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  • 8/3/2019 HBR - Marketing

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    RESEARCH & IDEAS

    Authenticity over Exaggeration:The New Rule in AdvertisingPublished: December 3, 2007

    Author: Julia Hanna

    Advertisers thought technology was their

    friend in identifying and creating new

    customers. Funny thing happened along the

    way, though: Now consumers are using the

    Internet to blunt traditional commercial

    messages. Time for companies to rethink their

    strategy, says HBS professor John A.

    Deighton. Key concepts include: In today's media-rich world, traditional

    advertising models are breaking down.

    Now, the consumer runs the show.

    Successful advertising campaigns today are

    self-parodying and spark discussions rather

    than blatantly sell products.

    As digital interactivity increases the

    contexts in which people use new media, it

    becomes less and less productive to think of

    people as consumers alone.

    Imagine the glee of marketers at the dawnof the Internet eracould anyone imagine a

    more sophisticated, precise way of reaching

    consumers? By tracking the purchasing habits

    of its prey, marketers could respond with

    targeted advertising and special offers, resulting

    in (of course) increased sales.

    The past 10 years have seen some level of

    this direct marketing model bear out. But

    according to an HBS working paper to be

    published in the Journal of Interactive

    Marketing, consumers are using technology to

    learn about marketers, rather than the other way

    around.While product consumers use sites such as

    eBay, YouTube, and Facebook to gather

    information and share opinions on how they

    spend their money, an entirely new marketing

    philosophy is called for, one in which the

    marketer no longer controls the message.

    In "Digital Interactivity: Unanticipated

    Consequences for Markets, Marketing, and

    Consumers," HBS professor John Deighton and

    Leora Kornfeld, research director of Canada's

    Mobile MUSE Consortium, pinpoint 5 qualities

    of success in this new world of digital media

    marketing.

    In this new reality, it's the consumer who

    runs the show for the most part, not the

    marketerin fact, forget the "consumer" label

    altogether.

    It's too limiting.

    Deighton cites Dove's "Real Beauty"

    campaign, a multiphase effort with an

    underlying theme that subverts traditional

    beauty product messages of aspiration and

    perfection. In one ad, full-sized, regular-looking

    women are used. In another, young girls reveal

    insecurities about their looks, showing the harmdone by unrealistic standards set by the

    industry. (Dove is also the subject of a new case

    by Deighton.)

    "Authenticity becomes a

    much more desirable

    property than

    exaggeration."

    "The story of Dove is one of a brand that

    progressively cedes control," Deighton says. "Inthe 1950s, Dove's advertising approach was

    similar to a World War II military campaign

    with a heavy bombardment of 30- and

    60-second messages with very strong,

    functional content. It was all delivered with

    complete control over the message and the

    media."

    Word to the media wiseThat sort of approach isn't possible in

    today's media-rich worldand probably

    wouldn't be very effective anyway.

    "It's more like the Vietnam War now,"

    Deighton continues. "The ideas have to belong

    to the people you're attempting to engage with,

    and that's going to be achieved through indirect

    methods rather than by going directly at the

    enemy." Instead of overwhelming consumers

    with a message, get them talking by presenting

    a topic they want to discuss. Then stand back

    and cross your fingers.

    "When a brand adopts a point of view,

    rather than simply making a claim for softer

    skin, for instance, it can become a lightning rod

    for discourse," Deighton remarks. "You have to

    be confident that your message can withstandreinterpretation."

    The Dove ads, for example, have been

    parodied on late-night television, although that

    level of exposure hasn't bothered Unilever,

    Dove's parent company. "An executive there

    told me that you can't buy this kind of

    publicity," says Deighton.

    The new rulesBut what does this all boil down to for

    companies that want to be successful in thisrelatively new environment? In the working

    paper, Deighton and Kornfeld discuss 5 aspects

    of digital interactivity, including

    Thought tracing. Firms infer states of mind

    from the content of a Web search and serve

    up relevant advertising; a market born of

    search terms develops.

    Ubiquitous connectivity. As people

    become increasingly "plugged in" through

    cell phones and other devices, marketing

    opportunities become more frequent as

    welland technology develops to protect

    users from unwanted intrusions. A market inaccess and identity results.

    Property exchanges. As with Napster,

    Craigslist, and eBay, people participate in

    the anonymous exchange of goods and

    services. Firms compete with these

    exchanges, and a market in service,

    reputation, and reliability develops.

    Social exchanges. People build identities in

    virtual communities like Korea's Cyworld

    (90 percent of Koreans in their 20s are

    members). Firms may then sponsor or

    co-opt communities. A market in

    community develops that competes on

    functionality and status.

    Cultural exchanges. While advertising has

    always been part of popular culture,

    technology has increased the rate of

    exchange and competition for buzz. In

    addition to Dove's campaign, Deighton cites

    BMW's initiative to hire Hollywood

    directors and actors to create short,

    Web-only films featuring BMWs. In the

    summer of 2001, the company recorded 9

    million downloads.

    These 5 aspects show increasing levels of

    effective engagement in creating social meaning

    and identity, Deighton suggests, noting that the

    first 2 (thought tracing and ubiquitous

    connectivity) change the rules of marketing but

    don't alter the traditional paradigm of predator

    COPYRIGHT 2007 PRESIDENT AND FELLOWS OF HARVARD COLLEGE 1

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    and prey. In the last 3 (property, social, and

    cultural exchanges), the marketer has to become

    someone who is invited into the exchange or is

    even pursued (as in the case of the BMW films)

    as an entity possessing cultural capital.

    So what's the best course of action for

    marketers faced with this complex new world of

    meaning-making? Deighton challenges his

    students in HBS's executive Owner/President

    Management Program to think of a witty,

    self-aware ad that they could create for their

    business for the price of a handheld camera.

    Admittedly, this is no easy feat when you

    run a scrap metal dealership. But it can be done.

    One popular video on YouTube, "A Big Ad,"

    features 3 young men parodying a grand-scale,

    cast of thousands Carlton Draught beer ad for a

    small local dairy.

    Deighton also cites a former Swiss student

    now working for a pharmacy lab who finds

    young, classically trained musicians; records

    their work; and distributes the CDs to

    customers.

    "He blends the purity of the artist and a

    sense of discovery with his business," he says.

    "It speaks to a certain authenticity, which in this

    world becomes a much more desirable property

    than exaggeration."

    And as digital interactivity increases the

    contexts in which people use new media, it

    becomes less and less productive to think of

    people as consumers alone.

    "If a company limits its engagement to the

    part of the person's life when he or she is

    thinking about skin care, for example, it

    diminishes that person and marginalizes the

    brand," Deighton says. "I think the central idea

    here is that in the future, brands will be more

    talked about than talking."

    About the authorJulia Hanna is associate editor of the HBS

    Alumni Bulletin.

    HARVARD BUSINESS SCHOOL | WORKING KNOWLEDGE | HBSWK.HBS.EDU

    COPYRIGHT 2007 PRESIDENT AND FELLOWS OF HARVARD COLLEGE 2

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