Weight (incl. covers and lens shade) 810g

Filter diameter 95mm 2

1 Diagonal coverage between 40 x 53.4 and 24 x 36 compared. 2 Filter adapter to 105 and 112mm included.



Aperture range ƒ/4 - 32






1 Diagonal coverage between 40 x 53.4 and 24 x 36 compared.

Photographed by Tom Oldham with an H6D-50cHCD 28mm (1/320 sec; ƒ/5.6; ISO 400)

2322

HCD 4,8/24









FOCUS TYPERear focusing



HCD 4/28





MTFModulation Transfer as a function of image height at infinitefocus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.







25

Photographed by Tom Oldham with an H6D-50cHC 50mm II (1/350 sec; ƒ/4.0; ISO 400)



HC 3,5/35A retrofocus lens with an 89° diagonal angle of view. This lens offers outstanding corner-to-corner sharpness, low dispersion glass, even illumination, and features an advanced optical design with rear focus mechanism to ensure high performance even at the close focusing range.

HC 3,5/50-IIAn all-round, versatile lens, incorporating a moderate wide-angle effect, and featuring advanced optical design with rear focus mechanism. Corner-to-corner illumination is very even at all aperture settings, and distortion and stray light are extremely well controlled.



















2726



Corresponding area of coverage 51 × 38cm







ENTRANCE PUPIL POSITION152mm in front of the film plane (at infinite focus setting).


HC 3,5/35 HC 3,5/50-II





MTFModulation Transfer as a function of image height at infinitefocus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.







29

Photographed by Tom Oldham with an H6D-50cHC 80mm (1/180 sec; ƒ/4.0; ISO 400)



HC 2,8/80The 80mm is the standard lens for the H system. The high-performance design ensures great colour correction, a flat image plane, and low distortion. The large aperture facilitates photography in poor light and provides a bright viewfinder image. A lens suited for almost any task in general photography.

HC 2,2/100The 100mm is a fast lens particularly suited to low-light situations or for action shots where higher shutter speeds are required. The slightly longer than standard length coupled with its shallower depth-of-field makes it a perfect choice for striking portraits too.










GENERAL LENS DATAFocal length 100mm





Length/diameter 80.5mm/87.5mm




3130









HC 2,8/80 MTFModulation Transfer as a function of image height at infinite focus setting.Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.







HC 2,2/100





MTFModulation Transfer as a function of image height at infinite focus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.



3332


HC Macro 4/120 - IIThe 120mm Macro has exceptionally high performance making it a very versatile lens not only for close-up work but general applications too where a slightly longer lens is required.


Maximum image scale 1:1




FOCUS TYPEFront focusing

ENTRANCE PUPIL POSITION149mm in front of the image plane (at infinite focus setting). The entrance pupil position is the correct position of the axis of rotation when making a panorama image by combining individual images of a scene.










RELATIVE ILLUMINATION

1:2 infinity setting

DISTORTION

1:2 infinity setting

MTF@ infinity settingModulation Transfer as a function of image height at infinite focus setting.Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm.

MTF@ infinity setting 1:2Modulation Transfer as a function of image height at infinite focus setting. Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm

HC Macro 4/120 - II

3534


HC 3,2/150N

A portrait lens providing the ideal perspective for head and shoulder portraits. Also very suitable for landscape photography where a flattening of the perspective is required.







ENTRANCE PUPIL POSITION68mm in front of the film plane (at infinite focus setting). The entrance pupil position is the correct position of the axis of rotation when makinga panorama image by combining individual images of a scene.










RELATIVE ILLUMINATIONinfinity setting

DISTORTION

2m infinity setting

MTFModulation Transfer as a function of image height at infinite focus setting.Sagittal slit orientation drawn with continuous line and tangential with dashed. White light. Spatial frequencies 10, 20 and 40 lp/mm

HC 3,2/150N

37

Photographed by Karl Taylor with an H6D-50cHC 150mm N (1/500 sec; ƒ/11; ISO 100)



HC 4/210A universal telephoto lens with outstanding performance. The longer focal length is excellent for tightly framed shots, giving a shallow depth-of-field to make the main subject stand out noticeably.

HC 4,5/300The 300mm lens is the longest lens in the present HC lens range. It has a fast autofocus reaction making it suitable for sports and wildlife applications.

3938












HC 4/210GENERAL LENS DATAFocal length 211.1mm
















HC 4,5/300














41

Photographed by Karl Taylor with an H6D-50c

55° (28°)Horizontal angle of view

73° (35°)Horizontal angle of view

HC 3,5 - 4,5/50 -110The HC 50-110mm zoom lens has a range from wideangle to short telephoto. This lens boasts exceptionally high image quality at all focal length settings, whether shooting film or digital, and is comparable in quality with corresponding fixed focal length lenses.

HCD 4-5,6/35 - 90The result of our constant striving for ultimate performance, the HCD 35-90mm zoom lens combines our advanced optical design models with a new aspheric lens element design to create what we think is the highest performing zoom lens on the market today.


50mm

80mm

110mm

CLOSE FOCUS RANGE DATAMinimum distance object to film 0.70m

Maximum image scale 1:10.8 (1:5.2)

Corresponding area of coverage 58 × 43 (28 × 21)cm



FOCUS TYPEFront focusing

ENTRANCE PUPIL POSITION50mm setting: 164mm | 80mm setting: 161mm | 110mm setting: 173mmIn front of the film plane (at infinite focus setting).

The entrance pupil position is the correct position of the axis of rotationwhen making a panorama image by combining individual images of a scene.

HC 3,5 - 4,5/50 -110GENERAL LENS DATAFocal length 51.6 (108.3)mm

Equivalent 35mm focal length 1 33.5 (70.2)mm

Aperture range ƒ/3.5 (4.5) - 32

Angle of view diag/hor/vert 53.4 X 40 format 66°/55°/43° (35°/28°/21°)

Angle of view diag/hor/vert 44 x 33 format 56°/46°/35° (28°/23°/17°)






110mm

80mm

50mm


50mm

80mm

110mm

4342


35mm

55mm

90mm

LENS DESIGN13 elements in 11 groups, 1 Aspherical surface


ENTRANCE PUPIL POSITION35mm setting: 187mm | 50mm setting: 178mm | 90mm setting: 193mmIn front of the film plane (at infinite focus setting).

The entrance pupil position is the correct position of the axis of rotationwhen making a panorama image by combining individual images of a scene.

HCD 4-5,6/35 - 90

CLOSE FOCUS RANGE DATAMinimum distance object to film 0.65m

Maximum image scale 1:13 (1:5.4)

Corresponding area of coverage 69 × 52 (29 × 22)cm


GENERAL LENS DATAFocal length 36.3 (87)mm

Equivalent 35mm focal length 1 23.5 (56.4)mm

Aperture range ƒ/4.0 (5.6) - 32

Angle of view diag/hor/vert 53.4 X 40 format 86°/73°/58° (42°/35°/26°)

Angle of view diag/hor/vert 44 x 33 format 74°/62°/49° (35°/23°/21°)

Length/diameter 167mm/102,5mm





35mm

55mm

90mm


35mm

55mm

90mm

4544

35mm focal length equivalents for Hasselblad lenses1

SENSOR DIMENSIONS 53.7 X 40.2MM 49.1 X 36.7MM 43.8 X 32.9MM 53.4 X 40MM

H System lens focal length 60MP CCD 50MP CCD 31/40MP CCD & 50MP CMOS 100MP CMOS

24 16 17 19 16

28 19 20 23 19

35 23 25 28 23

50 33 36 40 33

80 53 58 65 53

100 64 71 79 65

120 77 84 94 77

150 97 106 119 97

210 136 149 167 137

300 188 206 231 189

35-90 23-56 26-61 29-69 24-56

50-110 33-70 36-76 41-86 34-70

SENSOR DIMENSIONS 43.8 X 32.9MM

X System lens focal length 50MP CMOS

30 24

45 35

90 71

1 Based on diagonal measurement comparison

4746

Photographed by Hasselblad Master 2016 David Peskens

TECHNICAL SPECIFICATIONSFocal length conversion factor 1.0x

Aperture reduction 0 ƒ/stops

Length/diameter 19.5mm / 84mm

Weight 182g

Optical design3 elements / 2 groups

MODEL H 13MM H 26MM H 52MMExtension 13mm 26mm 52mm

Weight (including covers)

125g 150g 195g

Externaldimensions (including covers)

84 x 34mm 84 x 47mm 84 x 73mm

48 49

XH Lens AdapterThe XH Lens Adapter can be used to mount an HC or HCD lens onto an X1D.

Macro Converter HThe Macro Converter H is designed to improve the close range performance of wide angle H System lenses. It is primarily intended for use with the HC 50mm-II lens for optimum performance. The range produced is similar to the use of a 6.6mm extension tube but the performance is noticeably improved.

X and H System Accessories

H Extension Tubes The Extension tubes attach between the lens and the body to reduce the close focusing distance for close up photography. They are available in three sizes: 13mm, 26mm and 52mm. As the X1D has a TTL light metering system, exposure compensation is automatic.

TECHNICAL SPECIFICATIONSFocal length conversion factor 1.0x

Aperture reduction 0 ƒ/stops

Length/diameter 53mm / 84mm

Weight 175g

TECHNICAL SPECIFICATIONSFocal length conversion factor 1,7x

Aperture reduction - 1.5 stops

Length/diameter 56 x 85mm

Weight 465g

Optical design 6 elements / 4 groups

TECHNICAL SPECIFICATIONSMagnification 3.25x at 0 dioptre

Dimensions (W x H x D) 78 x 89 x 69mm

Weight including bottom cover

140g

Height incl. camera 169mm

Compatibility All H System cameras

TECHNICAL SPECIFICATIONSDimensions (W x H x D) 98 × 86 × 22mm

Weight140g180g (incl. covers)

Compatibility All C-Type lenses

5150

HTS 1,5The revolutionary HTS 1,5 is a tilt and shift adapter that can provide a pivotal step-up for many Hasselblad photographers. Designed for the HCD 24mm, HCD 28mm, HC 35mm, HC 50mm, HC 80mm and the HC 100mm lenses it, in effect, adds five different “tilt and shift lenses” to the range. With the extension tubes, H13, H26 or H52, the HTS 1,5 Tilt/Shift adapter can also be used for close-up work.

HVM viewfinderThe waist level viewfinder for the H System cameras, providing the same convenient viewing angle that has been available for the V System. The bright and large viewfinder image is ideal forcreative composing. The photographer can maintain eye contact with the model and full impact from shooting at a lower point than eye-level can be creatively used.

Converter H 1,7X The Converter H 1,7x increases the focal length of a lens by a factor of 1,7x. It features the same outstanding optical and mechanical quality as the elements in the Hasselblad H lensseries.

CF AdapterThe CF Lens Adapter for the H System allows photographers to use all Carl Zeiss C-Type lenses from the V System on any H series camera. Integral processors for data conversion bridgethe two systems to access a number of the H series display and lens-control functions.

LENS MINIMUM DISTANCE MAXIMUM IMAGE SCALE COVERAGE EXPOSURE REDUCTIONHCD 4,8/24 0.42m 1:6.3 31cm × 23cm 0 EV

HCD 4/28 0.39m 1:4.7 23cm × 17cm 0 EV

HC 3,5/35 0.54m 1:6.2 30cm × 23cm 0 EV

HC 3,5/50 II 0.64m 1:5.7 28cm × 21cm 0 EV

HC 2,8/80 0.74m 1:4.2 21cm × 15cm 0.3 EV

HC 2,2/100 0.94m 1:4.6 22cm × 17cm 0.5 EV

LENS EQUIVALENT LENGTH WITH THE HTS 1,5 ANGLE OF VIEW DIAG/HOR/VERTHCD 4,8/24 37mm 81°/68°/53°

HCD 4/28 45mm 71°/59°/45°

HC 3,5/35 55mm 59°/49°/37°

HC 3,5/50 II 75mm 44°/35°/27°

HC 2,8/80 128mm 27°/22°/16°

HC 2,2/100 155mm 23°/18°/14°

www.hasselblad.com

hasselblad lensesstatic.hasselblad.com/2017/02/xh-system-lenses_en.pdf · 2017-02-17 · all...

Documents