hungarian scale and its modes incorporating jazz chords all exotic submodes
DESCRIPTION
HUNGARIAN SCALE and ITS MODES Incorporating Jazz Chords All Exotic SubmodesTRANSCRIPT
https://www.youtube.com/watch?v=zBLkBPsHrhs
Incorporating Jazz Chords into your Riffs Maj7,Maj7-11#, Min9, MinAdd9, Min7Flat6
Lydian vertical position for metal chords.
http://docs.solfege.org/3.21/C/scales/hun.html
HUNGARIAN SCALE AND ITS MODES
See also the COMPARATIVE TABLE below
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HUNGARIAN
II SUPERLOCRIAN bb6 bb7
III HARMONIC MINOR b5
IV SUPERLOCRIAN #6
V JAZZ MINOR #5
VI DORIAN b9 #11
VII LYDIAN AUGMENTED #3
HUNGARIAN
Alternative names: Hungarian Major, Lydian Dominant sharp 2, Mixolydian sharp 9 sharp 11, Lydian #2 b7, Mixolydian #2 #4
It starts from the first grade of hungarian scale
Structure: 3121212
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C7(#9 #11)
Enharmonic chord simbols: Cm7, CØ, C7(b5)
SUPERLOCRIAN bb6 bb7
It starts from the second grade of hungarian scale
Structure: 1212123
chords over first notes:
Triad: Seventh chord:
diminished diminished
Chord simbols: Cdim, C°
HARMONIC MINOR b5
Alternative names: Harmonic Minor flat 5
It starts from the third grade of hungarian scale
Structure: 2121231
chords over first notes:
Triad: Seventh chord: Complete chord:
diminished minor with major seventh and diminished fifth
Chord simbols: Cm^(b5)
Enharmonic chord simbols: Cm^(#5)
SUPERLOCRIAN #6
Alternative names: Superlocrian sharp 6
It starts from the fourth grade of hungarian scale
Structure: 1212312
chords over first notes:
Triad: Seventh chord:
diminished half diminished
Enharmonic interpretation:
chords over first notes:
Seventh chord:
dominant with diminished fifth
Enharmonic chord simbols: C7(b5), C13(b5 b9 #9)
JAZZ MINOR #5
Alternative names: Melodic Minor sharp 5
It starts from the fifth grade of hungarian scale
Structure: 2123121
chords over first notes:
Seventh chord: Complete chord:
minor with major seventh and augmented fifth
Chord simbols: Cm^(#5)
DORIAN b9 #11
Alternative names: Dorian flat 9 sharp 11
It starts from the sixth grade of hungarian scale
Structure: 1231212
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm7(b9 #11)
Enharmonic chord simbols: Cm7(b5)
LYDIAN AUGMENTED #3
Alternative names: Lydian Augmented sharp 3, Lydian #3 #5
It starts from the seventh grade of hungarian scale
Structure: 2312121
COMPARATIVE TABLE
between Octatonic scale and some Hungarian scale modes (I, II, IV and VI)
OCTATONIC C Db D# E F# G A Bb C Formula
HUNGARIAN(Major) C D# E F# G A Bb C
R m3 M3 A4 P5 M6 m7
First tritone(egyptian) with Lydian A4 and Dorian/MixoLydian M6-m7
SUPERLOCRIAN bb6 bb7C Db D# E F# G A C
SUPERLOCRIAN #6 C Db D# E Gb A Bb C
DORIAN b9 #11 C Db Eb F# G A Bb C
Hungarian Minor: w - h - + - h - h - + - h ( R M2 m3 A4 P5 m6 M7 R ) [Aeolian first tetrachord, with Lydian A4 and last tritone(Egyptian)]
Between Diminished scale and the rest of modes from Hungarian scale (III, V and VII)
DIMINISHED C D Eb F Gb G# A B C
HARMONIC MINOR b5 C D Eb F Gb Ab B C
MELODIC MINOR #5 C D Eb F G# A B C
LYDIAN AUGMENTED #3 C D E# F# G# A B C
See also Diminished (and Octatonic) scale
DIMINISHED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I DIMINISHED
II OCTATONIC
DIMINISHED
Alternative names: Wholestep - Halfstep
It starts from the first grade of diminished scale
Structure: 21212121
chords over first notes:
Triad: Seventh chord:
diminished diminished
Chord simbols: Cdim, C°
There are only 3 transposition of this mode:
every other trasposition contains the same (or enharmonic) notes of one of theese.
OCTATONIC
Alternative names: Halfstep - Wholestep
It starts from the second grade of diminished scale
Structure: 12121212
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C7, C7(b9), C13(b9), C13(b9 #9 #11)
There are only 3 transposition of this mode:
every other trasposition contains the same (or enharmonic) notes of one of theese.
http://robsilverguitars.blogspot.co.uk/2012/05/hungarian-minor.html
http://docs.solfege.org/3.21/C/scales/
AUGMENTED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I AUGMENTED
II AUGMENTED INVERSE
AUGMENTED
It starts from the first grade of augmented scale
Structure: 313131
chords over first notes:
Triad: Seventh chord:
augmented major seventh with augmented fifth
Chord simbols: C+, C^(#5)
There are only 4 transposition of this mode:
every other trasposition contains the same (or enharmonic) notes of one of theese.
AUGMENTED INVERSE
It starts from the second grade of augmented scale
Structure: 131313
chords over first notes:
Triad:
augmented
There are only 4 transposition of this mode:
every other trasposition contains the same (or enharmonic) notes of one of theese.
BEBOP SCALES
NAME NOTES DESCRIPTION
BEBOP MAJOR Ionian scale adding sharp 5th
BEBOP DOMINANT Mixolydian scale adding major 7th
BEBOP DORIAN Dorian scale adding major 3rd
BEBOP MINOR Jazz Minor scale adding sharp 5th
BEBOP LOCRIAN Locrian scale adding natural 5th
LUES SCALE
NAME NOTES
BLUES
BLUES SCALE
It is a Minor Pentatonic scale with an augmented fourth added
MINOR PENTATONIC C Eb F G Bb C
BLUES SCALE C Eb F F# G Bb C
Structure: 321132
This artificial scale is very useful and can be played over every kind of chord (major, minor, dominant, ecc.) and over every blues progression or turnaround.
Its tipical bluesy sound cames from the blue notes this scale contains: minor third, minor seventh, augmented fourth.
DOUBLE HARMONIC SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I DOUBLE HARMONIC MAJOR
II LYDIAN #2 #6
III ULTRAPHRYGIAN
IV HUNGARIAN MINOR
V ORIENTAL
VI IONIAN AUGMENTED #2
VII LOCRIAN bb3 bb7
DOUBLE HARMONIC MAJOR
Alternative names: Ionian flat 2 flat 6, Double Harmonic, Bizantine, Major Gipsy, Charhargah
It starts from the first grade of double harmonic scale
MAJOR C D E F G A B C
HARMONIC MAJOR C D E F G Ab B C
DOUBLE HARMONIC C Db E F G Ab B C
Structure: 1312131
As we can see from the structure, this is a palindromic mode
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C, Cmaj7, C^, C^(b6 b9)
Enharmonic chord simbols: C^(#5), Cmaj7(#5)
This mode works well even on dominant chords
LYDIAN #2 #6
Alternative names: Lydian sharp 2 sharp 6
It starts from the second grade of double harmonic scale
Structure: 3121311
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: Cmaj7, C^, C^(#11), C^(#6 #9 #11)
Enharmonic chord simbols: C7, Cm7, CØ, C7(b5), C^(b5)
ULTRAPHRYGIAN
Alternative names: Phrygian b4 bb7, Ultralocrian natural 5
It starts from the third grade of double harmonic scale
Structure: 1213113
chords over first notes:
Triad:
minor
Enharmonic interpretation:
chords over first notes:
Triad:
major
HUNGARIAN MINOR
Alternative names: Harmonic Minor sharp 4, Lydian flat 3 flat 6, Double Harmonic Minor, Algerian, Minor Gipsy
It starts from the fourth grade of double harmonic scale
HARMONIC MINOR C D Eb F G Ab B C
DOUBLE HARMONIC MINOR C D Eb F# G Ab B C
Structure: 2131131
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm^9, Cm^(#11)
Enharmonic chord simbols: Cm^(b5), Cm^(#5)
ORIENTAL
Alternative names: Mixolydian flat 5 flat 9, Mixolydian b2 b5
It starts from the fifth grade of double harmonic scale
Structure: 1311312
chords over first notes:
Seventh chord: Complete chord:
dominant
Chord simbols: C7, C7(b5), C7(b5 b9)
IONIAN AUGMENTED #2
Alternative names: Ionian sharp 2 sharp 5
It starts from the sixth grade of double harmonic scale
Structure: 3113121
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented major seventh with augmented fifth
Chord simbols: C+, Cmaj7(#5), C^(#5), Cmaj7(#5 #9)
Enharmonic chord simbols: Cm^(#5)
LOCRIAN bb3 bb7
It starts from the seventh grade of double harmonic scale
Structure: 1131213
Enharmonic interpretation:
HARMONIC MAJOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HARMONIC MAJOR
II DORIAN b5
III PHRYGIAN b4
IV LYDIAN b3
V MIXOLYDIAN b9
VI LYDIAN AUGMENTED #2
VII LOCRIAN bb7
HARMONIC MAJOR
Alternative names: Ionian flat 6
It starts from the first grade of harmonic major scale
HARMONIC MINOR C D Eb F G Ab B C
HARMONIC MAJOR C D E F G Ab B C
Structure: 2212131
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C, C(maj7), C^, C9(maj7), C^9, C^(b6), C^(b13)
Enharmonic chord simbols: C^(#5), Cmaj7(#5), C^9(#5)
DORIAN b5
Alternative names: Locrian sharp 2 sharp 6, Dorian flat 5
It starts from the second grade of harmonic major scale
Structure: 2121312
chords over first notes:
Triad: Seventh chord: Complete chord:
diminished half diminished
Chord simbols: Cm7(b5), Cm9(b5), CØ, CØ9
PHRYGIAN b4
Alternative names: Phrygian flat 4, Superlocrian natural 5, Superphrygian
It starts from the third grade of harmonic major scale
Structure: 1213122
chords over first notes:
Triad: Seventh chord:
minor minor seventh
Enharmonic interpretation:
chords over first notes:
Triad: Seventh chord:
major dominant
Enharmonic chord simbols: C7, C7(#5), C7(b9 #9 b13)
LYDIAN b3
Alternative names: Lydian flat 3, Jazz Minor sharp 4, Jazz Minor #11, Lydian Diminished
It starts from the fourth grade of harmonic major scale
Structure: 2131221
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm^9, Cm^(#11)
Enharmonic chord simbols: Cm^(b5)
MIXOLYDIAN b9
Alternative names: Mixolydian flat 2
It starts from the fifth grade of harmonic major scale
Structure: 1312212
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C7(b9), C13(b9)
LYDIAN AUGMENTED #2
Alternative names: Lydian sharp 2 sharp 5
It starts from the sixth grade of harmonic major scale
Structure: 3122121
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented major seventh with augmented fifth
Chord simbols: C+, Cmaj7(#5), C^(#5), Cmaj7(#5 #9 #11)
Enharmonic chord simbols: C^(b5), Cm^(b5)
LOCRIAN bb7
Alternative names: Locrian diminished 7
It starts from the seventh grade of harmonic major scale
Structure: 1221213
chords over first notes:
Triad: Seventh chord:
diminished diminished
Chord simbols: Cdim, C°, C°7
HARMONIC MINOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HARMONIC MINOR
II LOCRIAN #6
III IONIAN AUGMENTED
IV ROMANIAN
V PHRYGIAN DOMINANT
VI LYDIAN #2
VII ULTRALOCRIAN
HARMONIC MINOR
Alternative names: Aeolian major 7, Melodic Minor flat 6, Mohammedan
It starts from the first grade of harmonic minor scale
NATURAL MINOR C D Eb F G Ab Bb C
HARMONIC MINOR C D Eb F G Ab B C
Structure: 2122131
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm^, Cm9(maj7), Cm^9, Cm(b6), Cm^(b13)
Enharmonic chord simbols: Cm(#5), Cm^(#5)
LOCRIAN #6
Alternative names: Locrian sharp 6
It starts from the second grade of harmonic minor scale
Structure: 1221312
chords over first notes:
Triad: Seventh chord: Complete chord:
diminished half diminished
Chord simbols: Cm7(b5), Cm7(b5 b9), CØ, CØ(b9)
IONIAN AUGMENTED
Alternative names: Ionian sharp 5
It starts from the third grade of harmonic minor scale
Structure: 2213121
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented major seventh with augmented fifth
Chord simbols: C+, C+(maj7), C^+, C9+(maj7), C^(#5), Cmaj7(#5)
ROMANIAN
Alternative names: Dorian sharp 4, Dorian #11, Misheberakh
It starts from the fourth grade of harmonic minor scale
Structure: 2131212
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm9, Cm7(#11), Cm9(#11), Cm13(#11)
Enharmonic chord simbols: Cm7(b5), CØ
PHRYGIAN DOMINANT
Alternative names: Mixolydian flat 9 flat 13, Phrygian Major, Balkan, Spanish Gipsy, Ahava Rabah, Mixolydian b2 b6
It starts from the fifth grade of harmonic minor scale
PHRYGIAN C Db Eb F G Ab Bb C
PHRYGIAN DOMINANT C Db E F G Ab Bb C
Structure: 1312122
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C7(b9), C7(b9 b13)
Enharmonic chord simbols: C7(#5), C7(#5 b9)
LYDIAN #2
Alternative names: Lydian sharp 2
It starts from the sixth grade of harmonic minor scale
Structure: 3121221
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C, Cmaj7, C^, Cmaj7(#9 #11)
Enharmonic chord simbols: Cm^, Cm^(b5), C^(b5)
ULTRALOCRIAN
Alternative names: Diminished , Superlocrian bb7
It starts from the seventh grade of harmonic minor scale
Structure: 1212213
chords over first notes:
Triad: Seventh chord:
diminished diminished
Chord simbols: Cdim, C°, C°7
MAJOR SCALE AND ITS MODES
See alsto the COMPARATIVE TABLE below
GRADE NAME NOTES NOTES TRANSPOSED IN C
I IONIAN
II DORIAN
III PHRYGIAN
IV LYDIAN
V MIXOLYDIAN
VI AEOLIAN
VII LOCRIAN
IONIAN
Alternative names: Major, Diatonic, Greek Lydian, Hypolydian
It starts from the first grade of major scale
Structure: 2212221
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C, Cmaj7, C6, C^, Cmaj7(9), C^9, C6/9
DORIAN
Alternative names: Greek Phrygian, Hypomixolydian
It starts from the second grade of major scale
Structure: 2122212
As we can see from the structure, this is a palindromic mode
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm9, Cm11, Cm13, Cm6, Cm6/9
PHRYGIAN
Alternative names: Greek Dorian, Hypoaeolian, Maqam Kurd, Major Inverse
It starts from the third grade of major scale
Structure: 1222122
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm7(b9), Cm11(b9), Cm11(b9 b13)
Enharmonic chord simbols: Csus(b9)
LYDIAN
Alternative names: Greek Hypolydian, Hypolocrian
It starts from the fourth grade of major scale
Structure: 2221221
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C, Cmaj7, C6, C^, Cmaj7(9), C^9, C6/9, Cmaj7(#11)
Enharmonic chord simbols: Cmaj7(b5)
MIXOLYDIAN
Alternative names: Greek Hypophrygian, Hypoionian
It starts from the fifth grade of major scale
Structure: 2212212
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C9, C11, C13, Csus, C7sus, C9sus, C13sus
AEOLIAN
Alternative names: Natural Minor, Pure Minor, Ancient Minor, Greek Hypodorian, Hypodorian
It starts from the sixth grade of major scale
Structure: 2122122
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm9, Cm11, Cm7(b13), Cm9(b13)
Enharmonic chord simbols: Cm7(#5), Cm9(#5)
LOCRIAN
Alternative names: Half Diminished, Greek Mixolydian, Hypophrygian
It starts from the seventh grade of major scale
Structure: 1221222
chords over first notes:
Triad: Seventh chord: Complete chord:
diminished half diminished
Chord simbols X: Cm7(b5), CØ, Cm7(b5 b9), CØ(b9)
COMPARATIVE TABLE
From the brighter mode (Lydian) to the darker one (Locrian)In the middle there is the Dorian mode
LYDIAN C D E F# G A B C
IONIAN C D E F G A B C
MIXOLYDIAN C D E F G A Bb C
DORIAN C D Eb F G A Bb C
AEOLIAN C D Eb F G Ab Bb C
PHRYGIAN C Db Eb F G Ab Bb C
LOCRIAN C Db Eb F Gb Ab Bb C
MELODIC MINOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I JAZZ MINOR
II DORIAN b9
III LYDIAN AUGMENTED
IV LYDIAN DOMINANT
V MIXOLYDIAN b6
VI SEMILOCRIAN
VII SUPERLOCRIAN
Classical Melodic Minor scale has two forms: ascending and descending:
the descending form correspond to the natural minor scale.
In modern music, however, even the ascending form can be used to descend.
JAZZ MINOR
Alternative names: Melodic Minor Ascending, Minor Major, Modern Minor, Ionian flat 3, Dorian maj7, Ipoionian, Dorian major 7
It starts from the first grade of melodic minor scale
The name Minor Major is because this mode starts like a minor mode an ends like a major one.
NATURAL MINOR C D Eb F G Ab Bb C
HARMONIC MINOR C D Eb F G Ab B C
MELODIC MINOR C D Eb F G A B C
Structure: 2122221
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm6, Cm^, Cm9(maj7), Cm^9, Cm6/9
DORIAN b9
Alternative names: Dorian flat 9, Phrygian sharp 6, Javanese
It starts from the second grade of melodic minor scale
Structure: 1222212
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm7(b9), Cm11(b9), Cm13(b9)
Enharmonic chord simbols: Csus(b9)
LYDIAN AUGMENTED
Alternative names: Lydian sharp 5
It starts from the third grade of melodic minor scale
Structure: 2222121
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented major seventh with augmented fifth
Chord simbols: C+, C+(maj7), C^+, C9+(maj7), C^(#5), Cmaj7(#5), C^(#5 #11)
LYDIAN DOMINANT
Alternative names: Overtone, Lydian flat 7, Mixolydian sharp 11, Mixolydian #4
It starts from the fourth grade of melodic minor scale
Structure: 2221212
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C9, C7(#11), C9(#11), C13(#11)
Enharmonic chord simbols: C7(b5)
MIXOLYDIAN b13
Alternative names: Mixolydian flat 6, Hindu, Aeolian sharp 3, Aeolian Dominant, Hindustan
It starts from the fifth grade of melodic minor scale
Structure: 2212122
As we can see from the structure, this is a palindromic mode
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C, C7, C9, C7(b13), C9(b13), Csus, C7sus, C9sus
Enharmonic chord simbols: C7(#5)
SEMILOCRIAN
Alternative names: Locrian natural 2, Half Diminished, Aeolian flat 5, Locrian #2
It starts from the sixth grade of melodic minor scale
Structure: 2121222
chords over first notes:
Triad: Seventh chord: Complete chord:
diminished half diminished
Chord simbols: Cm7(b5), CØ, Cm9(b5), CØ9
SUPERLOCRIAN
Alternative names: Altered, Ravel, Diminished Whole-tone, Locrian flat 4
It starts from the seventh grade of melodic minor scale
The name Diminished Whole-tone is because this mode starts like a diminished mode an ends like a whole-tone one.
Structure: 1212222
chords over first notes:
Triad: Seventh chord:
diminished half diminished
Enharmonic interpretation:
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented dominant with augmented fifth
Enharmonic chord simbols: C7alt, C7(b5), C7(#5), C+7, C7(b5 b9), C7(#5 #9), C7(b9 #9 #11 b13), ecc.
ALL SCALES
MODES AND SCALES
MAJOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I IONIAN
II DORIAN
III PHRYGIAN
IV LYDIAN
V MIXOLYDIAN
VI AEOLIAN
VII LOCRIAN
MELODIC MINOR SCALES AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I JAZZ MINOR
II DORIAN b9
III LYDIAN AUGMENTED
IV LYDIAN DOMINANT
V MIXOLYDIAN b13
VI SEMILOCRIAN
VII SUPERLOCRIAN
HARMONIC MINOR SCALES AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HARMONIC MINOR
II LOCRIAN #6
III IONIAN AUGMENTED
IV ROMANIAN
V PHRYGIAN DOMINANT
VI LYDIAN #2
VII ULTRALOCRIAN
HARMONIC MAJOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HARMONIC MAJOR
II DORIAN b5
III PHRYGIAN b4
IV LYDIAN b3
V MIXOLYDIAN b9
VI LYDIAN #2 #5
VII LOCRIAN bb7
NEAPOLITAN SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I NEAPOLITAN
II LEADING WHOLE-TONE
III LYDIAN AUGMENTED DOMINANT
IV LYDIAN DOMINANT b6
V MAJOR LOCRIAN
VI SEMILOCRIAN b4
VII SUPERLOCRIAN bb3
NEAPOLITAN MINOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I NEAPOLITAN MINOR
II LYDIAN #6
III MIXOLYDIAN AUGMENTED
IV HUNGARIAN GYPSY
V LOCRIAN DOMINANT
VI IONIAN #2
VII ULTRALOCRIAN bb3
DOUBLE HARMONIC SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I DOUBLE HARMONIC MAJOR
II LYDIAN #2 #6
III ULTRAPHRYGIAN
IV HUNGARIAN MINOR
V ORIENTAL
VI IONIAN AUGMENTED #2
VII LOCRIAN bb3 bb7
HUNGARIAN SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I HUNGARIAN
II SUPERLOCRIAN bb6 bb7
III HARMONIC MINOR b5
IV SUPERLOCRIAN #6
V MELODIC MINOR #5
VI DORIAN b9 #11
VII LYDIAN AUGMENTED #3
ENIGMATIC SCALE
NAME NOTES (ascending) NOTES (descending)
ENIGMATIC
SYMMETRIC SCALES
DIMINISHED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I DIMINISHED
II OCTATONIC
WHOLE TONE SCALE
NAME NOTES
WHOLE TONE
AUGMENTED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I AUGMENTED
II AUGMENTED INVERSE
PENTATONIC SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I MAJOR PENTATONIC
II SUSPENDED PENTATONIC
III MAN GONG
IV RITUSEN
V MINOR PENTATONIC
BLUES SCALE
NAME NOTES
BLUES
BEBOP SCALES
NAME NOTES
BEBOP MAJOR
BEBOP DOMINANT
BEBOP DORIAN
BEBOP MINOR
BEBOP LOCRIAN
NEAPOLITAN SCALE AND ITS MODES
See also the COMPARATIVE TABLE below
GRADE NAME NOTES NOTES TRANSPOSED IN C
I NEAPOLITAN
II LEADING WHOLE-TONE
III LYDIAN AUGMENTED DOMINANT
IV LYDIAN DOMINANT b6
V MAJOR LOCRIAN
VI SEMILOCRIAN b4
VII SUPERLOCRIAN bb3
NEAPOLITAN
Alternative names: Neapolitan Major, Jazz Minor flat 2
It starts from the first grade of neapolitan scale
Structure: 1222221
As we can see from the structure, this is a palindromic mode
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm^(b9)
LEADING WHOLE-TONE
Alternative names: Lydian Augmented sharp 6, Lydian sharp 5 sharp 6
It starts from the second grade of neapolitan scale
Structure: 2222211
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented major seventh with augmented fifth
Chord simbols: C^+, Cmaj7(#5), Cmaj7(#5 #11)
Enharmonic chord simbols: C7(#5)
LYDIAN AUGMENTED DOMINANT
Alternative names: Lydian sharp 5 flat7, Mixolydian sharp 5 sharp 11, Mixolydian #4 #5
It starts from the third grade of neapolitan scale
Structure: 2222112
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented dominant with augmented fifth
Chord simbols: C7(#5), C+7, C7(#5 #11)
Enharmonic chord simbols: C7(b5)
LYDIAN DOMINANT b6
Alternative names: Lydian flat 6 flat 7, Mixolydian sharp 11 flat 13, Mixolydian #4 b6, Lydian Minor
It starts from the fourth grade of neapolitan scale
Structure: 2221122
chords over first notes:
Triad: Seventh chord: Complete chord:
major dominant
Chord simbols: C7, C7(#11 b13)
Enharmonic chord simbols: C7(b5), C7(#5)
MAJOR LOCRIAN
Alternative names: Mixolydian flat 5 flat 6, Mixolydian b5 b13, Locrian sharp 2 sharp 3, Arabian
It starts from the fifth grade of neapolitan scale
Structure: 2211222
chords over first notes:
Seventh chord: Complete chord:
dominant with diminished fifth
Chord simbols: C7(b5), C9(b5), C7(b5 b13), C9(b5 b13)
Enharmonic chord simbols: C7(#5)
SEMILOCRIAN b4
Alternative names: Locrian natural 2 flat 4, Semilocrian flat 4
It starts from the sixth grade of neapolitan scale
Structure: 2112222
chords over first notes:
Triad: Seventh chord:
diminished half diminished
Enharmonic interpretation:
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented dominant with augmented fifth
Enharmonic chord simbols: C7(#5 #11), C7(#5 9 #9 #11), C7(b5)
SUPERLOCRIAN bb3
It starts from the seventh grade of neapolitan scale
Structure: 1122222
Enharmonic interpretation:
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented dominant with augmented fifth
Enharmonic chord simbols: C7(#5 #11), C7(b5), C7(#5 b9 9 #11)
COMPARATIVE TABLE
between Neapolitan scale and Whole-Tone scale
WHOLE-TONE (Db) Db Eb F G A B
NEAPOLITAN C Db Eb F G A B C
between Whole-Tone scale and the rest of modes from Neapolitan scale
WHOLE-TONE (C) C D E F# G# A# C
LEADINGWHOLE-TONE
C D E F# G# A# B C
LYDIAN AUGMENTED DOMINANT C D E F# G# A Bb C
LYDIAN DOMINANT b6 C D E F# G Ab Bb C
MAJOR LOCRIAN C D E F Gb Ab Bb C
SEMILOCRIAN b4 C D D# E Gb Ab Bb C
SUPERLOCRIAN bb3 C Db D E Gb Ab Bb C
See also Whole-Tone scale
NEAPOLITAN MINOR SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I NEAPOLITAN MINOR
II LYDIAN #6
III MIXOLYDIAN AUGMENTED
IV HUNGARIAN GIPSY
V LOCRIAN DOMINANT
VI IONIAN #2
VII ULTRALOCRIAN bb3
NEAPOLITAN MINOR
Alternative names: Neapolitan Major flat 6, Harmonic Minor flat 2, Phrygian maj7
It starts from the first grade of neapolitan scale
NEAPOLITAN C Db Eb F G A B C
NEAPOLITAN MINOR C Db Eb F G Ab B C
Structure: 1222131
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor with major seventh
Chord simbols: Cm, Cm(maj7), Cm^(b9 b13)
Enharmonic chord simbols: Cm^(#5)
LYDIAN #6
Alternative names: Lydian sharp 6
It starts from the second grade of neapolitan scale
Structure: 2221311
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: C^, Cmaj7, Cmaj7(#11)
Enharmonic chord simbols: C^(b5), C7, C7(b5)
MIXOLYDIAN AUGMENTED
Alternative names: Mixolydian sharp 5
It starts from the third grade of neapolitan scale
Structure: 2213112
chords over first notes:
Triad: Seventh chord: Complete chord:
augmented dominant with augmented fifth
Chord simbols: C7(#5), C+7, C7(#5)
HUNGARIAN GIPSY
Alternative names: Aeolian sharp 4
It starts from the fourth grade of neapolitan scale
Structure: 2131122
chords over first notes:
Triad: Seventh chord: Complete chord:
minor minor seventh
Chord simbols: Cm, Cm7, Cm7(#11 b13)
Enharmonic chord simbols: Cm7(b5), Cm7(#5)
LOCRIAN DOMINANT
Alternative names: Locrian sharp 3, Oriental flat 6, Mixolydian flat 5 flat 9 flat 13, Mixolydian b2 b5 b6
It starts from the fifth grade of neapolitan scale
Structure: 1311222
chords over first notes:
Seventh chord: Complete chord:
dominant with diminished fifth
Chord simbols: C7(b5), C7(b5 b9), C7(b5 b9 b13)
Enharmonic chord simbols: C7(#5)
IONIAN #2
Alternative names: Ionian sharp 2
It starts from the sixth grade of neapolitan scale
Structure: 3112221
chords over first notes:
Triad: Seventh chord: Complete chord:
major major seventh
Chord simbols: Cmaj7, C^, C^(#9)
Enharmonic chord symbols: Cm^
ULTRALOCRIAN bb3
It starts from the seventh grade of neapolitan scale
Structure: 1122213
Enharmonic interpretation:
PENTATONIC SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I MAJOR PENTATONIC
II SUSPENDED PENTATONIC
III MAN GONG
IV RITUSEN
V MINOR PENTATONIC
MAJOR PENTATONIC
It starts from the first grade of major pentatonic scale
Structure: 22323
chords over first notes:
Triad:
major
Chord simbols: C, Cmaj7, C6, C^, Cmaj7(9), C^9, C6/9
SUSPENDED PENTATONIC
Alternative names: Yo, Egyptian
It starts from the second grade of major pentatonic scale
Structure: 23232
As we can see from the structure, this is a palindromic mode
Chord simbols: C7sus, C9sus
MAN GONG
It starts from the third grade of major pentatonic scale
Structure: 32322
RITUSEN
It starts from the fourth grade of major pentatonic scale
Structure: 23223
MINOR PENTATONIC
It starts from the fifth grade of major pentatonic scale
Structure: 32232
chords over first notes:
Triad: Seventh chord:
minor minor seventh
Chord simbols: Cm, Cm7
YMMETRIC SCALES
DIMINISHED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I DIMINISHED
II OCTATONIC
WHOLE TONE SCALE
NAME NOTES
WHOLE TONE
AUGMENTED SCALE AND ITS MODES
GRADE NAME NOTES NOTES TRANSPOSED IN C
I AUGMENTED
II AUGMENTED INVERSE
WHOLE-TONE SCALE AND ITS MODES
GRADE NAME NOTES
I WHOLE-TONE
WHOLE-TONE
Alternative names: Exatonic, Anemitonic
Structure: 222222
Enharmonic interpretation:
chords over first notes:
Triad: Seventh chord: Complete Chord:
augmented dominant with augmented fifth
Chord simbols: C+, C7(#5), C9(#5), C9(#5 #11)
Enharmonic chord simbols: C7(b5)
There are only 2 transposition of this mode:
every other trasposition contains the same (or enharmonic) notes of one of theese.