how do we see these artistic processes in...
TRANSCRIPT
DANCEARTS LEARNING GUIDE
Dance thinking happens when we communicate meaning through movement. We can convey meaning through improvisation and choreography using one or more of the following elements in dance:
• Space, time, force, body, movement, and form• Beginning, middle, and end using combinations of movements such as locomotor and axial (non-locomotor) movements, speed (fast/slow), and level (high/low)• Ending a dance phrase through isolated coordinated movement
Performing our own works, or the composition of others, is how we share dance with one another. Some of the ways we share musical experiences include…
• Stories we love to share through dance for you• Traditional ethnic and multicultural dances• Dance explorations of original musical arrangements
When we learn about dance, we look for its unique and common properties along side of all the other things we’re learning about. Some dance connections ...
• Compare dance ideas with those in literacy – like fluency and pacing• Align dance skills with music – like keeping the beat or phrasing• Help us understand cultural celebrations and important events
CREATING
PERFORMING
CONNECTING
After we watch a dance made by others, we take time to talk about what we saw and how it makes us feel. Our dance vocabulary includes ...
• The analysis of what we observe– space, time, energy• Our suggestions for variance or improvement• Speculation about the choreographer’s decisions
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The dance learning guide was developed by Felicion McMillon-Diakhate, Dance Specialist, Barger Academy of Fine Arts and Ann Law, Dancer, Dance Educator, and Artistic Director of Barking Legs Theater.
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN DANCE?
DANCEARTS LEARNING GUIDE
How do you generate new ideas through dance?
How do you share ideas
through dance?
Where do you see
evidence of dance in the world
around you?
CREATING
PERFORMING
CONNECTING
How do you share the ways you think and
feel about dance?
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The dance learning guide was developed by Felicion McMillon-Diakhate, Dance Specialist, Barger Academy of Fine Arts and Ann Law, Dancer, Dance Educator, and Artistic Director of Barking Legs Theater.
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN DANCE?
DANCEMUSICARTS LEARNING GUIDE
Musical thinking happens when we’re composing or improvising using our voices or instruments. Some of the ways we do this in music are ...
• Inventing new worlds or melodies for well-known songs• Devising new endings for songs we already know• Making up new tunes to portray original ideas
Performing our own works, or the composition of others, is how we share music with one another. Some of the ways we share musical experiences include…
• Songs we love to sing for you• Instrumental pieces with or without singing• Musical accompaniments for plays, poems, and stories
When we learn about music, we look for its unique and common properties along side of all the other things we’re learning about. Some musical connections ...
• Compare musical ideas with those in literacy – like fluency and pacing• Align musical skills with dance – like keeping the beat or phrasing, revising/editing• Help us understand cultural celebrations and important events
CREATING
PERFORMING
CONNECTING
After we listen to the music made by others, we take time to talk about what we heard and how it makes us feel. Our musical vocabulary includes ...
• The analysis of what we heard – dynamics, tempos, timbre, tonality• Our suggestions for variance or improvement• Speculation about the composers’ decisions
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The music learning guide was developed by Michael Mitchell, Music Specialist, Academy of Fine Arts and Dr. Susanne Burgess, Director of Music Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN MUSIC?
VISUAL ART
DANCE VISUAL ART
MUSICARTS LEARNING GUIDE
CREATING
PERFORMING
CONNECTING
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The music learning guide was developed by Michael Mitchell, Music Specialist, Academy of Fine Arts and Dr. Susanne Burgess, Director of Music Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN MUSIC?
How do you generate new ideas through music?
How do you share ideas
through music?
Where do you see
evidence of music in the world
around you?
How do you share the ways you
think and feel about music?
ARTS LEARNING GUIDE
Creating theatre often begins with activating our mind, body, and voice. Some of the ways we do this in theatre are…
• Telling stores with expressive voices and movements• Pretending to be characters• Making costumes, props, and scenery from everyday objects
When we perform plays, we share real or imagined stories engaging audience members in live experiences that help us:
• Explore our relationships with other• Understand more about ourselves• Examine our own society and other cultures
We apply our knowledge and skill in theatre to help us understand the world around us. Theatre helps us…
• Develop empathy for other people and diverse experiences• Communicate effectively with expression and detail• Compare and contrast ideas based on personal experience
CREATING
PERFORMING
CONNECTING
After we experience a play, we discuss how it made us feel and what we thought about. We analyze how:
• Actors created characters using their minds, bodies, and voices• Time and place were communicated through scenery, props, and costumes• The director's interpretation affected the meaning of the story
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The theatre learning guide was developed by Amy Burton, Drama Specialist, Barger Academy of Fine Arts and Laurie Melnik, Director of Theatre Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN THEATRE?
THEATREVISUAL ART
VISUAL ART
ARTS LEARNING GUIDE
CREATING
PERFORMING
CONNECTING
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The theatre learning guide was developed by Amy Burton, Drama Specialist, Barger Academy of Fine Arts and Laurie Melnik, Director of Theatre Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN THEATRE?
THEATRE
How do you generate new ideas through theatre?
How do you share ideas
through theatre?
Where do you see
evidence of theatre in
the world around you?
How do you share the ways you think and
feel about theatre?
MUSICVISUAL ART
ARTS LEARNING GUIDE
Creating in visual art means coming up with ideas and working with materials to produce works of art. Some of the things we do are...
• Researching sources of ideas for works of art• Exploring how different materials work• Composing two and three dimensional spaces• Revising and refining our work
Art provides a way to communicate ideas with an audience and share an experience. Some of the ways we share visual art experiences include...
• Exploring different ways and places in which art is shared• Selecting and arranging images for presentation• Creating exhibits of our own and others’ artwork
We apply our skills and understandings in art to understand the world around us. Students in visual art...
• Learn how people of different times and places communicate visually• View and create works of art to better understand the views of others.• Explore ideas that art shares with other subjects (description, persuasion, memory, etc.)• Find and discuss visual communication in the world around
CREATING
PRESENTINGCommunicating visually doesn’t just mean making things. It also means looking carefully at what others have made. Students in visual art...
• Look carefully at many different kinds of artwork and talk about what we see• Describe and interpret works of art out loud and in writing• Share ideas about our own work and our classmates’ work
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The visual art learning guide was developed by Allison Fuller-Mulloy, Visual Art Specialist, Barger Academy of Fine Arts and Joel Baxley, Director of Visual Art Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN VISUAL ART?
CONNECTING
VISUAL ART
ARTS LEARNING GUIDE
CREATING
PRESENTING
CONNECTING
RESPONDING
© 2014 Southeast Center for Education in the Arts – The University of Tennessee at Chattanooga
CommuniCREATE is a program developed in partnership with the Southeast Center for Education in the Arts and Barger Academy of Fine Arts funded in part by the Community Foundation of Greater Chattanooga. The visual art learning guide was developed by Allison Fuller-Mulloy, Visual Art Specialist, Barger Academy of Fine Arts and Joel Baxley, Director of Visual Art Education, the Southeast Center for Education in the Arts
Standards Content: © State Education Agency Directors of Arts Education (SEADAE) on behalf of the National Coalition for Core Arts Standard (NCCAS). All rights reserved.
The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution.
COMMUNI
HOW DO WE SEE THESE 4 ARTISTIC PROCESSES IN VISUAL ART?
How do you generate new ideas through
visual art?
How do you share ideas
through visual art?
Where do you see
evidence of visual art in
the world around you?
How do you share the ways you think and
feel about visual art?
THEATREMUSIC