NOT II

Colette SadlerBorn Glasgow, Scotland 1974. Trained in Classical Ballet, then completed a BA (Hons) at The Laban centre London. Worked Internationally as a dancer between ‘94-2002. Since 2002 she begins to develop her own choreographic work. Touring works include dDumY another myself 2006, The Making of Doubt 2008 and Musical 2009.

www.colettesadler.com

I NOT I

»For human beings who have lost every sense of naturalness, each single gesture becomes a destiny. And the more gestures lose their ease under the action of invisible powers, the more life becomes indecipherable.« GIORGIO AGAMBEN

Approximations of the human and the inanimate are a recurring trope in choreographer Colette Sadler’s work. From objects in the solo dDumY – another myself (2006), from dolls and prosthetic limbs in the group piece The Ma-king of Doubt (2008), to props and the theatre apparatus in Musical (2009), Sadler’s work revolves around the following question: “Is it possible to extend the notion of agency beyond the human?”In her new creation I Not I, this principle of reaching out into the inanimate is not achieved through extensions but literally embo-died in gestures. Gestures inha-bit a world between that which we recognize and that, which has no name. They linger on the threshold of language, they flirt with objecthood and deadliness. I Not I ventures into the familiar un-familiar that manifests itself in the chaos of gesturing the inanimate.I Not I creates hybrids by amp-

lifying the peripheral bodies in oneself: animal, machine, object, and mineral. It pushes the perfor-mers into the experience of being outside one’s body, of living it as a foreign entity. Limbs and gestu-res cut loose gain a life and truth of their own, moving into the realm of uninhabited forms and meanings. And even the theatre apparatus starts to gesture, as if it were sympathising with this coll-ection of both human and nonhu-man bodies and their “inanimate” gestures.“Which forms and meanings are left to discover when one disassociates the ‘human’ from the body and its gestures?”, Colette Sadler wonders. “What are their gestures like? On what terms do these hybrid bodies now communicate? How do we identify the meaning of their ge-stures? How do they bend and twist the codes of what we con-sider to be ‘normal’ behaviour?”

Concept / Choreography Colette SadlerSound Design Noid (aka Arnold Haberl)Light Design Raphael VincentDramaturge Jeroen PeetersPerformance/ Choreography Yohei Yamada, Maxwell Mc Carthy and Assaf HochmanDesign/Layout Elena Anna Rieser

I not I is produced by Colette Sadler/stammer productions with financial support from a Creative Scotland Vital Sparks

award and with the support of Jardin d‘Europe and the Culture Programme of the European Commission.

(ArtLink/RO, Bimeras Culture Foundation/TR, CCN Montpel-lier/FR, Cullberg Ballet/SE, danceWEB/AT, Lokomotiva/MK,

Southbank Centre / UK, Station/YU, Ultima Vez/BE, Workshop Foundation/HU).

I NOT IColette Sadler