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  • History of Music

    Researching and writing programme notes

    Philip Shields

    January 2013

  • Nature and purpose of programme notes

    Should be seen as essential part of concert

    preparation and an integral part of the recital

    Provide background information on work(s) and

    composer(s). Generally includes:

    Brief biographical information

    Historical context of work and genre

    Description of the work itself (possibly

    analytical but not too hard-core!)

    For vocal works: texts & translations of any

    songs or Lieder

  • Nature and purpose of programme notes (2)

    May also include:

    Reception history of work

    Performance history of work

    A well-chosen relevant quote from the

    composers or their contemporaries can be

    highly effective

  • Writing style

    Not necessarily overly academic, but still needs to

    be authoritative, based on reliable sources (which

    should be acknowledged if quoted from, but full

    footnoting is not required). Your approach to research

    will be the same as for essays

    While the language used may be more informal than

    academic writing, it should not be colloquial, slangy

    or too intrusively subjective

    Strike a balance: not overly technical (too dry and

    hard to assimilate for general readers), but not too

    flowery or fanciful either!

    Above all, keep the readers interest: programme

    notes are read in half-lit halls in the context of a live

    performance

    Be concise! The main purpose of programme notes

    is to communicate effectively essential information to

    non-specialist readers

  • Information sources (1)

    Biographical Information: Grove online ; composer

    biographies ; contemporary composers own

    websites. National music information centres for

    various countries (e.g. www.cmc.ie for Ireland;

    www.iamic.net internationally

    Style and historical context: general histories

    (Grout, Palisca, Bukofzer also volumes on specific

    genres, e.g. H. Smither History of the oratorio)

    Individual works: This can be the most problematic

    information to find. Sources can include:

    Composer biographies, or books on a composers

    genre e.g. Lester Bachs works for solo violin

    CD liner notes (evaluate these sources critically)

    Naxos Music Library scanned liner notes in PDF

    (also not to be used uncritically)

    Some record companies (e.g. Hyperion) websites

    have their liner notes online

    http://www.cmc.ie/http://www.iamic.net/http://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=24713%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVER

  • Information sources (2)

    Individual works (cont.): some more recent and

    scholarly music editions from Peters and Wiener

    Urtext can have excellent information in the preface:

    e.g. Nichols edition of Ravels Gaspard de la nuit

    Songs and lieder: texts and translations in reference

    works, e.g. Eric Sams The songs of Hugo Wolf; also

    online at www.recmusic.org (the Song and Lieder

    Text page)

    Reception history of composers: changing

    attitudes over time to a composer or work can be

    revealed by older editions of a standard work, e.g.

    Master Musician series, or Groves Dictionary (we

    have all 7 editions ranging from 1879 - 2001!)

    http://www.recmusic.org/

  • Information sources (3)

    Dictionaries of quotations: An encyclopedia of

    quotations about music ed. Nat Shapiro (London:

    David & Charles, 1978); The Wordsworth dictionary

    of musical quotations, ed. Derek Watson (Ware:

    Wordsworth Reference, 1991)

    Guides to programme note writing

    Associated Board: Nigel Scaife, Writing programme

    notes: a guide for diploma candidates: a must-read.

    Available online

    Other guides: Type guide to writing programme

    notes into google. Look for sites ending with .edu or

    .ac.uk (US and UK university sites)

    General writing guides: Richard Wingell Writing

    about music (New Jersey, 2002) has a section on

    programme note writing p. 91-97

    http://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=3073%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=3073%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=3073%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=3073%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=3073%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=22533%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://library.riam.ie/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=22533%7bCKEY%7d&searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e&user_id=WEBSERVERhttp://www.abrsm.org/resources/writingProgNotesApr05.pdfhttp://www.abrsm.org/resources/writingProgNotesApr05.pdfhttps://www.google.ie/search?hl=en&tbo=d&site=&source=hp&q=guide+to+writing+programme+notes&oq=guide+to+writing+programme+notes&gs_l=hp.3..0i30j0i5i30j0i22.1620.9438.0.9922.38.30.3.5.5.0.250.2872.18j11j1.30.0.les%3Bcpsugrpqhmoffline..0.0...1c.1.uqBcRFwZj2Ehttp://riamlibrary.wordpress.com/2012/06/01/guide-to-writing-programme-notes-2/http://riamlibrary.wordpress.com/2012/06/01/guide-to-writing-programme-notes-2/

  • Example Research Bachs Partita no. 4 BWV 828

    Find books on Bachs Partitas

    Narrow search to Books

    Note: Truncation marker $ - finds partita,

    partitas etc not violin the not filters out

    irrelevant terms (so excludes writings on Bachs Violin partitas)

  • Example Research Bachs Partita no. 4 BWV 828

    3 results 2 relevant.

  • Example Research Bachs Partita no. 4 BWV 828

    Alternatively, do broader search on Bachs keyboard

    music

  • Example Research Bachs Partita no. 4 BWV 828

    Broader search: 16 results 9 possible relevant

  • Example Research Bachs Partita no. 4 BWV 828

    Search for recordings in the library (could contain useful

    liner notes or sleeve notes). Note: the search below

    excludes the organ, flute, violin partitas.

    Sort by: New to old Brings the most recent recordings to the top of the list

  • Example Research Bachs Partita no. 4 BWV 828

    Naxos Music Library contains scanned liner notes in PDF

    for Naxoss own label recordings.

    Note: Naxos Music Library indexes every

    track on each recording, so you can always search for the specific work

    Include the term naxos in the search so you only retrieve Naxos own label recordings (most of the others labels do not have CD lines notes in PDF format)

  • Example Research Bachs Partita no. 4 BWV 828

    A good source is online liner notes from record companies e.g.

    Hyperion, where the notes are often written by established scholars/

    performers (e.g. Mervyn Cooke, Graham Johnson, Angela Hewitt)

  • Other examples Schubert Gretchen am Spinnrade

    Hyperion has complete Schubert song edition with excellent and

    detailed notes on each by Graham Johnson. Text and reliable

    translations also available in the scanned PDF booklet.

  • Internet sources: general principles of evaluation

    Authority

    Is there an author? Is the article/page signed?

    Authors qualifications and credentials?

    Is the page from an organisation with established reputation (e.g. www.indiana.edu)?

    For an online journal: is the journal peer-reviewed?

    Currency

    Check copyright date, if available, at the end of the article

    Look at Page last updated info. if available

    Links still current? (Broken links are a sign the page is outdated)

    http://www.indiana.edu/