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HOMEWORKS

Welcome to

HOMEWORKS 17th edition.

We’ve been promising you all this issue for quite a while now. We’ve had countless requests from readers throughout the past sixteen issues of HOMEWORKS applying for information on various areas of the vast and varied theme of antiques.

So now, after a fair magnitude of research, experts’ guidance and cooperation from you, HOMEWORKS brings you the definitive antiques issue.

We couldn’t think of a better home to help highlight the diversification of Maltese antiques than Malta’s first home – the San Anton Presidential Palace. HOMEWORKS finds out what makes the home come alive and what past residents have left behind to create the grand Palace that it is today. (Page 018)

Antiques expert Joe Galea Naudi shows us how to smoothly and stylishly accomodate different pieces in a home. He offers tips on how to create continuity and avoid clutter. (Page 030)

The main feature this issue has to be Definitely Dated on Page 048. Find out where it’s from and what it’s worth from our Maltese Antique Dealers Association panel of experts. We have photographed and assessed the various objects that were submitted to us by readers. Experts give their evaluations on those pieces you’ve been wondering about. Find out that a piece that was thought to be worth Lm800, turned out to be worth Lm2,000! Read about pieces that were thought to be the genuine articles and turned out to be copies. (Page 048)

Wedgwood designer and the innovator behind the popularly chic Conran stores grants HOMEWORKS an exclusive interview. Check out the fabulous Mr. Conran on page 060.

Five young professionals provide insight on the process of restoration and where to begin if it’s time your artefact had a face-lift. (Page 068)

Find our quick and informative one-page profile on fumigation to learn more about the dreaded woodworm (page 079).

The craft of gilding has been in the Farrugia family for three generations now. Horace Farrugia of Mdina gives us an insight into the process, change and art of gilding. (Page 081)

Read about Jonathan Taylor-East – a twenty year-old law student who has been collecting antiques since he was fourteen. He shows us that antiques can be admired by those of all ages. (Page 083)

So who knows? Maybe if you weren’t a devoted lover of antiques, after this issue you might be a little more interested in the art of antique collecting. Perhaps some of you will be wiser to what’s in your own homes, and for those of you that are already self-professed antique lovers – enjoy you’ve got a lot of reading to do!

018 malta's first house

the presidential palaceby francesca balzan

060 the fabulous mr.conranby lisa borain

079timewormwoodworm

048definitively dated

030antiquated continuityby elizabeth cardona

081 the gift of gilding

015, 017, 037, 057, 067, 075 077 homeideas - Great Gift ideas

068the art of restoration

007 hoMeWinners

009 hoMeneWs

018 Malta's first house the Presidential Palace

030 antiquated continuity

040 the art of collecting

048 definitively dated

060 the fabulous Mr. conran

068 the art of restoration

079 timeworm Woodworm

081 the Gift of Gilding

083 young enthusiast

085 a fine line

087 hoMeWorKs a to z of sUPPliers

040the art of collecting

by PatricK Galea

003

HOMEWORKS

085 a fine line

“As I am something of a keen gardener, gardening articles are what I particularly look out for when reading Homeworks. Like most Maltese houses I have what is effectively a small orchard with a number of (citrus) trees and a small yard, yet this is something that most landscape designs seem to ignore. Surely, one can have a pleasant garden to look at without having to uproot a good number of fruit trees to make space for the kind of features that landscape designers seem to dream about?”

Paul Grech.

“My suggestions is for Homeworks to provide information on how one can go about finding a flat/home and then transforming it into the home of their dreams (within reason) even though the budget is small.I’m talking about single people who are itching to leave home to be independent, and would rather buy their flat than rent.”

Steffi Degiorgio.

HOMEWORKS™

Issue 17.06

HOMEWORKS is a bimonthly publication inserted in The Sunday Times and is published by:

HO

MEW

ORK

S is a registered trademark of W

riteOn Ltd.

Reproduction in whole or in part without written permission from the Publisher is prohibited. All rights reserved. Dates, information and prices quoted are believed to be correct at time of going to press but are subject to change and no responsibility is accepted for any errors or omissions. Neither the editor no publisher accept responsibility for any material submitted, whether photographic or otherwise. While we endeavour to ensure that firms and organisations mentioned are reputable, the editor can give no guarantee that they will fulfil their obligations under all circumstances.

© 2006

we want your feedback! Please forward your ideas outlining what you would like to see published within hoMeWorKs.the person submitting the most interesting idea/concept will receive a hamper from living interiors.

value: lm30.00

send your ideas to: homeworks feedback, P. o. box 48 Msida, Malta.

SALES & MARKETING (2133 9999) Alberto E Serra

PRE-PRESS AND PRINTING Progress Press

POSTAL ADDRESS / E-MAILWriteOn Ltd. P. O. Box 48 Msida, Malta

info@writeon.com.mt

PHOTOGRAPHy MAS Alan Carville Andrew Hayes-Watkins

CONTRIBuTORS Charles Azzopardi Francesca Balzan George Callus Elizabeth Cardona Patrick Delia Patrick Galea Christine Mercieca Desmond Mizzi Joe Galea Naudi Edward Petit Pellegrini Alfred Tanti

THIS EDITION:

EDITOR Lisa Borain

ASSOCIATE EDITOR Zillah Bugeja DESIGN MAS Communications

ART DIRECTION David Sciberras Marc Spiteri

DESIGNER David Sciberras

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QUESTIONSCONQUEREDIf you have a question that you wish to be answered by a professional designer, send in your question to Questions Conquered. For questions relating to DIY and carpentry, ask Interior Designer Henry Borg Barthet. For questions about materials, colours, and soft furnishings, ask Interior Designers Michelle Clements or Katja Wiedersum.For your design questions answered, write in to: Questions Conquered, The Editor, Writeon Ltd., P.O. Box 48, Msida, Malta or info@writeon.com.mt* Please be sure to include which designer you’d like your question answered by.

HOMEwORksneeds you!

HOMEWORKS READERS are invited

to submit interesting photographs and a

brief description of their homes which

may be distinct in their architectural

design. Of particular interest are homes

that offer outstanding elements of

living spaces both interior and exterior.

HOMEWORKS will select the best

submissions for future features. Send a

photo and information to the attention of

The Editor, Writeon Ltd., P. O. Box 48,

Msida, Malta or info@writeon.com.mt

(photos will not be returned)

every issue we invite our readers to send us

their comments and opinions on what they

like or would like to see in homeworks

Our rEADErSWrITE On ISSUE 16

HOMEwINNERs 16th edition…

Congratulations to Daniel Micallef Grimaud – our sixteenth Homeworks reader suggestion winner. Daniel has won the Nest of Tables from BoConcept.

Daniel wrote:“I’d like to congratulate the whole team of Homeworks who manage to put together such a great amalgamation of articles in every issue. With a growing awareness amongst many for personal comfort and home pride, one is always inspired to better the home thanks to your articles. On this note, are there any interior design rules-of-thumb that one should abide by in order to achieve a stylish balance when combining clean, contemporary room styles with single antique pieces, without it looking like a hotchpotch of furniture?”

HOMEWORKS invites readers to send their comments, opinions and suggestions for what they would like to see and read in future issues.

HOMECOmpEtItIONissue 17 priZe

009

the latest industry happenings

HOMENEws

HOME sOLUtIONsRinaldi CuCine fRom TusCany, iTaly needs no inTRoduCTion To The pRofessional woRld of kiTChens & inTeRioRs.The wide spectrum of models which one can choose from plus the professional consultancy in kitchen design offered at Home Solutions are the key reasons for the ever-growing list of satisfied clients. Home Solutions proudly presents the new range of Rinaldi kitchens 2006 which is available for viewing at Home Solutions, Tigne Street, Sliema.

ImmAGINECASAlaunChes new sofa showRoomImmaginecasa have recently launched another showroom in Santa Venera, where customers can avail themselves of a large variety of classical and modern sofas, in leather or microfibre, as well as coffee tables and sofabeds, all with discounts of 50% and over. A celebration of design will also be expressed in original paintings by Mark Mallia.Immaginecasa, Notabile Rd., Imriehel; 366, St. Joseph High Rd., Santa Venera.

CORECoRe inTRoduCes euRomoBilCORE introduces EuROMOBIL designer kitchens and XERA 100% stainless steel kitchensCore is broadening its range of top contemporary brands with EuROMOBIL designer kitchens and XERA 100% stainless steel kitchens. An innovative selection of the above may be viewed at the newly expanded Core gallery in B’Kara in addition to a wider range of Grattarola kitchens in 100% solid wood.The Core showroom is situated in the upper part of Valley Road leading to Mannarino Road, B’Kara.

CORECoRe inTRoduCes iiTTala fRanChise sToRe and pianCa ConTempoRaRy fuRniTuReIITTALA franchise store is finally in Malta offering the complete range of contemporary cutlery, crockery and kitchen accessories at Core. Core is also introducing PIANCA living and sleeping areas complementing the wide range of BRINK & CAMPMAN rugs and GRATTAROLA 100% wood living and sleeping areas. The IIttala franchise store and PIANCA furniture are to be found at Core which is situated in the upper part of Valley Road leading to Mannarino Road B’Kara.

GRFexTeneds Ranges of suspended CeilingsGRF is the installer of extensive ranges of suspended ceilings incorporating everything from plasterboard and superb gypsum plaster moulded ceilings and quality fibrous plaster coves, cornices and mouldings. From homes to major commercial projects, they provide fully integrated solutions for structural fire protection, moisture resistance, sound insulation, space division or simply aesthetic demands. For more details visit the showroom in Bella Vista Street, San Gwann.

GALASSIAdesigned By Romano adoliniJust launched at S&S Bathrooms, the SA02 designed by Romano Adolini, becomes a must in the bathroom brands panorama. It features the exact balance between a rigorous but soft design, the essential but elegant style, together with dimensional compactness and right ergonomy. GALASSIA Bathroom Collections can be viewed at S&S Bathrooms Ltd, Mosta Road, Lija and Psaila Street, B’Kara.

011

the latest industry happenings

HOMENEws

STEM INTERIORSReCenTly ReloCaTed fRom london,Stem Interiors offers bespoke furniture design alongside contemporary and classic style. Blending high quality craftsmanship with clean symmetry and line, Stem Interiors brings an innovative twist to the island. Situated on Hughes Hallet Street, Sliema (off Tigne Street).

CAMILLERI PARIS mODEaRRival of new iTems.A lovely range of new specialized soaps and other natural Mesopotamian products in beautiful packaging for that something different. They’ve also received a new collection of classical curtain poles.

ELEKTRAColleCTion of lighT fixTuRes and fiTTingsThe Elektra Light Studio in Don Bosco Street, corner with Tower Road, Sliema, is the latest outlet to showcase the contemporary, innovative and stylish collection of light fixtures and fittings available from Elektra – suppliers of truly impressive installations in some of Malta’s top establishments.

P’N’G p’n’g supplies lTd ReCenTly launChed a new Range of spanish vaniTy uniTs By inve.We have all the possible styles you can imagine, from modern, to rustic, to classic at prices you can afford. So come over to our showroom at P’n’G tile and bathroom centre in Fleur-de-lys Road, Fleur-de-lys to see for yourself.

REAsONs FOR LIVINGaward winning german furniture manufacturer kaether & weisse now available at reasons for living.Reasons For Living is a newly opened home-wares boutique in Paola, housed within the ground floor of a uniquely converted townhouse on Valletta Road. Our debut collection consists of Vipp bins, items from Tord Boontje, Moleskin notebooks, items from British designers Alex Taylor (young designer of the year) and Ed Carpenter, and the highly individual terry-cloth toys from Andreas Linzner. Reasons For Living. Paola. 87 Valletta Road.

do you haveHOMENEws

>> We want your feedback. Please forward any news items that you would like to see published within HOMEWORKS >>

we'llTELL THE REST OF MALTA >>&

Send in your news to:HOMEWORKS News,P. O. Box 48, Msida, Malta. e:mail info@writeon.com.mt

HOMEWORKS NOw ALsO AvAILAbLE At LEADING bOOkshOps!need exTRa Copies of homewoRks? fReT no fuRTheR!A special retail edition of HOMEWORKS, which is distributed with the Sunday Times, will now be available at leading book shops and news stands as of this issue. Ideal for those who like to collect Homeworks, the retail edition will have a laminated cover, which means that not only will it look great, but it will also stay in excellent condition for much longer. News stand price is Lm1.50.

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HOMEIDEAs

Graupera: Spanish

earthenware can be

used on gas, electricity, ovens, microwaves, dishwashers and

freezers. Average price for a casserole pot: Lm6.95. Ambiente,

San Gwann. Tel: 2137 6481.

Riedel Espresso combines function and timeless design.

The straight shape of Riedel Espresso protects and

enhances the delicate coffee aromas. The Riedel Espresso

cup and saucer are machine-made, executed in 24% lead

crystal. Lm11.50 a pair.

Exclusively available from Living Interiors, Luqa Briffa

Street, Gzira. Tel: 2134 1166.

Guzzini Design - Weighing

scale with a difference for a

new type of home, less formal,

more relaxed. Guzzini has been

producing designer objects for the

kitchen for over sixty years. View

the vast selection at Domestica

Showroom in Valley Road, B’Kara.

Tel: 2144 7604. Prices: Lm19.80

& Lm27.80.

Iittala Origo crockery sets have rapidly become a classic standing

the test of everyday use over time. The shape of Iittala Essence

wine glasses embodies the art of simplicity.

Iittala Ego cups and saucers offer coffee culture a modern

perspective. Starting from Lm1.85. Wedding lists accepted at Core,

Upper Valley Road, B’Kara. Tel: 2144 3449. www.core.com.mt

Iittala Tools are a high quality range

of pots and pans. Stunning design

suitable for a variety of cooking

techniques including induction hobs.

Iittala cutlery represents simplicity

of form balanced by sensual oval

handles and intriguing diagonal

prongs of the fork. Starting from

Lm1.58. Wedding lists accepted at

Core, Upper Valley Road, B’Kara. Tel:

2144 3449. www.core.com.mt

Sophisticatedly simple with a charming wit, the Garoo

serving bowl from Bodum features a smart, tilted design

that is perfect for serving and presentation. The bowl can be

rested with an extreme forward tilt – nice for centrepieces,

or with a gentle angle that is ideal for serving salad, fruit, or

homemade muffins. Dishwasher Safe Lm18.95.

Exclusively available from Living Interiors, Luqa Briffa Street,

Gzira Tel: 2134 1166.

Rosle have taken the spoons to task! The new spoon range

comprises eight utensils and includes everything necessary

for cooking and serving. Clipped together they are perfect for

preparation and presentation of food and also ideal for serving!

Starting from Lm7.50 exclusively available from

Living Interiors, Luqa Briffa Street, Gzira. Tel: 2134 1166.

Extendable dining table in

Chrome/Walnut with six Vega

chairs, including removable covers

in Micro fibre. Order the set and

get 2 of your chairs for free.

Value: Lm831.00. Now Lm669.00.

Available at BoConcept,

San Gwann. Tel: 2137 8011/2

EATING & DRINKING ideas

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HOMEIDEAs

Inter locking white

vases for the modern

home. These vases come

in different sizes and can

be mixed. - ASA can be

found at the Domestica

Showroom in Valley Road,

B’Kara. Tel: 2144 7604.

Price: Lm19.16.

Red, blue, green and purple modern crystal vases and

candy bowls. Vases (h 28cm) discounted to Lm30.00,

bowls (w 18cm) discounted to Lm22.00. Hand-cut red

crystal vase (h 36cm), price Lm95.00, also available in

other colours and in different designs. Smaller vases are

also available. Divo, 31, Labour Avenue, Naxxar.

Tel: 2143 7908, 9980 9107.

A range of modern tapered clear glass vases of a simple

form with subtle elegance available in 3 different sizes. Prices

starting from Lm13.00. A wider collection of Leornardo’s

glassware is exclusively available at Junction 66, Tower

Road, Sliema and Arkadia, Gozo. Tel 2133 4451

Coffee table Chrome/Black lustre glass top. Value: Lm189.00

Now: Lm149.00. (H40 x Dia. 110cm) Available at BoConcept,

San Gwann. Tel: 2137 8011/2.

Coffee table Veneer/Chrome (H40 x W91 1/2 x D91 1/2cm.)

Value: Lm117.00. Now: Lm89.00 Coffee Table Black Glass/

Chrome (H26 x W102 1/2 x D60cm.)

Value: Lm99.00. Now: Lm79.00. Available at BoConcept,

San Gwann. Tel: 2137 8011/2.

Console table Veneer/Glass (H47 x W150 x D34 1/2cm.)

Value: Lm167.00 Now: Lm129.00. Available at BoConcept,

San Gwann. Tel: 2137 8011/2.

With Wallart you can have any image printed on canvas and stretched to hang on the wall. Choose from the extensive range

of ready to hang canvases, or order a custom made artwork. Supply Wallart with your own photo and they will create a unique

modern graphic style portrait for you. Prices start from Lm32.00 for a 60cm x 60cm stretched canvas print. Tel: 2141 9820,

7991 4306. Email: ed@keyworld.net

INNOVATIVE ideas

photos: Masresearch on san anton palace: francesca balzan

We jUst coUldn’t dedicate an entire issUe to antiqUes and neGlect the san anton Palace. Malta’s first hoMe is aboUndinG With rare and invalUable antiqUes, each one coMPlete With its oWn caPtivatinG story. every Grand Master and President that has resided in this Palace has left a sMall Piece of theMselves behind, in tUrn creatinG the allUrinG aUra of a hoMe that is abUndant in heritaGe; a hoMe that is alive and has seen it all – froM 1623 to Present day.

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The Presidential PalaceMalta’s First House:

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The San Anton Palace has been around for a long time. Reportedly, during Winston Churchill’s stay, he shouted out of the window at some people making merry in the street below to keep quiet as he had a cold and did not wish to be disturbed.

In the early 17th century, the Provençal Knight Fra Antoine de Paule built a country villa on the San Anton site. After his election to Grand Master in 1623, de Paule continued to add

to this villa, turning it into a palatial retreat in the country. There have been several ebbs and flows in the fortunes of this home; it has been used by

grandmasters as a luxurious private retreat, been the home to governors and royalty, visited and admired by important personages. It has housed different residents during the long period of British rule from 1800-1964, serving as the official residence of the British governors, only becoming the Presidential Palace after Malta was declared a republic in 1974.

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As much as it has been lived in, there was also a time when it was virtually abandoned in the mid-19th century and its contents were left to decay or moved out altogether. Its exceptionality lies in the fact that it is an entity of its own. It is not defined by its residents, but rather defines its temporary residents. No one owns the Palace; it acts as a host to those chosen to safeguard the Constitution.

The Palace’s character is intriguing. It has been fashioned by the different décor and expression the various presidents have brought to it. Many of the paintings, items of furniture, majolica and other objets d’art date back to the Knights. Our presidents have brought a variety of different tributes and the Palace has grown organically, with no particular order of additions. The oldest part of the building is probably the stable wing and the area beneath the tower. During the British occupation, the Palace was quite different and was furnished according to the manner of the time. Rooms that were whitewashed have since been stripped down to the original stone and the ornate stone fireplaces were also scraped back, in the process revealing their sculptured decoration.

This is not a low maintenance home. There are roughly 100 rooms with 22 domestic staff, 14 maintenance men and 13 gardeners. In winter, air conditioners supplement the heating provided by a number of fireplaces found within the Palace.

Verdala is the official summer residence while San Anton is the main official residence of the President of Malta. Great care is taken in the constant upkeep of both San Anton and Verdala.

This home has set the scene for several grand parties, starting from its earliest days as the country residence of Grand Master de Paule, who held several banquets. In the British period receptions were held on an on-going basis and the Palace continues to be used nowadays for small concerts to promote Maltese talent.

HOMEWORKS

Drawing RoomThis is the more formal and

public room than other areas of the house. This is the room where visiting heads of state meet other dignitaries such as the prime minister and leader of the opposition. one of the most visible additions is the veranda around the drawing room, which was built in the early 19th century. it gives a wonderful vista of the gardens in front of the palace, which have been open to the public since 1882.

The floors are all oak and the ceiling in this room is a decorated soffit, whitewashed and made of tin.

There are several pieces of albarello and Bombola majolica shaped jars of brightly coloured floral motifs dating to the knights period. a commemorative egg, made by victor mayer Company official faberge work master was created in 1995 and presented to the president of malta and the maltese people. The faberge malta egg is now prominently displayed in this room. The coat of arms of grandmaster de paule is carved on the grand stone fireplace, the focal point of the drawing room.

There are some pieces of maltese furniture from the 17th and 18th century and a large set of high-backed upholstered armchairs decorated with intricate inlay. most of the paintings similarly date to the knights’ period. a noteworthy set of two paintings, dating to the 18th century, depicts the funeral of the venetian admiral angelo emo, set against the background of the grand harbour.

portraits, landscape and genre paintings further enhance the opulent environment of this room. The soft furnishings were added in recent years but merge seamlessly with the decoration of the room and provide a perfect backdrop to the many works of art contained here.

Fabergé Egg.

HOMEWORKS

in 1995, while works were being undertaken on the main staircase of the palace, a mural was discovered beneath the whitewash of an alcove on the first landing. it depicts a pleasant country scene with a river and some figures and probably dates to the 18th century.

StairsHallwaya monumental oil

painting finely executed hangs in the passageway leading into the octagonal room. This ‘noli me Tangere’ is an early 17th century painting depicting the risen Christ appearing to magdalen and bidding her not to touch him. at the bottom of the canvas is a painted coat of arms of grand master lascaris, who reigned between 1636—1657.

Octagonal RoomThis room is decorated

in a neo-classical vein and maintains an octagonal theme throughout. The octagonal shape of the room is echoed by the eight-sided central table resting below a central skylight which floods the room with natural light. Busts of classically inspired figures placed on limestone plinths look out from the alcoves.

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Piano RoomThis floor was newly laid in 1967.

occasionally, private concerts of classical music are held here. a beautifully executed set of four paintings, each depicting a figure symbolizing a season, has been attributed to the school of albani.

an arresting portrait of a goddess-like recumbent female figure is held to be a depiction of the duchess of portsmouth. a cupid figure and two gesticulating ‘putti’ direct the viewers’ gaze to the reclining duchess who haughtily looks down on her audience. This painting, possibly dating to the 17th century, used to hang in the drawing room but has in recent years been moved to the piano room.

Small Dining RoomThough seating up to 14

guests, this dining room is on a smaller, more intimate scale than the large formal dining room. The large religious and portrait paintings dominate the décor lending an air of gravitas to this modestly sized space.

President's OfficeQuite aptly, the paintings in

this room are full-length portraits of grand masters who once ruled over malta. The portraits are of the 17th century grand master nicolas Cotoner, and of three 18th century grandmasters, namely despuig, pinto and de Rohan.

Blue Rooma pair of large 18th

century mirrors in carved gilt wooden frames is the first things you notice. from at least the 19th century until recently they hung at verdala palace but have since been transferred to this palace.

landscape views and flower paintings adorn this room and a collection of objets d’art ranging from small items, such as inkpots and tableware used during the British administration, to larger items such as chests of drawers, floral and landscape paintings and a tal-lira maltese clock delight the viewer at every turn.

Main Dining RoomThis table seats 34 and can

squeeze in 38 if need be. The floor happens to be underlay as it was formerly under a fitted carpet, but some time ago the carpet was lifted and they found this wooden floor underneath.

a pair of wonderfully ornate marble-topped console tables bear the carved coat of arms of grand master pinto. These vie for attention with the large landscape paintings depicting foreign harbours. several pieces of the silverware date back to the British period and a splendid fabergé silver tea service was recently acquired.

Private WingThe long corridor of the private

wing is hung with several portraits, many of which date to the 19th century, depicting images of some British governors and high-ranking officials. There are also a few portraits of past presidents of malta, but the majority of the portraits recording maltese heads of state are placed in another bedroom wing.

The vassalli suite, a suite of tastefully furnished rooms, accommodates visiting heads of state to the palace. The suite where the Queen is accommodated on her visits is located here. This is the suite in which Churchill also stayed.

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HOMEWORKS

Kitchen AreaThere is a tradition that the ground floor

rooms in the vicinity of the kitchen were used as cells for prisoners during the time of the maltese insurrection against the french, when Captain alexander Ball as Chief of the maltese Congress resided at san anton and sessions of Congress and Court sittings were held here. Reputedly mikiel anton vassalli was imprisoned here for a while. another famous prisoner kept at san anton was lucien Bonaparte, brother of napoleon. The walls of these rooms are extremely thick and the highly placed windows are still barred by iron grates.

There are three kitchen staff members that are employed on a full time basis. head Chef Jesmond Bonello has been employed at the palace for thirteen years, starting when Censu Tabone was president.

GardensThere are two private gardens, one of which is

adorned by a number of trees planted by visiting heads of state and important personalities who visit the palace to commemorate their visits to malta. a special ceremonial spade is normally used for such events.

sir anthony mamo planted the large tree that greets visitors as soon as they step into the garden in 1974.

The 'Tal-Pilar' ChapelThe president and mrs. fenech adami

occasionally attend mass in this chapel. mass is held here every day for the general public. The architecture of the chapel pertains to the early 17th century initial phase of the palace but the paintings which cover the walls and ceiling in a cohesive decorative scheme are in a Rococo late 18th century style, dominated by a blue white and gold palette. Trompe l’oeil devices turn real doorways into decorative panels, and create impressions of windows where none exist. The titular painting reflects the dedication of the chapel to our lady of pilar. This chapel is probably an original part of the palace, built by de paule.

Russian ChapelThere is another chapel in the palace. it is

likely that it dates to the early 19th century and is entirely different in its stark appearance to the highly decorated chapel sited in the older part of the palace. its history is linked to Russian royalty, particularly to the devout grand duchess marie alexandrovna wife of the duke of edinburgh who resided at san anton in the late 19th century. it was later converted to resemble a greek orthodox Church for the use of empress marie of Russia who sought refuge in malta from the Bolshevik revolution in 1919. a remarkable set of paintings of the apostles, painted by the formidable maltese artist giuseppe Cali, now adorns this chapel. in recent years some Russian icons were donated to the chapel and the cupola was painted by Russian artists in a Byzantine style image of our lady of the sign.

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Head Chef Jesmond Bonello has been at the palace for 13 years.

The 'Tal-Pilar' Chapel: probably an original part of the palace, built by De Paule.

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19891994

19941999

1999 2004

Presidential Timeline

Dr. Censu Tabone,President of Malta 1989 - 1994

“The most special part of living at the palace for me was the staff. They were wonderful and turned out to be the best staff i could ever had hoped for even though they were employed at The palace during its pervious presidency. in fact, if i had to employ the staff all over again, i would re-employ each and every one of them. i grew to trust them whole-heartedly and never even locked a door during my residency at the palace. apart from the staff, my admiration went to clocks. while i resided at the palace i restored a few of the old clocks. a lot of them were silent and i gave them some colour and life. a perfect example is the clock that sits at the top of the stairs at the entrance. The staff knew that i was a great lover of clocks and after i had left, they gave me a beautiful gold tal-lira gilt clock with my family’s coat of arms at the top. it is so dear to me and it has a place in the most prominent area of my current home.”

Mrs. Guido de Marco,Wife of President of Malta, Professor Guido de Marco 1999-2004

“i was very involved when we were residing at the palace as there was so much to be done! we re-upholstered all of the curtains, converted the beams, re-gilded all the furniture and changed a lot of things in the drawing room. i purchased candlesticks for the dining room and also single ones for the chapel. i also managed to purchase the fabergé tea set at a very good price. in fact, it’s probably worth twice as much now as i bought it for. we also added quite a bit to the gardens. it was a good time for me when we stayed at the palace. we thoroughly enjoyed all the staff and they were like part of our family. i also immensely enjoyed taking care of the Community Chest fund. it taught me a lot and it was so satisfying being able to help those less fortunate.”

Dr. Edward Fenech AdamiH.E. The President

“The presidential palaces are truly a wealth of splendour, both culturally and aesthetically. it has become a tradition with my predecessors to carry out restoration and embellishment projects in these palaces, obviously always under the supervision of the relevant authorities. i intend to carry on with this tradition and give my contribution in safeguarding these treasures that are part of our heritage and our identuty.in fact, a sponsorship agreement was recently signed between heritage malta and four entrepreneurs who will be sponsoring restoration works on the 16th century frescos on the vaults of the main hall of verdala, a project estimated to cost around lm40,000. funds will go into a bank account managed by the president’s office.lately, san anton has gone through various works of infrastructure, such as the upgrading of the electricity system, the resurfacing of the driveway and the central courtyard amongst others.my favourite spot to relax is under the shades of the trees in the garden, reading a book.since i have been appointed president, i have realised that the personnel of san anton is committed towards the service given to the service given to the president and the upkeep of the palace. my wife and i are very grateful for the assistance they provide me and my family."

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HW

Dr. ugo Mifsud Bonnici1994-1999

“my wife and i refurbished the staff quarters at san anton palace. we also renovated the kitchen, the gardens and the drains. another big project was to restore the Russian Chapel. it was abandoned as a chapel and we turned it into a concert hall. The Russians also contributed by sending a painter to paint the ceilings. on a visit to malta, the first female astronaut, valentina Tereshkova, also gave us the icon of st. george. There is also the set of paintings of apostles, painted by giuseppe Cali. when i was minister of education i knew that the paintings had been commissioned for the anglican Church. There was no space in the museum department so when i became president, i remembered the paintings and asked my successor if he would agree to send over the paintings for the Russian Chapel.we wanted to have all the gardens refurbished so that there would be more space for flowers. i didn’t like the idea of purchasing flowers when we could grow our own.another refurbishment was the 19th century straw cubicle next to the dining room. it was a fire hazard, so we made it into a small kitchen so that my wife could cook in private from time to time.”dr. mifsud Bonnici on agatha Barbara:“i know that she asked the staff at the palace to help with the restoration of the stone pavement, which had been painted over during the British period. she had the paint removed and thus contributed to that aspect of the palace being returned to its Baroque style.”

words: elizabeth cardonaphotos: Mas

homeworks featUres a Modern hoMe, fUll of antiqUes that Were PUrchased for the atyPical PUrPose of Personal style and taste.

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that’s my home– a result of the fusion of what I inherited and the pieces that I fell in love with and had to have.

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It is a supreme anti-cliché, but Joseph Galea Naudi (retired antique dealer-come-consultant) unequivocally detests the Victorian era and any items it brought along with it.“That period was oppressive and

hypocritical. Anything made during that time is a reflection of that way of life and I simply wouldn’t have it in my home. I’m serious, look at the Baroque period. It was an opulent and theatrical time. The work produced then is a direct reflection of that.”

Joe’s great grandfather was a prodigious collector of 19th century antiques. He had two homes to accommodate his collections in – one in Valletta for winter and the other in Sliema for summer.

“He had an enormous collection of oil paintings, furniture and 17th century glass.

In fact, he could very well have had the largest collection of glass on the island at the time.”

Hence, Joe grew up in a home that was cluttered with antiques, and from childhood his interest in the antiquated was born. Not only did he inherit a fair number of pieces, but he managed to acquire quite a few as well.

“That’s my home – a result of the fusion of what I inherited and the pieces that I fell in love with and had to have.”

Joe was a dealer for a long time and has now retired to antique consultant. During his time as a dealer, he was exposed to the best pieces.

“Of course I had first pick at the best items. However, I like to surround myself with objects that I truly like. It has to fit into my home nicely and I wouldn’t buy

a piece just for the sake of investment. I think this is where a lot of people go wrong when decorating their homes with antiques. Good taste is so important. It’s the difference between a home that you feel comfortable and proud living in, to a home that looks and feels like a museum. When I was the co-curator of St. John's Cathedral I used to walk down the aisles and receive an enormous sense of well being. It wasn't the value of my surroundings that I loved - it was the beauty and design of the Baroque Style”.

Due to the somewhat open-plan of his home, displaying the antiques was quite difficult as there wasn’t a large amount of wall space.

“Placing is so important to me. If something doesn’t fit in, it goes. I like large objects in small spaces. I find that

I AbSOluTEly DETEST AnyTHIng VICTOrIAn!

There must be a continuity of space between each item, otherwise there will be clutter in some areas and too much empty space in others.

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furniture or large paintings can be put in small spaces if there is the same amount of space around them. This way, there is a balance and clutter is avoided altogether. I have done up my entire house this way−a continuity of spacing. It’s vital when you’re housing antiques.”

The ambience is softened by textiles – rugs (which actually lift the colour, not make it dreary), fabrics to cover side tables, upholstery and curtains. The colours of the textiles are generally neutral and pale so that there is a harmony between the furniture, the walls and the textiles. Only the upholstered chairs

were left in their original colour. Antique furniture is generally dark in colour, so Joe tried to steer clear of white walls and opted for natural colours instead, to avoid a sharp contrast.

“During the 17th and 18th centuries pieces were generally made in pairs. So it is very important that we keep them as pairs and place them as pairs. This also helped keep symmetry and avoid clutter. There also has to be a mix of items to make the style a little fun. There are a lot of people who own antiques that insist that everything has to be antique. Fair enough, all of my antiques are genuine...

but I did throw in some things that help create the right feeling. The fake fruits in the dining room are absolutely marvellous! I love them and they add just the right amount of red to the room. I also faked a bookshelf in the hallway. I love my fake books; they give this space exactly what it needs!”

With all these trial and error guidelines to direct him, Joe has created an ambience to suit his lifestyle.

“It makes me feel good. And when my friends come around, I feel good! I believe that my home has to be me. That’s why I wouldn’t consider a decorator.” HW

A blend of different eras and styles: Table and lamp are Chinese laquered,

purchased from Harrods London. The mirror is early 19th century Maltese.

18th century assemblage. A large number of the chest of drawers were produced starting from

the 17th century. 18th century Maltese chairs, popular venetian mirrors whose gilded frames

could be manufactured locally. Swiss Louis XV bracket clock, made by Mairon.

I rEAlly DIDn’T WAnT TO EnD up WITH An AMbIEnCE THAT DIDn’T rEFlECT ME AS A pErSOn.

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HOMEIDEAs

Balance toy: Completely handmade

from recycled metal, hand forged

and painted. This beautifully

designed 3D golfer balance toy is

a must for every golf fanatic. Price:

Lm42.95. A large selection of other

designs available from Ambiente,

San Gwann. Tel: 2137 6481.

Armillary sphere: A

model of the universe

as known during the

Renaissance. Intricately

assembled from bronze and wood.

A classical desk ornament.

Price: Lm99.95 – for

Homeworks readers:

Lm75.00. Ambiente,

San Gwann. Tel: 2137

Kymono offers a variety of knife block sets by renowned

brands such as Master Class and New Bridge. Available

in a variety of sizes, colours and manufactured from wood,

bamboo and high quality stainless steel, you are sure to find

the set to suit your tastes and needs. Starting from Lm39.00,

available exclusively from Kymono, 6, Triq l-Uqija, Ibragg

(Opposite B.O.V. branch). Tel: 2137 8330.

Casual, versatile and stylish: the three words that sum

up the offer from Johnson Brothers. Microwave and

dishwasher safe. A mixture of old favourites like Regency

and Indies to the latest additions like Pure and Linear.

Prices from Lm2.75 for a dinner plate.

Gio. Batta Delia - The Showplace of Fine Arts, Republic

Street, Valletta.

Tel : 2123 3618. Email customerservice@giobattadelia.com

A wide choice of fresh and innovative decorative

items to give your home that original feel. Most pieces

are specifically designed and manufactured by Tanti

Interiors. A fine example of this is the genuine white

leather ottoman selling only at Lm130.00. Other original

pieces may be viewed at Tanti Interiors, 52, Imrabat

Str., Sliema. Tel 2133 0094.

The patented cutting technique employed in the Rosle

Kitchen Foil Holder / Wrap Dispenser is absolutely

innovative. A clean and easy cut divides the foil from the roll

quickly and neatly. The Kitchen Towel Holder can be simply

clipped onto it Lm55.00. Exclusively available from Living

Interiors, Luqa Briffa Street, Gzira. Tel: 2134 1166.

Hand knotted rugs. Using the designs

and colourations developed by the Brink

& Campman design studio, these rugs are

being knotted in Nepal. The pile is a blend

of Tibetan and New Zealand wool. The

woven collection is a cosy rich high-

pile carpet.

Starting from Lm69.00. View rug

gallery at Core, Upper Valley

Road, B’Kara.

Tel: 2144 3449.

www.core.com.mt

SUPERb ideas

photos: alan carvilletext: PatricK Galea

collectingexPert antiqUe consUltant, patrick galea

talKs to homeworks aboUt antiqUes, GivinG

Us a brief insiGht into each asPect of the vast

sUbject. he tells Us the basic facts to becoMinG

a collector as Well as hoW to sPot a "faKe". We

have also asKed the Panel of antiqUe exPerts

to shoW Us their favoUrite Pieces in order to

illUstrate exeMPlary Pieces.

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Silver and Jewellery

antique collecting may vary from mundane china to old masters, from toys to vintage cars; manuscripts to film memorabilia, from mediaeval to twentieth century furniture; but the excitement of discovery will never cease.

A silver standard was introduced in Britain in 1300 and all silver objects made after this date had to be tested and marked to show that they contained more than 92.5% pure silver. Marks provide the collector of English silver with an invaluable aid. Likewise, during the time of the Knights', Maltese silver started being hallmarked and in some instances was referred to as continental silver.

you may come across silver with fake or altered marks, or unmarked pieces, but these are relatively scarce, and once you have learned to ‘read’ the marks, you will be able to identify where, when and−often−who made most pieces of sliver. Nonetheless, you should always take into account the style of a piece to make sure it’s consistent with the date of the marks.

charles aZZopardi’s silver pick:

william iv tea set

"This particular tea service was made in London in 1835 (during the King William IV era) by one of the leading English silversmiths – Charles Thomas Fox. This is one of my favourite tea sets at the moment as it’s a beauty and a rare find.Apart from its heavy weight, it also has beautiful Rococo floral and birds decoration and instead of having the usual feet at the base, each piece rests on a pedestal base.Another rare feature is its creamer (cream jug), as it has a very unusual spout (it looks like a bird’s head).Ideally, this fine set should be displayed in a prominent place in a sitting/dining area where it can be admired."

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patrick galea's art pick:

kenneth holmes tapestry

"When the first Hilton Hotel was being built in St. Julians, Kenneth Holmes designed and produced a long-stitch tapestry for one in hardedge technique of the presidential suites – the St Angelo Suite. Typical of the period, this colourful picture depicts semi-abstract views of boats in the foreground and a Marsamxett skyline. This item was purchased from an auction sale held at the previous Hilton Malta."

Recently, there has been an upsurge trend in anything that is Maltese or produced by a Maltese artist. There are mainly three categories of painting collectors: the collector who specializes in a particular period, style or artist; the investor who is guided by art markets, provenance and signature, local and

Ceramics can be broadly divided into two main groups: pottery and porcelain. If you’re just beginning your collection, the multitude of pottery wares produced during the 19th century could be an ideal starting point.

Porcelain has long been highly prized and tends to be more expensive than pottery. Many pieces have marks of some type but these have no guarantee of authenticity because many factories copied each other’s marks to make their products more desirable.

Value is usually a matter of size, age, rarity, decorative appeal and, above all, condition. European 18th century porcelain

patrick galea's ceramic pick:

1962 gesso figure

"The gesso figure with gold leaf patination, produced in 1962, prior to Edward Pirotta’s departure to England, clearly indicates Pirotta’s academic mastery of the human figure. It also shows his experimentation in patination techniques, which earned him a lucrative income with dealers and decorators in the uK.A rare find, since very few examples survive, due to his untimely death."

tends to be very highly priced but you can often buy damaged pieces for a fraction of the cost of those in perfect condition.

Highly collectable and popular on the Maltese antiques scene are Majolica pieces, which also may date back to the period of the Knights and earlier. These are difficult to come across and often come up for auction in international salerooms, not dissimilar to the ones brought over by the Knights of Malta. There is no technical evidence of such pottery ever being produced locally.

Fine Art

overseas irrespective of like and dislike; and a new breed of buyer, one who buys mainly for decorative value, not necessarily artistically inclined.

Even the art market has witnessed an upsurge in fakes, heavily restored or altered pieces. Expert advice should be sought at different levels and testimonials and certification are necessary in a fast growing European economy. unlike ceramics and silverware, paintings are more easily identifiable for authenticity and such expert advice is available in Malta.

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you need to familiarise yourself with the styles of Maltese or continental pieces, methods of construction and types of material used, in order to determine whether the piece is ‘right’ (in other words, in its original condition without any major alterations or additions) or ‘wrong’ (some major change have been made to it, or it’s a fake).

Furniture that has been altered is usually less desirable than that in its original condition. Among the most common alterations are large pieces, which have been reduced in size. Freshly cut surfaces, repositioned handles and plugged holes are signs of alteration.

A piece of furniture can be described as fake if it deliberately makes you think it’s older than it really is. Fakes made from new timber are usually easy to spot, as the wood doesn’t have the patina of age you would

expect. Some fakes are made from old wood and these can be trickier to identify. Beware

of any piece being sold as 18th century or earlier if it has circular

saw marks. These marks mean that the wood was cut after

1800, when circular saws were first used.

Maltese furniture has always been popular owing to its rarity value, the exotic woods used and its continual investment potential.

Furniture Continental furniture on the whole may fluctuate according to fashion trends and popularity. From Georgian to the Edwardian era, pieces are regularly accessible on the Maltese market, which will vary in cost depending on condition, style, rarity and market trends on the international scene.

This overview on antiques by no means fully satisfies all categories. Traditionally, the pastime of a seasoned collector has increased tenfold, due to TV programmes like the BBC Antiques Road show and others. The cultural events, such as exhibitions and publications by Fondazzjoni Patrimonju, Bank publications and regular calendar events promoting art have supplied the necessary impetus for collecting locally.

As a result, with the increase of popularity of antiques and antiques collecting the antique Dealers Association (Malta), has organized, promoted and held antiques and fine arts fairs regularly for the last sixteen years.

alfred tanti's furniture pick:

18th century bureau bookcase

"This exceptional Maltese antique is a late 18th century bureau bookcase. It is crafted from olive wood and displays curved features that are known as being serpentine. This bookcase has been in the Tanti family for two generations and was bought by the late Paul Tanti, the founder of Tanti Antiques. This particular piece is a rare beauty not only for its flawless design but also for the excellent craftsmanship involved.The attention to detail is endless and it shows dedication and skill from times gone by. With this antique you notice the craftsmanship by admiring the detail in the way that the olive wood has been inlaid. In particular, the flower pattern shows the way the wood was cut from the head of the trunk. The inlay detail around the side drawers and glass doors are all crafted against the grain in a herringbone manner. Also, the cornice surrounding the glass doors as well as the top tympanum broken with scrolls are also crafted against the grain. This antique piece is in excellent condition and has needed little restoration over the years." HW

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oUr Panel of exPerts froM the Malta antiqUe dealers association – charles aZZopardi, patrick galea, edward pellegrini petit and alfred tanti,

have evalUated those antiqUe iteMs that homeworks readers sent in for oUr firstever "antiqUes call". soMe are Worth More than We thoUGht, soMe less. soMe are the GenUine article and soMe are coPies. yoU MiGht be sUrPrised to find soMe of the Pieces GettinG dUsty on yoUr shelf are Worth More than sentiMent.

homeworks WoUld liKe to extend a biG thanK yoU to all and exPerts Who ParticiPated. We WoUld also liKe to thanK the exPerts for their

Wholehearted sUPPort.

Definitively Dated

homeworks brings you the feature you’ve all

been waiting for

photos: alan carville

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price range key

Eover lm1000

Dlm500 - lm1000

Clm300 - lm500

Blm100 - lm300

Aunder lm100

1 BroochEvaluation: Maltese rose diamond gold brooch. Circa 1910. Price Range: B

2 CollierMaltese 18K gold collier. Exquisite workmanship. Price Range: C

3 Silver Glove Tray Evaluation: This is a copy of the glove tray that belonged to Grandmaster Perellos. This can be identified by the marks on the bottom. There is no mark of Perellos. The date is between 1857-1920. Price Range: C

4 Silver TeapotEvaluation: Georgian solid silver teapot, London, 1817.This is particularly exceptional because it was made by a female silversmith. Price Range: D

5 Snuff BoxEvaluation: Rare silver gilt snuff box with filigree top, dated circa 1845. The maker's mark is slightly worn, so it is hard to tell exactly when. Price Range: D

6 Maltese Silver TeapotEvaluation: This is genuine and was either owned by Grand Master Perellos or Pintos. It is much in demand because it is original, Maltese and doesn't have legs. Circa early 18th century.Price Range: E (Lm1000-2000)

1

4 5

8 9

2 3

6

7

7 English Silver Tea Set Evaluation: English Victorian three-piece tea set. Price Range: C

8 Shoe Buckle Evaluation: Maltese 18th century gold shoe buckle. (Circa 1770, de Rohan period). This is rare because it is gold and they are normally found in silver. These were worn by noble families or high-ranking knights. Price Range: B

9 Ring Evaluation: Platinum gold cut diamond cluster dress ring. Approx. weight: 1.5karots. Circa 1900. Price Range: D

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4 5

8 9

2 3

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1 Satsuma VaseCould not determine any information on this vase other than it’s a Satsuma vase.

2 Porcelain Tea Set Evaluation: 29 piece Japanese porcelain tea set. you can tell it’s Japanese and not Chinese by the ladies’ dresses. This is turn of the century.Price Range: A

3 Imari Plate19th century Japanese Imari plate.Price Range: Could not determine.

price range key

Eover lm1000

Dlm500 - lm1000

Clm300 - lm500

Blm100 - lm300

Aunder lm100

6 French Vases Evaluation: Early 19th century. These are made in two pieces and then joined with nuts. They are verging on mass production, making them common and not worth that much.Price Range: B for the pair.

7 Shaving mug Price Range: A (lower)

8 White china and gilt clock Price Range: A (lower)

9 Venetian Mirror Evaluation: Mid-19th century Venetian mirror. These mirrors were first made in the 17th century, specifically for export and are still made today. Price Range: C

4 Flower TroughRound pottery flower trough. Price Range: A

(lower)

5 Wedgwood Crockery Set, 100 pieceEvaluation: Wedgwood dinner servers, circa 1880. The marks on the bottom are what they call ‘impressed’. There is also a printed mark. ‘Frankfurt’ is the name of the design. The set may seem to be worth a fortune, but because it was mass-produced and has a transfer printed pattern, it is actually quite common. Price Range: C for the set.

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10 Davenport Writing DeskEvaluation: Victorian ebonised Davenport writing desk with stationary compartment with hanged lid writing top and red leather top. Price Range: C

11 SecretaireEvaluation: This is a fully restored Edwardian Maltese chest of drawers. Because the grey marble top is the original, it is worth a bit more than it would be if it has been replaced. Price Range: C

12 English OrganOak wood English organ. Because the maker of the organ is English (Imperial Organs, London), the worth is less. If it were German, it would be worth a lot more. Price Range: B

13 Monk’s BenchThis is an Edwardian (pre-war) monks bench. Because it’s mahogany, it’s worth more. There is a panel in the seat which opens up for storage at the bottom.Price Range: B

14 ClockFrom the Boule era, this is made up of tortoise shell and mother of pearl. The statues are made of ivory. 17th century.Price Range: Could not determine.

15 Chaise LoungeCould not determine any information on this Chaise Lounge.

16 Sorrento TableThis is a late 19th century Sorrento Table.Price Range: Could not determine.

17 Prie Dieu Evaluation: This is a mid 18th century Maltese prie-dieu veneered in olive wood and orange wood stringing. Price Range: Price varies due to the

rarity of the item.

18 Inlay Table Evaluation: Late 19th century, early 20th century, round Sorrento (Italian) table in walnut, inlayed with fruitwood. Price Range: C

10

13 14

17 18

11 12

15

16

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1 Dressing Table Evaluation: Maltese Victorian flame mahogany chest of drawers with ivory.Price Range: C

2 Display cabinetEvaluation: Victorian ebonised display cabinet inlaid with fruitwood with ormolu mounts. Price Range: B

3 Photo Album19th century hand-painted photo album. It is probably American.Price Range: Could not determine.

1

4 5

8 9

2 3

6

7

4 Dressing Table Evaluation: Maltese Victorian flame mahogany chest of drawers with ivory. Price Range: C

5 Still Life PaintingCould not determine any information on this painting.

6 Favre Painting Evaluation: This seems to be an original Favre. It is a portrait of The Grand Prior of the Order of St. John. There is another painting of him by the same artist at the Archbishop’s Palace. Although it looks damaged, it isn't – this is a scar on his face. Price Range: E (Lm3, 000-5, 000)

7 Staff PhotographThis was a staff photo of the Cable & Wireless company. The background is the Dragonara Casino Circa 1920. Price Range: A

8 Adolf Hitler PrintThis is quite a common print of Adolf Hitler.Price Range: A

9 Book with prints of England Price Range: A (lower)

price range key

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Dlm500 - lm1000

Clm300 - lm500

Blm100 - lm300

Aunder lm100

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Santiques1 ViolinCould not determine any informationon this violin.

2 Books on London & PalestinePrice Range: A (lower)

3 ZitherThis zither is inlay of tortoise shell, Mother of Pearl, ivory and ebony. The fish design style is more Chinese than anything else. It could be from Hong Kong. Price Range: Could not determine.

4 Ink PotInkwell on stand Price Range: A (lower)

5 Egyptian PrintEarly 19th century Egyptian engraving from Cairo. Does not have a lot of significance locally. Price Range: B

6 Books Evaluation: One of them is a book on stories of Malta and Gozo, published in 1843. The second is History of Malta, written in 1902 and the third is a translation of French, written when the French occupied Malta, published also in 1843. Price Range: They are all in the A range, except for 1C,

which is B (lower).

7 Austin Pedal CarSize specs: Length: 5ft. 3in., Width: 2ft., 3-1/2 in., Height: 1ft. 10in., Weight: 43kgs.Production of these pedal cars began in 1949 and ceased in1971, with 32098 cars having been built. The metal used was thought to be off-cuts from Austins built at Longbridge which made them very solid. Price Range: D

8 Terracotta FlowersEvaluation: This is a 19th century Sicilian terracotta table base. This is not worth much more than its decorative value if the top of the table is lost. Price Range: A

9 No information on this object could be provided.

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4 5

8 9

2 3

6

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Eover lm1000

Dlm500 - lm1000

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HOMEIDEAs

For a variety of scented candles, candle shades,

accessories and gifts starting from Lm1.99, visit Candles

and More, Main Street Complex, Paola. Tel: 2180 4313.

Fabulous one-time flat pack offers on these Malaysian

bedrooms. Barbara Single bedroom consisting of a 3-door

wardrobe, chest of 5 drawers, bedside table and bedside

table only Lm199.00! Zurich main bedroom consisting of

Queen size bed, 2 bedside cabinets, chest of 5 drawers,

dressing table including mirror and 3-door wardrobe only

Lm299.00. Value Direct, 180, St. Paul’s Street, St. Paul’s Bay.

(Veccja Area) Tel: 2157 8597, 9949 9337.

Bormioli is a brand leader in the mass market for home

and restaurant glassware, symbol of Italian style for

people who care for simplicity and quality of life.

Transparent ideas, which enhance the purity of glass.

Joyous ideas in coloured glass bring happiness to the

table. Harmonious ideas to always find the perfect balance

between shapes and style. Starting from Lm1.00 per glass.

OK Limited, Naxxar Road, San Gwann. Tel: 2138 7495.

Arkadia, Level 2, Fotunato Mizzi Street, Victoria, Gozo. Tel:

2155 8333.

Also available at all leading home ware outlets &

supermarkets.

Squared and rectangular mirrors in black crocodile leather.

“Metropolis” - (72x72x6)

“Metropolis Floor” - (180x90x4)

“Metropolis” - (200x80x4)

Ranging from Lm58.00 to Lm300.00

Available at Design House, Dingli Str., Sliema - 2134 6474,

9942 3464.

“Chalet Lounge” Squared-Metal design Candleholders

Large size - 80cm

Medium - 31cm

Small - 26cm

Ranging from Lm8.00 to Lm64.00

Available at Design House, Dingli Str., Sliema

Tel: 2134 6474, 9942 3464.

Leather Carpets both in Chocolate, Cognac and

Black colours

100x60

200x120

Prices ranging from Lm30.00 to Lm68.00

Available at Design House, Dingli Str., Sliema -

2134 6474, 9942 3464.

The new Sony DSC-M2’s sleek hi-tech

vertical design makes you look smart

– plus you can shoot, share, and save

your memories by recording high-

resolution 5.1 mega pixel still images,

high-quality MPEGMovie4TV clips, or

simultaneous still images and video

clips in Hybrid Recording Mode. Pocket

album function lets you store up to

1,100 VGA images for sharing anytime.

Available from Forestals. Lm318.00

Tel: 2343 6000. www.forestals.com.

FAbULOUS ideas

The Fabulous Mr. Conran060

for over 20 years, Jasper conran has been KnoWn as an aUthority on british style and tailorinG. his siGnatUre style Mixes classic british GlaMoUr With a brassily sassy teMPeraMent that has been aPPlied across desiGns not only for clothinG lines, bUt also for fUrnitUre and hoMe Ware, inclUdinG WedGWood china and Waterford crystal in an exclUsive intervieW With homeworks. the foUnder of the conran stores talKs to Us aboUt l.a., insPiration and cocKtail hoUr.

interview: lisa borainphotos: andreW hayes-WatKins 061

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Q. you were just 19 when you designed your first collection under your own name. The following year you were elected to the London Designer collections. That’s a lot of success at a very young age. Was it difficult to handle that kind of accomplishment at 19? Was the Conran name a benefit to you, or just more pressure?

A. It was an amazing time for me and quite overwhelming in fact. I had to work very hard just to stay on top of things. That sort of immediate success is a huge challenge but don’t let anyone tell you it’s not fun. I had a blast! As for my name, it was both a hindrance and an advantage. Some people love you because of your name; others won’t give you the time of day. It’s still the same today. you learn to live with it.

Q. Fashion design was your forte. What inspired you to go into product design?

A. I never expected to design homeware. I was happy focusing on fashion. Waterford crystal approached me first and I was initially quite wary. I wasn’t sure I could do it, but the more I learned about crystal as a medium, the more confident I became. Since my initial success with crystal, I’ve turned my hand to fine bone china, furniture, and even fireplaces. The initial work

with Waterford gave me the confidence and ambition to really push myself. I’ve been amazed by how the design basics I learned with regards to fabrics and fashion can be applied to almost anything.

Q. Josiah Wedgwood founded his own pottery company in 1759 – now “a name that is ... invoking visions of heritage, elegance, and quality”. How important is the Wedgwood heritage when you consider your present role in designing for this brand today? Are you designing in the inherited ‘spirit of Wedgwood’, or are you adapting a new philosophy to a classic brand?

A. A strong heritage is one of things I enjoy most about working with Wedgwood. I’m inspired by heritage. My fashion line is grounded in a strong sense of classic British design. Of course that’s just my starting point. I layer my own sensibility on top of that. Likewise with Wedgwood. I feel honoured to have the opportunity to make an aesthetic contribution to such a strong design tradition. If a brand is to remain relevant it must constantly renew itself. It’s something we do seasonally in fashion. I see my role as applying that same sensibility to the Wedgwood brand and aesthetic.

Q. The Jasper Conran for Wedgwood Collection has been the number one selling porcelain tableware throughout the uK. What’s next for Wedgwood?

A. We’re always scheming. There’s more to come but nothing I can comment on.

Q. you grew up around design. Did you always want to be involved in design, or did you want to be something melodramatic, like a superhero or a king when you were a child?

A. In fact I’ve always wanted to be a fashion designer – a dressmaker to be more specific. From an early age I can remember being fascinated with fabrics and construction. I could be happy working away in a little dressmaking shop, making clothes for private clients. It’s probably where I’ll end up.

Q. The inevitable question – who or what inspires you?

A. I find inspiration everywhere from films to architecture. Of course my garden is a huge inspiration. I’ll spend whole weekends out there digging away and pruning bushes. At the end of the day I’ll sit outside and let my mind wander. After a day working with plants and flowers suddenly my mind is full of ideas.

THE INTERVIEW

The idea behind the store was to create the ideal place to show all of my collections.

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Q. your flagship store opened in February of this year. Was this your dream from the beginning, or was it a natural progression?

A. It was more of a natural progression. The idea behind the store was to create the ideal place to show all of my collections−the mensware, the womenswear, the Wedgwood china and Waterford crystal, the furniture line and of course the fragrance. People can really see how it all fits together. For me it’s like a laboratory. I’m constantly re-arranging things and trying out new ideas at the store. In fact, if you want to know what’s coming from me, pop into the store and see what’s new. Invariably a print or shape introduced into the store will be used for one of the collections.

Q. Although it’s known that you have done interiors, there’s a rumour that you’re considering a more serious move into architecture? Is this true?

A. Any move like that would still be a long way off. Of course I’d want to partner with someone with real expertise and a similar aesthetic. We’ll see. I’m always in search of challenging new projects.

Q. When asked why you don’t float the business, you have been quoted as replying, “We could open up 50 shops worldwide but that would add a layer of complexity to my life that I’m not sure I want.” Does this mean that you currently possess a certain

quality of life that you are hesitant to compromise?

A. The point I was trying to make is that I am significantly involved in every aspect of my business. The arrangement you describe would add a layer between the business and me. I’m simply not ready to step back that far at this moment. I would worry that the ethos and quality would somehow deteriorate. It’s taken a lot of hard work to create this business. I’m not particularly interested in handing over to someone else at the moment.

Q. you have been quoted as saying that fashion looks forward, is the outward manifestation of change, a symbol of development and, above all, “a clue to life”. Without fashion, “there

can be no survival”. Do you still feel this way? Would you apply the same principle to design and architecture?

A. I do think there is something fundamental about fashion. If you really watch closely you can divine both where we are in the moment and where we are going. It has something to do with the seasonal nature of it. It moves so quickly. I do think that too many people are happy to treat fashion as insubstantial. In fact, I think fashion tells us a lot about who we are as people, who we are as a culture. It’s certainly more entertaining than politics!

Q. If you had time for hobbies, what would be your favourite one be?

A. I do love to travel and wish I could do more. I’m always so inspired when I come back from travelling. Currently I’m in love with Los Angeles. It’s got great energy and yet there’s something elusive there. I’m intrigued by that contradiction.

Q. What’s your favouritetime of the day?

A. Cocktail hour,of course.

Q. What’s the most ridiculous thing you’ve heard someone say?

A. ‘I can’t.’ Invariably ‘I can’t’ means, ‘I don’t want to.’ People need to take responsibility for themselves. you can accomplish anything you put your mind to – you just need to persevere and be flexible. I know it sounds corny but I believe it. HW

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HOMEIDEAs

These extremely comfortable and fun ‘faux’ leather

puffs are ideal for bedrooms and living rooms and are

now available for Lm19.95. in six different colours at

‘Gifts&More’, Topline. Tel: 2137 2256.

What about relaxing on a leather reclining armchair

whilst watching your favourite programme or reading your

favourite newspaper after a day’s work, for just

Lm95.00? Roxy Home Furnishings brings comfort

to your home at affordable prices. Roxy Home

Furnishings, 800, High Street, Hamrun.

Tel: 2122 4537 or Email: info@roxyhome.com

De Giovanni Recliners - where comfort and affordability come first! Available as an armchair at Lm190.00. 2-seater sofa with

independent recliners at Lm300.00 and 3-seater sofa again with 2 independent recliners at Lm360.00 in full leather. Value

Direct, 180, St. Paul’s Street, St. Paul’s Bay. (Veccja Area) Tel: 2157 8597, 9949 9337.

Butterfly range is one of the latest innovative styles from

fabas luce. Butterfly is available as wall light, ceiling

(both suspended and fixed) lamp stands and lampshades

Lm97.00. Visit the whole range at VCT Ltd., Ponsomby

Street, Mosta. Tel: 2143 2571 / 2143 6186.

Want a floor that harmonises perfectly with your personal

taste and style of living? Want a 20-year warranty? Want a

floor that is easy to install and offers a wide range of colours

and designs? Then Quick-Step is the answer to all your

questions. For a free quotation or the new 2006 catalogue

visit at Roxy Home Furnishings, 800, High Street, Hamrun.

Tel: 2122 4537 or Email: info@roxyhome.com

Book Ends, Door Stops etc. A variety of items ideal for libraries and studies. Original elegant items - a perfect gift for that

special person. Starting from Lm35.00. Ambiente, San Gwann. Tel: 2137 6481.

Limo Bed 3101, Wenge-coloured veneer. Value:

Lm279.00. Now: Lm 219.00. Available at BoConcept,

San Gwann. Tel: 2137 8011/2.

COMFORTAbLE ideas

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The Art ofRestorationfive conservators, each sPecialisinG in a different area of restoration,

shoW homeworks that it taKes consideration, recordinG and

correctinG to brinG bacK iteMs to their best state.

words: robert cassar, aGatha GriMa, jaMes licari, PaUl MUscat, anKi rieGerphotos: coUrtesy of PaUl MUscat

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When it comes to restoration, it seems that a large amount of time and expense is allotted to correcting what was previously done (or not done) inaccurately along the way. To many it may seem that a conservator’s role is simply to restore an artefact from an unstable condition to a stable one.

The time of conservation is critical for an artefact. This can be comparable to the time when a person undergoes surgery.

prevention is the best cure.

“We have seen many conservation disasters, like totally overpainted pictures, which would have lost their souls to an ‘artist’ who claimed they were restorers.” Says Paul Muscat, Painting Conservator.

“ArtEfActS ShoUld bE kEpt In thE moSt StAblE EnvIronmEnt poSSIblE. hiGh hUMidity and flUctUatinG teMPeratUres can be very daMaGinG. the 'bUild UP' of dUst on sUrfaces shoUld be avoided, so healthy artefacts shoUld be

Maintained by dUstinG liGhtly With soft brUshes. as an exaMPle, sUch care Prevents PaintinGs froM extreMe daMaGe sUch as excessive cracKinG, Paint loss and

PiGMent loss, Which Will eventUally call for essential strUctUral conservation treatMent.

This is the true conservator’s aphorism.

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Artefacts should be handled with care. In case of an accident and you find you own a damaged artefact, see that you keep all the pieces safely and seek out professional help. Proper conservation is always an investment, even it means executing an emergency treatment to stop further damage until the rest of the treatment becomes possible,” says Anki Rieger, Paintings Conservator preventative.

As is the case with anything else, professional treatment is time consuming, but is essential if the artefact’s integrity is to be respected.

“Professional conservation definitely remains more faithful to the original. For example, sometimes we find that in a painting, a large area of the original paint layer would have been covered during a previous restoration just because the area had suffered from tiny losses. Our aim then becomes to uncover as much of the original as possible, and to painstakingly infill each tiny loss separately. There are no shortcuts in professional conservation” says Painting Conservator Agatha Grima.

“One of the major controversies in conservation is cleaning,” says Robert Cassar, Stone, Metal and Ceramic Conservator. “Before, it was customary to over-clean metals either by using corrosive products which eat into the original material itself or by aggressive abrasion to get a new-looking shiny gleaming surface. Today, it is very important for us to clean off grime, growths and sometimes metal corrosive products without harming the original material and without removing any natural patination. It is well worth working for longer on an artefact to execute a safe and ethical treatment. The aim of a conservator is therefore to remove any ‘grime’ without removing any evidence of the artefact’s history and the passage of time. Aesthetically, this can be seen through what is called the patina – whether it is the yellowed surface of an aged painting, the reddish surface of a stone façade or the natural greenish patination of bronze.

Defining the best treatment means striking a balance between the artefact’s structural needs with respect to its technique, function and environment, together with consideration of its aesthetic aspects as well as its history. Sometimes it may be defined that conservation may well be executed without even touching the object, by just changing and controlling the artefact’s environment.

“When defining treatments it is important to consider the aspect of reversibility. As an example, it was previously thought that any loss was best infilled with a hard strong material that held tightly to its surrounding original remains. This concept has been proven wrong not only in theory but also in practice. It is today known that using a stronger and harder material to infill losses would cause the surrounding original material to disintegrate while the infill remained strong and intact. Consider what happens to a globigerina limestone wall, which has been covered or infilled with a strong cement mortar. The limestone around and behind the ‘fixed’ area crumbles and is lost,” says James Licari, Stone, Metal and Ceramics Conservator.

“AvoId USIng commErcIAl AdhESIvES Which MiGht

daMaGe the oriGinal Material.”

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Research is obviously a very important part of a conservator’s work. Each artefact has to be studied and reported before any actual restoration can be carried out. Professional training is also very important in the conservation field. It remains quite extensive as apart from conservation theory and practice, a conservator is expected to be proficient in art history, material science, diagnostic science and documentation.

Graphic, photographic and written documentation also holds a lot of significance in conservation. It not only helps in recording the artefact’s original technique, but also enables systematic reporting of the current condition of the artefact together with the treatment executed/materials used and their mode of application. This ensures that any future conservator needing to work on the artefact finds all the information regarding any previous intervention.

With this in mind it is important that any materials introduced during conservation remain with the desired properties even after ageing.

“It’s actually not a straight forward thing at all. For example, adhesives: there are hundreds of new synthetic adhesives with different working and ageing properties on the market. It’s not easy choosing. I have to think about how it’s been tested and so many other things. I am constantly seeking to keep updated on new conservation materials and technique. I work with other conservators and because we are specialised in different areas, we are used to discussing and sometimes arguing upon conditions and treatments. This is healthy since it enables us to remain efficient in formulating the most effective and safest treatments. Maybe this is what differs new conservators from previous ones,” says Paul.

Investigative techniques are very important in helping the conservator determine the materials present in an artefact, its condition and the treatment that might be needed. “Sometimes simple techniques such as investigating a paint layer under ultraviolet light will easily determine areas of overpainting, sometimes covering large areas of the original paint layer. Other techniques may involve taking minute samples so that technical and sometimes historical information is gained,” defines Robert.

It IS ImportAnt to lEAvE clEAr dEmonStrAtIon. a Written rePort Will discUss tests and reasons for all

decisions taKen reGardinG treatMent or otherWise.

proper conservationIS AWAyS AN INVESTMENT

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HOMEIDEAs

Value Direct has just received a selection of teak outdoor furniture, rattan dining chairs, rattan towel racks in various sizes and

antique reproduction furniture with superior quality, design and of course prices which start from Lm18.00.

For more information please visit or call Value Direct, 180 St. Paul’s Street, St. Paul’s Bay. (Veccja Area) Tel: 2157 8597, 9949 9337.

Novotherm Solar Water Heaters offer stainless steel solar

systems ranging from 80 to 1,000 litres, which are suitable

for small households, apartments and even commercial

applications. The payback term is less than two years, making

this a totally secure investment with an unlimited volume of

water, excellent durability (5 year guarantee) and guaranteed

savings starting from Lm200.00. Available exclusively from

Bajada Group at 103, Valletta Road, Paola. Tel: 2169 7629.

www.bajadagroup.com

A range of Italian hand painted ceramics with rich original

patterns, which reflect the colours and brightness of the

Mediterranean. Caleca’s terracotta is well known for its high

quality. It has microwave/oven proof, chip resistant and

dishwasher safe properties. Large Platter Dish: Lm10.88 /

Dinner Plate: Lm3.75 / Soup Plate: Lm3.75 / Side Plate:

Lm3.00 / Tea Pot: Lm11.90 / Tea Cup and Saucer: Lm5.00.

Available at Junction 66, Tower Road, Sliema. Tel: 2133 4451

Sleek, slim and elegant are the

three words that sum up these new

wall lights, ideal as up lighters for halls and staircases

Lm25-30.00. Visit the whole range at VCT Ltd., Ponsomby

Street, Mosta. Tel: 2143 2571, 2143 6186.

Yankee Candle - Vintage Wine Candles. Merlot: This

rich, warming aroma of luscious red wine fills the soul

with a delightfully mellow feeling. Chardonnay: A heady

experience.... a taste of paradise. White Zinfandel: cool and

easy.... the bright glow of sunny fruit nectars starting from

Lm3.90. Available from leading outlets in Malta and Gozo.

Trade enquiries:

The Lawn Company Limited. Tel: 2138 0639, 9947 0926.

Arzberg Tric ‘Hot and Cool’ combines together powerful red,

cool grey and jet black to create a sensational style. Tric is also

available in pure white or a variety of colours ranging from

pastel to vibrant, stripes or spots. Porcelain is microwave and

dishwasher safe. Items from Lm5.60 available from Kymono, 6

Triq l-Uqija, Ibragg (Opposite B.O.V. branch).

Telephone: 2137 8330

Discover the secret of perfect cooking with Thermo-Spot!

Preheating your pan is like preheating the oven when baking. It

prepares the pan to produce ideal cooking results.

Built right into the non-stick coating of the pan, Tefal’s unique

Thermo-Spot heat indicator tells you then your pan has reached

the optimum temperature to seal in the flavour of your food.

Thermo-Spot is available on most Tefal frying and sauté pans

with prices from Lm5.00 OK Limited, Naxxar Road, San Gwann.

Tel: 2138 7495. Arkadia, Level 2, Fotunato Mizzi Street, Victoria,

Gozo. Tel: 2155 8333.

Also available at all leading home ware outlets & supermarkets.

STyLISHLy PRACTICAL ideas

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HOMEIDEAs

At JB Stores in Iklin, customers can be assured to find

the most up-to-date trends. Come and see for yourself

the quality and outstanding looks of our made to measure

curtains starting from Lm2.95 per metre. Services available

include measuring, sewing and hanging. Visit our home textiles department and give your home an individual look.

Tel: 2331 4371

Introducing a selection of unique and original designs, Stem

Interiors offers a wide range of one-off pieces made for the

individual. From contemporary furniture to sleek mirrored

console tables, you will find inspirational ideas to fulfil a

modern lifestyle. Chair above Lm350.00 Stem Interiors,

Hughes Hallett Street, Sliema, Tel: 2133 2019.

Recently opened, Stem Interiors offers a new design concept

to Malta. Here you will find Venetian mirrors (Lm159.00) and

pretty patterned lampshades sitting next to damask weekend

bags. Choose between white or black marble bases on their

60’s arc lamps or try a more modern take with the five-arm arc

light. Stem Interiors, Hughes Hallett Street, Sliema,

Tel: 2133 2019.

For the stylish home Gemco are proud to present this new range of modern light fittings made in top quality glass and polished

chrome, which comes in a full range of coordinating items. As above Lm150.00 and see the extensive range of light fittings at

Gemco Ltd., Msida Valley Road, B’Kara. Tel: 2148 8919.

Frosted candleholders, available in ivy

green or icy blue. Sizes are 18.75”,

15.25” and 12.5”. New stock

has arrived and a new variety of

elegant homeware is available with

prices starting from

Lm5.00 at

Fifth Avenue, 256,

Main Street, Mosta.

Kymono presents an extensive line of quality

flatware by Dalia / Meneses, offering

distinctive designs ranging from classics to

unique contemporary creations. All flatware

is 100% European in origin and production,

maintains competitive prices and can be seen

in shops and restaurants all over the world.

Items from Lm1.87, available exclusively from

Kymono, 6 Triq l-Uqija, Ibragg (Opposite B.O.V.

branch). Tel: 2137 8330.

Scherzer 1880 bone china ‘Absolut’ range is an exceptional

option for lovers of contemporary style. The service is

highlighted by a selection of distinctive and stylish coffee cups.

‘Absolut’ is also presented in a casual alternative or with fine

platinum trimmings. Items from Lm5.76, available exclusively

from Kymono, 6, Triq l-Uqija, Ibrag (Opposite BOV Branch).

Tel: 2137 8330

ELEGANT ideas

photos: Mastext: GeorGe callUs

timeworn woodworm

What’s the Point of oWninG a Priceless

antiqUe and then lettinG it Get eaten

aWay by WoodWorM? george callus

tells Us hoW to treat the Pest as Well

as hoW to avoid it in the first Place.

Multiplicitythe sexes are roughly equal in numbers and pairing takes place freely on warm days. the females may mate several times in the course of their lives. a day or so after copulation, the females begin egg-laying without requiring any food in the meantime. eggs are laid on rough surfaces, in cracks, crevices and joints and also as often as not, in old flight holes. at 20–22°c, adults usually live for 3–4 weeks.

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Woodworm is a major pest in Malta and is widespread in private houses and flats, churches, private buildings and in numerable other places. Contrary to popular belief, the holes that disfigure

the surfaces of furniture, panelling, carving etc. are made when the adult beetle emerges from the wood. By this time the larvae of the beetles – ‘the woodworm’ have been tunnelling inside the wood, causing extensive damage for at least three years. The cycle of infestation and re-infestation leads progressively to more and more damage, whilst other furniture is likely to be attacked and damaged in turn.

Formerly, the presence of holes was looked upon as a guarantee of antiquity, but this is incorrect. A variety of softwoods and hardwoods of many different species, new as well as old, are susceptible to the ravages of this destructive pest. At a conservative estimate, not less than 50% of Maltese homes contain furniture actively infested with woodworm.

Signsthe only visual signs to look for are new holes on furniture surfaces or mounds of sawdust either inside the item of furniture itself or else on the floor directly underneath the particular affected item. one will note that immediately above the mound fine sawdust is an exit hole of woodworm.

GrowthWhen the larvae are fully-grown, they become quiescent just below the surface and turn into pupae. a month or so later adult beetles emerge from the pupae and with their powerful mandibles, cut perfectly circular flight holes.adult furniture beetles are 2.5–5.0mm long and brownish black in colour. the beetles may be seen crawling about on walls, curtains, or indoors in the hot summer months. on warm days, they fly readily and then spread infestations to other sites. in flight they may be mistaken for small flies.

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Fumigation: Furniture is placed in a chamber and sprayed with incecticide.

The craft of gilding goes back a long way. There are Egyptian paintings that show goldsmiths making gold leaves. From 1700 BC, a means of hammering gold in order to

obtain very fine leaves capable of adhering on to a glitter surface was discovered. The Phoenicians, Chinese and Egyptians all used this method.

The Byzantines also used this technique for icons and mosaics. During the medieval epoch, leaf gilding was used for illuminations and was also widely used during the Baroque period.

“The comparison of the gold leaf used then to that used now is like comparing a fishing net to a spider web,” Horace Farrugia says.

Horace’s grandfather started gilding about 95 years ago. He taught Horace’s father and then Horace’s father taught Horace. Now Horace is teaching his 29-year-old son. Most of Horace’s work is for churches – statues and candlesticks. Domestically, he does anything that needs gilding, but most of his work tends to be on frames, clocks and mirrors.

There are about eighteen types of gilding in existance but the most popular and widely practiced are oil and water gilding. There is not a huge difference between the process of Maltese gilding and any where else. The only aspect that may be slightly more indigenous to Malta is the shininess of the gilding. The Maltese method also focuses more on water gilding, whereas in other countries, they concentrate more on oil gilding. The difference is that water allows for that shiny effect.

The process is one that takes time and precision. To gild an old frame, Horace would take the old gilding off and then re-gesso (this is like plaster, made with rabbit skin). The job itself determines how many coats should go on, but usually it’s about nine coats. It has to be smoothed down with sand paper (special tools are used for this). A mixture of clay and rabbit skin is then applied to make it strong.

Horace’s father used to make this mixture himself from scratch. “I remember my grandfather boiling the rabbit skin in a big pot. He would spend the entire day just boiling and stirring. He used to put a slab of marble next to the pot. He would pick up the mixture with a spoon and place it on the marble. When it cooled, it came like jelly. He would then pour it into a biscuit box and leave it to cool. When it hardened slightly, he would take a big knife and cut it into slices. Then he would put it on a wire chicken coop to dry until it became really hard. Then all you had to do when you needed to use some was to boil it for it to become soft again. It was quite a process. Today the mixture is available dry, in sheets or as powder, and it takes a lot less time!”

After the rabbit skin and clay mixture is applied, it needs time to dry. Once it does, the

key is to start wetting it again with water and then apply the gold leaf. It has to be blown over so that it spreads. When it’s dry, it is burnished with a Hematite stone (this is kind of like marble in texture; it’s very strong) and this is how the gold becomes shiny.

This process does not take as long as one may think. Of course it all depends on the condition of the frame, but let’s say a one-metre square frame, 5cm in thickness, would take about 4–5 days to complete. A statue would take 10–11 months. In this case, the timing depends on the type of decoration needed.

photos: Maswords: elizabeth cardona

horace farrugia is a trUe Professional in the art

of GildinG. KeePinG traditional craft alive is a daily

Practice for this Precise and Patient artisan.

the gift of gilding

“with everything, when something takes a long time, the result is always better. with my father when it came to charging we would consider how much material we were going to use on the Job, not how much time it would take. now it’s the other way around. time has become money. there are a lot of amateur gilders and very few true professionals. the difference is the education process and experience.”HW

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Jonathan Taylor-East is the dream son. He is well groomed, bright, disciplined and seems to excel at everything he puts his mind to.

Two years ago he started collecting antiques and can now boast of a rather large collection.

Jonathan doesn’t only collect for the sake of investment, but because he likes the idea of the history, of the past stories that follow antiques.

“I like the fact that they can be used. There is a quality with antiques that you can’t get from anything else. I appreciate the workmanship and style and collect anything that catches my eye and is of good quality. I do not restrict myself to any genre or style.”

His favourite piece?“I am passionate about each and every

piece that I acquire but I would have to say that my favourite is a card case that was given to me by my girlfriend. I also love

my secretaire. I actually found a pre-war cheque book hidden in it. I find these things fascinating. ”

Being in his third year of law, Jonathan doesn’t have a lot of time to visit auctions or auction houses, so he buys and sells a lot over the e-bay website.

“Some items are appreciated a lot more abroad. you can actually triple your investment, which is great for me so that I can buy bigger and better pieces. When I move into my own home, I can’t wait to surround myself with the pieces that I love. Ideally, I’ll even decorate in the same style of the given period.”

Jonathan’s dream is not only to become a lawyer, but also to be an antiques dealer. He’s on his way – he can now look at a piece and roughly evaluate the period, it's worth and its provenance.

Jonathan’s very proud mother, Miriam Taylor-East, says of her son, “Whatever hobby he went into was always heart, body and soul. He is a perfectionist and tends to do everything methodically. He even used to craft wood when he was young – perhaps that’s where his appreciation for the workmanship comes from. He has gotten to a point where he even restores some of his own pieces!”

Jonathan taylor-east’s interest in antiqUes beGan at the very yoUnG aGe of foUrteen. the noW tWenty-year-old laW stUdent tells homeworks aboUt his Great Passion.

young enthusiast

i have always been interested in old things, since i was small. i used to love going to temples and finding out about archaeology. i collected artefacts at a very young age.

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pho

to: alan carville

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a finePorcelain has coMe a lonG Way. homeworks tracKs the history froM 225 bc to the varioUs eUroPean Porcelain hoUses still ProdUcinG today.

Soon after man had discovered the use of fire he found that certain clays could be baked into containers for storing food

and carrying water. Gradually, as primitive civilizations were formed, he began to elaborate these vessels, not only by ornamenting their shapes but by enriching them with coloured pigments. One of the surprising things about this development is the similarity between vessels made in Asia, Europe and America at a period when there was no communication between their respective cultures.

In China a tradition of potting gradually developed over the centuries and cumulated in the superb celadons (type of pottery that has a pale green glaze) of the Sung dynasty. It was some time during the Chou dynasty (1122-255 BC) that the Chinese potter first learnt the art of applying a non-porous glaze to his pot.

It was around the 1100’s when traders starting bringing Chinese porcelain to Europe. Wealthy families began using ceramic cups for tea and coffee and their popularity spread quickly. At this time Europeans had discovered

earthenware, but they were still to recognize the fine mix to create porcelain.

On November 28th, 1701, Augustus the Strong, King of Poland, imprisoned a man named Johann Frederick Bottger, a pharmacist’s apprentice, in the royal castle at Dresden. Bottger was imprisoned because Augustus was convinced that Bottger possessed the secret of the philosopher’s stone, the compound that would turn base metals into gold.

Finally in 1705 Bottger admitted to being unable to create gold, but announced that he could make porcelain if given the chance.

It was in 1708 that Bottger finally came up with the goods and produced Europe’s first hard porcelain.

The enigmatic recipe for making porcelain turned out to be a matter of artfully blending together two basic elements: china clay and a rock known as china stone. They then must be fired at such a high temperature that the rock-forming minerals melt and become a glassy substance, infusing the pores of the clay and creating in the process microscopically fine crystalline structures, known as mullite needles. These needles are what is unique to porcelain.

From Germany, the art of making porcelain spread throughout Europe like wildfire and porcelain makers who are still

renowned today for producing porcelain, began opening their factories. In the uK, the celebrated Wedgwood began in 1759, Royal Worcester in 1751, Spode in 1760 and Royal Doulton in 1815. In Hungary, Herend began producing in 1826. In France, Sevres began in 1738 and Limoges in 1784. In Italy Richard Ginori began in 1735.

Today, there is so much porcelain produced that it is difficult to distinguish between superior and common quality. There are three ways to distinguish: marks, glaze and spotting.

The difference between bone china and porcelain?

Porcelain is made from china clay and china stone – these two materials are the biggest percentage of the mix. Bone china has to be at least 35% animal bone. The bone itself is taken from the shin of cattle and comes in a powder form. It is then mixed with water, china clay and china bone. Bone china was first created by Josiah Spode in England in 1733. There are so many grades of porcelain that it is impossible to determine whether it is superior to bone china in quality.

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