heritage guitar newsletter no. 3 february 2015 – 3rd quarter · heritage guitar newsletter no. 3...

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Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter Performance for the Martin Luther King Jr. celebration at The Douglass School on January 19 The Justin Holland Project: Dr. V, Maria Maldonado (voice), Dorothy Griffin, Diana Miranda & Chris Meyer Justin Holland was a 19 th –century African American pioneer of the classical guitar, community leader, and abolitionist. Born in Norfolk, VA in 1819, he left for Massachusetts in 1833 to study music where he learned to play the guitar. He attended Oberlin College in 1841 and moved to Cleveland where he was a music teacher, arranger and the first African American professional in the city.

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Page 1: Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter · Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter ! Performance!for!the!Martin!Luther!King!Jr.!celebration!atThe!Douglass!School!on!January!19!

Heritage Guitar Newsletter No. 3

February 2015 – 3rd Quarter

 

Performance  for  the  Martin  Luther  King  Jr.  celebration  at  The  Douglass  School  on  January  19  The  Justin  Holland  Project:  Dr.  V,  Maria  Maldonado  (voice),  Dorothy  Griffin,  Diana  Miranda  &  Chris  Meyer  

 Justin  Holland  was  a  19th  –century  African  American  pioneer  of  the  classical  guitar,  community  leader,  and  abolitionist.  Born  in  Norfolk,  VA  in  1819,  he  left  for  Massachusetts  in  1833  to  study  music  where  he  learned  to  play  the  guitar.  He  attended  Oberlin  College  in  1841  and  moved  to  Cleveland  where  he  was  a  music  teacher,  arranger  and  the  first  African  American  professional  in  the  city.  

Page 2: Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter · Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter ! Performance!for!the!Martin!Luther!King!Jr.!celebration!atThe!Douglass!School!on!January!19!

Hello  Guitar  Parents  and  Students!    Welcome  to  the  3rd  edition  of  the  Heritage  Guitar  Newsletter  for  this  school  year.  Perhaps  the  most  important  bit  of  information  I  can  communicate  in  this  edition  is  the  importance  of  daily  practice.  With  the  winter  break  and  snow  days,  students  have  had  the  opportunity  to  get  way  ahead  of  their  peers  or  way  behind.  Those  who  have  taken  advantage  of  the  time  off  and  have  continued  to  practice  daily  have  moved  ahead  at  a  consistent  rate.  I  encourage  all  students  to  stay  engaged  even  when  there  is  no  school.  

Beginning  Guitar  

This  is  an  awesome  Beginning  Guitar  class.  Students  have  now  learned  all  their  notes  through  fifth  position  on  four  strings.  They  will  soon  learn  about  accidentals  (sharps,  flats  and  naturals)  and  how  key  signatures  work.  Sight-­‐reading  and  technical  skills  are  getting  stronger  every  class.  Keep  up  the  great  work!  

Intermediate  Guitar  

This  class  has  missed  the  most  instructional  time  due  to  inclement  weather.  It  is  this  class  that  exemplifies  the  various  amounts  of  effort  made  by  individuals.  For  this  reason,  we  just  started  an  aggressive  review  of  everything  these  students  should  have  learned  in  middle  school.  With  reinforcement  of  basic  skills,  we  should  be  able  to  get  back  on  track  with  our  curricular  objectives.  The  3rd  Quarter  goal  is  to  know  all  major  and  minor  scales  up  to  4  sharps  and  2  flats  and  to  apply  this  knowledge  in  music  that  meets  these  criteria.  I  have  also  decided  that  it  is  best  for  the  Intermediate  Guitar  class  not  to  perform  on  the  Cluster  Concert  on  March  18.  Preparing  for  a  concert  often  stifles  instruction.  Students  will,  however  perform  on  our  April  30th  concert.  

Advanced  and  Artist  Guitar  

These  classes  are  currently  working  on  very  similar  projects.  They  are  both  preparing  to  perform  for  First  Friday  of  Leesburg  on  February  6  (see  calendar  of  events).  On  February  6,  students  will  be  performing  in  small  ensembles  (duos,  trios,  quartets  and  quintets)  as  well  as  playing  solos.  We  have  been  given  two  hours  of  performance  time  for  this  event.  Every  group  will  play  different  repertoire  (of  their  choosing).  This  creates  responsibility  for  each  individual  in  the  group.  I’ve  been  very  impressed  with  some  of  the  efforts  made  and  look  forward  to  this  event.  

Both  the  Advanced  and  Artist  students  have  been  invited  to  perform  and  participate  in  the  Peabody  Fret  Festival  on  March  1.  Please  see  information  in  this  newsletter.  I  will  need  one  parent  chaperone  for  every  10  students.  If  you  are  interested,  please  contact  me  at  [email protected]  

Guitar  Level  Placement  For  2015  –  2016  

I  have  been  monitoring  student  progress  throughout  the  year  and  have  a  rough  idea  of  who  should  be  in  which  level  for  next  year.  That  being  said,  I  am  always  impressed  with  what  students  will  do  when  trying  to  meet  a  goal.  Most  students  will  move  up  by  one  level.  It  is  possible,  however,  for  a  student  to  skip  a  level  or  even  two.  This  is  determined  by  an  audition.  I  plan  to  have  audition  materials  for  Artist  Guitar  available  by  the  end  of  February.  Auditions  will  take  place  in  April.  Good  luck  and  Happy  Practicing!  

 

Page 3: Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter · Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter ! Performance!for!the!Martin!Luther!King!Jr.!celebration!atThe!Douglass!School!on!January!19!

2015  ALL-­‐VIRGINIA  GUITAR  ENSEMBLE  (AVGE)  AUDITIONS  

This  marks  the  third  year  that  the  Virginia  Music  Educators  Association  (VMEA)  will  hold  an  All-­‐State  Guitar  event  as  part  of  the  VMEA  conference.  I  encourage  higher-­‐level  students  to  audition  for  this  incredible  opportunity.  There  are  two  audition  dates  and  locations  in  Loudoun  County.  The  first  is  on  April  25  at  Heritage  High  School  and  the  second  will  be  May  2  at  Potomac  Falls  High  School.  For  audition  materials  and  information,  please  go  to:  http://www.loudoun.k12.va.us/Page/146691  Should  a  Heritage  student  win  a  place  in  the  AVGE,  I  will  arrange  to  cover  the  expenses  associated  with  this  event.  

UPDATED  CALENDAR  OF  EVENTS  

February  6,  2015  from  6:30  –  8:30  pm  –  Advanced  &  Artist  Guitar  Students  will  perform  for  First  Friday  of  Leesburg  at  the  Sona  Bank,  10  West  Market  Street,  Leesburg  20176.  Students  should  arrive  at  6  pm.  

February  28,  2015  –  The  Artist  Guitar  Class  will  perform  at  the  Rust  Library  at  12:30  pm.  Students  need  to  meet  me  at  the  Rust  Library  by  11:30  to  set  up.  You  will  be  fed  pizza….  Compliments  of  the  Rust  Library!  This  performance  is  free  and  open  to  the  public.  

March  1  for  Artist  and  Advanced  Guitar  Classes  -­‐  Fret  Festival  at  Johns  Hopkins’  Peabody  Conservatory  in  Baltimore,  MD.  This  is  a  one-­‐day  guitar  festival.  Please  see  information  in  this  newsletter  and  check  out:  http://www.peabody.jhu.edu/preparatory/departments/guitar/fret_festival/  

March  18  (Wednesday)  7  pm  –  Cluster  Concert  at  Heritage  in  the  Gym.  Artist  and  Advanced  Students  will  perform.  Students  will  stay  after  school  for  rehearsal  from  4  -­‐  6.  Pizza  will  be  provided  at  6  pm,  compliments  of  the  Heritage  Music  Boosters.  Concert  is  at  7  pm.  Parents  and  family  members  encouraged  to  attend.  

March  20  (Friday)  7  pm  –  LCPS  Guitar  Festival  Opening  Concert  at  Loudoun  County  High  School.  This  concert  will  feature  the  Texas  Guitar  Quartet.  https://www.youtube.com/user/TXGQ  Extra  Credit  for  Beginning,  Intermediate  and  Advanced  Guitar  students;  required  for  Artist  Guitar  students.  Admission  is  FREE.    

March  21  (Saturday)  3:15  –  8:45  pm:  LCPS  Guitar  Festival/Assessment  for  Artist  Guitar  Class  (REQUIRED).  Workshops  by  The  US  Navy  Band’s  Country  Current,  Michael  DeLalla,  Gary  Smallwood,  The  Threefifty  Duo  and  The  Texas  Guitar  Quartet.  Dinner  catered  by  Moe’s  -­‐  $12.50  per  student.  

April  30  (Thursday)  at  7  pm:  Guitar  Student  Concert.  This  concert  will  feature  students  from  the  Intermediate,  Advanced,  and  Artist  Classes.  Beginning  student  may  perform  if  they  are  ready;  this  will  be  determined,  as  we  get  closer  to  the  performance  date.    

May  27  (Wednesday)  at  7  pm:  Guitar  Solos  concert.  All  Advanced  and  Artist  Guitar  students  who  receive  an  “A”  on  their  performance  test  will  perform.  Alumni  are  welcome  to  perform  as  well.  A  brief  award  ceremony  and  reception  will  follow.    

   

Page 4: Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter · Heritage Guitar Newsletter No. 3 February 2015 – 3rd Quarter ! Performance!for!the!Martin!Luther!King!Jr.!celebration!atThe!Douglass!School!on!January!19!

Peabody  Fret  Fest  at  Johns  Hopkins  University  March  1,  2015  

Dear  Students  and  Parents,  

We  have  been  given  the  green  light  on  going  to  the  Peabody  Fret  Fest  at  Johns  Hopkins  University  on  March  1.  I  am  inviting  the  Advanced  and  Artist  Guitar  ensembles  to  participate  in  this  full  day  guitar  experience.    

Each  ensemble  will  perform  and  all  will  participate  in  workshops,  attend  master  classes  and  concerts.  I  have  printed  the  information  from  the  website,  but  you  are  welcome  to  go  online  to  see  other  information  regarding  this  event  at  www.peabody.jhu.edu/fretfest  

Prices:  

• If  all  students  (32)  participate:   $70  +  meals  • If  25  students  participate:     $75  +  meals  • If  20  students  participate:     $80  +  meals  

o If  we  only  have  20  students,  we  may  end  up  sharing  a  bus  with  either  Tuscarora  or  Woodgrove  to  cut  the  price  down.  

 

If  you  plan  to  participate  in  this  field  trip,  please  fill  out  this  form  and  return  it  to  me  with  a  $20  deposit  by  Friday,  February  6.  

 

Name  of  Student  (PRINT):  __________________________________________________  

Student  Signature:  _______________________________________________________  

Those  who  choose  to  participate  will  receive  a  formal  permission  form  that  will  require  a  parent/guardian  signature.  

Best  Contact  Information:  

E-­‐Mail:  

Phone:  

For  questions,  please  contact:  [email protected]  

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Practice  Tips

• Try  to  practice  in  the  same  space  every  day.  o If  you  are  used  to  practicing  in  the  same  environment  all  the  time,  you  will  be  less  

distracted  by  visual  noise  or  various  room  acoustics.  • Start  with  a  short  warm  up  routine  for  both  hands.  

o We  have  done  some  of  these  in  class,  but  you  can  create  your  own.  • Begin  with  material  you  don’t  know.  

o Your  concentration  is  best  early  in  your  practice  session.  o Use  the  latter  part  of  your  session  to  review  materials  

• Take  a  5  -­‐  10  minute  break  for  every  25  minutes  of  concentrated  work.  • Don’t  force  memory!  

o While  playing  from  memory  is  not  a  bad  thing,  if  you  memorize  something  incorrectly  then  you  will  have  practiced  mistakes  (bad  habits).  

o Always  practice  with  the  music  in  front  of  you,  do  not  count  on  your  memory  until  you  are  absolutely  certain  that  you  have  memorized  good  fingerings,  tone,  phrase  structure,  dynamics,  rhythm,  etc…  

o Even  after  you  have  memorized  something,  go  back  and  look  at  the  musical  score  periodically.  

• It  is  better  to  practice  5  –  10  minutes  a  day  than  no  minutes  per  day.  o Each  practice  session  develops  short-­‐term  retention.  By  practicing  daily,  information  

moves  into  long-­‐term  understanding.  o If  you  practice  1  hour  one  day  and  skip  the  rest  of  the  week,  you  will  have  very  little  

retention  of  the  material  you  practiced  previously.  o Although  it  is  better  to  practice  5  –  10  minutes  per  day  than  no  minutes  per  day;  it  is  

better  to  get  more  than  this  amount  on  a  regular  basis.  The  5  –  10  minute  idea  is  only  when  there  is  truly  no  time  left  in  your  schedule  that  day.    

Practice  =  Work  

There  is  no  short  cut  to  becoming  a  good  musician.  Some  people  can  get  by  with  their  natural  aptitudes  up  to  a  point,  but  this  is  short  lived.  At  some  point,  it  takes  dedication  and  a  strong  work  ethic  to  improve.  

You  Are  Your  Own  Teacher  

I  am  a  coach  and  can  make  suggestions  on  how  to  improve  your  understanding,  but  if  you  don’t  put  these  suggestions  in  to  action,  there  is  little  I  can  do.  

• You  know  how  to  read  music  • You  know  what  whole  steps  and  half  steps  are  and  how  they  are  applied  on  the  guitar  • Rhythm  is  math;  sometimes  you  must  solve  the  problems…  use  a  metronome  as  your  calculator  • You  have  to  make  your  fingers  move,  I  cannot  do  this  for  you  • It  is  your  choice  to  use  efficient  fingerings  (often  indicated  in  the  music)  • It  is  your  choice  to  have  a  consistent  and  efficient  position  for  the  guitar  • The  guitar  does  not  play  itself;  you  must  do  the  work.  

If  you  need  extra  help  from  me,  we  can  meet  during  your  study  hall  or  after  school.  I  will  be  happy  to  help  in  any  way  I  can…  just  ask.  Dr.  V