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RESEARCH & IDEAS
Authenticity over Exaggeration:The New Rule in AdvertisingPublished: December 3, 2007
Author: Julia Hanna
Advertisers thought technology was their
friend in identifying and creating new
customers. Funny thing happened along the
way, though: Now consumers are using the
Internet to blunt traditional commercial
messages. Time for companies to rethink their
strategy, says HBS professor John A.
Deighton. Key concepts include: In today's media-rich world, traditional
advertising models are breaking down.
Now, the consumer runs the show.
Successful advertising campaigns today are
self-parodying and spark discussions rather
than blatantly sell products.
As digital interactivity increases the
contexts in which people use new media, it
becomes less and less productive to think of
people as consumers alone.
Imagine the glee of marketers at the dawnof the Internet eracould anyone imagine a
more sophisticated, precise way of reaching
consumers? By tracking the purchasing habits
of its prey, marketers could respond with
targeted advertising and special offers, resulting
in (of course) increased sales.
The past 10 years have seen some level of
this direct marketing model bear out. But
according to an HBS working paper to be
published in the Journal of Interactive
Marketing, consumers are using technology to
learn about marketers, rather than the other way
around.While product consumers use sites such as
eBay, YouTube, and Facebook to gather
information and share opinions on how they
spend their money, an entirely new marketing
philosophy is called for, one in which the
marketer no longer controls the message.
In "Digital Interactivity: Unanticipated
Consequences for Markets, Marketing, and
Consumers," HBS professor John Deighton and
Leora Kornfeld, research director of Canada's
Mobile MUSE Consortium, pinpoint 5 qualities
of success in this new world of digital media
marketing.
In this new reality, it's the consumer who
runs the show for the most part, not the
marketerin fact, forget the "consumer" label
altogether.
It's too limiting.
Deighton cites Dove's "Real Beauty"
campaign, a multiphase effort with an
underlying theme that subverts traditional
beauty product messages of aspiration and
perfection. In one ad, full-sized, regular-looking
women are used. In another, young girls reveal
insecurities about their looks, showing the harmdone by unrealistic standards set by the
industry. (Dove is also the subject of a new case
by Deighton.)
"Authenticity becomes a
much more desirable
property than
exaggeration."
"The story of Dove is one of a brand that
progressively cedes control," Deighton says. "Inthe 1950s, Dove's advertising approach was
similar to a World War II military campaign
with a heavy bombardment of 30- and
60-second messages with very strong,
functional content. It was all delivered with
complete control over the message and the
media."
Word to the media wiseThat sort of approach isn't possible in
today's media-rich worldand probably
wouldn't be very effective anyway.
"It's more like the Vietnam War now,"
Deighton continues. "The ideas have to belong
to the people you're attempting to engage with,
and that's going to be achieved through indirect
methods rather than by going directly at the
enemy." Instead of overwhelming consumers
with a message, get them talking by presenting
a topic they want to discuss. Then stand back
and cross your fingers.
"When a brand adopts a point of view,
rather than simply making a claim for softer
skin, for instance, it can become a lightning rod
for discourse," Deighton remarks. "You have to
be confident that your message can withstandreinterpretation."
The Dove ads, for example, have been
parodied on late-night television, although that
level of exposure hasn't bothered Unilever,
Dove's parent company. "An executive there
told me that you can't buy this kind of
publicity," says Deighton.
The new rulesBut what does this all boil down to for
companies that want to be successful in thisrelatively new environment? In the working
paper, Deighton and Kornfeld discuss 5 aspects
of digital interactivity, including
Thought tracing. Firms infer states of mind
from the content of a Web search and serve
up relevant advertising; a market born of
search terms develops.
Ubiquitous connectivity. As people
become increasingly "plugged in" through
cell phones and other devices, marketing
opportunities become more frequent as
welland technology develops to protect
users from unwanted intrusions. A market inaccess and identity results.
Property exchanges. As with Napster,
Craigslist, and eBay, people participate in
the anonymous exchange of goods and
services. Firms compete with these
exchanges, and a market in service,
reputation, and reliability develops.
Social exchanges. People build identities in
virtual communities like Korea's Cyworld
(90 percent of Koreans in their 20s are
members). Firms may then sponsor or
co-opt communities. A market in
community develops that competes on
functionality and status.
Cultural exchanges. While advertising has
always been part of popular culture,
technology has increased the rate of
exchange and competition for buzz. In
addition to Dove's campaign, Deighton cites
BMW's initiative to hire Hollywood
directors and actors to create short,
Web-only films featuring BMWs. In the
summer of 2001, the company recorded 9
million downloads.
These 5 aspects show increasing levels of
effective engagement in creating social meaning
and identity, Deighton suggests, noting that the
first 2 (thought tracing and ubiquitous
connectivity) change the rules of marketing but
don't alter the traditional paradigm of predator
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and prey. In the last 3 (property, social, and
cultural exchanges), the marketer has to become
someone who is invited into the exchange or is
even pursued (as in the case of the BMW films)
as an entity possessing cultural capital.
So what's the best course of action for
marketers faced with this complex new world of
meaning-making? Deighton challenges his
students in HBS's executive Owner/President
Management Program to think of a witty,
self-aware ad that they could create for their
business for the price of a handheld camera.
Admittedly, this is no easy feat when you
run a scrap metal dealership. But it can be done.
One popular video on YouTube, "A Big Ad,"
features 3 young men parodying a grand-scale,
cast of thousands Carlton Draught beer ad for a
small local dairy.
Deighton also cites a former Swiss student
now working for a pharmacy lab who finds
young, classically trained musicians; records
their work; and distributes the CDs to
customers.
"He blends the purity of the artist and a
sense of discovery with his business," he says.
"It speaks to a certain authenticity, which in this
world becomes a much more desirable property
than exaggeration."
And as digital interactivity increases the
contexts in which people use new media, it
becomes less and less productive to think of
people as consumers alone.
"If a company limits its engagement to the
part of the person's life when he or she is
thinking about skin care, for example, it
diminishes that person and marginalizes the
brand," Deighton says. "I think the central idea
here is that in the future, brands will be more
talked about than talking."
About the authorJulia Hanna is associate editor of the HBS
Alumni Bulletin.
HARVARD BUSINESS SCHOOL | WORKING KNOWLEDGE | HBSWK.HBS.EDU
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