how van haren orhestrated a christmas collection

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  • 7/22/2019 How Van Haren Orhestrated a Christmas Collection

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    Work method for orchestration

    - Set up an orchestral score in Sibelius and add a piano part at the bottom.

    - In the piano part, copy the choir or original piano part from the original score.

    Before starting the orchestration, become familiar with the piece. What is the

    tempo? What form does it have? What is it about? Are there descriptive words in

    the lyrics that hint to use a typical instrumentation? Is it a gentle introvert piece or

    is it filled with excitement and movement? Make notes while studying the music

    and find the instrumental setup that describes the piece the best. When using a full

    orchestral template in Sibelius, hide the instruments that you are not planning to

    use in a particular song to make the score easier to work with.

    Strings firstStart with filling in the melody, bass and harmony of the complete piece in the

    string section. Imagine that you are writing for strings only. This will speed up the

    creative orchestration process later on because you dont need to search for chords

    and correct voicing.

    Notes:

    Repeated sections

    Many songs have repeated sections using the repeat bar-line, in theorchestration however it is more interesting to re-orchestrate a repeated part.

    Intros and codas

    Not every song starts with an intro or ends with a short coda. Maybe though

    this will work good for the orchestrated version.

    See score examples on the next page

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    The first song in A Christmas Collection is Awake, awake and greet the new

    morn.

    Here is the original score:

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    And here is the arrangement for strings only:

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    Orchestrating the Melody

    Now you have a fully worked out string version of the song, create an interesting

    and colourful piece by dividing the melody, its phrases and motives over different

    solo instruments, or within a single orchestral section or by combining orchestral

    sections. The main words in your mind should be Contrast and Variation!

    While working on the melody, ask yourself this:1. Is the melody assigned to one instrument only, or is the melody passed to

    other solo instruments phrase by phrase?

    2. Which solo instruments are used?

    3. In what register are they placed: low, medium, high, very high, across

    registers, leaps?

    4. Whats the dynamic level?

    5. What other instruments in the orchestra are also playing? What is theirdynamic level? In what register?

    6. Is the melody passed from a solo instrument to an orchestral section?

    7. If the melody is passed from a solo instrument to an orchestral section, does

    it go back to a solo instrument?