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?C&!&0EYIFV&&%C&@J?L&ATE>DGA:&?H&@JAFA&XAFA&E&=ELL&DGE7AF:&@JA&D?EC?L@&XI<GB&DGE7&@JA&
F?MJ@]JECB&OI?N?CML&?C&@JA&GAH@&JECB:&HFAA?CM&@JA&F?MJ@&JECB&@I&DGE7&@JA&>AGIB7:&
?>DFIO?LA:&IF&?CNG<BA&>IFA&OI?N?CML&IH&@JA&JEF>IC7V&&*JA&OI?N?CML&?C&L@ENUAB&HI<F@JL&
EFA&FAHAFFAB&@I&EL&K<EF@EG&JEF>IC7V&&*JA&??\]3\]%&DFIMFALL?IC&?L&@JA&>IL@&X?BAG7&<LAB&
DFIMFALL?IC&?C&YEZZ:&Y<L@&EL&@JA&??]3]%&DFIMFALL?IC&?L&OAF7&NI>>IC&?C&@ICEG&><L?NV&
&
&
&
G7 G9 G11 G13 G7(b9) G7[âÅ] G7[áÆ] G7(“4)
& Pa&
,TE>DGA&RVS:&OI?N?CML&IOAF&E&??\]3\]%&DFIMFALL?IC&?C&!&0EYIF&
&
& 2CA&IH&@JA&>IL@&NI>>IC&HIF>L&?C&YEZZ&?L&@JA&RP]=EF&=G<AL:&XJ?NJ&>EUAL&
AT@ACL?OA&<LA&IH&3\&NJIFBLV&&+IXAOAF:&@JA&3\&LICIF?@?AL&BI&CI@&EGXE7L&LAFOA&
BI>?CEC@&H<CN@?ICLV&&#G@JI<MJ&@JAFA&EFA&LAOAFEG&OEF?E@?ICL&IH&@JA&RP]=EF&=G<AL:&@JA&
=EL?N&DFIMFALL?IC&=A?CM&%]%3]%]%]%3]%3]%]%]3]%3]%V&&,OAF7&NJIFB&<LAB&?L&E&BI>?CEC@&
LAOAC@J&NJIFBl&HIF&ATE>DGA&E&!&BI>?CEC@&LAOAC@J&NJIFB&?L&<LAB&EL&%&?C&!&0EYIF&
FE@JAF&@JEC&E&!&0EYIF&LAOAC@J&NJIFBV&&#GICM&X?@J&@JA&=G<AL&HIF>:&@JA&=G<AL&LNEGA&?L&
EGLI&X?BAG7&<LAB&?C&YEZZl&@JA&=G<AL&LNEGA&EGLI&NFAE@AL&><NJ&IH&@JA&YEZZ&AHHAN@&?C&
4ED<L@?CWL&><L?NV&&,TE>DGAL&RV[&ECB&RV`&?GG<L@FE@A&E&L?>DGA&@XAGOA]=EF&=G<AL&X?@J&
F?MJ@]JECB&OI?N?CML&ECB&E&L?>DGA&=ELL&G?CA:&EL&XAGG&EL&@XI&B?HHAFAC@&OAFL?ICL&IH&@JA&
=G<AL&LNEGAV&&%@&LJI<GB&=A&CI@AB&@JE@&@JA&LANICB&=G<AL&LNEGA&?C&ATE>DGA&RV[:&XJ?NJ&
<@?G?ZAL&=I@J&@JA&>EYIF&ECB&>?CIF&@J?FB:&JEL&E&MFAE@AF&E=?G?@7&@I&H<CN@?IC&?C&=I@J&
>IBALV&
,TE>DGA&RV[:&RP]=EF&=G<AL&?C&!&0EYIF&
&
D‹7 G13 CŒ„!139753
1337
9133
ii7 V7 I
C7 F7 C7 C7
I IV I I
& Pd&
&
,TE>DGA&RV`:&@XI&OAFL?ICL&IH&@JA&!&=G<AL&LNEGA&
&
#&OAF7&NI>>IC&JEF>IC?N&L<=L@?@<@?IC&?C&YEZZ&?L&UCIXC&EL&@JA&@F?@ICA&
L<=L@?@<@?ICV&&,TE>DGA&RVc&?GG<L@FE@AL&@J?L&L<=L@?@<@?IC&?C&@JA&UA7&IH&!&0EYIFV&&%C&@J?L&
?CL@ECNA:&E&/]HGE@&BI>?CEC@&LAOAC@J&?L&L<=L@?@<@?CM&HIF&8&BI>?CEC@&LAOAC@J&NJIFBV&&
*J?L&?L&UCIXC&EL&E&@F?@ICA&L<=L@?@<@?IC&HIF&@XI&FAELICLV&&-?FL@:&@JA&NJIFB&NIC@E?CL&@JA&
LE>A&@F?@ICA&EL&@JA&IF?M?CEGV&&$ANICB:&@JA&FII@&?L&E&@F?@ICA&EXE7&HFI>&@JA&IF?M?CEGV&&
*JA&@F?@ICA&L<=L@?@<@?IC&LAFOAL&LE>A&BI>?CEC@&H<CN@?ICV&&.?NIGA&6?E>IC@A&ATDGE?CL&
@JE@&@JA&@XI&JEF>IC?AL&EFA&?C@AFNJECMAE=GA&=ANE<LA&@JA&@F?@ICA&?L&?COAFL?ICEGG7&
L7>>A@F?NEGV&&$JA&NIC@?C<AL&=7&ATDGE?C?CM&@JE@&@JA&@J?FBL&ECB&LAOAC@JL:&XJ?NJ&HIF>&
@JA&@F?@ICAL&IH&=I@J&NJIFBL:&>ED&IC@I&AENJ&I@JAF:&EGGIX?CM&HIF&L>II@J&OI?NA&GAEB?CM&
X?@J&A?@JAF&NJIFBV&&fJ?GA&@F?@ICA&L<=L@?@<@?ICL&EFA&IH@AC&<LAB&HIF&BI>?CEC@&
F7 F7 C7 C7
G7 F7 C7 C7
IV IV I I
V IV I I
1 2 b3 3 5 6 1
1 b3 4 #4 5 b7 1
& SQ&
H<CN@?ICL:&@JA&@F?@ICA&L<=L@?@<@?IC&NEC&EGLI&=A&EDDG?AB&@I&NJIFBL&X?@JI<@&E&@F?@ICA&
jMACAFEGG7&BI>?CEC@&DFADEFE@?ICL&L<NJ&EL&O?&ECB&??kV[d&
,TE>DGA&RVc:&@JA&@F?@ICA&L<=L@?@<@?IC&
&
& #&=EL?N&UCIXGABMA&IH&YEZZ&?>DFIO?LE@?IC&?L&AT@FA>AG7&JAGDH<G&?C&
<CBAFL@ECB?CM&ECB&?C@AFDFA@?CM&@JA&><L?N&IH&.?UIGE?&4ED<L@?CV&&*7D?NEGG7&?C&E&YEZZ&
DAFHIF>ECNA:&@JA&><L?N?ECL&X?GG&DGE7&@JFI<MJ&@JA&>AGIB7&IH&E&@<CA&ICA&IF&@XI&@?>AL:&
HIGGIXAB&=7&E&C<>=AF&IH&?>DFIO?LAB&LIGIL&=7&AENJ&>A>=AF&IH&@JA&MFI<DV&&*JA&
?>DFIO?LAB&LIGIL&EFA&DGE7AB&IOAF&@JA&NJIFB&NJECMAL&IH&@JA&IF?M?CEG&@<CAV&&%C&IFBAF&@I&
UCIX&XJ?NJ&CI@AL&X?GG&XIFU&IOAF&@JA&NJIFB&NJECMAL:&YEZZ&><L?N?ECL&><L@&JEOA&E&
@JIFI<MJ&UCIXGABMA&IH&>IBALV&&,ENJ&NJIFB:&ECB&?@L&H<CN@?IC:&?>DG?AL&E&>IBA&@JE@&
X?GG&DFIO?BA&@JA&><L?N?EC&X?@J&@JA&=AL@&NJI?NA&IH&CI@AL&HIF&?>DFIO?LE@?ICV&&-IF&
ATE>DGA:&?C&@JA&UA7&IH&!&0EYIF:&@JA&/&BIF?EC&LNEGA&X?GG&LI<CB&=AL@&IOAF&@JA&??&NJIFB:&
@JA&8&>?TIG7B?EC&LNEGA&X?GG&LI<CB&=AL@&IOAF&@JA&3&NJIFB:&A@NV&&*J?L&?L&CI@&@I&?>DG7&@JE@&
@JA&YEZZ&><L?N?EC&?L&G?>?@AB&@I&ICG7&@JALA&NJI?NAL&IH&CI@AL&XJAC&DAFHIF>?CM&E&LIGIV&&
'<L@&EL&CIC]JEF>IC?N&@ICAL&E=I<CB&?C&@FEB?@?ICEG&@ICEG&><L?N:&@JA7&NEC&EGLI&=A&<LAB&
&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&[d&.?NIGA&6?E>IC@AV&&^#<M>AC@AB]$?T@J&!JIFBL&OLV&&*F?@ICA&$<=L@?@<@AL:_&23405$!"#():$%/60/#&R[)&P&j'<CA&PQQak:&ENNALLAB&#<M<L@&Pc:&PQRP:&J@@D)iiXXXV>@IL>@VIFMi?LL<ALi>@IVQaVR[VPi>@IVQaVR[VPV=?E>IC@AVJ@>GV&
D‹7 G7 CŒ„!7
D‹7 D¨7 CŒ„!7
Original:
ii7 V7 I
Tritone Substitution:
ii7
(tritone preserved between B/C-flat and F)
Trit. Sub. (bII7) I
& SR&
XJAC&?>DFIO?L?CM&E&LIGIV&&%C&LI>A&NELAL:&L<NJ&EL&B?LLICEC@&CA?MJ=IF&CI@AL:&YEZZ&
><L?N?ECL&>E7&EN@<EGG7&A>DJEL?ZA&@JA&CIC]JEF>IC?NL&@I&MACAFE@A&?C@AFAL@V&&,TE>DGA&
RV\&?GG<L@FE@AL&E&LJIF@&LIGI&IOAF&E&??\]3\]%&DFIMFALL?IC&?C&!&0EYIF&@JE@&L@E7L&L@F?N@G7&
X?@J?C&@JA&DEFE>A@AFL&IH&@JA&>IBAL&ECB&E&LIGI&@JE@&<LAL&CIC]JEF>IC?N&@ICALV&&fJ?GA&
DFEN@?N?CM&>IBAL&ECB&DFEN@?N?CM&?>DFIO?L?CM&?L&JAGDH<G:&YEZZ&><L?N?ECL&@F<G7&GAEFC&
@JA&GECM<EMA&IH&YEZZ&=7&DAFHIF>?CM&X?@J&I@JAF&ATDAF?ACNAB&YEZZ&><L?N?ECL&ECB&
@FECLNF?=?CM&LIGIL&HFI>&FANIFB?CML&=7&I@JAF&YEZZ&><L?N?ECLV&
,TE>DGA&RV\:&ATE>DGAL&IH&?>DFIO?LE@?IC&X?@J&>IBAL&ECB&CIC]JEF>IC?N&@ICAL&
&
& fJ?GA&@JA&NI>DIL?@?ICL&IH&.?UIGE?&4ED<L@?C&EFA&@ANJC?NEGG7&CI@&YEZZ&><L?N&
jICA&IH&@JA&BAH?C?CM&NJEFEN@AF?L@?NL&=A?CM&?>DFIO?LE@?ICk:&@JAFA&?L&CI&K<AL@?IC&@JE@&
@JA&><L?N&?L&JAEO?G7&=ELAB&IC&@JA&GECM<EMA&IH&YEZZV&&*J?L&FAK<?FAL&@JE@&@JA&DAFHIF>AF&
DILLALL&E@&GAEL@&E&N<FLIF7&UCIXGABMA&IH&YEZZ&H<CBE>AC@EGLV&&fJ?GA&@JA&NJEFEN@AF?L@?NL&
IH&YEZZ&@JE@&EFA&DFALAC@AB&JAFA&EGGIX&HIF&E&=EL?N&<CBAFL@ECB?CM&IH&JIX&@JA&><L?N&
XIFUL:&@JAFA&?L&NAF@E?CG7&>IFA&@JE@&NEC&=A&ATDGIFAB&ECB&JAEFB&?C&@JA&><L?N&IH&
4ED<L@?CV&&-IF&ATE>DGA:&@JAFA&EFA&BIZACL&IH&LNEGAL&EL?BA&HFI>&@JA&B?E@IC?N&>IBAL&
@JE@&YEZZ&><L?N?ECL&<LA&XJAC&?>DFIO?L?CM:&ECB&@JAFA&EFA&LAOAFEG&B?HHAFAC@&OEF?E@?ICL&
D‹7
Using modes:
ii7 (Dorian) V7 (Mixolydian) I (Ionian)
With non-harmonic tones
ii7
N P
V7
P P
I
N N3
& SP&
IH&@JA&RP]=EF&=G<AL&HIF>&@JE@&EFA&XIF@J&ATDGIF?CMV&&1CK<AL@?ICE=G7:&@JA&>IL@&
AHHAN@?OA&XE7&@I&A>=FENA&YEZZ&EL&?@&EDDG?AL&@I&@JA&><L?N&IH&.?UIGE?&4ED<L@?C:&JIXAOAF:&
?L&@I&G?L@AC&@I&FANIFB?CML:&Y<L@&EL&4ED<L@?C&J?>LAGH&B?B&XJAC&GAEFC?CM&@JA&YEZZ&
GECM<EMAV&&,>=FEN?CM&@JA&L@7GA&ECB&EDDG7?CM&?@&@I&@JA&><L?N&?L&XJE@&@F<G7&M?OAL&
4ED<L@?CWL&XIFU&E<@JAC@?N?@7V
& SS&
$,!*%2.&6&
5%#.2&$2.#*#&.2V&P:&25V&`[&
.?UIGE?&4ED<L@?CWL&5?ECI&$ICE@E&.IV&P:&2DV&`[:&XEL&NI>DGA@AB&?C&Rdad&ECB&?L&
@JA&GICMAL@&IH&@JA&@XAC@7&JA&JEL&XF?@@AC&@I&BE@AV&&*JA&XIFU&NICL?L@L&IH&HI<F&
>IOA>AC@L&IH&OEF?AB&L@7GAL&X?@J?C&@?MJ@G7&NIC@FIGGAB&L@F<N@<FALV&&*JA&H?FL@&>IOA>AC@&
?L&NEL@&?C&E&NGAEF&LICE@E&HIF>&@JE@&<@?G?ZAL&@JA>AL:&>I@?OAL:&ECB&UA7&EFAEL&?C&@JA&LE>A&
HELJ?IC&ICA&>?MJ@&ATDAN@&HFI>&EC&AEFG7&6AA@JIOAC&LICE@EV&&*JA&LANICB&>IOA>AC@:&E&
LNJAFZI:&?L&BALNF?=AB&=7&4ED<L@?C&J?>LAGH&EL&E&^YEZZ7&@EFEC@AGGE_&?C&RPiaV`Q&*JA&@J?FB&
>IOA>AC@&>EFUL&E&LJEFD&NIC@FEL@&@I&@JA&I@JAF&>IOA>AC@L:&EL&?@&?L&?C&@JA&L@7GA&IH&E&
YEZZ&=EGGEBV&&*JA&HI<F@J&>IOA>AC@:&<CK<AL@?ICE=G7&@JA&>IL@&O?F@<IL?N:&?L&E&
-#)-#133,$,(@06#V&&%C&HEN@:&ICA&IH&4ED<L@?CWL&O?L?ICL&HIF&@J?L&LICE@E&XEL&@I&NICNG<BA&
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IH&@J?L&XIFU:&EL?BA&HFI>&4ED<L@?C&J?>LAGH:&?CNG<BA&.?UIGE?&5A@FIO:&$JIUI&%CI<A:&3?@I&
9A?=EGB?:&'IJC&$EG>IC:&#GAULA?&3IGIB?C:&$@AOAC&2L=I<FCA:&ECB&0EFN]#CBFA&+E>AG?CV&&
2L=I<FCA&ECB&+E>AG?C&L@ECB&I<@&EL&@XI&DEF@?N<GEFG7&?>DIF@EC@&H?M<FAL&FAGE@AB&@I&
@J?L&LICE@E:&EL&2L=I<FCAWL&FANIFB?CM&IH&@JA&LICE@E&X?@J&+7DAF?IC&9ANIFBL&ECB&
+E>AG?CWL&?CNG<L?IC&IH&@J?L&LICE@E&IC&ICA&IH&J?L&NICNAF@&@I<FL&=I@J&NIC@F?=<@AB&
OEL@G7&@I&=F?CM?CM&.?UIGE?&4ED<L@?CWL&><L?N&@I&@JA&E@@AC@?IC&IH&@JA&fAL@V&
#L?BA&HFI>&@JA&NGAEF]N<@&NGELL?NEG&HIF>L&ECB&<LA&IH&YEZZ&JEF>IC?AL:&@JAFA&EFA&
@XI&HAE@<FAL&@JE@&>EUA&@J?L&LICE@E:&ECB&4ED<L@?CWL&><L?N&?C&MACAFEG:&DEF@?N<GEFG7&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&`Q&4ED<L@?C:&A>E?G&>ALLEMA&@I&E<@JIF:&-A=F<EF7&S:&PQRPV'
& S[&
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H<F@JAF&B?HHAFAC@?E@?CM&J?>&HFI>&#>AF?NEC&NFILLIOAF&NI>DILAFL&L<NJ&EL&8AFLJX?CV&&
.I@&ICG7&BIAL&4ED<L@?C&<LA&JEF>IC?AL:&UA7&EFAEL&ECB&>I@?OAL&@JE@&NI>=?CA&NGELL?NEG&
ECB&YEZZ&AGA>AC@L:&=<@&@JAFA&EFA&EGLI&>EC7&>I>AC@L&?C&XJ?NJ&@JA&?CB?O?B<EG&
JEF>IC?AL&EFA&@JA&FAL<G@&IH&G?CAEF&OI?NA&GAEB?CM:&L?>?GEF&@I&@JA&><L?N&IH&5FIUIH?AOV&&
$ANICB:&@JAFA&EFA&AC@?FA&LAN@?ICL&IH&><L?N&@JE@&LI<CB&EL&@JI<MJ&EC&?>DFIO?LE@?IC&
XAFA&FANIFBAB&ECB&L?>DG7&@FECLNF?=ABV&&fJ?GA&@J?L&?L&NAF@E?CG7&CI@&@JA&NELA:&
4ED<L@?CWL&=ENUMFI<CB&ENNI<C@L&HIF&JIX&L<NJ&E&L@7GA&IH&NI>DIL?@?IC&NI<GB&=A&
DILL?=GAV
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#&HI<F]=EF&?C@FIB<N@?IC&jLAA&,TE>DGA&PVRVPk:&XJ?NJ&H?F>G7&AL@E=G?LJAL&@JA&UA7&IH&,&
0EYIF&ECB&@JA&FJ7@J>?N&>I>AC@<>&@JE@&?L&L<L@E?CAB&@JFI<MJI<@&@JA&>IOA>AC@:&
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HFI>&>>V&`]S`:&<@?G?ZAL&E&DJFELA&L@F<N@<FA&IH&##6#:&@JA&LE>A&L@F<N@<FA&EL&J<CBFABL&
IH&YEZZ&L@ECBEFBLV&&,ENJ&@?>A&@JA&#&DJFELA&?L&FADAE@AB:&4ED<L@?C&OEF?AL&@JA&>AGIB7&
ECB&JEF>IC7:&@EU?CM&@JA&DJFELA&?C&E&B?HHAFAC@&B?FAN@?IC&AENJ&@?>AV&&#C&?C]BAD@J&
ECEG7L?L&IH&AENJ&DJFELA&FAOAEGL&@JA&NI>=?CE@?IC&IH&YEZZ&JEF>IC?AL&X?@J&G?CAEF&
NIC@FED<C@EG&@ANJC?K<ALV&
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=A&CI@AB&EFA&4ED<L@?CWL&<LA&IH&CIC]JEF>IC?N&@ICAL&X?@J?C&@J?L&JEF>IC?N&HFE>AXIFU&
ECB&JIX&4ED<L@?C&@IC?N?ZAL&@JA&LAA>?CMG7&<CFAGE@AB&UA7&IH&8]LJEFD&0EYIF&
j<CFAGE@AB&?C&@AF>L&IH&@JA&UA7&L?MCE@<FA:&@JI<MJ&FAGE@AB&?C&@AF>L&IH&@JA&NI>>IC&
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dim.f
EŒ„!7 E7(b9)5
mp
A/E A‹/E EŒ„!7 A A‹ EŒ„!9
C©‹11 A©‹7 A7 G©Œ„!9 FØ7 B13
1Introduction
4
3 3
EM: I
First Theme GroupExposition
PN
V/IV
7DN
P
^1IV Biv
^1I IV
P P
BivN
I6
10
P
P
P P
G#M:
vi
ii7 bII7 I
EM: ii7 V7
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:;!$-0!55$-!*9!3*%%*208!)<!)'!=!>&?*%;!$*!&'!),17)08!@;!(0$$)'/!.1!&!))6AB6AC!
1%*/%0(()*'!$-&$!$*')D)E0(!$-0!F0G!*9!H!,)'*%;!$-0!(.38*,)'&'$!*9!+!,)'*%!I$-0!3&((!
@!*'!$-0!$-)%8!30&$!*9!,4!5#!)(!-0&%8!%0$%*&D$)<07GJ4!!C$!(-*.78!&7(*!30!'*$08!$-&$!=!
>&?*%!&'8!H!,)'*%!&%0!$-)%8A%07&$08;!2)$-!$-0!D*,,*'!$*'0!*9!@A(-&%1KLA97&$M!$-)(!)(!
&!D*,,*'!%07&$)*'!)'!N.(()&'!,.()D4!!O-0!3&((!,*$)*'!9%*,!H!$*!:!)'!,4!5P!D-&'/0(!
$-)(!-&%,*'G!9%*,!H!,)'*%!$*!&!:!-&79A8),)')(-08!(0<0'$-!D-*%8;!(0$$)'/!.1!&!))6AB6A
C!1%*/%0(()*'!$-&$!$*')D)E0(!+!,)'*%4!
=Q&,170!R454";!,,4!5"ARS!
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EŒ„!7 A/E A‹/E
f
EŒ„!7 A A‹11 G‹7 C7(b9) F‹
13P P
N DN
EM: I ii7-V7/IV^1IV Biv
^116
P
I
P
IV
N P
Biv Fm: ii7 V7 i19
N DN3 3
P
Cm: ii7 V7 (i)
! "#!
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3'E?&!A0<%!'!40D?<!?-!FG,5'<!H'E?&!0-!37!6"I!'5<%?B;%!<%)!JG,5'<!0-!<%)!3)5?/>!())3(!
<?!.&)'<)!'-!FG,5'<!/?30-'-<!()D)-<%!,?&3'<0?-+!<%0(!0(!?-5>!'!&)(B5<!?,!<%)!3)5?/>!
B(0-;!<%)!JG,5'<!K&'0()/!L9M!?,!<%)!@!30-?&!:5B)(!(.'5)7!!N%)!5?A)&)/!3)/0'-<+!@G,5'<!
H'E?&+!0(!<?-0.0O)/!0-!337!69G6P+!,?55?A)/!:>!'!/)(.)-/0-;!.%&?3'<0.!3?<0?-!?,!'!
30-?&!<%0&/!0-!<%)!?B<)&!D?0.)(!<%'<!()<(!B4!'!00QGRQGS!4&?;&)((0?-!0-!1G,5'<!H'E?&7!!!
12'345)!67879+!337!68G6T!
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C'4B(<0-!3'-';)(!<?!.&)'<)!'!(3??<%!<&'-(0<0?-!:'.=!<?!<%)!B-&)5'<)/!=)>!?,!
1!H'E?&!0-!37!6Q!:>!<&'-(,?&30-;!<%)!<?-0.!?,!1G,5'<!H'E?&!<?!<%)!/?30-'-<!?,!1!H'E?&!
C‹
p
D¨‹9 G¨7(b9) C¨Œ„!9 F‹11 B7
E¨ B13
f
21
P P
P N N
i
N
N P
EbM: IVVI
N
DN
I6Cm:24
ii7----------V7/bVI bVI
Chr. Descent
ii V7
4-3 susp.
27
NRespelling N
IChr. Descent
EM: V7 (I)
! "#!
$%&'!()*&'+,!-',*.(&%-!&'%,/!/+0-+)&!%)!&'+!1(002!!3(450&%)!(60*!.(7+0!50+!*8!
+)'(,.*)%-0!&*!(-'%+9+!&'%02!!:'+!1(00!/+0-+)/0!-',*.(&%-(66;!1;!(!.(<*,!&'%,/!8,*.!
=>86(&!&*!?2!!:'+!,%@'&>'()/!=>86(&!1+-*.+0!A>0'(,4B!&'+!&'%,/!*8!&'+!?!/*.%)()&!
'(,.*);2!!:'+!544+,>.*0&!9*%-+B!()!544+,>)+%@'1*,!C>86(&!6+(/%)@!&*!DB!%0!,+04+66+/E!
C>86(&B!(!)*)>'(,.*)%-!&*)+!%)!=>86(&!F(<*,B!1+-*.+0!&'+!&'%,&++)&'!*8!&'+!?!
/*.%)()&!'(,.*);B!()/!DB!*,%@%)(66;!&'+!&'%,/!*8!=>86(&!F(<*,B!1+-*.+0!G!/*516+>
0'(,4B!()!%)-*.46+&+!)+%@'1*,!&*!&'+!&'%,&++)&'!*8!?2!
! =H(.46+!I2J2KB!..2!IL>"MB!%6650&,(&+0!&'+!8%)(6!C!0+-&%*)!*8!&'+!8%,0&!&'+.+!()/!
&'+!&,()0%&%*)!&'(&!6+(/0!%)&*!&'+!0+-*)/!&'+.+2!!F.2!IL>NK!+00+)&%(66;!8*66*$!&'+!
0(.+!'(,.*)%-!4,*@,+00%*)!(0!..2!JN>JM!%)!&'+!4,+9%*50!C!4',(0+2!!C!)*&%-+(16+!
-'()@+!'(44+)0!%)!.2!NO!$%&'!()!5)+H4+-&+/!.*9+!&*!(!?>86(&!F(<*,!)%)&'!-'*,/!
6+(/%)@!&*!=>86(&!.%)*,!*)!&'+!6(0&!1+(&!*8!&'+!1(,2!!P)!&'+!4,+9%*50!7+;!*8!G!.%)*,B!
&'%0!%0!()!+H&+)/+/!'(,.*);!*)!&'+!051/*.%)()&2!!Q%&'!&'+!.*9+!&*!=>86(&!.%)*,B!
'*$+9+,B!*)+!-()!'+(,!&'+!C!()/!R!S.(<*,!0+9+)&'!()/!)%)&'T!(0!)+%@'1*,0!&*!?>86(&!
()/!A>86(&B!,+04+-&%9+6;B!%)!&'+!=!.%)*,!0+9+)&'!-'*,/E!&'%0!%)&+,4,+&(&%*)!@%9+0!
/*.%)()&!85)-&%*)!&*!&'+!?>86(&!.(<*,!)%)&'!-'*,/!%)!.2!NO2!
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EŒ„!7 E7 A/E A‹/E
EŒ„!7 A A‹11 GŒ„!9 G‹7 C13
B¨Œ„!9 E¨‹7D‹7
D¨Œ„!7
mf
C©Ø7 A
29
EM: I V7/IV^1IV
^1iv
32
I IV Biv Fm: ii7 V7
36 Transition
3 3
(V of Ebm w/neighbor A)IV
(bass chromatic descent)
39
3 3
(enharmonic respelling)
DM: vii7 V6
! "#!
!
$%&!'()*(&++,)-!.%/.!'()0&&1+!2()3!334!567"8!,+!0)-.()99&1!:;!.%&!
1&+0&-1,-*!0%()3/.,0!:/++!9,-&<!=:7>7>:4!!?2.&(!/((,@,-*!/.!>729/.!A/B)(!,-!34!5C<!
D/'E+.,-!(&./,-+!.%&!0)33)-!.)-&!>729/.!F(&+'&99,-*!,.!/+!G7+%/('H!/-1!29E0.E/.&+!
:&.I&&-!G7+%/('!%/9271,3,-,+%&1!+&@&-.%!/-1!?!A/B)(!%/(3)-;!,-!334!"87"#<!:).%!
)2!I%,0%!,-1,0/.&!/!.)-,0!)2!>!A/B)(4!!J)I&@&(<!.%&!G7+%/('!%/9271,3,-,+%&1!+&@&-.%!
0%)(1!,-!34!"#!,+!E+&1!/+!/!',@).!0%)(1!/-1!(&,-.&('(&.&1!/+!.%&!+E'&(.)-,0!,-!.%&!
(&9/.,@&!K&;!)2!L!3,-)(4!!>)3,-/-.!%/(3)-;!)00E(+!,-!34!"5<!2)99)I&1!:;!/!1&0&'.,@&!
C©Ø7 F©7G
f
F©7(b5)
B7
mp
42 44 3
Bm: ii7vii7 V7 VI
45
V7
47Second Theme
i EM: V7(B Mixolydian)
! "#!
$%&'%(!&%!&)*!+,-$*.'/(&!$0!""0!!1(&*2*+&'(3456!&)*!+%4'&/25!7!%(!&)*!.%8(-*/&!%9!$0!
""!:2%;'.*+!/!2*+%4,&'%(!&%!&)*!+,-&%('<!/(.!.%$'(/(&!)/2$%('*+!'(!7!=/>%2!&)/&!
8*2*!(*;*2!2*+%4;*.!'(!$$0!"?@"A0!!B(<*!&)*!2*+&!%9!&)*!C!=/>%2!)/2$%(5!'+!9'44*.!
%,&6!'&!'+!<4*/2!&%!&)*!4'+&*(*2!&)/&!/!.*<*:&';*!$%&'%(!)/+!%<<,22*.0!
! D)*!E@94/&+!'(!$$0!""@"F!/2*!.*2';*.!92%$!&)*!$'(%2!&)'2.!%9!&)*!C!=/>%2!
-4,*+!+</4*0!!=/((!*G:4/'(+!&)/&!H/:,+&'(!%9&*(!>,G&/:%+*+!&)*!&)'2.!%9!&)*!$/>%2!
+</4*!/(.!&)*!&)'2.!%9!&)*!-4,*+!+</4*6!/+!)*!.%*+!'(!&)*+*!$*/+,2*+0FA!C%'(3!'(&%!$0!
"I6!&)*!E@94/&!'+!2*@'(&*2:2*&*.!/+!&)*!$/>%2!&)'2.!%9!&)*!J@+)/2:!.%$'(/(&!+*;*(&)!
)/2$%(56!4*/.'(3!&%!/!2*+%4,&'%(!&%!E!%(!&)*!.%8(-*/&!%9!$0!"K!/(.!&)*!-*3'(('(3!%9!
&)*!+*<%(.!&)*$*0!
! L4&)%,3)!&)*!+*<%(.!&)*$*6!/+!+)%8(!'(!MG/$:4*!N0A0I6!-*3'(+!8'&)!&)*!
+%4'&/25!:'&<)!E6!8)'<)!8%,4.!'$:45!/(!*G:*<&*.!O'(!&*2$+!%9!&*G&-%%P!+%(/&/!9%2$Q!
P*5!%9!E!=/>%26!&)*!L@(/&,2/4+!&)/&!%<<,2!'(!&)*!2*$/'('(3!-*/&+!%9!&)*!-/2!'$:45!&)/&!
&)'+!'+!&)*!.%$'(/(&!%9!M!=/>%20!!D)*!<%(+'+&*(&!L@(/&,2/4+!'(!$$0!"K@FN!/4+%!3';*!
&)*!'$:2*++'%(!%9!E!='G%45.'/(6!8)'<)!'+!/!;*25!<%$$%(!>/RR!$%.*!,+*.!'(!
'$:2%;'+/&'%(!%;*2!&)*!.%$'(/(&0!!!1(!$0!F?6!H/:,+&'(!/3/'(!,+*+!/!S-4,*+!&)'2.T!'(!
&)*!-/++!O&)'+!&'$*!'(!E!=/>%2Q0!!D)*!-/++!&)*(!.*+<*(.+!-5!:*29*<&!9'9&)+!'(!$0!FA!/(.!
'+!)/2$%('R*.!-5!&)*!2'3)&!)/(.6!/44!/+!/!(*'3)-%2'(3!$%&'%(!4*/.'(3!-/<P!&%!&)*!E!
.%$'(/(&!+*;*(&)!)/2$%(50!!B(!&)*!&)'2.!-*/&!%9!$0!F#6!&)'+!.%$'(/(&!+**$+!&%!
9'(/445!2*+%4;*!&%!M!=/>%2U!)%8*;*26!'(!&)*!+/$*!$/((*2!/+!&)*!%:*('(3!%9!&)'+!
+*<&'%(6!&)*!7@(/&,2/4!&)/&!%<<,2+!%(!&)*!;*25!(*G&!-*/&!<)/(3*+!&)'+!&%!&)*!.%$'(/(&!
%9!L!=/>%20!!V*2*6!/(%&)*2!-4,*+!&)'2.!*99*<&!%<<,2+6!&)'+!&'$*!/44!8'&)'(!&)*!.%$'(/(&!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!FA!=/((6!SW*.!X)'&*!/(.!E4,*6T!FY0!!!
! ""!
#$%$&'(!)(*+,-!!.*%/&0!1*+23+,4!/'!/#!)5$3+!'(3'!'(/#!/#!3!)/+)5$!*1!1/1'(#!6+*0+$##/*&!
'(3'!)*&'/&7$#!'(+*70(!'($!89153'!,*:/&3&'!#$%$&'(!'(3'!*))7+#!/&!:-!;<-!
=>3:65$!?-@-A4!::-!"B9<;!!
!
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B7 D‹7 G‹9
mp
B7 E7 A D
G C7 F B7
B7 C©Œ„!7
48Second Theme Group (neighbor motion)
EM:(B Mixolydian)V
blues third
(descending 5ths)
52
(blues third)
AM:
I
V I DM: V I
55
GM: V I CM: VFM: V7
I BbM: VI EbM: V
I
58
cresc.
half-step trans.
passing harmony
C#M: V7 I
! "#!
!
!
!
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F7
G©‹7 C©13
f
F©‹9
61
m.s.
(blues third)
m.d.
PBM: V7
EM:I
(B Mixolydian)V765
3
68
F#m: ii7 V7 I
3
71
P
chromatic bass descent
3
! "#!
!
$%!&'!()*!+,-./01%!234,5/!064!76,1%!89!91906/!2:!./1%;!,!/4<.4%74!06,0!0.3%/!=>
9?,0!@8&1%,%0!/4A4%06!6,3&8%:!1%08!=!@8&1%,%0!/4A4%06!6,3&8%:!0638.;6!,!6,?9>
/04-!03,%/-8/1018%'!!B61/*!1%!0.3%*!1/!1&&4@1,04?:!03,%/983&4@!1%08!C>/6,3-!@8&1%,%0!
/4A4%06!6,3&8%:!0638.;6!,!76,%;4!1%!064!2,//!,%@!6,?9>/04-!&8A4&4%0/!1%!064!
1%%43!A8174/*!&8A1%;!08!064!54:!89!D>/6,3-!E,F83'!!$%!34038/-470*!064%*!064!=!
@8&1%,%0!/4A4%06!6,3&8%:!1/!64,3@!,/!,!-,//1%;!&8018%'!!$%!&'!#G*!0638.;6!
7638&,017!&8018%!1%!064!2,//!,%@!,%80643!2?.4/!0613@!1%!064!.--43>&8/0!A8174*!
+,-./01%!03,%/983&/!D>/6,3-!&,F83!1%08!H>/6,3-!@8&1%,%0!/4A4%*!?4,@1%;!2,75!08!,!
34/0,04&4%0!89!064!8-4%1%;!89!064!/478%@!064&4!1%!&'!#"'!
! B64!34/0,04&4%0!89!064!8-4%1%;!89!064!/478%@!064&4!24;1%/!1%!4//4%01,??:!064!
/,&4!I,:!,/!1%!&'!"J'!!K!-,//1%;!&8018%!1%!&'!#L>#J!?4,@/!08!C>/6,3-!&1%83!/4A4%!,0!
064!A43:!4%@!89!&'!#J*!/4001%;!.-!,!11L>ML>$!-38;34//18%!06,0!08%171N4/!H>/6,3-!&1%83'!!
O61?4!&'!LP!&,:!,--4,3!08!24!,%!4Q04%@4@!6,3&8%:!I106!064!3880!H*!061/!1/!,70.,??:!
,!-,//1%;!&8018%'!!B61/!2478&4/!7?4,3!1%!064!?,/0!24,0!,%@!,!6,?9!89!&'!LG!?4,@1%;!08!
064!@8I%24,0!89!&'!LR'!!B64!2,//!@4/74%@/!7638&,017,??:!2:!,!&,F83!0613@!S/1&1?,3!08!
064!2,//!@4/74%0!06,0!877.3/!1%!&'!GLT*!,%@!064!31;60>6,%@!U>9?,0!E,F83!/4A4%06!7683@!
&8A4/!.-!2:!,!6,?9!/04-'!!B61/!34/.?0/!1%!,!D>/6,3-!&1%83!%1%06!7683@!240I44%!2806!
6,%@/!06,0!/40/!.-!,!11L>ML>$!-38;34//18%!1%!=!E,F83*!064!54:!89!064!7?8/1%;!064&4'!!
C©‹9 F9(“4)73
Closing Theme
33
3
BM: ii7 V7 I
! "#!
$%&!'()*+,+-!%,.)(+/!*+!)0!#"!12&2!,!3&.4&5-!4(1.-%!*+!36,5&!(4!,!),7(.!-%*.'8!
5.&,-*+9!,!:'()*+,+-!212";!5%(.'8!<%*5%!*2!=&./!5())(+!*+!7,>>!,+'!3(316,.!)12*50!
! $%&!56(2*+9!-%&)&8!2%(<+!*+!?@,)36&!A0B0#8!*2!*+!-%&!C&/!(4!D!E,7(.!,+'!
),C&2!&@-&+2*=&!12&!(4!-%&!'&25&+'*+9!F,22!6*+&!-(!3.(6(+9!,+'!5(++&5-!%,.)(+*&20!!
G(.!&@,)36&8!-%&!'&25&+'*+9!F,22!6*+&!DHIJHKJHGJH?!*+!))0!#LH#M!5(++&5-2!-%&!
-(+*5!,+'!21F'()*+,+-!%,.)(+*&20!!I!2*)*6,.!6*+&,.!)(-*(+!*2!12&'!*+!))0!N#HMO!-(!
5(++&5-!-%&!21F'()*+,+-!,+'!213&.-(+*5!%,.)(+*&2!P-%&!,55()3,+/*+9!=(*5&H
6&,'*+9!'*,9.,)!*+!))0!N#HMO!*6612-.,-&2!-%*2!)(.&!56&,.6/Q0!!!
?@,)36&!A0B0#8!))0!#LHML!
!
!
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!
75
Closing Theme
BM: I descending bass
78
register transfer IV ii7 V7
! "#!
!
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!
!
ff
82
3 3
3 3
I
85
ii7------bII7/IV IV
88
ii7
! "#!
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;*,()<!$%&'()*+!)7+*8*=-(!>!?%@7,<!).-!('A07/*+%+)<!*+!/1!2B!6*).!%!),*)7+-!('A()*)*7+!
&,79,-((*7+!&,79,-((*7+<!%(!7&&7(-0!)7!).-!:*,()!),%+(*)*7+!)7!).-!('A07/*+%+)!*+!/1!
B#!).,7'9.!7+CD!%!A%((!/7)*7+1!!E-87+0<!).-!('A07/*+%+)!).%)!A-9*+(!*+!/1!2B!*(!
&,7C7+9-0!).,7'9.!C*+-%,!/7)*7+(!*+!(-F-,%C!F7*8-(!,%).-,!).%+!*+!).-!A%((!7+CD1!!
G.*(!C-%0(!)7!%!C%,9-4(8%C-!-C%A7,%)-0!**4H4I!&,79,-((*7+!*+!J!?%@7,!*+!//1!#54K55!
L/1!K5#!6*).!).-!(-87+0!-+0*+9M1!
! G.-!,-),%+(*)*7+N),%+(*)*7+!L:*,()!-+0*+9N(-87+0!-+0*+9M!C%()(!:,7/!//1!#O4
K5O!%+0!*(!*CC'(),%)-0!*+!>P%/&C-!Q1K121!!$%&'()*+!%C)%,(!).-!-C%A7,%)-0!;4(.%,&!
07/*+%+)!(-F-+).!.%,/7+D!*+!/1!##!)7!(-)!'&!%!),*)7+-!('A()*)')*7+!&,79,-((*7+!*+!
).-!)7+*8!>!?%@7,1!!J-9*++*+9!*+!/1!K5K<!$%&'()*+!9,%0'%CCD!,--()%AC*(.-(!).-!-*9.).4
+7)-!,.D)./*8!/7/-+)'/!7:!).-!7&-+*+9<!'(*+9!).-!R&787!%!&787!%88-C-,%+07S!
0-(*9+%)*7+1!!T!(-,*-(!7:!+-*9.A7,!/7)*7+(!7+!).-!C%()!-*9.).!+7)-!7:!/1!K5"!%+0!*+!/1!
K5O!C-%0!)7!).-!,-&-%)!7:!).-!-P&7(*)*7+<!6.*8.!*+!//1!K5U4K5B!L).-!-V'*F%C-+)!7:!
//1!O4UM!'(-(!%+!-C%A7,%)-0!A%((1!!I+!).-!(-87+0!-+0*+9<!J!?%@7,!*(!%8)'%CCD!
p
91
3
3 3 3 33
3 3
molto dim.
93 Transition/Retransition3 3
V7
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BM: V7
3
98
rit. 3
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101poco a poco accelerando
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105 a tempo
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108rit. a tempo
3
I
111 (descending chromatic motion) rit. a tempoDevelopment
3 3
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116
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119
122
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125 sixth motive
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major/minor 3rd
Ebm major/minor 3rd
134
first theme (second half) material
major/minor 3rd
137triplet motive
3
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3
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140triplet motive sequential motion
3
3 3 3
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Gm first theme (first half) material
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143 chromatic motion
Fm first theme (first half) material
146
first theme (first half) material, inverted formfirst theme (second half) material
perfect fourth motion
Gm
149
first theme material DbM (dom. pedal)
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sub .
first theme (first half) material, inverted form
Gm155 first theme (first half) material
first theme (first half) material, augmented form
Ebm
158 first theme (second half) material
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161 Section 3
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second theme material
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EbM: I DM: V7 I
168
descending chromatic motion
descending chromatic motion
172characteristic jazz piano figure
blues third
2
FM: ii7N N
V7
177Section 44
3
(dom. pedal) I
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Section 4179
"jazzy" version of mm. 162-167
3 3
FM: I V7 I N P
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181
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184
3 33 33
3 3 3
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3
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187"improvisation"
3 3 3
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189
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195
"boogie-woogie" left hand
197
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first theme material
201
203
Blues IV
205
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209 Retransitionrole of the pitch G is obscured
Blues I
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214 accel.
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F‹9
236(First Theme)
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239 sequence
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242 Transition3
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3 3 33
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254Second Theme Groupa tempo
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256Second Theme Groupa tempo
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EM:(E Mixolydian)I
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AM: V7DM:
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269triplet figures
3 3 3 3 3 3
3 3
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3 3
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272
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278
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303Transitionpoco a poco ritenuto
EM: V7
3
3063
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308
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319 a tempo
CM: I (V)
322
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328sequence
329
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f
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A Section
NN
DM: Blues I
poco a poco cresc.
3N
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5 elaboration of I
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N
(I)
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Blues IV (V7)
11
Blues Itritoneleap
13
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VI linear motion
17
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19
21elaboration of I
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25
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Blues IV
27
Blues I linear descent of a tritone
29
N
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31
VIN N P (N)
33
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9 9
35
Gm: V
37 B Section
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39
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41
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4
V7/ii V7/V V7
43
Blues I
sub.
45
Blues IV
47
cresc.
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-0*6301!+-!*%+(!503!)0-!5&!+-*&3;3&*&/!0(!0!-&+7%5,3!*,-&!,3!0-,*%&3!P516&(!*%+3/QK9!!
$%3,67%!0!%01<@(*&;!.,*+,-!+-!.9!MD>!:0;6(*+-!*30-(<,3.(!*%&!L!.+-,3!(&=&-*%!
)%,3/!,-!*%&!10(*!&+7%*%!-,*&!,<!.9!MR!+-*,!0!L@(%03;!.+-,3!(&=&-*%!)%,3/>!(&**+-7!6;!
0!++M@SM@T!;3,73&((+,-!*%0*!*,-+)+B&(!U@(%03;!.0A,39!!V-)&!070+->!%&3&!:0;6(*+-!
f
F
p
F7
f
49
2 2
2 2 2
downward linear progression
52A Section elaboration of I
N
molto cresc.
N
DM: Blues I
! "#!
$%&'(&)!'!*%+,%&))-+.!/&(0&&.!(0+!1&2)!(3'(!'%&!(3-%45%&6'(&4!7(3&!8596'(:;5)3'%*!
/&-.,!(3&!$+<<+.!(+.&=>!!?'*@)(-.!@)&)!'!)&A@&.$&!-.!<>!BC!'.4!'!4&)$&.4-.,!
$3%+<'(-$!/'))!6-.&!+D&%!(3&!$+@%)&!+9!<<>!BC5BB!(+!$%&'(&!'!(%'.)-(-+.!(+!(3&!1&2!+9!
E5)3'%*!<-.+%!-.!<>!BB>!!?'*@)(-.!@)&)!'.+(3&%!3'695)(&*!<+(-+.!/&(0&&.!<<>!BF5
"GH!(%'.)9+%<-.,!(3&!E5)3'%*!<-.+%!)&D&.(3!$3+%4!(+!'.!;!<-.+%!)&D&.(3!$3+%4H!
)&((-.,!@*!'!--B5IB5-!*%+,%&))-+.!-.!(3&!1&2!+9!E!J'K+%>!!L3&!<+D&!(+!M5)3'%*!3'695
4-<-.-)3&4!)&D&.!-.!<<>!"N5"C!-<*6-&)!'!%&)+6@(-+.:%&(@%.!(+!O!J'K+%>!!P.!<>!"QH!
0-(3!(3&!)+6-('%2!O!+.!(3&!4+0./&'(H!+.&!3&'%)!(3&!%&)+6@(-+.>!!R+0&D&%H!')!(3&!%&)(!
+9!(3&!/'%!$+.(-.@&)H!-(!/&$+<&)!$6&'%!(3'(!(3&!+*&.-.,!-4&'!+9!(3&!)&$(-+.!-)!
%&(@%.-.,!'.4!(3&!O!9@.$(-+.)!+.$&!','-.!')!(3&!4+<-.'.(!+9!E!<-.+%>!!L3&!
%&<'-.4&%!+9!(3&!M!)&$(-+.!-)!&))&.(-'662!'!%&*&(-(-+.!+9!(3&!<'(&%-'6!*%&)&.(&4!(3@)!
9'%!-.!(3&!)&$(-+.H!0-(3!)+<&!$3'.,&)>!!?'*@)(-.!(%'D&6)!(3%+@,3!(3&!1&2)!+9!MS!
<-.+%!'.4!8!<-.+%!7')!+**+)&4!(+!E5)3'%*!<-.+%!'.4!E!J'K+%=H!6&'4-.,!&D&.(@'662!
(+!'!/%-&9!8!J'K+%!(+.'6-(2!-.!<>!FF!(3'(H!(3%+@,3!'!6-.&'%!<+(-+.!-.D+6D-.,!)&A@&.$&)!
-.!<>!TGGH!@6(-<'(&62!%&(@%.)!(+!E!<-.+%!9+%!(3&!/&,-..-.,!+9!(3&!)&$+.4!8!)&$(-+.>!
UV'<*6&!W>W>CH!<<>!#B5TGT!
!
!
!
p
68 C Section swinging
Gm: (V) i
! "#!
!
!
!
!
G‹9 C©9 F©Œ„!7
A7(#11)
G©‹7
A‹7 D13 GŒ„!9
71G#m7
(V) (i) (V) (i)
1/2 step
F#M: ii7 V7 I
74sequence
chromatic descent
77
m.d
3
G#m: i1/2 step motion
80
3 3
GM: ii7 V7 I
3
! ""!
!
!
!
C©º7
p
C©‹11 BŒ„!7
83
DM: vii7
85
Gm:I(V) i
3
88
BM:(11th in bass)ii7 bII7 I
90
sequence
m.s.3
3
! "#!
!
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G©Œ„!7 C©‹9
D©Ø7 G©7
923
33
3
C#m: V7
m.d.
i3
3 3
94
33 3
3
ii7 V7 i
3 3
3
96
3 33 3
3 3
3
Bm:^5ii7 V7 i V7
3
3
3
33
99linear motion
sequence3 3
3 3 3 3 3 3
BM: I3
3
3 3
33
3
! "#!
!
$%&!'&()*+*+,!-!)+.!/!0&12*3+0!34!2%*0!(35&(&+2!436637!2%&!0)(&!8)0*1!96)+!
)0!2%&*'!9'&5*3:06;<.&01'*8&.!13:+2&'9)'20=!2%3:,%!>)9:02*+!.3&0!+32!'&9&)2!2%&!
()2&'*)6!&?)126;@!!A%*6&!2%&!:+.&'6;*+,!%)'(3+;!*0!&00&+2*)66;!2%&!0)(&=!0:826&!
1%)+,&0!*+!2&?2:'&!)+.!13:+2&'93*+2!311:'=!B:02!)0!)!,33.!B)CC!(:0*1*)+!7*66!
,&+&')66;!+32!'&9&)2!2%&!0)(&!()2&'*)6!&?)126;!2%&!0)(&!7);!27*1&@!!A*2%!2%*0!
(35&(&+2=!>)9:02*+!)1%*&5&0!)!2':&!13(8*+)2*3+!34!01%&'C3!)+.!B)CC!2%)2=!7%*6&!
5&';!3',)+*1=!*0!13+2)*+&.!7*2%*+!)+!&?2'&(&6;!16&)'!02':12:'&@
pp
101 B Section
Gm: i
! "#!
$$$%!!&'()*!
+,-!.,/01!234-2-5.!635.078.8!90-7.:;!</.,!.,-!3.,-0!.,0--!234-2-5.8!3=!.,-!
8357.7!/5!.-028!3=!8.;:-!751!.-2>3%!!?5:/@-!.,-!=/08.!.<3!234-2-5.8A!.,/8!234-2-5.!
/8!7!8:3<!:7093!751!/8!2-75.!.3!-43@-!.,-!83B51!3=!7!C7DD!E7::71%!!$.!,78!7!4-0;!6:-70!
.-0570;!8.0B6.B0-%!!F,/:-!.,-!.<3!'!8-6./358!63B:1!>788!=30!7!.;>/67:!C7DD!E7::71!
>-0=302-1!E;!7!83:3!>/75/8.A!.,-!G!8-6./35!/8!2-75.!.3!-43@-!.,-!83B51!3=!7!E788!83:3H!
.,/8!/8!-5,756-1!E;!7!13BE:-I./2-!=--:A!<,/6,!/8!7:83!4-0;!.;>/67:!<,-5!C7DD!
2B8/6/758!/2>034/8-!1B0/59!7!E7::71A!.,7.!/8!EB/:.!/5.3!.,-!G!8-6./35%!!J32>70-1!.3!
.,-!=/08.!.<3!234-2-5.8A!K7>B8./5!7>>-708!.3!27@-!-4-5!90-7.-0!B8-!3=!:/5-70!
23./35!751!.074-:8!.,03B9,!7!</1-0!0759-!3=!@-;8!7.!7!=78.-0!>76-%!!L-!7:83!>76@8!7!
2B6,!90-7.-0!723B5.!3=!2B8/67:!27.-0/7:!</.,/5!-76,!E70%!!MN72>:-!O%O%#!/::B8.07.-8!
.,-!=302!3=!.,/8!234-2-5.A!7:359!</.,!-76,!8-6./35P8!>0/270;!@-;!70-7%!
MN72>:-!Q%O%#!
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E-9/55/59!3=!.,-!234-2-5.!/8!4-0;!6:-70:;!/5!.,-!@-;!3=!GI=:7.!W7C30A!</.,!832-!
5-/9,E30!23./358!/5!22%!#IO%!!+,03B9,!7!:/5-70!1-86-5.!/5!.,-!E788A!K7>B8./5!234-8!
.3!MI=:7.!W7C30!/5!2%!T%!!$5!2%!VA!K7>B8./5!60-7.-8!7!//RIYR!>0390-88/35!/5!.,-!@-;!3=!GI
=:7.!W7C30A!EB.!1-6->./4-:;!234-8!.3!X!W7C30!/5!2%!Z%!
! "#!
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DE%4<9-!#5F5#:!445!CACB!
!
!
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p
BŒ„!13
E¨Œ„!9
A¨Œ„!13 C‹9 F7
1
A Section
BbM: I (N) (N)
3m.s.
3
linear descent EbM: I
5
IV (P)BbM: ii7 V7
! "#!
!
!
!
EŒ„!9 A7(b13)
mf
DŒ„!9
p
F©13(b9)
B¨Œ„!13
6
blues thirdsequence
3
DM: ii7 V7 I (N) (N) BM: V7
8
I (N) (linear progression)
10
3
11
BbM: I (N) (N)
3
! "#!
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mp
B13(b9) E7[áÆ]
AŒ„!13(b9) A¨13 D‹11
B‹7 E7 A‹7 D7(b9)
13
blues third
3 3
AM: ii7 V7 (I) chromatic linear descent
6 3
14
blues third
I Am: V7/iv (N) iv
15
Bii7 V7Gm: Bii7
i V73
! "#!
!
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&4/04%!/4!D!&0%41!/314-53!/32!/4%0?0F+/04%!48!/32!.-><4&0%+%/!0%!&'!(H'!!G32!
/4%0?0F+/04%!48!D!&0%41!0%!&'!(#)!0%!/-1%)!.2/.!-,!+!00I7JI7$!,14512..04%!0%!K!&0%41!L0/!
.34-9<!>2!%4/2<!/3+/!*+,-./0%!-.2.!/32!00I!?341<!48!/32!,+1+9929!&+;41!0%!>4/3!00I7JI70!
mf
G‹7
f p f
p
D‹11
16
sequence
3 m.s.
3
3
i
sub. sub.
(N)
3
3 3
18B Section
Dm: i
! "#!
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3=0*5;0(=>!5&/(!0&!?!5*+&%!;0!01(!@('*++*+'!&4!01(!A!)(20*&+!*+!5-!6B-!
! C1(!A!)(20*&+!&4!01(!5&/(5(+0!*)!*==3)0%;0(D!*+!EF;5$=(!G-H-H-!!C1*)!)(20*&+!*)!
5(;+0!0&!*5*0;0(!01(!)&3+D!&4!;!@;))!)&=&!I*01!$*;+&!;22&5$;+*5(+0-!!:;$3)0*+!
2%(;0()!;!D&3@=(70*5(!4((=!*+!01*)!)(20*&+!@>!$=;2*+'!(5$1;)*)!&+!(/(%>!(*'101!+&0(!
&4!01*)!J;203;==>!<3*0(!)=&I!2&55&+!0*5(,!)(20*&+-!!K1*=(!01(!)(20*&+!@('*+)!*+!?!
5*+&%!*+!5-!6B9!:;$3)0*+!5&/()!0&!;!A74=;0!5*+&%!)(/(+01!1;%5&+>!*+!5-!6"9!
4&==&I(D!@>!;+!L!D&5*+;+0!)(/(+01!1;%5&+>!*+!5-!GM-!!K1*=(!*0!)((5)!01;0!01()(!;%(!
3+%(=;0(D!1;%5&+*()!J(F2($0!$(%1;$)!4&%!A74=;0!5*+&%!;+D!*0)!D&5*+;+0!L,9!01()(!
@;%)!;%(!2&++(20(D!I*01!01(*%!2&55&+!0&+(!&4!L!;+D!01(!*D(+0*2;=!%*'1071;+D!
4*'3%;0*&+)!3)(D!&+!(;21!D&I+@(;0-!!N=0*5;0(=>9!1&I(/(%9!01(!A74=;0!5*+&%!)(/(+01!
1;%5&+>!*+!5-!6"!5;%O)!01(!@('*++*+'!&4!;!=*+(;%!5&0*&+!01;0!=(;D)!0&!P!5*+&%!*+!5-!
GG-!!!
! C1(!@;))!;))35()!;!5&%(!;20*/(!%&=(!*+!55-!GG7GQ9!5;O*+'!3)(!&4!D()2(+D*+'!
21%&5;0*2!=*+()-!!R(;)3%()!GG7GQ!4&==&I!;!$%&'%())*&+!)*5*=;%!0&!55-!6B7GM9!
0%;+)$&)(D!3$!;!$(%4(20!4&3%01!JP!5*+&%9!E74=;0!D&5*+;+0!)(/(+9!A74=;0!D&5*+;+0!
)(/(+,-!!R321!&4!01*)!$%&'%())*&+!*)!01(!%()3=0!&4!01(!=*+(;%!D()2(+0!*+!01(!@;))-!!
R(;)3%()!G#7G"9!*+!03%+9!;%(!())(+0*;==>!;!/;%*;0*&+!&4!55-!6B7GM9!3)*+'!D*44(%(+0!
%*'1071;+D!4*'3%;0*&+)!;+D!;!5321!5&%(!;20*/(!@;))!=*+(!I1*=(!5;*+0;*+*+'!01(!
&%*'*+;=!3+D(%=>*+'!$%&'%())*&+-!!C1*)!0*5(9!01(!=*+(;%!5&0*&+!;0!01(!(+D!&4!01(!
$%&'%())*&+!=(;D)!0&!01(!O(>!&4!A!5*+&%!JI*01!01(!S3F0;$&)(D!5;S&%!01*%D,!*+!5-!HG-!!
R(;)3%(!HG!@('*+)!*+!01(!);5(!5;++(%!;)!5-!GG9!01&3'1!:;$3)0*+!%(5;*+)!*+!01(!
O(>!&4!A!5*+&%!4&%!55-!HG7HT-!!:;$3)0*+!$%&=&+')!01(!O(>!&4!A!5*+&%!01%&3'1!;!
! "#!
$%&'%($)(*!+%,-./0($!10&&!+)(%!0($!+)(%02!34-)4(!)(!-/%!2)*/-!/0($!5)-/!2%*)&-20+!
-20(&,%2&!46%2!-/%!'472&%!4,!3!889!!:(!39!8;<!=0>7&-)(!&-0-%&!0(4-/%2!602)0-)4(!4,!-/%!
4>%()(*!)$%0!4,!-/%!?!&%'-)4(<!-/)&!-)3%!12)%,+@!02-)'7+0-)(*!-/%!>020++%+!A%@!4,!B!
C0D429!!E45%6%2<!=0>7&-)(!-0A%&!0!-72(!)(!39!8#<!346)(*!-/247*/!-/%!A%@&!4,!F.,+0-!
C0D42!0($!7+-)30-%+@!346)(*!-4!G!3)(42<!-/%!4>%()(*!A%@!4,!-/%!,)(0+!F!&%'-)4(9!!H/%!
346%!-4!G!3)(42!)&!%I%'7-%$!-/247*/!0!&-%>5)&%!34-)4(!-4!-/%!$43)(0(-!4(!-/%!
&%'4($!1%0-!4,!39!8"!-/0-!)&!,4++45%$!1@!0!+)(%02!34-)4(!-/0-!2%&4+6%&!-4!G!3)(429!!!
JI03>+%!K9898!
!
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p
D‹11 B¨‹7
F7
18B Section
linear motion
Dm: i
20
3
linear motion
3
! "#!
!
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!
!
f
G‹11 E¨9
B7
p
D‹7 B¨‹7
22
33 3 3
3
Gm: i
3 3 3 3 3 3 3 3
24
linear descent
3
25
3
3
3 3 3 3
3
26 variation of mm. 18-20
Dm: i
! ""!
!
!
!
!
!
F7
f
mp
283 3
29linear motion
3
linear motion
cresc. 3
30
3
! "##!
!
!
!
!
!
D‹11 DŒ„!7G‹7 B¨‹7
32 juxtaposed third
linear motion with register transfers
Bm: i
3
34
36
variation of opening idea
Dm: i
3
! "#"!
!
$%&!'()*+!,!-&./(0)1!2%(+&!/%&3*/(.*++4!/%&!-*3&1!(-!)0/!*!.035+&/&!6&7-(0)!0'!
/%&!'(7-/!,!-&./(0)8!39!:"!(-!/%&!&;<(6*+&)/!0'!39!"=!0'!/%&!'(7-/!,!-&./(0)9!!,-!2(/%!
&6&74!7&5&/(/(0)!0'!*!-&./(0)!-&&)!/%<-!'*71!>*5<-/()!3*?&-!.%*)@&-1!5*7/(.<+*7+4!()!
/&73-!0'!7%4/%31!60(.()@1!*)A!.0<)/&750()/9!!>*5<-/()!7&/<7)-!/0!/%&!07(@()*+!
05&)()@!/%&3&!()!39!:B9!!C)!339!:DEF#1!%02&6&71!>*5<-/()!G&@()-!*!G*--!A&-.&)/!
A02)2*7A-1!.0<5+&A!2(/%!*!A(3()<&)A0!*)A!7(/*7A*)A01!/%*/!+&*A-!/0!/%&!
<)&H5&./&A!&H5+0-(6&!()/&7+<A&!G&/2&&)!/%&!/%(7A!*)A!'0<7/%!306&3&)/-!I-&&!
JH*35+&!K9:9"L9
B¨‹7 B¬7 A¨Œ„!7 C9(“4)
fp
38poco rit. sostenuto
=
3 3
AbM: ii7
m.d
bII7 I IV Fm: V7stepwise descent with register transfer
sub rin.
41 A Section 3
i
3
! "#$!
%&'!!()*()+,,-!-./%0)!
+12!34567!89:2825;!93!<6=>?;45@?!(4659!A956;6!B9'!$!4?!CD!36E!;12!89?;!
F1E986;4F!65G!;12!89?;!:4E;>9?4F'!!+14?!89:2825;!67?9!28C9G42?!952!93!<6=>?;45@?!
>7;486;2!H967?!39E!;14?!?956;6I!;9!F95F7>G2!J4;1!6!!"#!"$%%&'&()*+"!89:2825;!
JE4;;25!45!;12!?;D72!93!K82E4F65!LF9>5;ED!8>?4F'M!+12!89:2825;!>?2?!E>5545H!
?4N;225;1!59;2?!3E98!C2H45545H!;9!25G!65G!67;2E56;2?!;482!?4H56;>E2?!45!;12!
39779J45H!9EG2EO!PQPI!RQSI!PQPI!TQSTT'!!+14?!67;2E56;495!93!;482!?4H56;>E2?!4?!
2N;E2827D!2332F;4:2!45!FE26;45H!;12!?9>5G!93!=2E=2;>67!89;495U!J4;1!;12!74?;252E!
>56C72!;9!G4?F2E5!;12!G9J5C26;?!93!65D!93!;12!C6E?I!;12!=42F2!?9>5G?!74V2!6!;E>2I!2:25!
E>5!93!?4N;225;1!59;2?!3E98!?;6E;!;9!3454?1'!!!
! +12!!"#!"$%%&'&()*+"!6F;>677D!C2H45?!6;!;12!:2ED!25G!93!;12!;14EG!89:2825;'!!
<6=>?;45!JE4;2?!;12!L6;;6FF6M!G2?4H56;495!45!8'!T#!93!;12!;14EG!89:2825;I!39779J2G!
CD!6!?;6E;745H!24H1;WC6E!=6??6H2!93!?4N;225;1!59;2?!;16;!?2;?!>=!;12!F16E6F;2E!93!;12!
52N;!89:2825;'!!+12!6F;>67!G2?4H56;495!45!;12!?F9E2!39E!;12!C2H45545H!93!;12!39>E;1!
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-(E(,'6!'+!%!2*,+)!'6*)D7!'6(!+4(,*,@!*,'()E%&!+3!'6(!F(@*,,*,@!+3!'6(!3*,%&(.!
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B¨Œ„!13
pp
ff
E¨Œ„!13Allegro
(mvt. 3)48 dim. e ritard. attacca
BbM: I bass descent
(Interlude)(b3) order switched
lowered thirdEM: V order switched
! "#$!
!
!
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dim.
mp
set interrupted
order reversed pairs reversed
major seventh compressed chromatically to minor third
1
IV. Perpetuum MobileAllegro vivace
I
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,&'!,;3)B8!!A160+,)3!1B&)'F'+!,&'!B;03,*>!-0+)B!'(('B,!,&*;0C&!&)+!')C&,&!3;,'!EH01+)!
ID;;-<B&)B=JG!/'(,<&132!1BB;-613)-'3,!132!&)+!*)C&,<&132!-'/;2>!,&1,!*'/)'+!
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0+'+!1!+,'6K)+'!2'+B'3,.!K),&!1!*'C)+,'*!,*13+('*.!)3!--8!M<"#!,;!D*)'(/>!,;3)B)N'!,&'!
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4!?1@;*.!K&'*'!P<31,0*1/!)+!,&'!-)3;*!+'F'3,&8!!?'1+0*'+!"7<"$!*'-1)3!)3!4!?1@;*!
K),&!13;,&'*!2'+B'32)3C!D1++!-;,);3!)3!--8!":<"98!!S!-;F'!,;!O<(/1,!)3!,&'!D1++!)3!
-8!"T.!1!,*),;3'!1K1>!(*;-!4.!)--'2)1,'/>!;D+B0*'+!,&'!='>!1*'1!(;*!,&'!,*13+),);38!
451-6/'!7898:.!--8!"<"T!
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mp
1First Theme
EM: Blues I
! "#$!
!
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B‹9 B¨9
3
5
7
9
stepwise descentRT ii7---bII7/IV
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!!!!!
f
11
Blues IV stepwise descent(blues IV in A Major) D is reinterpreted as seventh of E
Blues I
13
stepwise descent
(RT)ii7----Trit. Sub (bII7)/IV
15
Blues IV Blues I
m.d.
17 Transition
tritone motion
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90(-3*('0B!*!0-+'*)!3.(-.+!(.!A!F*G.)/!H&-D&!-,!(.+-D-I':!C)-'20B!-+!334!"86"$4!!
%&).91&!*!&*026,('=!3.(-.+!-+!(&'!C*,,!*(!(&'!'+:!.2!34!"$/!J*=9,(-+!C)-'20B!(.+-D-I',!
A620*(!F*G.)4!!K0(-3*('0B/!&.H'@')/!A620*(!F*G.)!,')@',!*,!(&'!:.3-+*+(!.2!;620*(!
F*G.)/!H&-D&!-,!(.+-D-I':!-+!34!7L4!!%&-,!E'B!D&*+1'!-,!*0,.!3*)E':!CB!(&'!9,'!.2!*!
)-1&(6&*+:!.,(-+*(.!2-19)'4!!J*=9,(-+!9,',!*+.(&')!()-(.+'!3.(-.+!-+!(&'!C*,,!-+!34!
7M!(.!,&-2(!(.!(&'!:.3-+*+(!.2!N!F*G.)/!,'((-+1!9=!(&'!E'B!.2!(&'!,'D.+:!(&'3'4!
;<*3=0'!74>4>/!334!"567$!
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F©7(b13) BŒ„!9
17 Transition
linear motion to B MajorBM: I
19
V7 half-step motion I BbM: V7EbM: V7
I
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mf
21
(N)23 ostinato figure
I
25
tritone motion
27
DM: V7
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,87<%*!=>!8)!4,,%*48+%!'$8)?%!+(!5()?%7!74?$+!$8)*!,%5(*4%&!@4+$!76))4)?!
&4:+%%)+$!)(+%&!4)!+$%!5%A+!$8)*!6)*%7)%8+$.!!B8;6&+4)!6&%&!8!&$(7+!'47'5%!(A!A4A+$&!
;7(?7%&&4()!A7(,!,,.!CC1CD!+$8+!5%8*&!A7(,!9!*(,4)8)+!&%E%)!=8'<!+(!F!G8H(7.!!I)!
,.!CJ-!B8;6&+4)!&%+&!6;!8!44D1KD!;7(?7%&&4()!4)!+$%!<%>!(A!L!G8H(7-!7%58+%*!+(!F!G8H(7!
()5>!=>!+$%!'(,,()!+()%!M-!=6+!+$%)!,(E%&!*%'%;+4E%5>!+(!8!44D1KD1I!;7(?7%&&4()!
=8'<!4)!F!G8H(7.!!I)!,.!2N-!B8;6&+4)!6&%&!8!+74+()%!&6=&+4+6+4()!'7%8+4E%5>!+(!,(E%!+(!
+$%!<%>!(A!F1A58+!G8H(7.!!B8;6&+4)!&%+&!6;!+$%!+74+()%!&6=&+4+6+4()!()!+$%!58&+!$85A!(A!
,.!2N-!+$%(7%+4'855>!5%8*4)?!=8'<!+(!F!G8H(7.!!O(@%E%7-!4)&+%8*!(7!7%&(5E4)?!+$4&!@8>-!
B8;6&+4)!+7%8+&!+$%!+74+()%!&6=&+4+6+4()!8&!+$%!*(,4)8)+!(A!M1A58+!G8H(7-!@$4'$!
(''67&!4)!,.!2".!!#$4&-!4)!+67)-!4&!+7%8+%*!8&!+$%!*(,4)8)+!(A!F1A58+!,8H(7P!+$4&!+67)&!
(6+!+(!=%!>%+!8)(+$%7!'47'5%!(A!A4A+$&!;7(?7%&&4().!!Q)!+$%!58&+!&4:+%%)+$!)(+%!(A!,.!2"-!
B8;6&+4)!,(E%&!+(!R-!8!+74+()%!8@8>!A7(,!F1A58+-!&%++4)?!6;!8!54)%87!;7(?7%&&4()!+$8+!
5%8*&!+(!8!*(,4)8)+!;%*85!4)!+$%!<%>!(A!F!G8H(7.!!#$%!7%&(56+4()!+(!F!G8H(7!4)!,.!2S!
4&!4)+%776;+%*!=>!8!T!*(,4)8)+!&%E%)+$!87;%??4(!4)!,.!23!+$8+!5%8*&!+(!+$%!'5(&4)?!
+$%,%.!
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29 Second Theme
I
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DŒ„!9
p
B‹7 E7
A7(“4)
29
Second Themelinear motion
DM: I V
31
33
I A: ii7 V7
35
D: V7
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mf
G‹9 C9 E‹7 A7(b13)
E‹9
37blues third
I F: ii7 V7 D: Bii7 V7
39sequence
I ii7Ab: V7
bII7
41
II
tritone linear progressionDb: V
43
D: ^5I
V7
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?!@4;)<!AB(=&*!CDE!),!.%&!(4*.!&+-%.%!,).&!)F!/7!#G7!!H45=*.+,!<&.=<,*!.)!:!@4;)<!+,!
/7!IJ!.%<)=-%!.%&!=*&!)F!*&K=&,'&*!4,L!4!(+,&4<!94**!(+,&!)>&<!.%&!')=<*&!)F!//7!#MN
I67!!@&4*=<&!IJ!&**&,.+4((O!9&-+,*!.%&!*4/&!4*!.%&!9&-+,,+,-!)F!.%&!*&'.+),7!!
P)1&>&<0!+,!/7!I#0!H45=*.+,!'<&4.&*!4!*%)<.!'+<'(&!)F!F+F.%*!5<)-<&**+),!9O!*1+.'%+,-!
.)!.%&!L)/+,4,.!*&>&,.%!F)</!)F!:0!4(()1+,-!%+/!.)!/)>&!.)!Q!@4;)<!),!.%&!
L)1,9&4.!)F!/7!II7!!R&3.0!H45=*.+,!/)>&*!.)!QN*%4<5!/+,)<!+,!/7!IG!.%<)=-%!
4,).%&<!(+,&4<!/).+),!+,!.%&!94**0!/4<S+,-!4,).%&<!.%+<L!<&(4.+),!F<)/!.%&!5<&>+)=*!
S&O!A1+.%!.%&!')//),!.),&!2E7!!H45=*.+,!&,L*!.%+*!*&'.+),!9O!5<)5&((+,-!.%&!/=*+'!
.)!.%&!9(=&*!F)</!)F!TNF(4.!@4;)<!F)<!.%&!9&-+,,+,-!)F!.%&!L&>&()5/&,.7!!P&!/)>&*!.)!
.%+*!=,<&(4.&L!S&O!9O!&,%4</),+'4((O!<&*5&((+,-!.%&!(4*.!*+3.&&,.%!,).&!)F!/7!IUV!+,!
.%&!5<&>+)=*!S&O0!4((!)F!.%&!5+.'%&*!&3'&5.!.%&!QN*%4<5!F=,'.+),&L!4*!+,')/5(&.&!
,&+-%9)<*0!1%+(&!+,!.%&!,&1!S&O0!.%&!&,.+<&!'%)<L!+*!<&+,.&<5<&.&L!4*!4,!2NF(4.!
L)/+,4,.!*&>&,.%!'%)<L7!
!
!
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!
45
Cdom7 interruption
! ""#!
$%&'()*!+,-,./!'',!-#0."!
!
!
45 Closing Theme
DM: Cdom7 interruptionI
47
Blues IV linear motion
49
sequence
51
chromatic descent
! ""#!
!
!
!
C©‹7
53
I (circle of fifths progression)CM: V7/V V7
55
I linear motion
57
C#m: i
59 sequence
AbM: V7
enharmonic respelling
! ""#!
!
!
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$%80!0&=.8*-!=*-./8-0!0*,&!*1!.%&!,*0.!%/2,*-8=/))>!/,?8@9*90!,908=!*1!.%&!&-.82&!
0*-/./3!!A.!?&@8-0!B8.%!.%&!C51)/.!'*,8-/-.!0&(&-.%!0*-*28.>D!8,+)>8-@!/!.*-8=!8-!C5
1)/.!E/F*2!?)9&03!!G>!=2&/.8-@!/!0.&+B80&!,*.8*-!B8.%!/!0&28&0!*1!+/2/))&)!1*92.%0!8-!,3!
4HD!I/+90.8-!,*(&0!.*!J!,8-*2!/-'!90&0!,/.&28/)!12*,!.%&!1820.!.%&,&3!!$%80!80!
8-.&229+.&'!8-!,3!4#D!B%&2&!I/+90.8-!?28&1)>!,*(&0!8-.*!.%&!2&/),!*1!/.*-/)8.>3!!
K2*,!.%&!)/0.!%/)1!*1!,3!4#!.%2*9@%!.%&!&-'!*1!,3!46D!I/+90.8-!90&0!/))!.B&)(&!+8.=%5
=)/00&0!8-!.%&!0/,&!*2'&2!L.%*9@%!/.!.8,&0!.%&!(&2.8=/)!8-.&2(/)0!/2&!8-(&2.&'M!.%2&&!
.8,&0!B8.%*9.!2&+&/.8-@!/->!*1!.%&,3!$%80!@8(&0!B/>!8-!,3!4N!.*!G51)/.!,8-*2!B8.%!
18@92/.8*-0!08,8)/2!.*!.%&!*+&-8-@!*1!.%&!'&(&)*+,&-.3!!C!0&28&0!*1!+&21&=.!181.%0D!
+&21&=.!1*92.%0D!/-'!.28.*-&0!8-!/0=&-'8-@!,*.8*-!1*))*B!8-!,,3!#"5#<!/-'!)&/'!.*!
1820.!.%&,&!,/.&28/)!*-=&!/@/8-!8-!,3!#OD!.%80!.8,&!8-!.%&!P&>!*1!Q50%/2+!,8-*23!!
R&S9&-=&0!8-!,,3!#45##!)&/'!.*!/-*.%&2!/.*-/)!0&=.8*-!8-!,,3!#65#ND!.%*9@%!.%&!
*2'&2!*1!.%&!.B&)(&!+8.=%5=)/00&0!%&2&!/2&!-*.!2&)/.&'!.*!.%*0&!8-!,3!,,3!4#5463!!$%80!
/.*-/)!+/00/@&D!8-!.92-D!@8(&0!B/>!.*!.%&!P&>!*1!C!,8-*2!B8.%!1820.5.%&,&!,/.&28/)!8-!
.%&!28@%.!%/-'3!!T(&2!.%&!=*920&!*1!,,3!6"567D!.%&!,8-*2!.%82'!80!90&'!/0!/!?/080!1*2!
0&S9&-.8/)!,/.&28/)!.%/.!)&/'0!.*!.%&!2&.92-!*1!.%&!0&=*-'!.%&,&!8-!,3!6H3!
!
p
Development61
Blues I
! ""#!
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$%&'()*!+,-,./!'',!0"1#2!
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! !
!
!
!
A¨7
p
f
61(N) (N)
AbM: Blues I
63
stepwise parallel fourths
First Theme Material65
Gm: Blues i
! ""#!
!
!
!
!
f
B¨‹7
pp
67
all twelve pitch-classes
14
06
37
92
510
14
811
inverted
06
29 4
106
92
sub.
10 5
811
inverted
37
10 5
inverted
11 8
37
69
Bbm: i
sub.
71
ascending perfect fourths, perfect fifths and tritones
! "#$!
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!
ff
73 First Theme Material
D#m: i
75
77all twelve pitch-classes
gliss.
79
order reversed Am: i
! "#"!
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':..-+/:!+%*)!*!'()*+*!4(/.!+%*+!,'-'!*!+/*7&+&()*2!/-0*1&+,2*+&()8!!$%(,9%!+%-!
'-0+&()'!*/-!':..-+/&0*2;!+%-/-!*/-!'(.-!0%*)9-'!+%*+!7(!(00,/8!!$%-!'-0()7!+%-.-;!
..8!<=>"??;!/-+,/)'!&)!+%-!@-:!(4!A>42*+!B*C(/!D*'!(11('-7!+(!+%-!(/&9&)*2!E!B*C(/FG!
+%&'!H-*/'!)(!/-2*+&()!+(!+%-!(/&9&)*2!E!B*C(/;!,)2-''!1-/%*1'!&4!()-!0()'&7-/'!+%*+!A>
42*+!2&-'!7&/-0+2:!H-+3--)!+%-!@-:'!(4!+%-!(/&9&)*2!+3(!+%-.-'8!!$%-!)-5+!'-0+&();!..8!
81 sequence
poco a poco dim.
83sequence
85
Recapitulation
Second Theme
EbM: I
! "##!
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:@'5A(*!#=E=B&!55=!"?H%"EB!
!
ff
139
Coda
linear motion
141
! "#$!
!
!
sf
sf
E9(#11)
143
EM: I
145
V
147
gliss.
Blues I
blues third
! "#$!
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! "#$!
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!
!
p
F‹11 E‹(Œ„!7) B¨‹(Œ„!7)
1
motive that forms basis of fugue Andante
motive
Em: i motive
4 motive
connective tissue
motive
(EbM: ii7)Em: V7 i
half-step motion
BbM: V7 i
7implication of F minor sequence
! "#$!
!
!
B13
F‹11 B¨7[áÁ]
E¨‹(Œ„!7)
D¨9 G¨Œ„!9 B13
10
motive motive
Em: V7 motive
13
Ebm: Bii7(N) V7
15
3
ilinear progression
18
GbM: V7 IEM: V7 I
! "#$!
!
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C‹(#11)20
Em:Eb/D#-F#-A-C
(viio7) i (viio7) i
22
3
! "#$!
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! "#$!
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!
f
1
Allegro moderatoExpositionE minor subject
3
3link
B minor countersubject
B minor real answer
63
3
! "#"!
!
!
8 bridge back to E minor3 3 3
3
11
E minor subject
14
3
3
16link
B minor real answer
3
! "#$!
!
p
183
3
20exposition end
episode
CM
3
22
subject motive
Fm
24
3
motive in inversion
Bbm
! "##!
!
f f
26
3 3
Em: V7 iDm: ii7
28 D minor subject
V7 i
30episode3
32
subject motiveD minor subject, false entry
! "#$!
!
343
Em: ii7
36
V7 Cm: ii7 V7 Em: ii7 V7 Bm: ii7 V7
38
subject motive in inversion
3
G#m
40
3
subject motive
FmG#m
! "#$!
!
p
f
42
subject motive in inversion
Fm
subject motive
used as sequence
Cm
44
3
3
46
Eb minor subject
483
3
! "#$!
!
mf
p
50 episode
52
subject motive
countersubject material, altered
54
half-stepEm
56 E minor subject
! "#$!
!
58 3
60B minor countersubject
B minor real answer
62 3
3
64 33
! "#$!
!
f
66
subject in stretto
B minor real answer
F-sharp minor subject
E minor subject
68 3
tonic pedal
cresc.
3
70 Coda
72
! "#$!
!
sf ff sf
74
3
! "#$!
!"#!$%&'"#(
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*),&!2!*<65&'*+*!268!&2@'!,7'25'8!*+(+127!9-70?!5&'!2(21:2(25+-6!5&25!/+0-12+!
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,7'25'!2!57)'!,12**+,21DB2CC!*<65&'*+*!+6!&+*!,-(4-*+5+-6*F!!K2@+6:!6'@'7!520'6!
,-(4-*+5+-6!1'**-6*?!-6'!(+:&5!*2<!5&25!&'!+*!26!&-6'*5?!)652+65'8!,-(;+625+-6!-.!
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