hsia yan : journey to art - tfam
TRANSCRIPT
Septem
ber－O
ctober
臺北市立美術館
9 10 月
北 美 館 活 動 資 訊TFAM Newsletter
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多元社群平台 Multi Social Media
開放時間
週二至週日 09:30-17:30週六延長至 20:30週一休館
Opening Hours09:30-17:30 Tue.-Sun.09:30-20:30 Sat.Closed on Mondays
臺北市10461中山北路三段181號
181, Section 3, Zhongshan North Road, Taipei City 10461, Taiwan,R.O.C.
Tel: 02-2595-7656│Fax: [email protected] │www.tfam.museum
臺北市立美術館 Taipei Fine Arts Museum
展演 Exhibitions & Events
《讓我們穿透魔鏡，迎向新世界！》以三部曲式展開。第一部曲〈weee〉企
圖通過人與人所運作出來的系統去另闢蹊徑，並透過激進的拆解來找尋人類
世界運作法則一種新的意義，或反義。「機器世界」是展覽的第二個脈絡。
施懿珊的〈人格的資本演繹〉試圖梳理、剖析及反思當代社會以科技工業為
本這一軸心概念中人類的位置：當人類的一切完全徹底被機器改造，不論個
人、社群、政治、經濟、道德、倫理無一不被觸及而改變，這是人類迄今為
止面臨自身存在最深刻的反省。展覽終曲〈預許之地〉由「自然世界」歸結。
陳慧嶠在戶外廣場打造了一個花園。她以星象象徵來自宇宙的能量，讓場所
充滿一種神秘氣息，在近乎感性卻又極具理性的邏輯下建構出「如畫美景」
的園林作為我們「滯留」之所。三部曲分別於 7 月 21 日、8 月 11 日及 9 月
29 日開展。
築步 ‧ 逐步，接「二」連「三」層層點亮美術館In the Next Chapter, the museum lights up, tier by tier, level by level
In conjunction with its 35th anniversary, Taipei Fine Arts Museum opens its doors to welcome you back into its embrace and become reacquainted with its halls tier by tier, level by level. This bright and sunny August, the second event of the museum's opening will invite visitors to the halls on level two, where the theme of the exhibition is the history of art. The featured artist is none other than one of most iconic figures in Taiwan's contemporary art history, Hsia Yan. HSIA YAN: Journey to Art , a collection of works covering different stages of his life and career, brings art fans on a journey through time to witness for themselves the evolution of Hsia's works over the course of more than half a century, from the 1960s to the current day.Come end of September, level three of the museum will be reopened, with the third wave of events here at TFAM! René Magritte, The Revealing Image: Photos and Films is an exhibition of the oeuvre of René Magritte, Belgian surrealist artist. The exhibited works, a collection of photographs and moving pictures, were discovered 10 years after the artist’s death and curated in Europe. These visual artworks invite one to delve deeper into Magritte's world and unearth his secret sources of creative motivation and philosophy. The gallery on level three consists of the brand new Space C, newly designed with an emphasis on a panoramic view set in an open space. Here, visitors can relax both their paces and their mind to engage in contemplation, learning, and interaction. Displayed within the same venue is Inside X-site , an exhibition featuring selected works from Program X-site, which is held in the plaza and currently in its 5th year.Cross Through the Magical Mirror, and Enter a New World ! , a 3-act exhibition put together as part of the museum's re-opening, is a special project that invites visitors to immerse themselves in the displays. The exhibition will take place in the lobby, the two wings of the gallery, and the plaza. Act 1, "weee", invites us to embark on our journey through the human realm, while Act 2 "Personhood Prism" explores our digital “personhoods” in this world of machines. Last but not least, Act 3 "The Yod" is set in a real landscaped garden and establishes a connection with the natural world. Taking place in the outdoor plaza, the exhibition will form part of the third wave of the museum's opening celebrations in September, and create a romantic night for the residents of Taipei in conjunction with Nuit Blanche Taipei on October 6.As summer turns into fall, TFAM will not only see a new lease of life, but also invite you to be part of the journey. The Next Chapter is not just for the museum, but also for our shared exploration of the arts.
* 展覽三部曲各有其表演與教育活動，詳情可參考教育活動頁面或北美館官網查詢。
編輯手記Message from the Editor
二部曲：施懿珊，〈人格的資本演繹〉│雙頻影像裝置、即時演講表演Act 2: Shih Yi-shan, Personhood Prism │ Two-screen video installation, real-time lecture performance│776 × 462 cm│2018
讓我們穿透魔鏡，迎向新世界！
迎向 35 週年之際，臺北市立美術館分階段、分樓層邀請觀眾重返美術館。進入開館第
二波，盛夏八月錨定藝術史脈絡的二樓展區，開展臺灣重要當代藝術家夏陽的回顧展「夏
陽－觀‧遊‧趣」，引領觀眾不受時空羈絆，見證其從 60 年代以來超過半世紀的創作遊趣。
九月底的第三波，啟動三樓全區！系列展區引入比利時超現實經典藝術家馬格利特的
影像實驗「揭相：馬格利特影像展」，這批在藝術家身後重新出土、於歐陸最新策畫
的攝影與動態影像，邀請觀眾窺探馬格利特隱匿未見的創作動機和意念。三樓迴廊區
新設「藝想迴廊」(Space C)，重新開發其鳥瞰視野、開放流動的場域特性，讓觀眾
得以慢下腳步，自在放空、冥想思考、自主學習、互動交流。空間同步展出「X-site創作解密」，從歷屆提案選件，回應於今年滿五周年的廣場 X-site 計畫。
重新開館以三部曲形式特別企劃的參與式展覽「讓我們穿透魔鏡，迎向新世界！」，
於大廳、雙翼走廊與廣場接續展開。從首部曲〈weee〉的人類世界出發，二部曲〈人
格的資本演繹〉探討數位軀體的機器世界亦已展開；最終〈預許之地〉藉由空間造園
體現自然世界，九月底將於戶外廣場加入第三波的開館，並和 10 月 6 日臺北市「白
晝之夜」共度浪漫夜。
夏末秋初好時節，築步點亮的美術館，歡迎大家與我們逐步共譜藝術新篇！
2018.07.21 ─ 2018.12.02發條鼻子 〈weee〉 2018.07.21-2018.10.07 大廳施懿珊 〈人格的資本演繹〉 2018.08.11-2018.10.07 1A、 1B 廊道陳慧嶠 〈預許之地〉 2018.09.29-2018.12.02 廣場
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展演 Exhibitions & Events
展演 Exhibitions & Events
夏陽：觀 ‧ 遊 ‧ 趣HSIA YAN : Journey to Art
2018.08.25 ─ 2018.10.212A / 2B 展覽室
Galleries 2A, 2B
夏陽 (1932- ) 是現代藝術家，他將生命苦澀化為毛毛人符碼，創作歷程豐
富而視覺語言多變。其創作態度介於認真與遊戲之間，作品顯現出畫別人
的故事，講自己的人生，卻欲言又止，言在意外，作品常使人觀賞後，頗
能心領神會且寓意韻味繚繞深遠。夏陽的繪畫題材內容，取自於民間宗教、
神話、寓言故事及傳奇人物，他以顫動的線構成人形在空間穿梭，畫面中
的毛毛人以寓言象徵現實的意境，既擺脫物像原本的含意，同時亦象徵人
處於都市叢林之不安與疏離感，毛毛筆觸轉變成似是而非的物象，鮮明的
動勢牽引出敏感機智的圖像語言。
Born in 1932, the modern artist Hsia Yan paints “fuzzy” figures to transcend life's bitterness. Over the course of his long and varied career, Hsia has pursued a wide range of visual languages. He blends seriousness and play into his works to create stories of others that suggest his own life. Admiring his paintings, one can sense their profound implications. Subject matter in Hsia's work includes folk religion, myths, allegories, and legendary figures. By creating rushing figures composed of quivering lines, he intends to suggest allegorical meanings. With his fuzzy people, he dispenses with the meanings or likenesses originally associated with specific objects and instead explores the restlessness and alienation of life in the urban jungle. Variations in blurry brush strokes seem to form objects but actually do not, yet the clear momentum of his figures demonstrates the artist's clever pictorial language.
夏陽，〈足球比賽〉│不透明水彩、壓克力顏料、油彩、畫布│臺北市立美術館典藏HSIA YAN, Football Game│Gouache, acrylic, and oil on canvas│Collection of Taipei Fine Arts Museum│72.5 × 72.5cm │1964
“Cross through the Magical Mirror, and Enter a New World!” is divided into three domains. The first domain “weee” attempts to initiate a new system, which people put in motion as they interact. And through radical disassembly, it seeks to redefine, or undefine, the operating principles of the Human Realm. The “Machine Realm” is the second domain of the exhibition. Personhood Prism Act 2: The Machine Realm, “Personhood Prism” from Shih Yi-shan attempts to classify, analyze and reflect on the position of human beings in this contemporary society, which is centered on technology and industry: When everything human is completely and thoroughly transformed by machines, everything – be it individuals, communities, politics, the economy, morals or ethics – is impacted and altered. This is a profound meditation on how human beings must confront their own existence at the current moment. The exhibition comes to a resolution with “The Realm of Nature”- a flower garden in the Museum plaza. Here the artist Chen Hui-chao will create a floral sea formed by the “The Yod”, the garden cosmos. With astral symbols that arise from cosmic energy, the artist fills the venue with an atmosphere of mystery, and employing an almost visceral yet quite rational logic, she sculpts a picturesque garden for us to linger in. The three exhibitions will begin on July 21, Aug. 11, and Sept. 29, respectively.* There will be performances and educational programs for the respective acts of the 3-part exhibition. For more detailed information, please visit the TFAM website.
* 展覽期間舉辦開幕座談及導覽，詳情可參考教育活動頁面或北美館官網查詢。*There will be talks and guided tours; for more information, please see Public Programs section or visit the TFAM official website.
三部曲：陳慧嶠，〈預許之地〉│裝置，波斯菊、不鏽鋼鞦韆、雷射光、LED 燈│現地製作Act 3: Chen Hui-chao, The Yod │ Installation cosmos, stainless swing, blue laser, LED lamp │ site-specific project│2018
Cross Through the Magical Mirror, and Enter a New World !
2018.07.21 ─ 2018.12.02Clockwork Noses “weee” 2018.07.21-2018.10.07 Main LobbyShih Yi-shan “Personhood Prism” 2018.08.11-2018.10.07 1A & 1B CorridorsChen Hui-chao “The Yod” 2018.09.29-2018.12.02 Plaza
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展演 Exhibitions & Events
展演 Exhibitions & Events
異星系The Alien Galaxy
2018.07.21 ─ 2018.10.14D 展覽室
Gallery D
李子勳的創作主要源於個體對生命內在的感知與體驗，並以對世界的重新
虛構想像來呈現世界所看不見的本質。他擅長將人們心靈對世界的虛幻感受
以極度物理現實的操作手法來表現，兩者之間的對比構成了他作品獨特的魅
力。「異星系」主要展出李子勳1998-2013 年間所作〈迷宮劇場〉、〈玻璃珠遊
戲的秘密〉與〈序列式飛行器〉，也包括與〈迷宮劇場〉相關的素描與其他較小
規模作品。
Lee, Tzu-hsun’s work is mainly rooted in the individual’s inner perceptions and experiences toward life, and in-presenting the unseen qualities of the world through re-imagination. He is adept at expressing the illusionary senses of the human soul toward the world through methods of maneuvering extreme physical realities. The contrast between the two constitutes the unique appeal of his works. The Alien Galaxy exhibits Lee, Tzu-hsun’s Maze Theater, Glass Beads Game, and the recent Sequential Aircraft dated 1998-2013. The exhibition will also showcase sketches of Maze Theater and smaller scale pieces.
李子勳，〈迷宮劇場〉│綜合媒材│彭北辰捐贈、臺北市立美術館典藏Lee, Tzu-hsun, Maze Theater │ Mixed media│Donated by Peng Pei-Cheng, Collection of Taipei Fine Arts Museum│400×400×400 cm│2002
馬格利特，「兜售遺忘的人」│原作照片│查理．赫斯柯維奇藏品，歐洲René Magritte, "The Oblivion Seller"│ original photograph│Collection of Charly Herscovici, Europe│43×33.5cm│1936
本展由比利時夏勒華攝影博物館（Charleroi Museum of Photography）
現任館長薩維耶 ‧ 凱能（Xavier Canonne）策劃，試圖透過攝影原件及家
庭影片，揭露馬格利特於日常生活及創作過程中的真實面向。此批平面影
像攝於 1914 至 1967 年間，大多己無留存底片，由私人藏家收存。直至
1970 年代中期，大約是藝術家逝世十年後，才終於得以出土。基於藝術史
的研究脈絡，這些攝影展品如同家庭相簿，有別於藝術家文獻資料庫，或
是友人照片的收藏資料。這些影像提供另一道思考軸線，來探究馬格利特
的創作動機及作品意涵，同時也能夠進一步了解比利時超現實流派的相關
發展。馬格利特始終致力於繪畫創作，不以「攝影師」自居，然而這批史料，
也呈現了攝影在馬格利特與其畫作所扮演的角色。
This exhibition is curated by the director of Charleroi Museum of Photography, Xavier Canonne, aiming at revealing the true colors of René Magritte in his daily life and creative process, through photographic prints and home video.These two-dimensional images shot between 1914 and 1967 are mostly from private collections without original negatives, discovered approximately 10 years after the artist’s death. The photographs in exhibition here serve as some unique family albums, from the perspective of art history research, unlike documents in the artist’s archives or picture collections of his friends. These images provide an alternative way to explore Magritte’s creative motivation as well as the sense of his works, at the same time they shed light on related development of surrealism in Belgium. Magritte, as ever, is devoted to his paintings, and never for once regards himself as a “photographer”. As historical documents, these images demonstrate the role that photography plays for Magritte and his paintings.
揭相：馬格利特影像展René Magritte, The Revealing Image: Photos and Films
2018.09.29 ─ 2018.11.253A / 3B 展覽室
Galleries 3A, 3B
* 展覽期間舉辦系列講座，詳情可參考教育活動頁面或北美館官網查詢。* There will be talks and guided tours; for more information, please see Public Programs section or visit the TFAM official website.
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展演 Exhibitions & Events
X-site 創作解密Inside X-Site 2014-2018
2018.09.29 ─ 2019.03.313C 展覽室
Gallery 3C
觀眾參與為本館營運企劃相當重視的議題。2018 年重新啟動後，將原位於二樓
209 展覽室的「藝想空間」調整至三樓迴廊，其開放、流動的場域特性，使人得以
綜覽全館開放場景、感受美術館大廳週邊的穿透性與開放視野。未來將延續「促
成自主學習、鼓舞多元藝術參與」的願景，發展各項具實驗性的主題計畫，提供
來訪觀眾開創思考、沉澱互動、創作交流的空間。自 2014 年開始的「X-site 地景
裝置計畫」，迄今超過 150 件參選提案，每年首獎在北美館前的公共廣場實踐。
滿五週年策劃「X-site 創作解密」，將歷年提案，打破年份和主題的原始設定，重
新混編，透過三個創作視野再現；針對五屆首獎作品，將以獨立展區，呈現這五
個夏天，大眾在廣場與作品互動的回憶；此外，亦特別邀請曾參與提案的創作者們，
以手稿形式分享他們靈光乍現的創作紀錄。
Audience engagement is a highly regarded issue of the museum’s operation plan. After the reopening in 2018, “Space C,” which was originally “Space 209” in Gallery 209, is relocated to the corridor on 3F. The 3F corridor’s unique open and fluid properties offer visitors a comprehensive view to the entire museum, so that they can feel the penetrability and enjoy the open view of the areas around the lobby of the museum. In the future, this area will continue to realize Space C’s vision of “facilitating proactive learning and encouraging diverse arts engagement,” and will be used as the base of operation for the development of various experimental thematic projects, providing visiting audience a space for innovative contemplation, peace of mind, interaction and exchange, and engagement and creation. In “Inside X-Site 2014-2018", past submissions will be taken and remixed regardless of submission year and theme, then shown to the public through three different creative perspectives. There will be a special exhibition area for the five first-place winning projects depicting the memories of those five summers where the public interacted with the installations in the square. Moreover, the creative minds behind the submissions will be invited to share the moment of inspiration behind their projects in handwritten manuscripts.
藝想迴廊 S
pace C
張致中，〈Gevaer （來福槍 /Rifle）〉，裝置一隅│紙、賽璐璐片、皮革、金屬、實物投影機│Chih-Chung Chang, Gevær/ Rifle │ Installation View│Mixed media│Paper, Celluloid Film, Leather, Metal, Opaque Projectors│2018
2018.07.21 ─ 2018.10.14E / F 展覽室
Galleries E, F
這個展覽的核心概念是「書」卻不是書展，而是通過圍繞著書的文化活動，
諸如閱讀、寫作、裝幀、出版、保存、分類等，審視「藝術家如何看待書」
這個課題。「跨域讀寫 : 藝術中的圖書生態學」這個標題一方面說明藝術家
的創作狀態，同時也隱含了資訊工程中資訊共享的概念。本展覽共邀請了
林宏璋、陳貺怡、鄧肯 ‧ 蒙弗 (Duncan Mountford)、鄒永珊、周曼農、張
致中、陳曉朋、齊簡、許家維、莫珊嵐 (Margot Guillemot)、邱杰森等十一
位藝術家，他們的創作不同程度地參與了閱讀與研究、寫作與製書、以及
書與知識圖式等課題。
The essence of this exhibition is “books”, but this isn’t a book fair. Instead, this exhibition examines “how artists think of books” through related activities, such as reading, writing, binding, publishing, preserving, and categorizing. The exhibition is named as “Cross-Domain Reading & Writing: A Biblio-ecology in Art ” to illustrate the participating artists’ interdisciplinary practices of art and imply the cross-domain solutions in the IT industry. This exhibition recruits eleven artists, including Hongjohn Lin, Kuang-Yi Chen, Duncan Mountford, Yung-Shan Tsou, Man-Nung Chou, Chih-Chung Chang, Shiau-Peng Chen, Chien Chi, Chia-Wei Hsu, Margot Guillemot, and Chieh-Sen Chiu. These artists engage in reading and researching, writing and bookmaking, and book knowledge schemes to create their works of art.
跨域讀寫：藝術中的圖書生態學Cross-Domain Reading & Writing: A Biblio-ecology in Art
* 展覽期間舉辦系列講座、座談、工作坊，詳情可參考教育活動頁面或查詢北美館官網。* There will be a series of lectures, symposiums, and workshops organized during the exhibition period. For more information, please see Public Programs section or visit the TFAM official website.
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Children’s A
rt Education C
enter
兒童藝術教育中心
Children’s A
rt Education C
enter
兒童藝術教育中心
建築的 70%Architecture 70%
2018.07.21 ─ 2018.11.04兒童藝術教育中心
Children’s Art Education Center
以北美館作為建築文本，建構出一個貼近現實的虛擬建築師事務所及工地，
並邀請觀眾走進建築師的工作現場，或閱讀、或遊戲、或設計、並動手操
作，猶如在場般參與由核心概念發想到成就一棟建築的旅程。觀眾藉由「一
座公共建築如何被建構」的命題，參與建築師的工作，得以一窺建築師的
奇想與日常，並進而體驗抽象的設計概念，如何經由反覆且縝密的思考及
測試，在真實世界中付諸實踐。
Modeled after the architectural concepts of Taipei Fine Arts Museum, this exhibit encompassing the highly realistic virtual office and construction work site of an architect invites viewers to walk around the premises, read, play games, design, or personally engage in the tasks at hand as if one were taking part in the building process from conceptualization to completion. Under the theme of “The Construction of a Public Building,” visitors are able to experience a day in the life of an architect, take part in the abstract concept design process, and learn how these concepts are materialized in the real world through repetitive and meticulous planning and testing.
2018.08.01 (Wed.) - 2018.11.01 (Thur.)每週二、三、四 10:00、14:00，每場 10-30 人團體
Every Tuesday, Wednesday and Thursday at 10 AM and 2 PM, 10-30 persons per session
活動地點：兒藝中心大工作坊 Venue：Children’s Art Education Center Studio
提供 6-12 歲學齡兒童參與的創作工作坊，從建築設計的角度出發，將北美館的建築造
型拆解成不同形狀作為創作的元素，利用顏料和海綿的拍印，引導孩子再造美術館不同
角度的樣貌與周邊環境，以獨一無二的創意與想像力打造心目中的美術館。A creative workshop for children aged 6-12 years old inspired by architectural design. Using elements deconstructed and derived from the architectural concept of Taipei Fine Arts Museum, children can, through their unique observations of the different angles and surroundings of the museum and their boundless creativity, use paint and sponges to make prints that portray the museum according to their very own imagination.
《一 +1=》兒童創作工作坊 “一 +1=” Kids Creative Workshop
2018.09.01 (Sat.) - 2018.10.28 (Sun.)每週六、日 10:00-12:00、14:00-16:00Every Saturday and Sunday, 10-12 AM & 2-4 PM
活動地點：兒藝中心大工作坊 Venue：Children’s Art Education Center Studio
每週三、四 14:00、雙週六 10:30、14:00、雙週日 14:00，
請於地下樓服務台旁集合。
Every Wednesday and Thursday at 2 PM. The second and fourth Saturday of the month, at 10:30 AM and 2 PM. The second and fourth Sunday of the month at 2 PM. Please meet at the Information Desk of the basement level.
《如果城市》親子創作工作坊 “What If the City” Family Creative Workshop
定時導覽 Scheduled Tours
活動詳情請見北美館官網 www.tfam.museumFor more information, please visit the TFAM official website: www.tfam.museum
對於我們所處居住的環境，每個人有一套自己的主見與想像，如果城市……一定會更好 !工作坊以親子為參加單位，每組家庭將分別被賦予任務，製作城市裡各種空間機能的模
型，歡迎大人、小孩組隊加入創作工作坊的行列。Everyone has their own opinions and their own imagination about the environment we live in. The family workshop “What If the City” focuses on families. Parents and kids take part together, experiencing how to design and create an architectural model. We welcome groups of grown-ups and kids to take part in this creative workshop.
* 參加對象 :4-12 歲親子，每場次限 15 組 ( 一組至多 4 人 )。 Participants: Children 4-12 years old and their parents or guardians. Each session is limited to 15 groups (each group a maximum of 4 persons).
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Wang D
a Hong H
ouse Theatre
王大閎建築劇場
Wang D
a Hong H
ouse Theatre
王大閎建築劇場
王大閎建築劇場Wang Da Hong House Theatre
建築師王大閎 1953 年於建國南路巷弄內的自宅，在 2017 年摹擬重建於北
美館南側美術公園。2018 年北美館以「王大閎建築劇場」的型態啟動營運，
強調「建築」與「劇場」兩個元素，「建築（本身作為一種上演生活的）劇場」，
或「建築（一個）劇場」，並分別推出各類導覽與參與式展演活動。
The recreation of Wang’s house as seen at its completion in 1953 on Jianguo South Road will be displayed at the south end of Taipei Fine Arts Museum within the premises of the Fine Arts Park. In 2018, the Taipei Fine Arts Museum started operating Wang Da Hong House Theatre. Focusing on the two key elements of “architecture” and “theater,” an “architectural theatrical performance” or, alternatively, the “construction” of such a performance is presented through guided tours and interactive performances.
開放時間 : 每週二至週日 09:30-17:30 開放參觀 ( 週一休館 )
即日起至 2018.09.23，週日因辦理活動，暫停一般參觀
空間位置 : 美術館南側美術公園內
Opening Hours: Tuesday–Sunday, 09:30 –17:30 (Closed on Mondays). From now until September 23rd 2018, the theatre is temporarily closed on Sundays to hold special events.Location: Fine Arts Park, to the south of TFAM
2018.03.25 (Sun.) ─ 2018.09.23 (Sun.) 每週日演出六個場次 ( 活動需事先預約 )Six sessions every Sunday (reservation required)活動地點 : 王大閎建築劇場 Venue：Wang Da Hong House Theatre
由藝術團體「明日和合製作所」量身打造，以複數視角重新感受自宅空間內外諸多線索
與故事，開啟一場揉合事實與虛構的體驗。觀眾透過聆聽裝置並將自身置於自宅內遊走、
觀察、對話，沉浸於歷史情境與虛構敘事間。Brought to you by “CO-COISM,” follow the clues and explore the stories scattered throughout the exhibit from multiple viewpoints for an immersive experience that combines the virtual with reality. Wearing listening devices, visitors walk around the theater while exploring, observing, conversing with others, and immersing themselves in the historical scenarios and fictional narratives.
《走路去月亮的人》沉浸式參與計畫 “Walking to the Moon”
探索故事 ‧ 自宅導覽 Guided Tours
定時導覽 Scheduled Tours即日起至 2018.09.22 (Sat.) 止，每週二、三、五、六 15:30，自 2018.09.26 (Wed.) 起，每週三、五、六 15:00 From now on unti l Sat. 22nd Sep., every Tuesday, Wednesday, Friday, Saturday at 3:30 PM. From Wed. 26nd Sep. onwards, every Wednesday, Friday, Saturday at 3:00 PM.團體導覽 Group Tours即日起至 2018.09.22 (Sat.) 止，每週二、四、五、六 10:00、10:30（活動需事先預約）
From now on until Sat. 22nd Sep., every Tuesday, Thursday, Friday, Saturday at 10 AM and 10:30 AM (reservation required).由美術館導覽志工和觀眾一同步入自宅，進行每場次 30 至 40 分鐘的導覽活動，引介「建
築師王大閎」及其「自宅」等相關內容。以空間認識為基礎，透過公眾交流，去探索此
座再現之建物是如何開啟我們對建築的時代記憶與歷史認知 。Follow a TFAM volunteer tour guide with a group of fellow visitors into the Theatre for a 30 to 40 minute tour. This exhibit introduces “master architect Dahong Wang” and his “house” using spatial arrangements that invite the interaction of visitors, who in turn explore the historical link between humans and architecture as documented by time.
2018.07.21 (Sat.) 起，陸續推出
Released on Sat. 21st Jul., more details to come
線上系列主題影片，透過動態影像的紀錄與傳播，將專
家學者們言談之中的知識生產保留下來，成為王大閎與
建築相關研究的口述歷史重要資料。另一方面，透過知
識的傳播與話題的分享，與觀眾共同回望此座曾經存在，
如今被摹擬重建的建築。The online video series captures the knowledge inherent in the speech of experts and scholars through the creation and dissemination of audiovisual records. This series has also become an important source of oral history for studies on Wang Da-hong. Furthermore, through the dissemination of knowledge and the sharing of these discussions, visitors are invited to learn more about the house that had once existed and has now been resurrected through virtual recreation.
《誰來王宅午茶》“Guest at Wang’s House”
活動詳情請見北美館官網 www.tfam.museumFor more information, please visit the TFAM official website: www.tfam.museum12 13
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讓我們穿透魔鏡，迎向新世界！ Cross Through the Magical Mirror, and Enter a New World!
開幕座談 Opening Ceremony Symposium 2018.08.26 (Sun.) 14:30-16:30活動地點：206 展覽室
Venue: Gallery 206
定時導覽 Guided Tours2018.09.04 (Tue.) ─ 2018.10.21 (Sun.) 10:30、14:30集合地點 : 二樓展覽入口處
Meeting Point: Exhibition entrance (2F)
親子導覽活動 Family Guided Tours2018.09.08 (Sat.) ─ 2018.10.14 (Sun.)每週二、三、四 10:00-11:00 每週六、日 11:00-12:00、15:00-16:00Every Tuesday, Wednesday, Thursday from 10-11 AM; every Saturday and Sunday from 11 AM-12 PM, then a second tour in the afternoon from 3-4 PM.集合地點 : 202 展覽室
Meeting Point: Gallery 202
系列講座 Lecture Series2018.10.06 (Sat.) 14:30-16:30 陳貺怡 Kuang-Yi Chen2018.10.20 (Sat.) 14:30-16:30 蘇佩萱 Pei-Hsuan Su2018.11.10 (Sat.) 14:30-16:30 孫松榮 Song-Yong Sing活動地點 : 視聽室 Venue: Auditorium
《天網下的刷臉游擊戰》“Face Scan Guerrilla Warfare Under the Domination of Skynet” 2018.09.15 (Sat.) 14:00-15:00 演出者 Performers：數學家 v.s. 藝術工作職 Mathematician v.s. Art Professional
《一場看似沒有主導者的奴役活動》“An Act of Enslavement Seemingly Without a Leader” 2018.08.25 (Sat.) 14:00-15:00 演出者 Performers：生物工程師 v.s. 藝術工作職 Bioneer v.s. Art Professional
《藝術想像下的新聯盟狀態》“The State of the New Alliance in the Artistic Imagination”
2018.10.06 (Sat.) 14:00-15:00 演出者 Performers：二位不具名藝術工作者 Two anonymous artists
夏陽：觀 ‧ 遊 ‧ 趣 HSIA YAN : Journey to Art
揭相：馬格利特影像展René Magritte, The Revealing Image: Photos and Films
即時影音論壇TomoLive Lecture Performance
跨域讀寫：藝術中的圖書生態學Cross-Domain Reading & Writing: A Biblio-ecology in Art
活動地點 : F 展覽室 Venue: Gallery F
陳貺怡透過演講的形式，擴展了表演的知識面向。她邀請了包括此次展出藝術家的眾多講
者，進行每場一小時，總時數二十四小時的關於「書」的講座。Kuang-Yi Chen’s 24-hr Soapbox Speech broadens our horizons by several impromptu speeches. She invites several speakers, including the participating artists in this exhibition, to talk about books for one hour.
知識的架構影響了書的分類、書的分類又進而限制了知識的架構；策展論述在本次展覽以
一種不曾料想的方式體現在展覽之中。由此緣故，兩位策展人規劃「展覽失敗學」的主題，
兩場講座分別以策展人與藝術家為主題，討論策展的製作與藝術創作過程中，大家甚少討
論而不曾在展場中呈現的失敗面。 The framework of knowledge influences the genres into which books are divided, and book genres in turn limit the framework of knowledge, curatorial discourse will appear in an unexpected way in this exhibition. Therefore, two curators have planned two talks on the theme of failure in exhibitions. One talk will focus on the curators and the other on the artists, discussing the rarely talked about, the never shown side of failure in the gallery during the creative and curatorial process.
《展覽失敗學：從哪裏跌倒，就躺在那裏休息吧》系列座談 “A Study of Exhibition Failures: When you Fall Down, Pick Yourself a Spot for a Nap” Talks
《24 小時的肥皂箱講座》 “24-hr Soapbox Speech”
策展人之章《第一次量化研究就失敗 !? 105 學年最受歡迎引用書目排行統計秘辛》Chapter 1: The Curator “Failing on the First Try at Quantitative Research!? The Secrets behind the Statistics for the Most Cited Books Ranking in the Academic Year of 2016”2018.09.08 (Sat.) 20:00-21:30活動地點 : 誠品敦南店二樓藝術書區閱讀桌
Venue: Reading Desks, eslite Dunnan Store, 2F主講 : 柏雅婷、簡麗庭、張家珩、張家綺
Speakers: Ya-Ting Po, Li-Ting Jian, Chia-Heng Chang, Chia-Chi Chang
藝術家之章《讀不出來？寫到斷水？ 『跨域讀寫 』的作品養成術》Chapter 2: The Artist “Can't Read? No Ink Left in Your Pen? How the Art in‘Cross-Domain Reading & Writing’Came to Be”2018.09.15 (Sat.) 20:00-21:30活動地點 : 誠品敦南店二樓藝術書區閱讀桌
Venue: Reading Desks, eslite Dunnan Store, 2F主講 : 簡麗庭、陳曉朋、鄧肯．蒙佛、齊簡 Speakers: Li-Ting Jian, Shiau-Peng Chen, Duncan Mountford, Chien Chi
2018.09.08 (Sat.) 13:0014:00
15:0016:00
王弘志 Hong-Chih Wang余白 Hubert Kilian
邱杰森 Chieh-Sen Chiu莫珊嵐 Margot Guillemot
2018.09.29 (Sat.) 13:0014:00
15:0016:00
羅仕東 Shih-Tung Lo蔡紫德 Tzu-Te Tsai
王聖閎 Sheng-Hung Wang簡麗庭 Li-Ting Jian
2018.10.13 (Sat.) 13:0014:00
15:0016:00
鄧肯．蒙佛 Duncan Mountford賴嘉綾 Chia-Ling Lai
温怡惠 Eve Wen陳貺怡 Kuang-Yi Chen
*24 小時肥皂箱講座頻道 24-hr Soapbox Speech Channel： www.goo.gl/v1LcE2
活動地點 :1A、 1B 迴廊
Venue：1A &1B Corridors
作品〈人格的資本演繹〉最強而有力的部分是用機器系統建構了三場公眾論壇，藉由即
時運算技術，讓講演者可以和虛擬人物即時互動；同時，講演者能夠臨場或通過網路串
流和觀眾互動。The strongest and most powerful part of “Personhood Prism” is the production of three public forums using machine systems. In these three forums the speakers can instantly interact with avatars through real-time computing technology, while also interacting in real-time with viewers via the Internet.
活動詳情請見北美館官網 www.tfam.museum For more information, please visit the TFAM official website: www.tfam.museum14 15
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《跨域讀寫》系列工作坊 "Cross-Domain Reading & Writing" Workshops
藏書票是十五世紀以來，人類利用版畫技巧，將國家檔案乃至私人搖籃草稿，標註於擁有者與所
有權的印記。各種不同的印刷技巧，都會表現其獨特的紋理、圖板印製與其承載的材質互相堆疊，
造就最後的“質感”。活動邀請觀眾朋友嘗試現場印製北美館「跨域讀寫」之「誠品綠」體驗限定
版紀念藏書票，貼於自己的珍本藏書上，體驗古人的愛書之情。Bookplates date from the 15th century. People used printmaking methods to add these marks of ownership onto everything from files in the national archives to personal hand-drawn drafts of cradles. Different printmaking methods will have their own "feel" through a combination of the unique grain each method produces, the image on the plate, and the material the image is printed on. The event invites the public to use the "eslite Green" stamps for Cross-Domain Reading and Writing exhibition available on-site to print a limited edition bookplate on their treasured books, and experience how people in the old days expressed their love towards their own books.
* 參加對象 : 高中以上 ( 限 10 人 ) Intended audience: High school and above (up to 10 persons per lecture)* 參加方式 : 絹版、金屬鋅版二種版各一場，單場 1 小時。報名詳情請見北美館官網。 Participation: 1 session each for silk screen printing and metal zinc plate printing. Each session lasts for 1 hour. For more information on registration, please visit the TFAM official website.
實物投影機（overhead projector）是許多人小時候的求學記憶之一，但也早已被數位時代的產
物所淘汰，但其獨有的成像原理仍舊能夠玩出許多如沙畫表演等即興演出。工作坊希望藉由透
明水缸、光柵動畫、造型特殊的物件操作，讓民眾體驗彈指之間也能玩出有趣又奇特視覺效果
的光之戲法。Overhead projectors are part of memories of school life for many of us, but they have since been replaced with their digital counterparts. However, the unique principle behind how these projectors work is still very much alive today when it comes to real-time performances such as sand painting. The aim of this workshop is to allow participants to manipulate transparent tanks, raster animation, and objects with special designs to create interesting and dazzling tricks of light with just a few waves of their fingers.
* 參加對象 : 不限，現場自由體驗 Intended audience: All audiences are welcome.
2018.09.08 (Sun.) 15:00-17:00集合地點 : E 展覽室
Meeting Point: Gallery E主持 : 簡麗庭
Moderated by: Li-Ting Jian
2018.10.17 (Wed.) 14:30-16:00活動地點 : 臺北市私立道生院老人長期照顧中心（臺北市北投區）
Venue: Dao Sheng Assisted Living Facility (Beitou District Taipei City)
文化就在巷子裡：《藝術快遞系列 - 藝術賞析》“Culture is Just Around the Corner - Art Express Delivery” Series - Art Appreciation
「展覽漫遊」邀集藝術界與跨領域的專家學者們來館，以他們的專長與創意回應展覽，並
在可能範圍內作異於傳統的展覽鑑賞或回應，與觀眾分享。漫遊的每條路徑都通向未知的
美麗邂逅，激發想像。邀請您與「精明觀察家」漫遊展覽，作一場驚奇之旅。 Art Promenade invites interdisciplinary experts to the museum to respond to the exhibit from their areas of expertise and creativity; and, within possible parameters, to share with audience their observation of the exhibition in ways that diverge from tradition. Every meandering path leads toward an unexpected, beautiful encounter that inspires the imagination. We sincerely invite you to meander through the exhibition with “virtuoeo observers,” and embark on a journey of wonderment.
藝術的欣賞不限制對象、性別、國籍、學歷等。本活動特別規劃手語老師現場同步翻譯，
並藉由多元化藝術品的賞析與說明讓聽障朋友更貼近美術館帶給大眾的視覺饗宴。Anyone can appreciate fine art; it is not something that is limited by identity, gender, nationality, or education level. This event has arranged a sign language interpreter to provide simultaneous interpretation; it will provide a description and analysis of the art pieces in a multi-sensory way so hearing-impaired individuals can also have the opportunity to enjoy the visual feast that TFAM has prepared for the public.
美術館志工大隊以美術館典藏作品為主，以生動活潑的方式與教具進行賞析與藝術創作活
動，進入社區學校、機構團體等，使社會大眾在繁忙的日子也能享受美的悸動和歡樂的感
動。Museum volunteers will be bringing energetic art events inspired by the collections of the museum into communitiewg beauty and delightful joy.
2018.09.29、2018.10.27 (Sat.) 10:00-11:30、14:30-16:00集合地點 : 一樓大廳導覽服務中心前
Meeting Point: 1F Lobby
《午後聽賞》導覽活動 Guided Tours
展覽漫遊 Art Promenade
展覽漫遊 49：跨域讀寫：藝術中的圖書生態學Art Promenade 49: Cross-Domain Reading & Writing: A Biblio-ecology in Art
藝術家「森嵐工作方圖」（邱杰森與莫珊嵐），先以參加者所提供的數張相片進行數位運算，製作
出 3D 面具紙模，除了自己動手做，更可以從中觀察到實體物件如何透過 3D 運算技術，讓平面
成為可以被展開、組裝的視觸體驗，將帶領參與成員一同創作自己的特色面具。C&G Art Group, which consists of the artists Chieh-Sen Chiu and Margot Guillemot, used several photographs provided by participants to create paper molds of 3D masks using digital rendering. Participants of this event will not only work with their hands, but they will also observe how objects from real life can be transformed into flat planes that can be laid out and pieced together through 3D computing technology. The event is a visual and tactile experience where participants will receive guidance on how to create their own unique masks.
* 參加對象 : 國中以上至成人，每場 15 名正取，5 名備取。 Intended audience: Junior high school and above (up to 15 persons per lecture)* 參加方式 : 免費。即日起開放報名，報名詳情請見北美館官網。 Participation: Free admission. For more information on registration, please visit the TFAM official website.
《大眾臉 - 數位常民》“An Average-Looking Face - Digital Commoners” 2018.09.08 (Sat.) 18:00-20:00 活動地點 : 兒藝中心大工作坊 Venue: Children’s Art Education Center Studio
《Oldie Goodie 實物投影機體驗》“Overhead Projector” 2018.10.06 (Sat.) 18:00-20:00 活動地點 : 兒藝中心大工作坊
Venue: Children’s Art Education Center Studio
《跨域讀寫藏書票》“Cross-Domain Reading and Writing Bookplate” 2018.09.22 (Sat.) 15:00-16:00、16:00-17:00 活動地點 : 敦南誠品 B2 風格文具館
Venue: eslite Dunnan Store, Stationery Store (B2)
活動詳情請見北美館官網 www.tfam.museumFor more information, please visit the TFAM official website: www.tfam.museum16 17
出版 Publiciations
《臺北市立美術館典藏選粹》 Taipei Fine Arts Museum Collection Highlights
《庇護所》 Sanctuary
適逢本館 35 週年之際，邀集館內研究人員共同參與《典藏選粹》之選件與策劃。除力換經典新貌，尤其針對近 10 年來所收藏的當代佳作提供曝光機會，共計選出 166 位藝術家的 175 件作品。( 中文版預計於 2018 年10 月出版。)Upon the museum's 35th anniversary, researchers who work at the museum are invited to participate in the selection and curation of Collection Highlights . Not only will some new art works be brought into what is considered classic within the museum's collection, contemporary works of excellence that have entered the collection within the past 10 years will have an opportunity to be made known to the public; a total of 175 works by 166 artists has been selected.（The English edition will be pulished in December 2018. )
作品《庇護所》本身即空間，藉此建立起人們相遇、交流的平台，促使美術館與市民更多元的互動契機。參與者穿梭於手工編織之竹材屏障，除了感受自然材質與光線揉合的美感張力，亦希冀將原始山林的能量、環境的氣味、洗滌心靈的靜謐感帶給觀者，在都市中創造一個庇護之所。The art he creates also forms a space, where a platform is created by the artist for people to meet and interact and for the museum to engage in more interactions with the public on a wide array of contemporary issues. In addition to feeling physically protected, the experience provided by the artwork also prompts the participants to contemplate on the meaning behind spiritual sanctuary. The objective is for this healing and comforting art space to evoke thoughts on broader social issues.
《國際學術研討會論文集－檔案轉向： 東亞當代藝術與臺灣（1960-1989）》
Collected Papers from the International Symposium Archival Turn: East Asian Contemporary Art and Taiwan, 1960-1989
本館與財團法人春之文化基金會於 2017 年共同舉辦「檔案轉向：東亞當代藝術與臺灣（1960-1989）」國際學術研討會，邀集 22 位國際學者與會。本論文選集收錄其中 13 篇論文，論文集分中英文版雙冊出版。TFAM collaborated with the Spring Foundation in 2017 to host Archival Turn: East Asian Contemporary Art and Taiwan (1960-1989), an international symposium which saw the participation of 22 international scholars. The 13 papers published in this collection, a selection from those presented at the symposium, share the common theme of revisiting contemporary art history in various East Asian countries in recent years. The collection of essays is available in both English and Chinese in separate volumes.
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